DOCSLIB.ORG

To Download the Full Archive

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No. 9 in D minor, op.125 Beethoven Daniel Barenboim New Philharmonia Orchestra Soprano Elizabeth Harwood Contralto Helen Watts Tenor John Mitchinson Bass Forbes Robinson Piano Alfred Brendel Sussex University Choir 08 Sep 1970 Recording Kingsway Hall, London - 09 Sep 1970 Psalmus Hungaricus Kodály István Kertész London Symphony Orchestra Tenor Lajos Kozma Wandsworth School Boys' Choir 21 Feb 1971 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Te Deum Bruckner Laszlo Heltay Brighton Philharmonic Orchestra Soprano Penelope Maxwell Contralto Mary Hewison Tenor Stuart Holland Bass Mowbray Chandler 09 May 1971 Concert Dome Concert Hall, Brighton Brighton Festival Four Sacred Pieces Verdi Zdeněk Mácal BBC Symphony Orchestra 15 May 1971 Concert Dome Concert Hall, Brighton Brighton Festival Boris Godunov, Act 4, Scene 2 (Revolutionary Scene) Mussorgsky Laszlo Heltay Royal Philharmonic Orchestra Tenor Stuart Holland Tenor Jack Irons Tenor David Maxwell Tenor Paul Taylor Baritone Michael Wakeham 27 Feb 1972 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Ein Deutsches Requiem Brahms Laszlo Heltay Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Baritone Benjamin Luxon 06 Apr 1972 Concert Royal Albert Hall, London English Bach Festival, Homage to Stravinsky Symphony of Psalms Stravinsky Leonard Bernstein London Symphony Orchestra BFC singing as English Bach Festival Chorus 08 Apr 1972 Recording Abbey Road Studios, London - Symphony of Psalms Stravinsky Leonard Bernstein London Symphony Orchestra BFC singing as English Bach Festival Chorus 2 Brighton Festival Chorus 18 Apr 1972 Concert Sheldonian Theatre, Oxford English Bach Festival Mass: "Come, Creator Spirit" Yardumian Sancta Civitas Vaughan Williams Alexander Gibson New Philharmonia Orchestra Mezzo-Soprano Maureen Lehane Tenor Paul Taylor Bass Michael Rippon BFC singing as English Bach Festival Chorus 21 Apr 1972 Concert Oxford Town Hall, Oxford English Bach Festival Mass in B Minor Bach Laszlo Heltay Royal Philharmonic Orchestra Soprano Jenny Hill Mezzo-Soprano Maureen Lehane Tenor Heiner Hopfner Bass Nigel Wickens BFC singing as English Bach Festival Chorus 27 Apr 1972 Concert Westminster Cathedral, London English Bach Festival Mass: "Come, Creator Spirit" Yardumian Sancta Civitas Vaughan Williams Alexander Gibson New Philharmonia Orchestra Mezzo-Soprano Maureen Lehane Tenor Paul Taylor Bass Michael Rippon BFC singing as English Bach Festival Chorus 11 May 1972 Concert Theatre Royal, Brighton Brighton Festival 13 May 1972 15 May 1972 Orfeo et Euridice Gluck Charles Farncombe Drottningholm Court Theatre Orchestra Soprano Birgit Nordin Soprano Elizabeth Söderström Mezzo-Soprano Kirsten Meyer 21 May 1972 Concert Dome Concert Hall, Brighton Brighton Festival Mass in C Beethoven Yehudi Menuhin Menuhin Festival Orchestra Soprano Nan Christie Mezzo-Soprano Janet Hughes Tenor Ronald Murdock Baritone Alan Opie 08 Jan 1973 Concert Dome Concert Hall, Brighton Fanfare for Europe Magnificat Bach Laszlo Heltay London Mozart Players Soprano Patricia Garnham Soprano Rosemary Hardy Contralto Helen Attfield Tenor Paul Taylor Bass Stephen Varcoe 04 Feb 1973 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Mass in D minor, K 626 Mozart Laszlo Heltay Brighton Philharmonic Orchestra Soprano Felicity Palmer 3 Brighton Festival Chorus Mezzo-Soprano Patricia Payne Tenor Paul Taylor Bass Stafford Dean 10 Mar 1973 Concert All Saints Church, Hove - Psalm 23 Brian Laszlo Heltay Leicestershire Schools Symphony Orchestra Tenor Stuart Holland 10 May 1973 Concert Coliseu dos Recreios, Lisbon, Portugal - Symphony No. 9 in D minor, op.125 Beethoven Yuri Ahronovich Royal Philharmonic Orchestra Soprano Rita Hunter Mezzo-Soprano Mignon Dunn Tenor William Cochran Bass Norman Bailey New