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RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA in ONE ACT
RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA IN ONE ACT Composer Richard Strauss Librettist Hedwig Lachmann Based on Oscar Wilde’s play Salomé Conductor Richard Mills AM Director Cameron Menzies Set Designer Christina Smith Costume Designer Anna Cordingley Lighting Designer Gavan Swift Choreographer Elizabeth Hill-Cooper CAST Salome Vida Miknevičiūtė Herod Ian Storey Jochanaan Daniel Sumegi Herodias Liane Keegan Narraboth James Egglestone Page of Herodias Dimity Shepherd Jews Paul Biencourt, Daniel Todd, Soldiers Alex Pokryshevsky, Timothy Reynolds, Carlos E. Bárcenas, Jerzy Kozlowski Raphael Wong Cappadocian Kiran Rajasingam Nazarenes Simon Meadows, Slave Kathryn Radcliffe Douglas Kelly with Orchestra Victoria Concertmaster Yi Wang 22, 25, 27 FEBRUARY 2020 Palais Theatre Original premiere 9 December 1905, Semperoper Dresden Duration 90 minutes, no interval Sung in German with English surtitles PRODUCTION PRODUCTION TEAM Production Manager Eduard Inglés Stage Manager Whitney McNamara Deputy Stage Manager Marina Milankovic Assistant Stage Manager Geetanjali Mishra MUSIC STAFF Repetiteurs Phoebe Briggs, Phillipa Safey ACKNOWLEDGEMENTS Surtitles courtesy of Opera Australia ResolutionX, BAACLight Theatre, Lilydale Theatre Company © Anna Cordingley, Costume Designer P. 4 VICTORIAN OPERA 2020 SALOME ORCHESTRA CONCERTMASTER Sarah Cuming HORN Yi Wang * Philippa Gardner Section Principal Jasen Moulton VIOLIN Tania Hardy-Smith Chair supported by Mr Robert Albert Principal -
A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
DOCUMENTS on GERMAN FOREIGN POLICY ' 1918-1945 from Tbe Brcbt"Es of Tbe ~Erman Jforeign .Ministtl2
DOCUMENTS ON GERMAN FOREIGN POLICY ' 1918-1945 from tbe Brcbt"es of tbe ~erman jforeign .Ministtl2 Series D Volume I FROM NEURATH TO RIBBENTROP September 1 9 3 7 • September 19 3 8 LONDON HIS MAJESTY'S STATIONERY OFFICE In June 1946 the British Foreign Office and the United States Department of State agreed jointly to publish documents from captured archives of the German Foreign Ministry and the Reich Chancellery. Although the main body of the captured archives goes back to the year 1867, it was decided· to limit the present publication to papers relating to the years after 1918, since the object of the publication was" to establish the record of German foreign policy preceding and du:ing World War II". The editorial work was to be performed " on the basis of the highest scholarly objectivity". The editors were to have complete freedom in the selection of the documents to be published. Publication was to begin and be concluded as soon as possible. In April1947 the French Government, having requested the right to participate in the project, accepted the terms of this agree ment. The documents covering the period from July 1936 to the outbreak of War in September 1939 have now been selected jointly by the three Allied Editorial Staffs. They comprise six volumes, and form the first and larger portion of Series D, which will carry the history of German foreign relations to the end of the Second World War. Volume I, the present volume, deals with Germany's foreign policy from the end of September 1937 to September 1938, covering particularly the seizure of Austria in March 1938. -
1 Madama Butterfly I Personaggi E Gli Interpreti
