A New, New Year's Eve from Crisis to Krakow
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August 2010 1 August 2010 • Vol
POLISH AMERICAN JOURNAL • AUGUST 2010 www.polamjournal.com 1 AUGUST 2010 • VOL. 99, NO. 8 $2.00 PERIODICAL POSTAGE PAID AT BOSTON, NEW YORK BOSTON, AT PAID PERIODICAL POSTAGE POLISH AMERICAN OFFICES AND ADDITIONAL ENTRY JOURNALESTABLISHED 1911 www.polamjournal.com THE STORY OF WOJTEK THE SOLDIER BEAR DEDICATED TO THE PROMOTION AND CONTINUANCE OF POLISH AMERICAN CULTURE PAGE 14 CATHOLIC LEAGUE CONTINUES TO AID CHURCH IN POLAND • DO DEMOCRATS STILL HAVE A STRONGHOLD ON POLONIA? POLISH MUSEUM HONORS THE PRZYBYLO FAMILY • A POLKAS-ONLY DOWNLOADING SITE • BLACK STORKS? SPORTS: POLAND’S LOSS IS GERMANY’S GAIN • A CHAMPION FOR POLAND’S FREEDOM • SUMMER FESTIVAL RECIPES U.S. Polonia ever faithful to Law and Justice Russians NEWSMARK Participate in INVITE EXTENDED. President Barack Obama has in- Komorowski is Poland’s New President vited Poland’s new president to visit him in Washington. by Robert Strybel newed expectation. Washington Obama telephoned his congratulations to Bronislaw WARSAW— Ultimately, the final Katyn Komorowski after he won an election held three months Bronisław Ko- count showed that after President Lech Kaczynski died in a plane crash. morowski, the can- Komorowski, 58, had Conference According to the White House, Obama told Ko- didate of the ruling indeed won the snap morowski that the “resilience and resolve” the Polish pro-business Civic election, called after Admit to people demonstrated after the tragedy remains an in- Platform (Platforma the death in an April Stonewalling by spiration to the world. Obama also thanked Poland for Obywatelska = PO) air crash of Presi- Higher-Ups its contribution to the U.S. -
0015065KAI Weglowski Webbo
STEFAN WĘGŁOWSKI (*1985) From 1 to 7 (2017) dedicated to Apoloniusz Węgłowski with all my love 1 1 05:13 2 2 06:38 3 3 04:30 4 4 04:40 5 5 05:03 6 6 05:27 7 7 08:28 TT 40:03 Yeyoung Sohn, soprano Marcin Dylla, guitar 3 The first important application element was the freedom while working on the registered the answer to the question: how to use the material. Each “timbre” line – using our mi- instrument accompanying the human voice crophone – has been assigned the appropri- line? The guitar, so heavily exploited by em- ate performance technique and performed inent composers of the 20th and 21st centu- on an instrument with the appropriate tun- ries, had to be redefined. So, I started re- ing. This way the extracted and recorded searching, which led me to discover the sound areas became the founding material previously never explored possibilities of used to create the album. Writing a compo- this instrument. sition based solely on the vision of the fu- ture sound and breaking new ground was The initial action was to create the right mi- an amazing compositional and cognitive crophone to achieve sounds and registers challenge. The entire sound space of this al- The original idea accompanying my work on that have been so far omitted. We faced bum, except of obviously the vocal parts, is the album “From 1 to 7” was a reference to an engineering challenge with the need to an electronic variation on the guitar sounds the songs of the medieval period of the Ars construct a completely new registration recorded by these unique techniques. -
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Cracovia Cantans
