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The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
The PAS Educators' Companion
The PAS Educators’ Companion A Helpful Resource of the PERCUSSIVE ARTS SOCIETY EDUCATION COMMITTEE Volume VIII Fall 2020 PERCUSSIVE ARTS SOCIETY 1 EDUCATORS’ COMPANION THE PAS EDUCATORS’ COMPANION PERCUSSIVE ARTS SOCIETY EDUCATION COMMITTEE ARTICLE AUTHORS DAVE GERHART YAMAHA CORPORATION OF AMERICA ERIK FORST MESSIAH UNIVERSITY JOSHUA KNIGHT MISSOURI WESTERN STATE UNIVERSITY MATHEW BLACK CARMEL HIGH SCHOOL MATT MOORE V.R. EATON HIGH SCHOOL MICHAEL HUESTIS PROSPER HIGH SCHOOL SCOTT BROWN DICKERSON MIDDLE SCHOOL AND WALTON HIGH SCHOOL STEVE GRAVES LEXINGTON JUNIOR HIGH SCHOOL JESSICA WILLIAMS ALABAMA STATE UNIVERSITY EMILY TANNERT PATTERSON CAMBRIDGE UNIVERSITY PRESS How to reach the Percussive Arts Society: VOICE 317.974.4488 FAX 317.974.4499 E-MAIL [email protected] WEB www.pas.org HOURS Monday–Friday, 9 A.M.–5 P.M. EST PERCUSSIVE ARTS SOCIETY 1 TABLE OF CONTENTS BUILDING A STRONG FOUNDATION OF THE SNARE DRUM FULCRUM 3 by Dr. Dave Gerhart CONSISTENCY MATTERS: Developing a Shared Vernacular for Beginning 6 Percussion and Wind Students in a Heterogeneous Classroom by Dr. Erik M. Forst PERFECT PART ASSIGNMENTS - ACHIEVING THE IMPOSSIBLE 10 by Dr. Joshua J. Knight TOOLS TO KEEP STUDENTS INTRIGUED AND MOTIVATED WHILE PRACTICING 15 FUNDAMENTAL CONCEPTS by Matthew Black BEGINNER MALLET READING: DEVELOPING A CURRICULUM THAT COVERS 17 THE BASES by Matt Moore ACCESSORIES 26 by Michael Huestis ISOLATING SKILL SETS, TECHNIQUES, AND CONCEPTS WITH 30 BEGINNING PERCUSSION by Scott Brown INCORPORATING PERCUSSION FUNDAMENTALS IN FULL BAND REHEARSAL 33 by Steve Graves YOUR YOUNG PERCUSSIONISTS CRAVE ATTENTION: Advice and Tips on 39 Instructing Young Percussionists by Jessica Williams TEN TIPS FOR FABULOUS SNARE DRUM FUNDAMENTALS 46 by Emily Tannert Patterson ADDITIONAL RESOURCES 49 2 PERCUSSIVE ARTS SOCIETY EDUCATORS’ COMPANION BUILDING A STRONG FOUNDATION OF THE SNARE DRUM FULCRUM by Dr. -
Programme Cover 21.03.2021
Our Sponsors... TEAM National Trust membership offers free entry to hundreds of Trust properties throughout Australia and overseas and helps secure the future of our natural and built heritage – phone 03 9656 9800 OF PIANISTS COLIN & CICELY RIGG BEQUEST, ADMINISTERED BY EQUITY TRUSTEES www.teamofpianists.com.au BRILLIANT AUSTRALIAN BERNIES MUSIC LAND & AND INTERNATIONAL PERFORMERS THE TEAM OF PIANISTS - IN HERITAGE SETTINGS A GREAT ASSOCIATION Recognised for consistent presentation of top-class performances, the Team of In 1988, Bernie Capicchiano invited me to adjudicate the first Bernstein Pianists is supported by enthusiastic audiences, who treasure the privilege of Competition. I was very impressed with the sounds of the Bernstein piano, and experiencing excellent performances at close range, often in heritage venues. soon after that, the Team of Pianists obtained Bernstein pianos for its concerts. Subsequently, the Team performed regularly on radio 3MBS-FM in a The Team and their artists bring audiences into contact with great music, programme called 'The Bernstein Piano Hour' and later, we made CDs at MOVE providing a vital sense of connection with the past. Fine solo and chamber Records, using Bernstein pianos from Bernies Music Land. These CDs have been very successful and continue to be available commercially. works, chosen specially with particular venues and Following the first Bernstein Competition, Bernie introduced masterclasses performers in mind, form and teachers’ seminars and with great support from his family, he encouraged the basis of the Team’s music in the community. Bernie and I became close friends, both of us having programmes, exciting similar aims in lifting the standards of piano playing and in promoting music listeners' emotions and generally. -
Year 5 Music and HASS