1 G V M e i r a a s i d c o n o a e Madama Butterfly m m o o r a i Versione originale del 17 febbraio 1904 g i P B n u a u l c Giacomo Puccini e t c t d e i e n r l i f 1 l 7 y f e Stagione d’Opera 2016 / 2017 b b r a i o 1 9 0 4 S t a g i o n e d ’ O p e r a 2 0 1 6 / 2 0 1 7 Madama Butterfly Versione originale del 17 febbraio 1904 Tragedia giapponese in due atti Musica di Giacomo Puccini Libretto di Luigi Illica e Giuseppe Giacosa (da John L. Long e David Belasco) Nuova produzione Teatro alla Scala EDIZIONI DEL TEATRO ALLA SCALA TEATRO ALLA SCALA PRIMA RAPPRESENTAZIONE Mercoledì 7 dicembre 2016, ore 18 REPLICHE dicembre Sabato 10 Ore 20 – TurNo B Martedì 13 Ore 20 – TurNo A VeNerdì 16 Ore 20 – TurNo C DomeNica 18 Ore 20 – TurNo D VeNerdì 23 Ore 20 – TurNo E REPLICHE gennaio 2017 Martedì 3 Ore 20 – Fuori abboNameNto DomeNica 8 Ore 15 – Fuori abboNameNto ANteprima dedicata ai GiovaNi LaScalaUNDER30 Domenica 4 dicembre 2016, ore 18 SOMMARIO 5 Madama Butterfly . Il libretto 40 Il soggetto ArgumeNt – SyNopsis – Die HaNdluNg – ࠶ࡽࡍࡌ – Сюжет Claudio Toscani 53 Giacomo PucciNi Marco Mattarozzi 56 L’opera iN breve Claudio Toscani 58 La musica Virgilio Bernardoni 62 La prima Butterfly , uN ricoNoscimeNto morale all’Autore. UNa possibilità iN più di ascolto, coNfroNto e coNosceNza INtervista a Riccardo Chailly 67 “UNa vera sposa...”? INgaNNo e illusioNe Nella prima Arthur Groos scaligera di Madama Butterfly 83 Madama Butterfly, uNa tragedia iN kimoNo Michele Girardi 99 Come eseguire Madama Butterfly Dieter Schickling 110 Madama Butterfly alla Scala dal 1904 al 2007 Luca Chierici 137 Alvis HermaNis e Madama Butterfly Olivier Lexa Il gesto della fragilità 167 Riccardo Chailly 169 Alvis HermaNis 170 Leila Fteita 171 Kris t¯ıNe Jur j¯aNe 172 Gleb FilshtiNsky 173 INeta SipuNova 174 Alla Sigalova 175 Olivier Lexa 176 Madama Butterfly . -
Young Leaders’ Responses to a World in Transition
Time for Fresh Air: Young Leaders’ Responses to a World in Transition PACIFIC FORUM CSIS YOUNG LEADERS Issues & Insights Vol. 13 – No. 15 Geneva, Switzerland April 2013 Edited By Billy Tea Pacific Forum CSIS Based in Honolulu, the Pacific Forum CSIS (www.pacforum.org) operates as the autonomous Asia-Pacific arm of the Center for Strategic and International Studies in Washington, DC. The Forum’s programs encompass current and emerging political, security, economic, business, and oceans policy issues through analysis and dialogue undertaken with the region’s leaders in the academic, government, and corporate arenas. Founded in 1975, it collaborates with a broad network of research institutes from around the Pacific Rim, drawing on Asian perspectives and disseminating project findings and recommendations to opinion leaders, governments, and members of the public throughout the region. The Young Leaders Program The Young Leaders Program invites young professionals and scholars to join Pacific Forum policy dialogues and conferences. The program fosters education in the practical aspects of policy-making, generates an exchange of views between young and seasoned professionals, builds adaptive leadership capacity, promotes interaction among younger professionals from different cultures, and enriches dialogues with generational perspectives for all attendees. Young Leaders must have a strong background in the area covered by the conference they are attending and an endorsement from respected experts in their field. Supplemental programs in conference host cities and mentoring sessions with senior officials and specialists add to the Young Leader experience. The Young Leaders Program is possible with generous funding support by governments and philanthropic foundations, together with a growing number of universities, institutes, and organizations also helping to sponsor individual participants. -
