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3Ef2fbd446d28e6850b438928ae
1 A. OPUSCOLO 11,5X14,5 CM (BXH) + 5MM DI ABBONDANZA SU OGNI LATO LA MIA BANCA AFFINA IL VINO IN BARRIQUE. Fare il vino è una passione, prima che un lavoro. Non ci sono orari, sabati, domeniche, feste: c’è la natura, con i suoi ritmi, immutabili. E ci sono i clienti, con i loro ritmi, che mutano sempre. Per questo ho bisogno di una banca che osserva, ascolta, capisce. Che sa aspettare e sa agire in fretta. Che si appassiona. La mia banca. 1 bancobpmspa.com La banca di Elisa. Messaggio pubblicitario con finalità promozionali. 2 3 17E0563_BBPM_barriue_TeatroFilarmonico_110x145.indd 1 01/12/17 13:56 CONSIGLIO DI INDIRIZZO Presidente Federico Sboarina Sindaco di Verona Vicepresidente Giuseppe Riello Consiglieri Flavio Piva Gabriele Maestrelli Sovrintendente e Direttore Artistico Cecilia Gasdia COLLEGIO DEI REVISORI DEI CONTI Pina Maria Adriana La Cava, Presidente Pasqualino Castaldi Barbara Premoli Pierluigi Canali, Componente supplente 4 ENNEVI Foto: 1 Teatro Filarmonico Dicembre 2017 Aprile 2018 Martedì 12 Sabino Lenoci: La vedova allegra Conferenza Martedì 3 Le nozze di Figaro Lirica Domenica 17 La vedova allegra Lirica Giovedì 5 Le nozze di Figaro Lirica Martedì 19 La vedova allegra Lirica Venerdì 6 Olli Mustonen Sinfonica Giovedì 21 La vedova allegra Lirica Sabato 7 Olli Mustonen Sinfonica Sabato 23 La vedova allegra Lirica Domenica 8 Le nozze di Figaro Lirica Mercoledì 27 La vedova allegra Lirica Venerdì 20 Davide Annachini: Anna Bolena Conferenza Venerdì 29 La vedova allegra Lirica Domenica 29 Anna Bolena Lirica Domenica 31 La vedova -
Imperiale Konzert- Und Opernreisen
IMPERIALE KONZERT- UND OPERNREISEN September bis Dezember 2017 SEPTEMBER - HÖHEPUNKTE In der Staatsoper kann neben Aufführungen wie „Die Hochzeit des Figaro“, „Der Barbier von Sevilla“, „La Bohème“ u. a., sicherlich „Der Troubadour“ mit Anna Netrebko als Höhepunkt im September gesehen werden. Zusätzlich wird noch Mussorgski‘s „Chowanschtschina“ mit Ferruccio Furlanetto in der Titelrolle gegeben: „Eine zeitlose Parabel auf den ewigen Kreislauf von Machterwerb,- u. Verlust Einzelner auf Kosten des einfachen Volkes.“ Die Wiener Symphoniker treten sowohl im Musikverein, als auch im Konzerthaus auf mit Werken von Strauss und Dvorak. Die Wiener Philharmoniker geben ein Konzert im Musikverein mit Stardirigent Zubin Mehta. REISE 1: 4. bis 7. September 2017 EZ € 2.085,- | DZ € 1.580,- p. P. Montag, den 4.9. In der Staatsoper: Der Troubadour v. G. Verdi Mit George Petean, Anna Netrebko, Luciana D‘Intino, Marcelo Alvarez, Jongmin Park Dienstag, den 5.9. In der Staatsoper: Die Hochzeit des Figaro Mit Adam Plachetka, Dorothea Röschmann, Andrea Caroll, Carlos Alvarez, Margarita Gritskova Mittwoch, den 6.9. In der Staatsoper: Der Barbier von Sevilla v. G. Rossini Mit Ioan Hotea, Paolo Rumetz, Rachel Frankel, Marco Caria, Sorin Coliban REISE 2: 7. bis 10. September 2017 EZ € 2.065,- | DZ € 1.560,- p. P. Donnerstag, den 7.9. In der Staatsoper: Der Troubadour v. G. Verdi Mit George Petean, Anna Netrebko, Luciana D‘Intino, Marcelo Alvarez, Jongmin Park Freitag, den 8.9. In der Staatsoper: Chowanschtschina v. M. Mussorgski Mit Ferruccio Furlanetto, Christopher Ventris, Herbert Lippert, Andrzej Dobber, Ain Anger, Elena Maximova Samstag, den 9.9. In der Staatsoper: Die Hochzeit des Figaro Mit Adam Plachetka, Dorothea Röschmann, Andrea Caroll, Carlos Alvarez, Margarita Gritskova REISE 3: 8. -
Libretto Nabucco.Indd