8th INTERNATIONAL KRAKOW CHOIR FESTI VAL Cracovia Cantans VIII Krakowski Międzynarodowy Festiwal Chóralny „Cracovia Cantans” Kraków, 08–11.06.2017 www.krakowchoirfestival.pl Jury Włoszech, Japonii, Korei, Norwegii, Hiszpanii, France, Germany, Japan, USA, United Kingdom przewodniczący / the head of the jury Szwecji, Tajwanie, USA i Wenezueli. Zaproszony and Sweden. Takes part as a jury in composition Warszawa, Polska / Warsaw, Poland Prof. Romuald Twardowski na IV Światowym Sympozjum Muzyki Chóralnej and interpretation competitions for choirs, in Kompozytor i pedagog; Composer and lecturer born in Vilnius. He studied w Sydney, Australia (sierpień 1996 r.) Javier Busto Arezzo, Rimini and NuoroCerdeña (Italy), Antalya ur. 17 czerwca 1930 piano and composition in Julius Juzeliunas’ class at otrzymał Złotą Odznakę w swoim rodzinnym mieście, (Turkey), Baden (Österreich), Debrecen (Hungary), roku w Wilnie. Studia State Academy of Music of Lithuanian SRR in Vilnius. Donostiasan Sebastián (1999), oraz w 2012 roku Ejea de los Caballeros (Spain), Hamar (Norway), Las kompozytorskie ukończył His composing studies he continued in Warsaw nagrodę Orfeón Donostiarra & University of the Palmas de G.C. (Spain), Maasmechelem (Belgium), w roku 1960 w Pań Academy of Music in years in Bolesław Woytowicz Basque Country. Maribor (Slovenia), Mérida (Venezuela), Montserrat stwowej Wyższej Szkole class. In year 1963 and 1966 he studied Gregorian Born in Hondarribia (Basque Countryspain) in (Catalunyaspain), Neerpelt (Belgium), Riga (Latvia), Muzycznej w Warszawie chant and medieval polyphony in Nadia Boulanger 1949. Graduated in Medicine by the University of Split (Croatia), Takarazuka (Japan), Tours (France), u Bolesława Woytowicza. class in Paris. He is a laureate of many prizes and Valladolid. -
Someplace Else Eating and Drinking Establishment
EATING AND DRINKING ESTABLISHMENT SPE MENU EDITION (05) sherat;on.com/krakow Warszawa Krakow Poznan Appet:easers SuPEr Salads Munchies& Sand"'iches The Foot;y liio .. ~ 22.00 Zorba bhe <lfeek .. ?7.00 Spring roAs, onion rings and liortilla chips wilih a spicy salsa Mixed letituce wilih fet;a cheese, onion, cucumbel; sweet; peppe1; oregano, Sajgonki warzywne, krqzki cebulowe i chipsy tortilla black olives, olive oi~ lemon juice Mieszanka satat z serem leta, cebulq, og6rkiem, stodkq paprykq, oregano, Mumbo Jumbo Beef Burger 32.00 z pikantnq salsq czarnymi oliwkami doprawiona oliwq z oliwek i sokiem z cytryny With french fries and coleslaw salad served lio order with or wilihouti cheese Wotowy burger z frytkami i satatkq colestaw podawany z serem lub bez Fuego·~~ 10.00 New York Salad 26.00 Spicy french fries Iceberg letituce liopped wibh chicken, bacon, t;omat;o, hard boiled egg, SPEcial Chicken Piba ,ttfJl'' 25.00 Pikantne frytki mustvooms Eo blue cheese crumbs Grilled siced chicken breast; in a lioastied pit;a bread served wilih fries Satata lodowa z dodatkiem kurczaka, bekonu, pomidor6w, jajka na twardo, and a lZatiziki sauce pieczarek i sera plesniowego ' Spicy Jack Beans 20.00 Pita z grilowanym kurczakiem podana z frytkami i sosem Tzatziki Chilkon-came with t;ort;illa chips Original Caesar Salad wibh C~un Chicken 30.00 Chilli con carne z chipsami tortilla The Beef Stieak Sandwich ''Peppioo" 42.00 Crispy iceberg salad liossed wilih a caesar dressing liopped with grilled Ccijun chicken Grilled beef medallions in a lioastied baguetite wilih bell peppers Kiss of Deabh .. 16.00 Chrupiqca satata lodowa z sosem .Caesar'' i grilowanym and mellied cheese Grilowa~e medaliony wotowe w chrupiqcej bagiet: !'l z paprykq i serem ~fried onion rings served wilih a garlic mayomaise kurczakiem w przyprawie Cajun Panierowane krqi:ki cebuli podawane z majonezem czosnkowym Chili Beef Salad ,,_-' 30.00 BLT. -