Dance Dance ABORIGINAL AND TORRES STRAIT ISLANDER HISTORIES AND CULTURES LIVINGMotion CULTURES Transfer – Motion Transfer DANCE#702A48 #702A48 Remedial Practice Remedial Practice #94901F #94901F Creating Tradition Creating Tradition #0D588C #0D588C YEAR 5 Department of Education Dance Dance LIVING CULTURES – YEAR 5 Motion Transfer Motion Transfer DANCE#702A48 #702A48 Remedial Practice Remedial Practice #94901F #94901F CLAPSTICKSCreating Tradition Creating Tradition #0D588C #0D588C Learners undertake an inquiry into an Aboriginal instrument – the clapstick – before listening to a range of traditional and contemporary Aboriginal song and dance to explore the way clapsticks communicate meaning. Finally, students will make a set of their own clapsticks with an Aboriginal Sharer of Knowledge. CROSS CURRICULUM PRIORITY and practices of various cultural groups in relation to a specific time, event or custom Aboriginal and Torres Strait Islander Histories and Cultures Critical & Creative Thinking Organising idea 1 Inquiring – identifying, exploring and organising information Australia has two distinct Indigenous groups: Aboriginal and ideas Peoples and Torres Strait Islander Peoples, and within Organise and process information those groups there is significant diversity. Level 4 – analyse, condense and combine relevant Organising idea 4 information from multiple sources Aboriginal and Torres Strait Islander societies have Generating ideas, possibilities and actions many Language Groups. Imagine possibilities and connect ideas ACHIEVEMENT STANDARDS Level 4 – combine ideas in a variety of ways and from a Music range of sources to create new possibilities Students explain how the elements of music are used to communicate meaning in the music they listen to, compose and perform. They use rhythm, pitch and Learning Goals form symbols and terminology to compose and Learners will: perform music. -
Participating Artists
The Flowers of War – Participating Artists Christopher Latham and in 2017 he was appointed Artist in Ibrahim Karaisli Artistic Director, The Flowers of War Residence at the Australian War Memorial, Muezzin – Re-Sounding Gallipoli project the first musician to be appointed to that Ibrahim Karaisli is head of Amity College’s role. Religion and Values department. Author, arranger, composer, conductor, violinist, Christopher Latham has performed Alexander Knight his whole life: as a solo boy treble in Musicians Baritone – Re-Sounding Gallipoli St Johns Cathedral, Brisbane, then a Now a graduate of the Sydney decade of studies in the US which led to Singers Conservatorium of Music, Alexander was touring as a violinist with the Australian awarded the 2016 German-Australian Chamber Orchestra from 1992 to 1998, Andrew Goodwin Opera Grant in August 2015, and and subsequently as an active chamber Tenor – Sacrifice; Race Against Time CD; subsequently won a year-long contract with musician. He worked as a noted editor with The Healers; Songs of the Great War; the Hessisches Staatstheater in Wiesbaden, Australia’s best composers for Boosey and Diggers’ Requiem Germany. He has performed with many of Hawkes, and worked as Artistic Director Born in Sydney, Andrew Goodwin studied Australia’s premier ensembles, including for the Four Winds Festival (Bermagui voice at the St. Petersburg Conservatory the Sydney Philharmonia Choirs, the Sydney 2004-2008), the Australian Festival of and in the UK. He has appeared with Chamber Choir, the Adelaide Chamber Chamber Music (Townsville 2005-2006), orchestras, opera companies and choral Singers and The Song Company. the Canberra International Music Festival societies in Europe, the UK, Asia and (CIMF 2009-2014) and the Village Building Australia, including the Bolshoi Opera, La Simon Lobelson Company’s Voices in the Forest (Canberra, Scala Milan and Opera Australia. -
Singapore Chinese Orchestra Instrumentation Chart