Nabucco Musica di GIUSEPPE VERDI major partner main sponsor media partner Il Festival Verdi è realizzato anche grazie al sostegno e la collaborazione di Soci fondatori Consiglio di Amministrazione Presidente Sindaco di Parma Pietro Vignali Membri del Consiglio di Amministrazione Vincenzo Bernazzoli Paolo Cavalieri Alberto Chiesi Francesco Luisi Maurizio Marchetti Carlo Salvatori Sovrintendente Mauro Meli Direttore Musicale Yuri Temirkanov Segretario generale Gianfranco Carra Presidente del Collegio dei Revisori Giuseppe Ferrazza Revisori Nicola Bianchi Andrea Frattini Nabucco Dramma lirico in quattro parti su libretto di Temistocle Solera dal dramma Nabuchodonosor di Auguste Anicet-Bourgeois e Francis Cornu e dal ballo Nabucodonosor di Antonio Cortesi Musica di GIUSEPPE V ERDI Mesopotamia, Tavoletta con scrittura cuneiforme La trama dell’opera Parte prima - Gerusalemme All’interno del tempio di Gerusalemme, i Leviti e il popolo lamen- tano la triste sorte degli Ebrei, sconfitti dal re di Babilonia Nabucco, alle porte della città. Il gran pontefice Zaccaria rincuora la sua gente. In mano ebrea è tenuta come ostaggio la figlia di Nabucco, Fenena, la cui custodia Zaccaria affida a Ismaele, nipote del re di Gerusalemme. Questi, tuttavia, promette alla giovane di restituirle la libertà, perché un giorno a Babilonia egli stesso, prigioniero, era stato liberato da Fe- nena. I due innamorati stanno organizzando la fuga, quando giunge nel tempio Abigaille, supposta figlia di Nabucco, a comando di una schiera di Babilonesi. Anch’essa è innamorata di Ismaele e minaccia Fenena di riferire al padre che ella ha tentato di fuggire con uno stra- niero; infine si dichiara disposta a tacere a patto che Ismaele rinunci alla giovane. -
Festival Verdi
INTERNO ALETTA TESTO GUTTUSO Personalità e genio ritratti con pochi segni di matita. Decisi. Sicuri. Delineano il volto inconfondibile, lo sguardo penetrante, l’espressione severa. Il ritratto di Giuseppe Verdi realizzato da Renato Guttuso negli anni ‘60, donato al Teatro Regio di Parma dall’Archivio storico Bocchi, in ricordo di Mario Bocchi, diviene, nell’anno del Bicentenario, icona originale, esclusiva, del Festival Verdi. FONDAZIONE Presidente Sindaco di Parma Federico Pizzarotti Membri del Consiglio di Amministrazione Giuseppe Albenzio Laura Maria Ferraris Silvio Grimaldeschi Marco Alberto Valenti Amministratore esecutivo Carlo Fontana Direttore artistico Paolo Arcà Presidente del Collegio dei Revisori Giuseppe Ferrazza Revisori Andrea Frattini Alessandro Picinini Comitato promotore delle celebrazioni verdiane Presidente Paolo Peluffo Comitato di consulenza musicologica per il Festival Verdi Marcello Conati Gerardo Guccini Emilio Sala Il Festival Verdi è realizzato grazie al contributo di Major partner Partner eventi speciali Partner Main partner Sponsor Sponsor tecnici Tour operator partner Partner celebrazioni Il Teatro Regio di Parma ringrazia inoltre gli imprenditori che hanno voluto personalmente sostenere il Festival Verdi 2013 Teatro Regio di Parma 30 settembre 2013 FILARMONICA DELLA SCALA Direttore RICCARDO CHAILLY Musiche Giuseppe Verdi 1, 4, 6, 8, 11 ottobre 2013 SIMON BOCCANEGRA Musica Giuseppe Verdi 10 ottobre 2013 FILARMONICA ARTURO TOSCANINI CORO DEL TEATRO REGIO DI PARMA Direttore YURI TEMIRKANOV Musiche Giuseppe -
POLAND Culture Andart
POLAND Culture and Art ISBN 978-83-8010-013-8 www.poland.travel EN Culture and Art 3 Culture and Art Culture and Art 5 Culture: Our national heritage and the testimony of romantic reflections Polish culture is woven from the memories of past greatness and the dreams of a better future, and its national character is deeply rooted in Romanticism. In every branch of contemporary art, our rich Polish folklore becomes a source of inspiration for artists. nown for being very musical, Poles love dance and music. Folk melodies Kcan be heard in Chopin’s works, while Krzysztof Penderecki and