Fondazione Teatro Regio Di Torino Bilancio Di Esercizio
FONDAZIONE TEATRO REGIO DI TORINO BILANCIO DI ESERCIZIO 2014 1 2 FONDAZIONE TEATRO REGIO DI TORINO Consiglio d’Indirizzo in carica dal 12 settembre 2014 Piero Fassino Presidente Paolo Cantarella Consigliere Angelica Corporandi D’Auvare Musy Consigliere Filippo Fonsatti Consigliere Cristina Giovando Consigliere Gianbattista Quirico Consigliere Vittorio Sabadin Consigliere Sovrintendente Walter Vergnano Collegio dei Revisori in carica dal 28 novembre 2014 Eugenio Schlitzer Presidente Carlo Messina Revisore Massimo Segre Revisore Revisore legale dei conti Pitagora Revisione S.r.l. 3 4 FONDAZIONE TEATRO REGIO DI TORINO Consiglio d’Amministrazione in carica fino all’11 settembre 2014 Piero Fassino Presidente Giovanni Zanetti Vice Presidente Paolo Cantarella Consigliere Maria Luisa Cosso Consigliere Cristina Giovando Consigliere Silvano Guidone Consigliere Vittorio Sette Consigliere Walter Vergnano Sovrintendente Sovrintendente Walter Vergnano Collegio dei Revisori in carica fino al 27 novembre 2014 Nadia Ribaudo Presidente Luigi Puddu Revisore Gianpaolo Valente Revisore Revisore legale dei conti Pitagora Revisione S.r.l. 5 6 RELAZIONE SULLA GESTIONE 7 8 FONDAZIONE TEATRO REGIO DI TORINO. Sede in Torino – Piazza Castello, 215 ISCRIZIONE R.E.A. DI TORINO n. 928405 Codice Fiscale n. 00505900019 □ □ □ BILANCIO AL 31 DICEMBRE 2014 RELAZIONE SULLA GESTIONE INTRODUZIONE ll Bilancio consuntivo 2014 che la Sovrintendenza presenta al parere dell’Assemblea dei Fondatori e all’approvazione del Consiglio di Indirizzo si riferisce al quindicesimo esercizio di gestione della Fondazione e presenta quale risultato di esercizio un utile pari a Euro 5.975. A tale risultato si è pervenuti dopo aver imputato a conto economico imposte dell’esercizio per Euro 209.204 e dopo aver calcolato ammortamenti e svalutazioni per Euro 2.134.617. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Measuring Participation Outcomes in Rehabilitation Medicine
Measuring participation outcomes in rehabilitation medicine Carlijn van der Zee Officieel_Carlijn.indd 1 25-6-2013 10:56:39 Cover Jan-Willem Duim, xiwel.nl Layout Renate Siebes, Proefschrift.nu Printed by Ridderprint, Ridderkerk ISBN 978-90-393-7003-2 © 2013 Carlijn van der Zee All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the author. The copyright of the articles that have been accepted for publication or that have already been published, has been transferred to the respective journals. Officieel_Carlijn.indd 2 25-6-2013 10:56:39 Measuring participation outcomes in rehabilitation medicine Het meten van participatie als uitkomst in de revalidatie (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. G.J. van der Zwaan, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op donderdag 29 augustus 2013 des middags te 2.30 uur door Catharina Helena van der Zee geboren op 12 oktober 1980 te Gouda Officieel_Carlijn.indd 3 25-6-2013 