Philharmonia Chorus 20 May 1973 Concert Dome Concert Hall, Brighton Brighton Festival The Dream of Gerontius Elgar Raymond Leppard London Symphony Orchestra Contralto Helen Watts Tenor Robert Tear Baritone Benjamin Luxon 24 May 1973 Concert Royal Festival Hall, London - Glagolitic Mass Janácek Rudolf Kempe Royal Philharmonic Orchestra Soprano Teresa Kubiak Contralto Anne Collins Tenor Robert Tear Bass Wolfgang Schöne 25 May 1973 Recording Kingsway Hall, London - 26 May 1973 Glagolitic Mass Janácek Rudolf Kempe Royal Philharmonic Orchestra Soprano Teresa Kubiak Contralto Anne Collins Tenor Robert Tear Bass Wolfgang Schöne 02 Nov 1973 Concert Royal Festival Hall, London Royal Commonwealth Society for the Blind Te Deum in C Haydn Kyrie in D minor, K 341 Mozart Harry Blech London Mozart Players 13 Jan 1974 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Verdi Laszlo Heltay Brighton Philharmonic Orchestra Soprano Teresa Cahill Mezzo-Soprano Maureen Lehane Tenor Paul Taylor Bass Robert Lloyd 4 Brighton Festival Chorus 14 Apr 1974 Concert Royal Festival Hall, London - Requiem Verdi Kyril Kondrashin Royal Philharmonic Orchestra Soprano Rae Woodland Contralto Anna Reynolds Tenor Ryland Davies Baritone John Noble 16 Apr 1974 Concert Royal Festival Hall, London - Requiem Verdi Kyril Kondrashin Royal Philharmonic Orchestra Soprano Rae Woodland Contralto Anna Reynolds Tenor Ryland Davies Bass Marius Rintzler 19 Apr 1974 Recording Hove Town Hall, Hove - Resurrexit Berlioz O Seul Bien Qui Me Reste (Le Mort D'Orphee) Berlioz Psalm 23 Brian Laszlo Heltay Leicestershire Schools Symphony Orchestra Tenor Paul Taylor 19 May 1974 Concert Dome Concert Hall, Brighton Brighton Festival Ein Deutsches Requiem Brahms Rafael Frühbeck de Burgos New Philharmonia Orchestra Soprano Jill Gomez Baritone Benjamin Luxon 12 Jul 1974 Concert Saint Paul's Cathedral, London Festival of the City of London Hymn of Jesus Holst Mass No. 3 in F minor Bruckner Erich Leinsdorf London Symphony Orchestra Soprano Heather Harper Contralto Helen Watts Tenor Robert Tear Bass Gwynne Howell 16 Feb 1975 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Vesperae Solennes de Confessore, K 339 Mozart Symphony No. 9 in D minor, op.125 Beethoven Laszlo Heltay Brighton Philharmonic Orchestra Soprano Janet Price Contralto Anne Collins Tenor Neil Jenkins Bass Gwynne Howell 22 Mar 1975 Recording Kingsway Hall, London - The Russian Creed Gretchaninov Laszlo Heltay Countertenor James Bowman 07 May 1975 Concert Saint Bartholomew's Church, Brighton Brighton Festival Mass in C minor, K 427 Mozart Laszlo Heltay New Philharmonia Orchestra Soprano Teresa Cahill Soprano Jennifer Smith 5 Brighton Festival Chorus Tenor Paul Taylor Bass Malcolm King 18 May 1975 Concert Dome Concert Hall, Brighton Brighton Festival Missa Solemnis (Mass in D major, op. 123) Beethoven Colin Davis Royal Philharmonic Orchestra Soprano Teresa Cahill Mezzo-Soprano Josephine Veasey Tenor Robert Tear Bass Gwynne Howell 08 Jul 1975 Concert Royal Festival Hall, London - 10 Jul 1975 Symphony No. 9 in D minor, op.125 Beethoven Rudolf Kempe Royal Philharmonic Orchestra Soprano Heather Harper Contralto Helen Watts Tenor Robert Tear Bass Norman Bailey 22 Jul 1975 Recording Walthamstow Town Hall, Walthamstow - Symphony No. 9 in D minor, op.125 Beethoven Antal Dorati Royal Philharmonic Orchestra Soprano Carole Farley Contralto Alfreda Hodgson Tenor Stuart Burrows Bass Norman Bailey 23 Jul 1975 Concert Royal Albert Hall, London Beethoven Festival (1975) Symphony No. 9 in D minor, op.125 Beethoven Antal Dorati Royal Philharmonic Orchestra Soprano Carole Farley Contralto Alfreda Hodgson Tenor Stuart Burrows Bass Norman Bailey 22 Nov 1975 Recording Kingsway Hall, London - 28 Feb 1976 Missa Brevis Kodály Pange Lingua Kodály Laszlo Heltay Soprano Hannah Francis Soprano Elizabeth Gale Soprano Sally
Recommended publications

