5Th Festival of Polish Music

Total Page:16

File Type:pdf, Size:1020Kb

5Th Festival of Polish Music 5. Festiwal Muzyki Polskiej 5th Festival of Polish Music Kraków, 9–15 XI 2009 DYREKTOR PROGRAMOWY / PROGRAM DIRECTOR ANDRZEJ KOSOWSKI DYREKTOR ORGANIZACYJNY / ORGANIZATIONAL DIRECTOR PAWEł ORSKI GOŚCIE HONOROWI FESTIWALU / GUESTS OF HONOR LADY CAMILLA PANUFNIK JEREMY PANUFNIK ALINA BIERNACKA PROF. DR. H.C. KRZYSZTOF PENDERECKI PROF. BOGUSłAW SCHAEFFER OFICJALNA STRONA INTERNETOWA FESTIWALU / OFFICIAL FESTIVAL WEBSITE: www.fmp.org.pl ORGANIZATORZY / Organizers Festiwal zorganizowany przy pomocy środków finansowych Gminy Miejskiej Jacek Majchrowski, Kraków oraz programu „Promocja Prezydent Miasta Krakowa / Twórczości” Ministerstwa Kultury i Dzie- The Mayor of the City of dzictwa Narodowego / Festival organi- Kraków zed with the aid of financial resources from the Kraków City Municipality, as Stowarzyszenie Muzyki well as from the Arts Promotion Pro- Polskiej / gram of the Ministry of Culture and He- The Polish Music ritage Association GŁÓWNY SPONSOR / PRINCIPAL SPONSOR Polskie Górnictwo Naftowe Polskie Radio SA / i Gazownictwo Polish Radio SPONSORZY / SPONSORS Filmotechnika Zakład Plakatowania PARTNERZY FESTIWALU / PARTNERS Miasta Hotel Chopin Akademia Muzyczna w Krakowie / Hotel Cracovia The Academy of Music in Kraków Hotel Radisson Capella Cracoviensis KKI BCI EMPiK Krakowski Holding Komunalny SA Filharmonia Krakowska im. Karola MPEC SA Szymanowskiego / Karol Szymanowski MPK SA Philharmonic in Kraków MPO Spółka z o.o. Krakowskie Biuro Festiwalowe / MPWiK SA Krakow Festival Office PATRONAT MEDIALNY / MEDIA PATRONAGE Opera Krakowska / Krakow Opera Pro Publico Bono Cracow-Life Dziennik Polski PARTNER HONOROWY / Karnet HONORARY PATRON Krakow Post Maestro Polskie Wydawnictwo Muzyczne SA / Magiczny Kraków PWM Edition Onet Polskie Radio Program 2 MECENASI / PATRONS Radio Kraków TVP Kraków Ministerstwo Kultury i Dziedzictwa TVP Kultura Narodowego / Ministry of Culture Twoja Muza and Heritage Tygodnik Powszechny FESTIWAL FLAGOWY PROJEKTU 6 ZMYSłÓW Ladies and Gentlemen, In 2008, when the most important Kraków festivals were linked by the 6 Senses project, there was no doubt that the Polish Music Festival must appear on the list of jointly pro- moted events. This is an endeavor of nationwide scale without precedent which, since its first edition – its debut in 2005 – has significantly expanded the circles of recipients of Polish music, superbly popularizing the achievements of our composers in Europe and elsewhere in the world. On the pattern of previous years, this time as well, invitations to Kraków have been accepted by the Polish radio ensembles, distinguished soloists, con- ductors and composers, as well as chamber ensembles enjoying international renown. As is fitting for our first little ‘round anniversary’ – five years having passed since the festival’s birth – there will be no lack of the greatest stars in the music world. Ivo Pogorelić will play one of Fryderyk Chopin’s piano concerti; Midori, one of Karol Szymanowski’s violin concerti; and the Wrocław Opera will inaugurate the festival with Szymanowski’s opera King Roger – a sensational production staged by Mariusz Treliński, with a superb title role created by Andrzej Dobber. The Festival also conscientiously