10:56:39 Promotor: Prof.dr. F.J.G. Backx Co-promotor: Dr. M.W.M. Post De in het proefschrift beschreven studies zijn mogelijk gemaakt door financiële steun van de zorgverzekeraars AGIS, DSW en Avizo/Mezis, de Stichting Wetenschappelijk Fonds De Hoogstraat te Utrecht en Swiss Paraplegic Research. De totstandkoming van dit proefschrift werd mede mogelijk gemaakt door financiële steun van de Stichting Wetenschappelijk Fonds De Hoogstraat te Utrecht, De Hoogstraat Revalidatie, De Hoogstraat Orthopedietechniek, Sophia Revalidatie, de Libra Zorggroep, TulipMed, George In der Maur orthopedische schoentechniek en Biometrics te Almere. -
MICHAEL FINNISSY at 70 the PIANO MUSIC (9) IAN PACE – Piano Recital at Deptford Town Hall, Goldsmith’S College, London
City Research Online City, University of London Institutional Repository Citation: Pace, I. (2016). Michael Finnissy at 70: The piano music (9). This is the other version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17520/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] MICHAEL FINNISSY AT 70 THE PIANO MUSIC (9) IAN PACE – Piano Recital at Deptford Town Hall, Goldsmith’s College, London Thursday December 1st, 2016, 6:00 pm The event will begin with a discussion between Michael Finnissy and Ian Pace on the Verdi Transcriptions. MICHAEL FINNISSY Verdi Transcriptions Books 1-4 (1972-2005) 6:15 pm Books 1 and 2: Book 1 I. Aria: ‘Sciagurata! a questo lido ricercai l’amante infido!’, Oberto (Act 2) II. Trio: ‘Bella speranza in vero’, Un giorno di regno (Act 1) III. Chorus: ‘Il maledetto non ha fratelli’, Nabucco (Part 2) IV. -
Festival Verdi
INTERNO ALETTA TESTO GUTTUSO Personalità e genio ritratti con pochi segni di matita. Decisi. Sicuri. Delineano il volto inconfondibile, lo sguardo penetrante, l’espressione severa. Il ritratto di Giuseppe Verdi realizzato da Renato Guttuso negli anni ‘60, donato al Teatro Regio di Parma dall’Archivio storico Bocchi, in ricordo di Mario Bocchi, diviene, nell’anno del Bicentenario, icona originale, esclusiva, del Festival Verdi. FONDAZIONE Presidente Sindaco di Parma Federico Pizzarotti Membri del Consiglio di Amministrazione Giuseppe Albenzio Laura Maria Ferraris Silvio Grimaldeschi Marco Alberto Valenti Amministratore esecutivo Carlo Fontana Direttore artistico Paolo Arcà Presidente del Collegio dei Revisori Giuseppe Ferrazza Revisori Andrea Frattini Alessandro Picinini Comitato promotore delle celebrazioni verdiane Presidente Paolo Peluffo Comitato di consulenza musicologica per il Festival Verdi Marcello Conati Gerardo Guccini Emilio Sala Il Festival Verdi è realizzato grazie al contributo di Major partner Partner eventi speciali Partner Main partner Sponsor Sponsor tecnici Tour operator partner Partner celebrazioni Il Teatro Regio di Parma ringrazia inoltre gli imprenditori che hanno voluto personalmente sostenere il Festival Verdi 2013 Teatro Regio di Parma 30 settembre 2013 FILARMONICA DELLA SCALA Direttore RICCARDO CHAILLY Musiche Giuseppe Verdi 1, 4, 6, 8, 11 ottobre 2013 SIMON BOCCANEGRA Musica Giuseppe Verdi 10 ottobre 2013 FILARMONICA ARTURO TOSCANINI CORO DEL TEATRO REGIO DI PARMA Direttore YURI TEMIRKANOV Musiche Giuseppe -
Atti Parlamentari