  • ARSC Journal

    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
  • Britten Spring Symphony Welcome Ode • Psalm 150

    Britten Spring Symphony Welcome Ode • Psalm 150

    BRITTEN SPRING SYMPHONY WELCOME ODE • PSALM 150 Elizabeth Gale soprano London Symphony Chorus Alfreda Hodgson contralto Martyn Hill tenor London Symphony Orchestra Southend Boys’ Choir Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Benjamin Britten (1913 – 1976) Spring Symphony, Op. 44* 44:44 For Soprano, Alto and Tenor solos, Mixed Chorus, Boys’ Choir and Orchestra Part I 1 Introduction. Lento, senza rigore 10:03 2 The Merry Cuckoo. Vivace 1:57 3 Spring, the Sweet Spring. Allegro con slancio 1:47 4 The Driving Boy. Allegro molto 1:58 5 The Morning Star. Molto moderato ma giocoso 3:07 Part II 6 Welcome Maids of Honour. Allegretto rubato 2:38 7 Waters Above. Molto moderato e tranquillo 2:23 8 Out on the Lawn I lie in Bed. Adagio molto tranquillo 6:37 Part III 9 When will my May come. Allegro impetuoso 2:25 10 Fair and Fair. Allegretto grazioso 2:13 11 Sound the Flute. Allegretto molto mosso 1:24 Part IV 12 Finale. Moderato alla valse – Allegro pesante 7:56 3 Welcome Ode, Op. 95† 8:16 13 1 March. Broad and rhythmic (Maestoso) 1:52 14 2 Jig. Quick 1:20 15 3 Roundel. Slower 2:38 16 4 Modulation 0:39 17 5 Canon. Moving on 1:46 18 Psalm 150, Op. 67‡ 5:31 Kurt-Hans Goedicke, LSO timpani Lively March – Lightly – Very lively TT 58:48 4 Elizabeth Gale soprano* Alfreda Hodgson contralto* Martyn Hill tenor* The Southend Boys’ Choir* Michael Crabb director Senior Choirs of the City of London School for Girls† Maggie Donnelly director Senior Choirs of the City of London School† Anthony Gould director Junior Choirs of the City of London School
  • Michael Hurd