Witold Lutosławski set new standards in the world of avant-garde music. Poland attracts a lot of attention, thanks to its talented jazz musicians and young artists excelling in the domain of alternative music. The poetry of Wisława Szymborska, recognised with a Nobel Prize, is appreciated in many corners of the world. Like Szymborska’s poems, many others’ works have been translated into foreign languages: the literary reportages of Ryszard Kapuściński, the futuristic prose of Stanisław Lem or the dramas of Sławomir Mrożek. Igor Mitoraj and Magdalena Abakanowicz are consid- ered ambassadors of Polish sculpture, with their monumental works arousing worldwide admi- ration. Roman Opałka’s and Wilhelm Sasnal’s paintings are highly sought after by art collec- tors. ▶ ▶ Poland has been home to many illustrious personalities, whose work changed the face of the world. Some were scientists, like Nicolaus Coperni- cus or Marie Skłodowska-Curie. Others shaped our reality in different ways, for example, the founders of Hollywood, Samuel Goldwyn and the Warner brothers. -
Ernani Program
VERDI PATRON-IN-CHIEF DR HARUHISA HANDA Celebrating the return of World Class Opera HSBC, as proud partner of Opera Australia, supports the many returns of 2021. Together we thrive Issued by HSBC Bank Australia Limited ABN 48 006 434 162 AFSL No. 232595. Ernani Composer Ernani State Theatre, Giuseppe Verdi (1813-1901) Diego Torre Arts Centre Melbourne Librettist Don Carlo, King of Spain Performance dates Francesco Maria Piave Vladimir Stoyanov 13, 15, 18, 22 May 2021 (1810-1876) Don Ruy Gomez de Silva Alexander Vinogradov Running time: approximately 2 hours and 30 Conductor Elvira minutes, including one interval. Carlo Montanaro Natalie Aroyan Director Giovanna Co-production by Teatro alla Scala Sven-Eric Bechtolf Jennifer Black and Opera Australia Rehearsal Director Don Riccardo Liesel Badorrek Simon Kim Scenic Designer Jago Thank you to our Donors Julian Crouch Luke Gabbedy Natalie Aroyan is supported by Costume Designer Roy and Gay Woodward Kevin Pollard Opera Australia Chorus Lighting Designer Chorus Master Diego Torre is supported by Marco Filibeck Paul Fitzsimon Christine Yip and Paul Brady Video Designer Assistant Chorus Master Paul Fitzsimon is supported by Filippo Marta Michael Curtain Ina Bornkessel-Schlesewsky and Matthias Schlesewsky Opera Australia Actors The costumes for the role of Ernani in this production have been Orchestra Victoria supported by the Concertmaster Mostyn Family Foundation Sulki Yu You are welcome to take photos of yourself in the theatre at interval, but you may not photograph, film or record the performance. -
Orfeo Euridice
ORFEO EURIDICE NOVEMBER 14,17,20,22(M), 2OO9 Opera Guide - 1 - TABLE OF CONTENTS What to Expect at the Opera ..............................................................................................................3 Cast of Characters / Synopsis ..............................................................................................................4 Meet the Composer .............................................................................................................................6 Gluck’s Opera Reform ..........................................................................................................................7 Meet the Conductor .............................................................................................................................9 Meet the Director .................................................................................................................................9 Meet the Cast .......................................................................................................................................10 The Myth of Orpheus and Eurydice ....................................................................................................12 OPERA: Then and Now ........................................................................................................................13 Operatic Voices .....................................................................................................................................17 Suggested Classroom Activities -