fulfills its most important programming principle, namely to invite foreign artists to perform Polish music. During its premiere edition, works by Henryk Mikołaj Górecki, Grażyna Bacewicz, Wojciech Kilar and Krzysztof Penderecki were performed by the famous Academy of St. Martin-in-the-Fields. In past years, interpretations of Polish works were undertaken by Nigel Kennedy, the Kronos Quartet, The London Sinfonietta; this time, The Tallis Scholars will add to its repertoire early Polish choral music. I warmly welcome you to the Kraków Philharmonic and Opera, to well-known con- cert halls, beautiful historic churches and Wawel Hill, where the Festival concerts will take place. I particularly heartily recommend the holiday` concert which will take place at the Juliusz Słowacki Theater to honor the anniversary of Poland’s regaining of inde- pendence. Together with the Polish Music Association and Polish Radio, I warmly welcome you to participate in the 5th edition of the Polish Music Festival. Prof. Jacek Majchrowski Mayor of the City of Kraków Szanowni Państwo, Kiedy w 2008 roku najważniejsze krakowskie festi- wale połączył projekt „6 zmysłów”, nie było żadnych wątpliwości, że na liście wspólnie promowanych wy- darzeń musi się pojawić Festiwal Muzyki Polskiej. To bezprecedensowe w skali kraju przedsięwzięcie, któ- re od pierwszej edycji, od debiutu w 2005 roku, znacznie poszerza kręgi odbiorców polskiej muzyki, znakomicie popularyzuje dorobek naszych kompo- zytorów w Europie i świecie. Wzorem ubiegłych lat i tym razem zaproszenie do Krakowa przyjęły pol- skie zespoły radiowe, znakomici soliści, dyrygenci i kompozytorzy, cieszące się międzynarodową sławą zespoły kameralne. Jak przystało na pierwszy mały jubileusz – mija właśnie 5 lat od narodzin festiwalu – nie zabraknie największych gwiazd świata muzycznego. Ivo Pogorelić wykona koncert for- tepianowy Fryderyka Chopina, Midori – koncert skrzypcowy Karola Szymanowskiego, a Opera Wrocławska zainauguruje festiwal operą Król Roger Szymanowskiego – głośnym spektaklem w reżyserii Mariusza Trelińskiego, ze znakomitą kreacją Andrzeja Dobbera. Festiwal sumiennie wypełnia też swoje najważniejsze założenie programowe, jakim jest zapraszanie zagranicznych artystów do wykonywania polskiej muzyki. Podczas pre- mierowej edycji utwory Henryka Mikołaja Góreckiego, Grażyny Bacewicz, Wojciecha Kila- ra i Krzysztofa Pendereckiego wykonała słynna Academy of St. Martin-in-the-Fields. W ubiegłych latach interpretacji polskich utworów podjęli się Nigel Kennedy, Kronos Quartet, The London Sinfonietta, a tym razem The Tallis Scholars włączy do swego reper- tuaru dawną polską muzykę chóralną. Serdecznie zapraszam do krakowskiej opery i filharmonii, do znanych sal koncertowych, zabytkowych pięknych kościołów i na wawelskie wzgórze, gdzie odbywać się będą festiwalo- we koncerty. Szczególnie gorąco polecam świąteczny koncert, który odbędzie się w Teatrze im. Juliusza Słowackiego dla uczczenia rocznicy odzyskania przez Polskę niepodległości. Wspólnie ze Stowarzyszeniem Muzyki Polskiej i Polskim Radiem serdecznie zapraszam Państwa do udziału w 5. edycji Festiwalu Muzyki Polskiej. Prof. Jacek Majchrowski Prezydent Miasta Krakowa 7 KALENDARIUM FESTIWALOWE FESTIVAL CALENDAR 9.11.2009, PONIEDZIAŁEK / MONDAY godz. 19.30 / 7:30 pm OPERA KRAKOWSKA / KRAKOW