©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED
©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED SILENCING POLO: CONTROVERSIAL MUSIC IN POST-SOCIALIST POLAND By RENATA JANINA PASTERNAK-MAZUR A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Music Written under the direction of Andrew Kirkman And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Silencing Polo: Controversial Music in Post-Socialist Poland by RENATA JANINA PASTERNAK-MAZUR Dissertation Director: Andrew Kirkman Although, with the turn in the discipline since the 1980s, musicologists no longer assume their role to be that of arbiters of “good music”, the instruction of Boethius – “Look to the highest of the heights of heaven” – has continued to motivate musicological inquiry. By contrast, music which is popular but perceived as “bad” has generated surprisingly little interest. This dissertation looks at Polish post-socialist music through the lenses of musical phenomena that came to prominence after socialism collapsed but which are perceived as controversial, undesired, shameful, and even dangerous. They run the gamut from the perceived nadir of popular music to some works of the most renowned contemporary classical composers that are associated with the suffix -polo, an expression -
Le Damos Una Calurosa Bienvenida Al Pato Negro
Le damos una calurosa bienvenida al Pato Negro INFORMACIÓN IMPORTANTE PARA LOS CLIENTES Tiempo de espera para los platos approx. 20 - 30 minutos. • Se aceptan pedidos hasta las 22.15. • Precios en zlotys polacos. • Los precios incluyen el IVA. Si está satisfecho con nuestro servicio una propina de 10% de la cuenta será bienvenida. Para grupos de 8 o más personas, se agregará 10% a la cuenta por el servicio recibido. Ofrecemos medias porciones de algunos de nuestros platos a 60% del precio del plato entero. Más información sobre las recetas de nuestros platos y bebidas tanto como los alérgenos contienen nuestras comidas y bebidas puedes encontrar en el bar Si te ha gustado nuestro restaurante comparte tu opinión con tus amigos y evaluanos a cinco estrellas Si no hemos cumplido con sus expectativas…. háznoslo saber SG – Sin Gluten V - vegetariano WAŻNE INFORMACJE DLA GOŚCI Czas oczekiwania na potrawy około 20 - 30 minut • Zamówienia przyjmujemy do 22.15 • Ceny w polskich złotych. • Ceny zawierają podatek VAT Jeśli będziecie Państwo zadowoleni z naszej obsługi zwyczajowy 10% napiwek będzie mile widziany. Dla grup 8 osobowych i więcej do rachunku doliczany jest serwis 10% Niektóre z dań możemy podać jako pół porcji. Pół porcji kosztuje 60% ceny całego dania Informacja o recepturach naszych potraw i napojów dostępna jest w barze Informacja o alergenach zawartych w naszych napojach i potrawach znajduje się w barze Jeśli podobało Ci się w naszej restauracji…..powiedz o tym swoim znajomym i oceń nas na 5 gwiazdek Jeśli nie spełniliśmy Twoich -
Requiem Giuseppe Verdi