Stony Brook Opera 2015-2016 Season
LONG ISLAND OPERA GUILD NEWSLETTER MARCH 2016 Stony Brook Opera 2015-2016 Season A letter from the Artistic Director of Stony Brook Opera Our current season will end with a semi-staged concert performance of Giacomo Puccini’s beloved masterpiece La Department and friends from New York City who attended Bohème, sung in the original Italian language with projected those performances all told me that from a theatrical point of titles in English. The Stony Brook Symphony will be on stage, view nothing was lacking, and that they enjoyed immensely with the opera chorus behind it on risers. The Stony Brook being able to see how the singers, chorus, and orchestra Opera cast will perform from memory on the stage space in interact in the overall musical and dramatic experience. That is front of the orchestra. Timothy Long will conduct the cast, not possible when the orchestra is out of sight, as it always is chorus and orchestra. Brenda Harris, Performing Artist in in a full production. From a theatrical point of view, La Residence and a leading soprano in American regional opera Bohème presents a far greater challenge than Lucia did, in part will direct the singers, who will be fully blocked, and will use because it calls for so many “things” on stage throughout the props and furniture and minimal costuming as appropriate. opera—not only essential furniture pieces, but also numerous Tomas Del Valle of the Theatre Arts Department makes his small hand props, all of which are vital to the narrative, and Stony Brook Opera debut as the lighting designer, and he is carry great emotional weight in the plot, such as the candle planning exciting theatrical lighting for the space where the and the key, and Mimì’s bonnet, to name a few. -
Application/Pdf 983.64 KB
BIOGRAFÍAS ANGELA TEODOR CIPRIAN GHEORGHIU ILINCĂI TEODORAŞCU TEMPORADA 2017-2018 Es una de las sopranos más Tras estudiar oboe y filología, Nació en Galati, Rumanía, y es destacadas de las últimas este tenor rumano se graduó en director en la Ópera Nacional décadas. Nació en Adjud, la Universidad de Música de de Rumanía en Bucarest desde Rumanía, y se graduó en la Bucarest. Inició su carrera 2003. Graduado de la Universidad Nacional de profesional en la Ópera Universidad Nacional de Música de Bucarest. Debutó Nacional de Rumanía en 2008. Música, estudió en Francia en la Royal Opera House de Fue premiado en importantes con el director Alain Paris, Londres en 1992 como Mimì concursos de canto, como el de especialista en repertorio (La bohème) y ese mismo año en Szczecin (2008) y el Viñas francés. Ha trabajado con casi la Metropolitan Opera House (2010). Su debut internacional, todas las instituciones de Nueva York y la Staatsoper en 2009, tuvo lugar en la Ópera musicales de su país, como las de Viena. En 1994 interpretó de Hamburgo con Macduff óperas de Brasov y Timisoara, por primera vez a Violetta (Macbeth), y ese mismo año el Teatro Nacional de Opereta (La traviata) con gran éxito debutó en la Staatsoper de de Bucarest, así como con la de público y crítica. Desde Viena como Ismaele (Nabucco). Radio Televisión Rumana. Ha entonces ha cantado en los más Ha cantado en algunos de los dirigido en la Ópera de Sarajevo reputados escenarios de París teatros más prestigiosos del y en el Teatro Malibran de Breguet La Classique a Buenos Aires, pasando por mundo, como la Royal Opera Venecia, y ha colaborado con Classique Extra-Plate Guillochée 7147 Ámsterdam, Kuala Lumpur, House de Londres, la Opéra destacados artistas rumanos (el Los Ángeles, Milán, Moscú national de Paris, el Liceu de bajo Eduard Tumagian, los y Zúrich. -