OPERA ul. Lubicz 48 Karol Szymanowski – Król Roger / King Roger Opera Wrocławska / Wrocław Opera Mariusz Treliński – inscenizacja i reżyseria / producer and stage director Tomasz Szreder – dyrygent / conductor Bilety / Tickets: VIP 200 zł / 120 zł / 80 zł / 60 zł 10.11.2009, WTOREK / TUESDAY godz. 12.00 / 12:00 pm PAWILON „WYSPIAŃSKI 2000” / WYSPIAŃSKI 2000 PAVILION pl. Wszystkich Świętych 2 Akademia Festiwalowa / Festival Academy JADWIGA SARNECKA – PIERWSZA POLSKA KOMPOZYTORKA? / JADWIGA SARNECKA – THE FIRST POLISH COMPOSER? Spotkanie z Markiem Szlezerem / Meeting with Marek Szlezer Wstęp wolny / Admission free godz. 18.00 / 6:00 pm KINOTEATR UCIECHA / UCIECHA CINEMA THEATER ul. Starowiślna 16 Impreza towarzysząca / accompanying event: Premierowy pokaz filmu dokumentalnego o Andrzeju Panufniku (TVP Kultura, reż. K. Rzączyński) pt.: Tata zza żelaznej kurtyny / Premiere` showing of documentary film about Andrzej Panufnik (TVP Kultura, dir. K. Rzączyński), entitled Dad from Behind the Iron Curtain Wstęp wolny / Admission free 8 godz. 19.30 / 7:30 pm AULA COLLEGIUM NOVUM UNIWERSYTETU JAGIELLOŃSKIEGO / COLLEGIUM NOVUM AUDITORIUM, JAGIELLONIAN UNIVERSITY ul. Gołębia 24 Elsner, Nowak, Knapik, Bacewicz Piotr Pławner – skrzypce / violin Eugeniusz Knapik – fortepian / piano Bilety / Tickets: VIP 50 zł / 30 zł / 15 zł** 11.11.2009, ŚRODA / WEDNESDAY godz. 19.30 / 7:30 pm TEATR IM. JULIUSZA SŁOWACKIEGO / JULIUSZ SŁOWACKI THEATER pl. Świętego Ducha KONCERT Z OKAZJI ŚWIĘTA NIEPODLEGŁOŚCI / INDEPENDENCE DAY CONCERT Panufnik, Stojowski, Bacewicz, Kowalska*, Moniuszko, Wars, Noskowski Urška Arlič Gololičič – sopran / soprano Tomasz Strahl – wiolonczela / ’cello Polska Orkiestra Radiowa / Polish Radio Orchestra Tomasz Bugaj – dyrygent / conductor Bilety / Tickets: VIP 50 zł / 30 zł / 25 zł 12.11.2009, CZWARTEK / THURSDAY godz. 12.00 / 12:00 pm PAWILON „WYSPIAŃSKI 2000” / WYSPIAŃSKI 2000 PAVILION pl. Wszystkich Świętych 2 Akademia Festiwalowa / Festival Academy ZŁOTY POLSKI RENESANS I BAROK / THE GOLDEN POLISH RENAISSANCE AND BAROQUE Spotkanie z Piotrem Poźniakiem / Meeting with Piotr Poźniak 9 godz. 19.30 / 7:30 pm SALA SENATORSKA NA WAWELU / SENATOR’S HALL, WAWEL ROYAL CASTLE Anonim, Sebastian z Felsztyna, Wacław z Szamotuł, Paligon, Brant, Gorczycki, Pękiel, Zieleński The Tallis Scholars Peter Phillips – dyrygent / conductor Bilety / Tickets: VIP 80 zł / 50 zł / 30 zł** 13.11.2009, PIĄTEK / FRIDAY godz. 12.00 / 12:00 pm PAWILON „WYSPIAŃSKI 2000” / WYSPIAŃSKI 2000 PAVILION pl. Wszystkich Świętych 2 Akademia Festiwalowa / Festival Academy MIECZYSŁAW KARŁOWICZ I FIN DE SIE`CLE / MIECZYSŁAW KARŁOWICZ AND THE FIN DE SIE`CLE Spotkanie z Leszkiem Polonym / Meeting with Leszek Polony godz. 19.30 / 7:30 pm SALA FILHARMONII IM. KAROLA SZYMANOWSKIEGO W KRAKOWIE / HALL OF THE KAROL SZYMANOWSKI PHILHARMONIC IN KRAKÓW ul. Zwierzyniecka 1 W TATRACH. KONCERT Z OKAZJI 100-LECIA ŚMIERCI MIECZYSŁAWA KARŁOWICZA I ZYGMUNTA NOSKOWSKIEGO / IN THE TATRAS. CONCERT MARKING THE 100th ANNIVERSARY OF THE DEATHS OF MIECZYSŁAW KARŁOWICZ AND ZYGMUNT
Recommended publications
  • Imperiale Konzert- Und Opernreisen