Singapore Chinese Orchestra Instrumentation Chart 王⾠威 编辑 Version 1 Compiled by WANG Chenwei 2021-04-29 26-Musician Orchestra for SCO Composer Workshop 2022 [email protected] Recommendedabbreviations ofinstrumentnamesareshown DadiinF DadiinG DadiinA QudiinBb QudiinC QudiinD QudiinEb QudiinE BangdiinF BangdiinG BangdiinA XiaodiinBb XiaodiinC XiaodiinD insquarebrackets ˙ ˙ ˙ #˙ ˙ ˙ #˙ ˙ ˙ 2Di ‹ ˙ ˙ ˙ ˙ #˙ [Di] ° & ˙ (Transverseflute) & ˙ ˙ ˙ ˙ ¢ ˙ ˙ ˙ ˙ b˙ ˙ ˙ ˙ s˙ounds 8va -DiplayerscandoubleontheXiaoinForG(samerangeasDadiinForG) -ThischartnotatesmiddleCasC4,oneoctavehigherasC5etc. #w -WhileearlycompositionsmightdesignateeachplayerasBangdi,QudiorDadi, -8va=octavehigher,8vb=octavelower,15ma=2octaveshigher 1Gaoyin-Sheng composersareactuallyfreetochangeDiduringthepiece. -PleaseusethetrebleclefforZhonghupartscores [GYSh] ° -Composerscouldwriteonestaffperplayer,e.g.Di1,Di2andspecifywhentousewhichtypeofDi; -Pleaseusethe8vbtrebleclefforZhongyin-Sheng, (Sopranomouthorgan) & ifthekeyofDiislefttotheplayers'discretion,specifyatleastwhetherthepitchshould Zhongyin-GuanandZhongruanpartscores w soundasnotatedor8va. w -Composerscanrequestforamembranelesssound(withoutdimo). 1Zhongyin-Sheng -WhiletheDadiandQudicanplayanother3semitonesabovethestatedrange, [ZYSh] theycanonlybeplayedforcefullyandthetimbreispoor. -ForeachkeyofDi,thesemitoneabovethelowestpitch(e.g.Eb4ontheDadiinG)sounds (Altomouthorgan) & w verymuffledduetothehalf-holefingeringandisunsuitableforloudplaying. 低⼋度发⾳ ‹ -Allinstrumentsdonotusetransposednotationotherthantranspositionsattheoctave. -
City Recital Hall Limited
ANNUAL REPORT 2018-19 CITY RECITAL HALL LIMITED 1 CONTENTS 3 STRATEGIC FRAMEWORK Concert: Man of Constant Sorrow: A tribute to the music 4 ACTIVITY HIGHLIGHTS of ‘O Brother Where art Thou?’ Photo: Tim da-RIn 5 CHAIR’S MESSAGE 6 CEO’S MESSAGE 7 PRESENTING PARTNERS AND HIRERS 8 APPEARING ON OUR STAGE 10 VISITOR EXPERIENCE 11 SUPPORT FOR THE SECTOR 12 COMMUNITY ENGAGEMENT 14 CITY RECITAL HALL PRESENTS 17 KEY PRESENTERS 18 VENUE HIRERS 19 PARTNERS AND SUPPORTERS 20 GIVING 21 MEMBERSHIP 22 CORPORATE GOVERNANCE 23 BOARD 26 STAFF 2 STRATEGIC FRAMEWORK Concert: Man of Constant Sorrow: A tribute to the music of ‘O Brother Where art Thou?’ Photo: Tim da-RIn VISION OUR GUIDING PRINCIPLES STRATEGIC GOALS To be one of the ‘must visit’ cultural AND VALUES BRAND destinations in Australia. • Progressive thinking and creative City Recital Hall is a place that offers excellence underpin everything we do. “music and more” to a wide audience MISSION We think outside the square to deliver unique and creative experiences for PLACE To unlock the cultural, social and our artists, partners and audiences. The beating cultural heart of the economic value of City Recital Hall. Sydney CBD • Democratic and diverse - Everyone We will do this by: plays an important part, every voice is QUALITY heard, everyone is respected. If it’s on at City Recital Hall, it must be • producing, promoting, presenting, We champion diversity by engaging good encouraging and facilitating excellent with all genres, all peoples, all ideas. cultural events; We are proud to be open, transparent SERVICE and inclusive. -
Ernani Program
VERDI PATRON-IN-CHIEF DR HARUHISA HANDA Celebrating the return of World Class Opera HSBC, as proud partner of Opera Australia, supports the many returns of 2021. Together we thrive Issued by HSBC Bank Australia Limited ABN 48 006 434 162 AFSL No. 232595. Ernani Composer Ernani State Theatre, Giuseppe Verdi (1813-1901) Diego Torre Arts Centre Melbourne Librettist Don Carlo, King of Spain Performance dates Francesco Maria Piave Vladimir Stoyanov 13, 15, 18, 22 May 2021 (1810-1876) Don Ruy Gomez de Silva Alexander Vinogradov Running time: approximately 2 hours and 30 Conductor Elvira minutes, including one interval. Carlo Montanaro Natalie Aroyan Director Giovanna Co-production by Teatro alla Scala Sven-Eric Bechtolf