    Michael Hurd

    SRCD.363 STEREO DDD MICHAEL HURD (1928- 2006) Michael Hurd Choral Music Volume 1 Choral Music Volume 1 1 (1987) SATB/organ 7’54” 2 (1987) SATB 6’07” (1996) SATB 9’55” 3 I Antiphon 1’03” 4 II The Pulley 3’13” 5 III Vertue 2’47” 6 IV The Call 1’05” 7 V Exultation 1’47” 8 (1987) SATB/organ 3’00” (1994) SATB 20’14” 9 I Will you Come? 2’00” Vasari Singers 10 II An Old Song 3’12” 11 III Two Pewits 2’06” Jeremy Backhouse, conductor 12 IV Out in the Dark 3’07” 13 V The Dark Forest 2’28” 14 VI Lights Out 4’28” 15 VII Cock-Crow 0’54” 16 VIII The Trumpet 1’59” Vasari Singers Jeremy Backhouse, conductor c © 20 SRCD.363 SRCD.363 1 Michael Hurd was born in Gloucester on 19 December 1928, the son of a self- (1966) SSA/organ 11’14” employed cabinetmaker and upholsterer. His early education took place at Crypt 17 I Kyrie eleison 1’39” Grammar School in Gloucester. National Service with the Intelligence Corps involved 18 II Gloria in excelsis Deo 3’17” a posting to Vienna, where he developed a burgeoning passion for opera. He studied 19 III Sanctus 1’35” at Pembroke College, Oxford (1950-53) with Sir Thomas Armstrong and Dr Bernard 20 IV Benedictus 1’40” Rose and became President of the University Music Society. In addition, he took 21 V Agnus Dei 3’03” composition lessons from Lennox Berkeley, whose Gallic sensibility may be said to have (1980) SATB 5’39” influenced Hurd’s own musical language, not least in the attractive and witty Concerto 22 I Captivity 2’34” da Camera for oboe and small orchestra (1979), which he described in his programme 23 II Rejection 1’03” note as a homage to Poulenc’s ‘particular genius’.
  • Broadcasting the Arts: Opera on TV

    Broadcasting the Arts: Opera on TV

    Broadcasting the Arts: Opera on TV With onstage guests directors Brian Large and Jonathan Miller & former BBC Head of Music & Arts Humphrey Burton on Wednesday 30 April BFI Southbank’s annual Broadcasting the Arts strand will this year examine Opera on TV; featuring the talents of Maria Callas and Lesley Garrett, and titles such as Don Carlo at Covent Garden (BBC, 1985) and The Mikado (Thames/ENO, 1987), this season will show how television helped to democratise this art form, bringing Opera into homes across the UK and in the process increasing the public’s understanding and appreciation. In the past, television has covered opera in essentially four ways: the live and recorded outside broadcast of a pre-existing operatic production; the adaptation of well-known classical opera for remounting in the TV studio or on location; the very rare commission of operas specifically for television; and the immense contribution from a host of arts documentaries about the world of opera production and the operatic stars that are the motor of the industry. Examples of these different approaches which will be screened in the season range from the David Hockney-designed The Magic Flute (Southern TV/Glyndebourne, 1978) and Luchino Visconti’s stage direction of Don Carlo at Covent Garden (BBC, 1985) to Peter Brook’s critically acclaimed filmed version of The Tragedy of Carmen (Alby Films/CH4, 1983), Jonathan Miller’s The Mikado (Thames/ENO, 1987), starring Lesley Garret and Eric Idle, and ENO’s TV studio remounting of Handel’s Julius Caesar with Dame Janet Baker. Documentaries will round out the experience with a focus on the legendary Maria Callas, featuring rare archive material, and an episode of Monitor with John Schlesinger’s look at an Italian Opera Company (BBC, 1958).
  • June/July 2012