    IMPERIALE KONZERT- UND OPERNREISEN September bis Dezember 2017 SEPTEMBER - HÖHEPUNKTE In der Staatsoper kann neben Aufführungen wie „Die Hochzeit des Figaro“, „Der Barbier von Sevilla“, „La Bohème“ u. a., sicherlich „Der Troubadour“ mit Anna Netrebko als Höhepunkt im September gesehen werden. Zusätzlich wird noch Mussorgski‘s „Chowanschtschina“ mit Ferruccio Furlanetto in der Titelrolle gegeben: „Eine zeitlose Parabel auf den ewigen Kreislauf von Machterwerb,- u. Verlust Einzelner auf Kosten des einfachen Volkes.“ Die Wiener Symphoniker treten sowohl im Musikverein, als auch im Konzerthaus auf mit Werken von Strauss und Dvorak. Die Wiener Philharmoniker geben ein Konzert im Musikverein mit Stardirigent Zubin Mehta. REISE 1: 4. bis 7. September 2017 EZ € 2.085,- | DZ € 1.580,- p. P. Montag, den 4.9. In der Staatsoper: Der Troubadour v. G. Verdi Mit George Petean, Anna Netrebko, Luciana D‘Intino, Marcelo Alvarez, Jongmin Park Dienstag, den 5.9. In der Staatsoper: Die Hochzeit des Figaro Mit Adam Plachetka, Dorothea Röschmann, Andrea Caroll, Carlos Alvarez, Margarita Gritskova Mittwoch, den 6.9. In der Staatsoper: Der Barbier von Sevilla v. G. Rossini Mit Ioan Hotea, Paolo Rumetz, Rachel Frankel, Marco Caria, Sorin Coliban REISE 2: 7. bis 10. September 2017 EZ € 2.065,- | DZ € 1.560,- p. P. Donnerstag, den 7.9. In der Staatsoper: Der Troubadour v. G. Verdi Mit George Petean, Anna Netrebko, Luciana D‘Intino, Marcelo Alvarez, Jongmin Park Freitag, den 8.9. In der Staatsoper: Chowanschtschina v. M. Mussorgski Mit Ferruccio Furlanetto, Christopher Ventris, Herbert Lippert, Andrzej Dobber, Ain Anger, Elena Maximova Samstag, den 9.9. In der Staatsoper: Die Hochzeit des Figaro Mit Adam Plachetka, Dorothea Röschmann, Andrea Caroll, Carlos Alvarez, Margarita Gritskova REISE 3: 8.
    [Show full text]
  • POLAND Culture Andart
    POLAND Culture and Art ISBN 978-83-8010-013-8 www.poland.travel EN Culture and Art 3 Culture and Art Culture and Art 5 Culture: Our national heritage and the testimony of romantic reflections Polish culture is woven from the memories of past greatness and the dreams of a better future, and its national character is deeply rooted in Romanticism. In every branch of contemporary art, our rich Polish folklore becomes a source of inspiration for artists. nown for being very musical, Poles love dance and music. Folk melodies Kcan be heard in Chopin’s works, while Krzysztof Penderecki and Witold Lutosławski set new standards in the world of avant-garde music. Poland attracts a lot of attention, thanks to its talented jazz musicians and young artists excelling in the domain of alternative music. The poetry of Wisława Szymborska, recognised with a Nobel Prize, is appreciated in many corners of the world. Like Szymborska’s poems, many others’ works have been translated into foreign languages: the literary reportages of Ryszard Kapuściński, the futuristic prose of Stanisław Lem or the dramas of Sławomir Mrożek. Igor Mitoraj and Magdalena Abakanowicz are consid- ered ambassadors of Polish sculpture, with their monumental works arousing worldwide admi- ration. Roman Opałka’s and Wilhelm Sasnal’s paintings are highly sought after by art collec- tors. ▶ ▶ Poland has been home to many illustrious personalities, whose work changed the face of the world. Some were scientists, like Nicolaus Coperni- cus or Marie Skłodowska-Curie. Others shaped our reality in different ways, for example, the founders of Hollywood, Samuel Goldwyn and the Warner brothers.