Jennifer Black and Opera Australia Rehearsal Director Don Riccardo Liesel Badorrek Simon Kim Scenic Designer Jago Thank you to our Donors Julian Crouch Luke Gabbedy Natalie Aroyan is supported by Costume Designer Roy and Gay Woodward Kevin Pollard Opera Australia Chorus Lighting Designer Chorus Master Diego Torre is supported by Marco Filibeck Paul Fitzsimon Christine Yip and Paul Brady Video Designer Assistant Chorus Master Paul Fitzsimon is supported by Filippo Marta Michael Curtain Ina Bornkessel-Schlesewsky and Matthias Schlesewsky Opera Australia Actors The costumes for the role of Ernani in this production have been Orchestra Victoria supported by the Concertmaster Mostyn Family Foundation Sulki Yu You are welcome to take photos of yourself in the theatre at interval, but you may not photograph, film or record the performance. -
SC-8820 Owner's Manual
To resize thickness, move all items on the front cover to left or right on the master page. fig.Service’99.06.11.EDIROL Information When you need repair service, call your nearest Roland/EDIROL Service Center or authorized Roland/EDIROL distributor SC-8820 Owner’s Manual in your country as shown below. SINGAPORE ROMANIA QATAR AFRICA CRISTOFORI MUSIC PTE EUROPE FBS LINES Badie Studio & Stores LTD Plata Libertatii 1. P.O. Box 62, RO-4200 Cheorgheni DOHA QATAR EGYPT Blk 3014, Bedok Industrial Park E, AUSTRIA Al Fanny Trading Office #02-2148, SINGAPORE 489980 TEL: (066) 164-609 TEL: 423554 Roland Austria GES.M.B.H. P.O. Box 2904, TEL: 243 9555 El Horrieh Heliopolos, Cairo, Siemensstrasse 4, P.O. Box 74, RUSSIA SAUDI ARABIA EGYPT TAIWAN A-6063 RUM, AUSTRIA aDawliah Universal TEL: (0512) 26 44 260 Slami Music Company TEL: (02) 4185531 ROLAND TAIWAN Sadojava-Triumfalnaja st., 16 Electronics APL ENTERPRISE CO., LTD. P.O. Box 2154 ALKHOBAR 31952, BELGIUM/HOLLAND/ 103006 Moscow, RUSSIA REUNION Room 5, 9fl. No. 112 Chung Shan TEL: 095 209 2193 SAUDI ARABIA Maison FO - YAM Marcel N.Road Sec.2, Taipei, TAIWAN, LUXEMBOURG TEL: (03) 898 2081 R.O.C. 25 Rue Jules Merman, ZL Roland Benelux N. V. SPAIN Owner’s Manual TEL: (02) 2561 3339 SYRIA Chaudron - BP79 97491 Houtstraat 3, B-2260, Oevel Roland Electronics (Westerlo) BELGIUM Technical Light & Sound Ste Clotilde REUNION THAILAND de España, S. A. TEL: 28 29 16 TEL: (014) 575811 Calle Bolivia 239, 08020 Center Theera Music Co. , Ltd. Barcelona, SPAIN Khaled Ibn Al Walid St. -
Swan Lake Takes out the Classic 100: Dance Countdown
10 JUNE 2018 – EMBARGOED UNTIL 19:01 AEST-- Swan Lake takes out the Classic 100: Dance Countdown Swan Lake has been named Australia’s favourite classical dance music in ABC Classic FM’s Classic 100 Countdown. Australia’s favourite classical music event has celebrated the brilliant diversity, vivid colour and irresistible impulse of dance, by counting down the music that makes its audiences move. Tchaikovsky’s Swan Lake, one of the world’s most beloved ballets, tells the story of Odette, a princess transformed into a swan by the curse of an evil sorcerer. Australia’s passionate community of music lovers voted in their thousands in the annual campaign by ABC Classic FM, our only national classical music station. Nearly 2000 works were reduced by public voting to the final 100 broadcast this weekend. More than 50% of the performers featured in this flagship event are Australian, exemplifying the ABC’s crucial role in nurturing local talent. ABC Classic FM is dedicated to investing in high-quality and distinctive Australian music and performance, free for all Australians. ABC Classic FM has collaborated with The Australian Ballet to produce three films specifically for the Countdown. Emerging choreographers Alice Topp, Richard House and Ella Havelka created striking new responses to the top three featured works: Swan Lake, The Nutcracker Suite, and Romeo and Juliet. Why Dance, a 3 x 20 minute feature series from the ABC’s Dr Ann Jones, has launched on air on ABC Classic FM, online and on the ABC listen app to mark this year’s theme. In association with The Australian Ballet, Sydney Dance Company and Bangarra Dance Theatre, Ann explores female choreographers in the male- dominated world of ballet, the importance of dance in Indigenous culture, and the healing role of dance in the lives of some everyday Australians. -