PATRONAT HONOROWY - ARCYBISKUP KRAKOWSKI STANISŁAW KARDYNAŁ Dz1w1sz HONORARY PATRONAGE URDINALSTANISŁAW Dz1w1sz, ARCHBISHOP OF KRAKOW requiem• Giuseppe Verdi Premiera / Premiere 29 października/ October 201 O Opera Krakowska Opera Krakowska instytucja kultury Województwa ......-....::'--'---' Małopolskiego 3 ;:o m requiem ,() Giuseppe Verdi c MESSA DA REQUIEM Katarzyna Oleś-Blacha (sopran/ soprano) Anna Lubańska (mezzosopran/ mezzo-sopran o ) Vasyl Grokholskyi /Tomasz Kuk/ Tadeusz Szlenkier (tenor) P (/) Volodymyr Pankiv /Bartosz Urbanowicz (bas/ bass) (/) p Orkiestra i Chór Opery Krakowskiej o Krakow Opera Orchestra and Choir p ;:o oraz/ and m ,() Chór Mieszany Katedry Wawelskiej c Mixed Choir of the Wawel Cathedra! pod kierownictwem And rzeja Ko rzeniowskiego conducted by Andrzej Korzeniowski Chór Kameralny Capella Cracoviensis Cham ber Choir of Capella Cracoviensis kierownictwo muzyczne, dyrygent / Music Director, Conductor Tomasz Tokarczyk przygotowanie chórów / Choir Master Zygmunt Magiera kierownictwo artystyczne / Stage Direction and Design Laco Adamik I Barbara Kędzierska I Bogusław Nowak światło/ Lighting Designer Stanisław Zajączkowski 5 Giuseppe Verdi Giuseppe Verdi • MESSA DA REQUIEM MESSA DA REQUIEM ;o asystent kierownika muzycznego/ Music Director's Assistant m Sebastian Perłowski Giuseppe Verdi ( 1813-1901 ), twór• Giuseppe Verdi ( 1813-1901 ), compos- D ca 28 oper, skomponował swoje er of 28 operas, created his Requiem C Requiem na przełomie lat 1873/ 1874. in late 1873 and early 1874, already m asystent reżysera/ Director's Assistant Było to już po triumfalnym sukce after the triumphant success of Aida ~ Bożena Walczyk-Skrzypczak sie Aidy ( 1871 ), dzieła, którym praw (1871 ), the work wh ich he had probably dopodobnie chciał wówczas zakoń meant as the conclusion of his career as -...... asystent scenografa/ Set Designer's Assistant czyć karierę kompozytora operowego. -
Results by Class 2006 Vodka
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5Th Festival of Polish Music
5. Festiwal Muzyki Polskiej 5th Festival of Polish Music Kraków, 9–15 XI 2009 DYREKTOR PROGRAMOWY / PROGRAM DIRECTOR ANDRZEJ KOSOWSKI DYREKTOR ORGANIZACYJNY / ORGANIZATIONAL DIRECTOR PAWEł ORSKI GOŚCIE HONOROWI FESTIWALU / GUESTS OF HONOR LADY CAMILLA PANUFNIK JEREMY PANUFNIK ALINA BIERNACKA PROF. DR. H.C. KRZYSZTOF PENDERECKI PROF. BOGUSłAW SCHAEFFER OFICJALNA STRONA INTERNETOWA FESTIWALU / OFFICIAL FESTIVAL WEBSITE: www.fmp.org.pl ORGANIZATORZY / Organizers Festiwal zorganizowany przy pomocy środków finansowych Gminy Miejskiej Jacek Majchrowski, Kraków oraz programu „Promocja Prezydent Miasta Krakowa / Twórczości” Ministerstwa Kultury i Dzie- The Mayor of the City of dzictwa Narodowego / Festival organi- Kraków zed with the aid of financial resources from the Kraków City Municipality, as Stowarzyszenie Muzyki well as from the Arts Promotion Pro- Polskiej / gram of the Ministry of Culture and He- The Polish Music ritage Association GŁÓWNY SPONSOR / PRINCIPAL SPONSOR Polskie Górnictwo Naftowe Polskie Radio SA / i Gazownictwo Polish Radio SPONSORZY / SPONSORS Filmotechnika Zakład Plakatowania PARTNERZY FESTIWALU / PARTNERS Miasta Hotel Chopin Akademia Muzyczna w Krakowie / Hotel Cracovia The Academy of Music in Kraków Hotel Radisson Capella Cracoviensis KKI BCI EMPiK Krakowski Holding Komunalny SA Filharmonia Krakowska im. Karola MPEC SA Szymanowskiego / Karol Szymanowski MPK SA Philharmonic in Kraków MPO Spółka z o.o. Krakowskie Biuro Festiwalowe / MPWiK SA Krakow Festival Office PATRONAT MEDIALNY / MEDIA PATRONAGE Opera Krakowska / Krakow -
Krakow Post Issue 91.Pdf