    [Show full text]
  • Berlin and Beyond Berlin, Dresden & Leipzig
    BERLIN AND BEYOND BERLIN, DRESDEN & LEIPZIG MAY 2-15, 2019 TOUR LEADER: CHRISTOPHER MENZ BERLIN AND BEYOND Overview BERLIN, DRESDEN & LEIPZIG Berlin is one of the most interesting and diverse of all the great capitals of Europe, and is currently enjoying a major cultural renaissance. First Tour dates: May 2-15, 2019 documented in the 13th century, the city has been the capital of the Prussian Empire, the German Empire, the Weimar Republic and the Third Tour leader: Christopher Menz Reich. Since 1989 the city has relished its role as the capital of a unified and re-energised Germany. Tour Price: $7,250 per person, twin share Berlin is home to some internationally renowned cultural institutions – Single Supplement: $1,750 for sole use of such as museums of antiquities and fine arts – and has ongoing double room significance as a centre of contemporary art and design. Berlin is also famous for its musical heritage, with outstanding ensembles such as the Booking deposit: $500 per person Berlin Philharmonic and three major opera houses adding great lustre to the city’s cultural landscape. Recommended airline: Qatar Airways or Singapore Airlines/Lufthansa This 14-day tour allows you to take an in-depth look at Berlin, and the nearby cities of Potsdam, Leipzig and Dresden. Daily walking tours, Maximum places: 20 background talks and guided visits trace the history and development of Berlin from its earliest days through the glory days of the Prussian and Itinerary: Berlin (5 nights), Leipzig (2 nights), German Empires to the darker days of the early 20th century and its Dresden (2 nights), Berlin (4 nights) rebirth after 1989.
    [Show full text]
  • 0015065KAI Weglowski Webbo
    STEFAN WĘGŁOWSKI (*1985) From 1 to 7 (2017) dedicated to Apoloniusz Węgłowski with all my love 1 1 05:13 2 2 06:38 3 3 04:30 4 4 04:40 5 5 05:03 6 6 05:27 7 7 08:28 TT 40:03 Yeyoung Sohn, soprano Marcin Dylla, guitar 3 The first important application element was the freedom while working on the registered the answer to the question: how to use the material. Each “timbre” line – using our mi- instrument accompanying the human voice crophone – has been assigned the appropri- line? The guitar, so heavily exploited by em- ate performance technique and performed inent composers of the 20th and 21st centu- on an instrument with the appropriate tun- ries, had to be redefined. So, I started re- ing. This way the extracted and recorded searching, which led me to discover the sound areas became the founding material previously never explored possibilities of used to create the album. Writing a compo- this instrument. sition based solely on the vision of the fu- ture sound and breaking new ground was The initial action was to create the right mi- an amazing compositional and cognitive crophone to achieve sounds and registers challenge. The entire sound space of this al- The original idea accompanying my work on that have been so far omitted. We faced bum, except of obviously the vocal parts, is the album “From 1 to 7” was a reference to an engineering challenge with the need to an electronic variation on the guitar sounds the songs of the medieval period of the Ars construct a completely new registration recorded by these unique techniques.
    [Show full text]
  • Spring 2015 CUES Internet at the Speed of Whoa
    OPERAVolume 55 Number 05 | Spring 2015 CUES Internet at the speed of whoa. XFINITY® Internet delivers the fastest and most reliable in-home WiFi for all rooms, all devices, all the time. To learn more call 866-620-9714 or visit comcast.com Restrictions apply. Not available in all areas. Features and programming vary depending on area and level of service. WiFi claims based on April and October 2013 study by Allion Test Labs, Inc. Actual speeds vary and are not guaranteed. Reliably fast speed based on February 2013 FCC Broadband Report. Call for restrictions and complete details. ©2014 Comcast. All rights reserved. All trademarks are property of their respective owners. DIE WALKÜRE APRIL 18, 22, 25, 30 MAY 3 SWEENEY TODD APRIL 24, 26, 29 MAY 2, 8, 9 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR MANAGING DIRECTOR Margaret Alkek Williams Chair ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Kim Anderson Paul Hopper Perryn Leech Elizabeth Lyons Patrick Summers For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera instagram.com/hougrandopera Readers of Houston Grand Opera’s Opera Cues magazine are the Mobile: HGO.org most desirable prospects for an advertiser’s message.