Steve Fieldhouse Full CV December 2014
1 Steve Fieldhouse CV Last Updated, December 15, 2014 Curriculum Vitae for Steve Fieldhouse Includes: 1. Contents and Personal Details (Page 1) 2. Introduction (Page 2) 3. Production Credits (Pages 3 to 19) 4. Studio Experience (Pages 19 to 21) 5. Training and Lecturing (Pages 22 to 24) 6. Broadcast Experience (Pages 24 to 35) 7. Experience as a Musician (Pages 35 to 38) 8. Technical Support (Pages 38 to 42) 9. Qualifications (Pages 42 to 44) 10. Equipment Used (Pages 44 to 47) 11. Lecturing Subjects (Pages 48 to 51) 12. Employment History (Pages 51 to 53) Personal Details Name: Steve Fieldhouse Email: [email protected] Website: www.earsight.com.au Phone: 0407 970425 Postal Address: 18 Broadwater Esplanade, Bilambil Heights, NSW, 2486 Residency Status: Australian Citizen Drivers License: Medium Rigid Class Truck License 2 Steve Fieldhouse CV Last Updated, December 15, 2014 Introduction Steve Fieldhouse is an Audio Engineer, Producer, Musician and Lecturer currently based in Australia. Steve’s work as a Recording and Mixdown Audio Engineer/Producer spans Music, Broadcast, Live Concert Recording, Film, Post Production, Theatre, AV, Sound Reinforcement and Mastering Industry Sectors. Some Production Highlights include Recording and Mixing: Ø Music Artists from more than 80 countries Ø Direct broadcasts for ABC Classic FM of Symphony, Chamber Orchestras, Ensembles and Operas across Australia Ø ABC RN (Radio National) and ABC Classic FM programs and features Ø Feature Film Soundtrack Recordings Ø Adelaide International Guitar Festival 2010, 2012 and 2014 Ø Bangalow Music Festival, 2014 Ø WOMADELAIDE Festivals from 2004 to 2014 Ø Woodford Folk Festival 2012 Ø Byron Bay Bluesfest 2010 and 2013 Ø Engineering Music Recordings for ABC TV, Triple J and Local Radio Ø 100+ CD releases covering most music genres Steve has worked as a Lecturer and Trainer since 1993. -
Omega-2018-Seasonbrochure-Web.Pdf
1 Welcome Moving into our thirteenth season, Omega Ensemble has come of age and entered its teens! If childhood is about magic, the 2018 Concert Season introduces mystery, love, romance and passion. We are proud to continue to perform our Virtuoso Series in the stunning City Recital Hall, alongside our Master Series at the iconic Sydney Opera House. Our 2018 Season is all about relationships, intimacy and connections, between our artists, our audience and the music itself. David Rowden Maria Raspopova Founder and Co-Artistic Director Co-Artistic Director 2 Season Calendar Concert Date and Time Venue Pg O Miss Brill - An Australian Premiere Sun 18 Feb, 7:00pm Art Gallery of New South Wales 21 M Summer Winds: From Beethoven to Ravel Sun 25 Feb, 2:30pm Utzon Room, Sydney Opera House 15 O Four Winds Festival Fri 30 Mar, 5:00pm Bermagui, NSW 21 V Eternal Quartets: Messiaen and Schubert Wed 11 Apr, 7:30pm City Recital Hall 7 O Annual Fundraising Gala Wed 23 May, 7:00pm University Union and Schools Club 21 M Fairy Tales: Schumann, Bruch and Borodin Sun 17 Jun, 2:30pm Utzon Room, Sydney Opera House 16 V Love: Weber and Franck Wed 18 July, 7:30pm City Recital Hall 8 V Joy: Farrenc and Beethoven Tue 25 Sept, 7:30pm City Recital Hall 11 M Vocalise: Rachmaninoff and Poulenc Sun 21 Oct, 2:30pm Utzon Room, Sydney Opera House 17 V Momentum: Schubert and Mendelssohn Tues 13 Nov, 7:30pm City Recital Hall 12 M Maria Raspopova in Recital Sun 2 Dec, 2:30pm Utzon Room, Sydney Opera House 18 M = Master Series V = Virtuoso Series O = Other Performance Composer