inside Krakow Krakow Krakow Photomonth! for Kids Restaurants May 2012 Edition 91 ISSN 1898-4762 www.krakowpost.com THE GREAT EURO 2012 STAY-AWAY Philharmonia falling? …risk of imminent collapse Big“ brother blinks …20m zł project dropped Indie“ screens go dark Anthony Casey Krakow in June. It was a similar story at the Qubus hotel, Hoteliers in the city centre have reported and, at a prestigious hotel on the main While Krakow prepares to welcome up to changes in their usual booking patterns square the manager added: “In June, it 100,000 football fans for this summer’s for summer. Some say that numbers is mostly tourists who come to us. This European championship, some experts are down by as much as 10 per cent, year, however, we have a few empty have warned that the tournament could while others say that the loss of regular spaces. In our opinion, this is because of have a negative effect on tourism in the summer tourists has been compensated Euro 2012. The average tourist who is not city. for by visitors coming to Krakow for the interested in the championships does not Krakow will not host any Euro 2012 tournament. want to come to the city; paradoxically, …the dream is over matches, but with England, Italy and the Zbigniew Janczur, manager of the the championship has damaged us.” Netherlands set to make the city their Capanile hotel, told the newspaper Gazeta However, at Radisson Blu, the “ base for the duration of the tournament, Wyborcza that bookings were noticeably tournament is expected to have a positive Wisła edged out many fans from each of these nations down compared to last year. -
Imaginations and Configurations of Polish Society. from the Middle
Imaginations and Configurations of Polish Society Polen: Kultur – Geschichte – Gesellschaft Poland: Culture – History – Society Herausgegeben von / Edited by Yvonne Kleinmann Band 3 / Volume 3 Imaginations and Configurations of Polish Society From the Middle Ages through the Twentieth Century Edited by Yvonne Kleinmann, Jürgen Heyde, Dietlind Hüchtker, Dobrochna Kałwa, Joanna Nalewajko-Kulikov, Katrin Steffen and Tomasz Wiślicz WALLSTEIN VERLAG Gedruckt mit Unterstützung der Deutsch-Polnischen Wissenschafts- stiftung (DPWS) und der Deutschen Forschungsgemeinschaft (Emmy Noether- Programm, Geschäftszeichen KL 2201/1-1). Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © Wallstein Verlag, Göttingen 2017 www.wallstein-verlag.de Vom Verlag gesetzt aus der Garamond und der Frutiger Umschlaggestaltung: Susanne Gerhards, Düsseldorf © SG-Image unter Verwendung einer Fotografie (Y. Kleinmann) von »Staffel«, Nationalstadion Warschau Lithografie: SchwabScantechnik, Göttingen ISBN (Print) 978-3-8353-1904-2 ISBN (E-Book, pdf) 978-3-8353-2999-7 Contents Acknowledgements . IX Note on Transliteration und Geographical Names . X Yvonne Kleinmann Introductory Remarks . XI An Essay on Polish History Moshe Rosman How Polish Is Polish History? . 19 1. Political Rule and Medieval Society in the Polish Lands: An Anthropologically Inspired Revision Jürgen Heyde Introduction to the Medieval Section . 37 Stanisław Rosik The »Baptism of Poland«: Power, Institution and Theology in the Shaping of Monarchy and Society from the Tenth through Twelfth Centuries . 46 Urszula Sowina Spaces of Communication: Patterns in Polish Towns at the Turn of the Middle Ages and the Early Modern Times . 54 Iurii Zazuliak Ius Ruthenicale in Late Medieval Galicia: Critical Reconsiderations .