    [Show full text]
  • CD-Liste Cda1209 11.11.12
    1982 1973 mp3- mp3- CD 2 DVD CD CD 3 CD CD CD CD 2 CD CD CD CD CD CD 1973,01 5311,01 1975,01 1982,01 11.11.12 Rene Jacobs, Rachel Yakar, James Bowman, Ulrik Cold, Rita Dams, Jill Max vanGomez, Egmond, , Stiefermann,Chung,Kay Locky Johanna Stojkjovic, Siri Karoline Thornhill, Ann ,Hallenberg, , , Antonietta Cesare Stella, Valletti, Giuseppe Taddei, Barbieri, Fedora Renato Capecchi, , Rina Corsi, Giuseppe Modesti, Dilcheva,Kremena Johnny Maldonado, MariaDoerthe Sandmann, Allen, Tom Egbert Junghanns, Johnny Maldonado, Matthias , Vieweg, Sir White,Willard Measha Blue, ,Brueggergosman, Angel Haskin,Howard , Rodney Clarke, John Fulton, , , , , , , , , , , , , , , , , Anna Caterina Antonacci, Eva Maria Fabio Westbroek, Bryan Hymel, Capitanucci, Hanna Hipp, Barbara Senator, Brindley Sherratt, Ashley Holland, Michael , , Volle, , , , , , Soyer, ChristianeSoyer, Eda Robert Pierre, Robert Massard,Lloyd, , Jane Berbie, Dietrich Henschel, Pasichnyk,Olga Attila Jun, Dusseljee, Kor-Jan Tonbandstimme, Bonita Hyman, Christiane Mirka Oertel, Wagner, Marjana EmilLipovsek, Ivanov, Philippe Rouillon, Raimondi, Ildiko Jacob Wojciech Will, Drabowicz, Migliorini,Thierry Hans Peter Kammerer, Dobber,Andrzej Veronika Dzhieova, Rafal Siwek, Cristina Damian, Tigran Martirossian, , Nurgeldiyev, Dovlet Sergiu Saplacan, Kinga Dobay, Rebecca Rasmussen, MarkusThomas Volle, Pettersson, Christian Oldenburg, Ludvig Lindström, Nyqvist, Peter Christina Nicolai Gedda, Jules Bastin, Roger -- -- -- -- -- -- -- Nilsson, -- -- -- -- -- -- -- cda1209 Antonio Pappano Marc Soustrot
    [Show full text]
  • Bárbara Barradas Soprano
    Date of birth: 08/July/1985 Voice – type: Lyric - Coloratura Soprano Email: [email protected] Website: www.barbarabarradas.com Instagram: bbsopranocoloratura Contacts: +351916302988 Future engagements: •Tour of Concerts in Portugal • Musetta - La Bohème - Puccini - Teatro Nacional de São Carlos Roles: •Lucia – Lucia di Lammermoor – Donizetti – Oper im Berg Festival – Salzburg •Lucia – Lucia di Lammermoor – Donizetti – De Nederlandse Opera (ENOA workshop) - Amsterdam •Bruna - Premier of the new opera “Canção do Bandido” - Nuno Côrte-Real - TNSC/Teatro da Trindade - Lisbon • Le Feu and Le Roussignol - L’enfant et les Sortilége - Ravel - Teatro Nacional de São Carlos - Lisbon • Ines di Castro - Inês de Castro - Giuseppe Giordani - Festival de música de Alcobaça (Portugal) • Gilda - Rigoletto - Verdi, Óbidos Opera Festival (Portugal) • Gilda – Victor Hugo Project – Flandres Operastudio – director Vicent Van den Elshout. • Queen of the Night - Mozart Project – Flandres Operastudio – director Helen Suyderhoud • Nice 1 - Peter Grimes - B. Britten - Teatro Nacional de São Carlos - Lisbon • Performance and recording of the role Ines di Castro - Ines di Castro by Giuseppe Giordani at Festival de música de Alcobaça (Portugal) with the Portuguese Symphonic Orchestra (OSP) and the conductor João Paulo Santos • La Fèe - Cendrillon - Pauline Viardot - Teatro Nacional de São Carlos - Lisbon • Amore - Serenata “L’Endimione” - N. Jommelli - Massimo Mazzeo (conductor) - Divino Sospiro Orchestra • Susanna - Le Nozze di Figaro – Mozart - Calouste
    [Show full text]
  • Premiere of “Nabucco” on 25 May 2019
    Semperoper Dresden: Premiere of “Nabucco” on 25 May 2019 PRESS RELEASE First new production under the baton of the Semperoper’s Principal Guest Conductor, Omer Meir Wellber / Triple debut for Saioa Hernández / Plácido Domingo sings title role in June Dresden, 24 May 2019. On Saturday, 25 May 2019, the curtain will rise in the Semperoper for the premiere of David Bösch’s new production of “Nabucco”. Following his debut with Korngold’s “Die tote Stadt”, the director is now staging Verdi’s third opera in Dresden. Simultaneously, this is the first new production in Dresden to be conducted by Omer Meir Wellber, one of the leading maestros in the operatic and orchestral repertoire, and who, from this season, is principal guest conductor of the Semperoper. Andrzej Dobber, one of the world’s top Verdi baritones, will sing the title role of “Nabucco”. The Polish star has already appeared in Dresden this season as Baron Scarpia in “Tosca”. Saioa Hernández will make a triple debut as Abigaille: Not only is she tackling this role for the first time, but she is also making her Semperoper and German debuts. After making her house debut at Milan’s Teatro alla Scala in December 2018 as Odabella (“Attila”), the multi award-winning Spanish soprano has been acclaimed around the world as a new star in the operatic firmament. The role of Fenena will be sung by mezzo-soprano Christa Meyer, a permanent member of the Semperoper ensemble, who has already delighted audiences this season as Geneviève in “Pelléas et Mélisande” and Adelaide in “Arabella”.