Turandot.Pdf
Turandot Program Cover.indd 1 11/2/2017 4:19:31 PM LYRIC OPERA OF CHICAGO Table of Contents REED HUMMELL/NASHVILLE OPERA IN THIS ISSUE Turandot – pp. 20-35 6 From the General Director 12 Administration/Administrative Staff/ 53 Look to the Future Production and Technical Staff 8 From the Chairman 54 Major Contributors – Special Events 14 From the Inside Out: 10 Board of Directors and Project Support Lyric's Backstage Tours 11 Women’s Board/Guild Board/Chapters’ 20 Tonight’s Performance 55 Lyric Unlimited Contributors Executive Board/Young Professionals/ Ryan Opera Center Board 21 Synopsis 56 Commemorative Gifts 23 Cast 57 Ryan Opera Center 24 Artist Profiles Lyric's 58 Ryan Opera Center Alumni 30 Opera Notes Around the World Backstage 34 Director's Note Tours 59 Ryan Opera Center Contributors 35 After the Curtain Falls pp. 14-18 60 Planned Giving: The Overture Society 36 Musical Staff/Orchestra/Chorus 62 37 Backstage Life Corporate Partnerships 38 Artistic Roster 63 Matching Gifts, Special Thanks and 39 Lyric and Social Media Acknowledgements 40 Patron Salute 64 Annual Individual and 43 Aria Society Foundation Support 52 Breaking New Ground 71 Facilities and Services/Theater Staff On the cover: Painting by Fu Baoshi (1904-1965) 2 | December 5, 2017 - January 27, 2018 Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Account Managers Rand Brichta - Arnie Hoffman - Greg Pigott Executive Editor Southeast Michael Hedge 847-770-4643 Southwest Betsy Gugick & Associates 972-387-1347 Lisa Middleton East Coast Manzo Media Group 610-527-7047 Marketing and Sales Consultant David L. -
PRESENTS Table of Contents
PRESENTS Table of Contents Welcome................................................................................................................. 3 Staff and Board of Directors..........................................................................6 About Pittsburgh Festival Opera.................................................................7 Cornetti’s Candid Concert and After-Party | July 10................................8 Marianne: Unstaged | July 11, 18, and 25.................................................10 Pit Crew: Singer-Free Sundays | July 12, 19, and 26..............................13 Leitmotif: Walking through Wagner | July 16..........................................17 I, Too, Sing | July 17...........................................................................................18 Composer Spotlight: Mark Adamo | July 23.............................................20 Putting it Together: Online Young Artists Program | July 24..........21 2020 OYAP Faculty........................................................................................... 26 Rusalka: A Mermaid’s Tale | July 25............................................................27 Contributions, Gifts, and Institutional Support................................. 29 Welcome from the President We need 20-20 vision to view the events of 2020. Much of what we took for granted, including the highest ever level of our economy and the lowest ever level of unemployment, suggested a bright future for the performing arts. We at Pittsburgh Festival Opera were especially -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No.