Camera dei Deputati - 3 0 5 - Senato della Repubblica XVII LEGISLATURA — DISEGNI DI LEGGE E RELAZIONI — DOCUMENTI — DOC. XV N. 182 VOL. II FONDAZIONE TEATRO ALLA SCALA DI MILANO OPERE LIRICHE 2011: C) LIRICA FINO A 100 ELEMENTI IN SCENA E IN BUCA (con almeno 45 professori d'orchestra) Titolo IL RITORNO DI ULISSE IN PATRIA Autore Claudio Monteverdi Nuovo Allestimento in coproduzione con Opéra National de Paris Realizato da Laboratori Teatro alla Scala Recite 6 Anteprime + 1 (anteprima il 17 settembre ) Date 19, 21, 23, 26, 28, 30 settembre Sede Teatro alla Scala Presenze Paganti 12.235 Incassi Netti € 1.242.074 Direttore Rinaldo Alessandrini Robert Wilson Regia Collaboratore alla regia: Giuseppe Frigeni Robert Wilson Scene Collaboratore alle scene: Serge von Arx Costumi Jacques Reynaud Coreografia - Luci A.J. Weissbard Video design - Interpreti Andrea Arrivabene Luigi De Donato Monica Bacelli Anna Maria Panzarella Sara Mingardo Marianna Pizzolato Mirko Guadagnini Emanuele D'Aguanno Salvo Vitale Furio Zanasi Luca Dordolo Giampaolo Fagotto Leonardo Cortellazzi Krystian Adam Raffaella Milanesi Basso continuo: Concerto Italiano Drammaturgia: Ellena Hammer Orchestra e Coro del Teatro alla Scala Maestro del coro: Bruno Casoni Note Costi diretti di produzione e € 1.643.294 allestimento Camera dei Deputati - 3 0 6 - Senato della Repubblica XVII LEGISLATURA — DISEGNI DI LEGGE E RELAZIONI — DOCUMENTI — DOC. XV N. 182 VOL. II FONDAZIONE TEATRO ALLA SCALA DI MILANO ALL 2 BALLETTO 2011: G) BALLETTO CON ORCHESTRA E PROPRIO CORPO DI BALLO O DI ALTRA FONDAZIONE -
Il Trovatore Was Made Stage Director Possible by a Generous Gift from Paula Williams the Annenberg Foundation
ilGIUSEPPE VERDItrovatore conductor Opera in four parts Marco Armiliato Libretto by Salvadore Cammarano and production Sir David McVicar Leone Emanuele Bardare, based on the play El Trovador by Antonio García Gutierrez set designer Charles Edwards Tuesday, September 29, 2015 costume designer 7:30–10:15 PM Brigitte Reiffenstuel lighting designed by Jennifer Tipton choreographer Leah Hausman The production of Il Trovatore was made stage director possible by a generous gift from Paula Williams The Annenberg Foundation The revival of this production is made possible by a gift of the Estate of Francine Berry general manager Peter Gelb music director James Levine A co-production of the Metropolitan Opera, Lyric Opera of Chicago, and the San Francisco principal conductor Fabio Luisi Opera Association 2015–16 SEASON The 639th Metropolitan Opera performance of GIUSEPPE VERDI’S il trovatore conductor Marco Armiliato in order of vocal appearance ferr ando Štefan Kocán ines Maria Zifchak leonor a Anna Netrebko count di luna Dmitri Hvorostovsky manrico Yonghoon Lee a zucena Dolora Zajick a gypsy This performance Edward Albert is being broadcast live on Metropolitan a messenger Opera Radio on David Lowe SiriusXM channel 74 and streamed at ruiz metopera.org. Raúl Melo Tuesday, September 29, 2015, 7:30–10:15PM KEN HOWARD/METROPOLITAN OPERA A scene from Chorus Master Donald Palumbo Verdi’s Il Trovatore Musical Preparation Yelena Kurdina, J. David Jackson, Liora Maurer, Jonathan C. Kelly, and Bryan Wagorn Assistant Stage Director Daniel Rigazzi Italian Coach Loretta Di Franco Prompter Yelena Kurdina Assistant to the Costume Designer Anna Watkins Fight Director Thomas Schall Scenery, properties, and electrical props constructed and painted by Cardiff Theatrical Services and Metropolitan Opera Shops Costumes executed by Lyric Opera of Chicago Costume Shop and Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Ms.