    [Show full text]
  • La Traviata Los Angeles Opera May 30, 2009
    OperaOnline.us Worldwide reviews for a worldwide audience Los Angeles Opera’s Violetta, Marina Poplavskaya – a great talent with one of the most beautiful soprano voices I have heard in years. Photo: Robert Millard GIUSEPPE VERDI LA TRAVIATA LOS ANGELES OPERA MAY 30, 2009 By: Carol Jean Delmar OperaOnline.us Los Angeles Opera is ending its 2008-09 season with what the man sitting next to me called “easy-listening opera.” What made this “La Traviata” so easy to listen to was the marvelous honey-toned Russian soprano, Marina Poplavskaya. This is the same Giovanni Agostinucci production I raved about in September 2006, which starred Renée Fleming as the dying courtesan, Violetta; and Rolando Villazón as her smitten lover, Alfredo. The sets are a little worn though, yet still attractive: the Act 1 party scene in golds and beiges; the Act 2 country retreat with fine wood paneling; Flora’s abode in dazzling reds; and Violetta’s room with a fashionable bed for her to die on. Both Fleming and Villazón inhabited their roles. Villazón exhibited charisma and energy, and Fleming had soul. The current production is quite different though. The excitement isn’t there. Although the artists sang and acted well, I didn’t “feel” much and neither did they -- and that goes for conductor Grant Gershon as well. Passionate conductors draw passion from their orchestras. This orchestra was at times slow. At times the conductor, singers and musicians weren’t in sync. The disinterested musicians disinterested me. It was a precise, correct textbook reading. Grant Gershon played it too safe.
    [Show full text]
  • Central Opera Service Bulletin Volume 29, Number A
    CENTRAL OPERA SERVICE BULLETIN VOLUME 29, NUMBER A CONTENTS NEW OPERAS AND PREMIERES 1 NEWS FMNQKRA COMPANIES 18 GOVERNMENT AND NATIONAL ORGANIZATIONS 24 27 ODNFERENOS H MEM AND REMWftTED THEATERS 29 FORECAST 31 ANNIVERSARIES 37 ARCHIVES AND EXHIBITIONS 39 ATTENTION C0MP0SH8. LIBRE11ISTS, FIAYWRHMTS 40 NUSIC PUBLISHERS 41 EDITIONS AND ADAPTATIONS 4t EOUCATION 44 AFPOINTMEMIS AND RESIGNATIONS 44 COS OPERA SURVEY USA 1988-89 OS INSIDE INFORMATION 57 COS SALUTES. O WINNERS (4 BOOK CORNER 66 OPERA HAS LOST. 73 PERFORMANCE LIST INC. 1969 90 SEASON (CONT.) 83 Sponsored by the Metropolitan Opera National Council CENTRAL OPERA SERVICE BULLETIN Volume 29, Number 4 Fall/Winter 1989-90 CONTENTS New Operas and Premieres 1 News from Opera Companies 18 Government and National Organizations 24 Copyright 27 Conferences 28 New and Renovated Theaters 29 Forecast 31 Anniversaries 37 Archives and Exhibitions 39 Attention Composers, Librettists, Playwrights 40 Music Publishers 41 Editions and Adaptations 42 Education 44 Appointments and Resignations 46 COS Opera Survey USA 1988-89 56 COS Inside Information 57 COS Salutes. 63 Winners 64 Book Corner 66 Opera Has Lost. 73 Performance Listing, 1989-90 Season (cont.) 83 CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. BINDHARDT Please note page 56: COS Opera Survey USA 1988-89 Next issue: New Directions for the '90s The transcript of the COS National Conference In preparation: Directory of Contemporary Opera and Music Theater, 1980-89 (Including American Premieres) Central Opera Service Bulletin • Volume 29, Number 4 • Fall/Winter 1989-90 Editor: MARIA F.
    [Show full text]
  • ABSTRACT Music Has Accompanied Me from an Early Age. I Was Born
    ABSTRACT Music has accompanied me from an early age. I was born into a family with an established musical tradition. My father was the first clarinetist of the Wroclaw Philharmonic, then the Krakow Philharmonic, as well as lecturer at the Academy of Music in Krakow. My mother was a teacher at the Primary School of Music in Kraków and Frederic Chopin Secondary Music School. My parents from an early age shaped my musical sensibility, by attending concerts, daily nurturing and development of musical aptitude and exposing me to excellent recordings. My father inspired me with his playing and passion for the clarinet and thanks to him I decided to choose this career. A huge role in my musical quest was also played by my brother – Tomasz Lato, bassist and co-founder of the band KROKE. I received a classical musical education. I got a PhD degree in musical arts in the discipline of instrumental arts on 4 April 2011 on the basis of the submitted thesis: Sonata for clarinet in the works of English composers of the twentieth century based on the sonatas by Ch. V. Stanford, A. Bax, H. Howells and R.R. Bennett. The degree was awarded by the Instrumental Faculty Council of the Music Academy in Krakow. Earlier in this Academy of Music, I did my PhD studies (2009-2011), assistant internship at the Instrumental Department at the Department of Wind Instruments, Percussion and Accordion (in 2002) and Master‟s studies (1997-2002) leading to a Master's degree of art in the instrumental arts and specializing in playing the clarinet, in the clarinet class of Prof.
    [Show full text]
  • Requiem Giuseppe Verdi
    PATRONAT HONOROWY - ARCYBISKUP KRAKOWSKI STANISŁAW KARDYNAŁ Dz1w1sz HONORARY PATRONAGE URDINALSTANISŁAW Dz1w1sz, ARCHBISHOP OF KRAKOW requiem• Giuseppe Verdi Premiera / Premiere 29 października/ October 201 O Opera Krakowska Opera Krakowska instytucja kultury Województwa ......-....::'--'---' Małopolskiego 3 ;:o m requiem ,() Giuseppe Verdi c MESSA DA REQUIEM Katarzyna Oleś-Blacha (sopran/ soprano) Anna Lubańska (mezzosopran/ mezzo-sopran o ) Vasyl Grokholskyi /Tomasz Kuk/ Tadeusz Szlenkier (tenor) P (/) Volodymyr Pankiv /Bartosz Urbanowicz (bas/ bass) (/) p Orkiestra i Chór Opery Krakowskiej o Krakow Opera Orchestra and Choir p ;:o oraz/ and m ,() Chór Mieszany Katedry Wawelskiej c Mixed Choir of the Wawel Cathedra! pod kierownictwem And rzeja Ko rzeniowskiego conducted by Andrzej Korzeniowski Chór Kameralny Capella Cracoviensis Cham ber Choir of Capella Cracoviensis kierownictwo muzyczne, dyrygent / Music Director, Conductor Tomasz Tokarczyk przygotowanie chórów / Choir Master Zygmunt Magiera kierownictwo artystyczne / Stage Direction and Design Laco Adamik I Barbara Kędzierska I Bogusław Nowak światło/ Lighting Designer Stanisław Zajączkowski 5 Giuseppe Verdi Giuseppe Verdi • MESSA DA REQUIEM MESSA DA REQUIEM ;o asystent kierownika muzycznego/ Music Director's Assistant m Sebastian Perłowski Giuseppe Verdi ( 1813-1901 ), twór• Giuseppe Verdi ( 1813-1901 ), compos- D ca 28 oper, skomponował swoje er of 28 operas, created his Requiem C Requiem na przełomie lat 1873/ 1874. in late 1873 and early 1874, already m asystent reżysera/ Director's Assistant Było to już po triumfalnym sukce­ after the triumphant success of Aida ~ Bożena Walczyk-Skrzypczak sie Aidy ( 1871 ), dzieła, którym praw­ (1871 ), the work wh ich he had probably dopodobnie chciał wówczas zakoń­ meant as the conclusion of his career as -...... asystent scenografa/ Set Designer's Assistant czyć karierę kompozytora operowego.
    [Show full text]