    June/July 2012

    Hollingdeannews June/July 2012 an independent newspaper produced and delivered to your door by your neighbours Summer’s here at last! This photo and several others of a carnival parade going up Davey Drive were kindly given to us for our local history collection. We don’t have a date but it looks 1970’s. Do you remember this event or have any photos of other festivals in Hollingdean? We’d love to hear from you! Photo: Hollingdean News collection Come along to our Garden Party/Coffee Morning 50 Hertford Road Brighton 10.30 - 1.30pm. Saturday 23rd June. We are raising funds for a local Cat Charity 'Kitty in the City' Enjoy a coffee on the lawn and a natter with your friends and neighbours. Homemade cakes Hertford Infant & Nursery School and a plant stall, also a raffle Hertford Road BN1 7GF and childrens games. Do please come SUMMER FAIR and support us. Saturday 14th July 11-3.00pm, Sporting theme - come dressed as a country or sports person for a chance to win a medal! J o n J o s e p h East Sussex Fire and Rescue team will be at the school gates at 11am (as long as there are M O B I L E no fires to put out!) for everyone to see their fire engine. M E C H A N I C Face painting - Barbecue - Tombola - Cream teas 30 YEARS OF EXPERIENCE Penalty Shoot Out football - Bouncy castle Fully Qualified Current CPD Fully Insured NO VAT ON LABOUR Pop along for a fun filled day and best of all it's Member of The Institute of The Motor Industry FREE! We look forward to seeing you all there.
  • BENJAMIN BRITTEN's USE of the Passacagt.IA Bernadette De Vilxiers a Thesis Submitted to the Faculty of Arts University of the Wi

    BENJAMIN BRITTEN's USE of the Passacagt.IA Bernadette De Vilxiers a Thesis Submitted to the Faculty of Arts University of the Wi

    BENJAMIN BRITTEN'S USE OF THE PASSACAGt.IA Bernadette de VilXiers A Thesis Submitted to the Faculty of Arts University of the Witwatersrand, Johannesburg for the Degree of Doctor of Philosophy Johannesburg 1985 ABSTRACT Benjamin Britten (1913-1976) was perhaps the most prolific cooposer of passaca'?' las in the twentieth century. Die present study of his use of tli? passac^.gl ta font is based on thirteen selected -assacaalias which span hin ire rryi:ivc career and include all genre* of his music. The passacaglia? *r- occur i*' the follovxnc works: - Piano Concerto, Op. 13, III - Violin Concerto, Op. 15, III - "Dirge" from Serenade, op. 31 - Peter Grimes, Op. 33, Interlude IV - "Death, be not proud!1' from The Holy Sonnets o f John Donne, Op. 35 - The Rape o f Lucretia, op. 37, n , ii - Albert Herring, Op. 39, III, Threnody - Billy Budd, op. 50, I, iii - The Turn o f the Screw, op . 54, II, viii - Noye '8 Fludde, O p . 59, Storm - "Agnu Dei" from War Requiem, Op. 66 - Syrrvhony forCello and Orchestra, Op. 68, IV - String Quartet no. 3, Op. 94, V The analysis includes a detailed investigation into the type of ostinato themes used, namely their structure (lengUi, contour, characteristic intervals, tonal centre, metre, rhythm, use of sequence, derivation hod of handling the ostinato (variations in length, tone colouJ -< <>e register, ten$>o, degree of audibility) as well as the influence of the ostinato theme on the conqposition as a whole (effect on length, sectionalization). The accompaniment material is then brought under scrutiny b^th from the point of view of its type (thematic, motivic, unrelated counterpoints) and its importance within the overall frarework of the passacaglia.
  • The Inspiration Behind Compositions for Clarinetist Frederick Thurston

    The Inspiration Behind Compositions for Clarinetist Frederick Thurston

    THE INSPIRATION BEHIND COMPOSITIONS FOR CLARINETIST FREDERICK THURSTON Aileen Marie Razey, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Kimberly Cole Luevano, Major Professor Warren Henry, Committee Member John Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Razey, Aileen Marie. The Inspiration behind Compositions for Clarinetist Frederick Thurston. Doctor of Musical Arts (Performance), August 2018, 86 pp., references, 51 titles. Frederick Thurston was a prominent British clarinet performer and teacher in the first half of the 20th century. Due to the brevity of his life and the impact of two world wars, Thurston’s legacy is often overlooked among clarinetists in the United States. Thurston’s playing inspired 19 composers to write 22 solo and chamber works for him, none of which he personally commissioned. The purpose of this document is to provide a comprehensive biography of Thurston’s career as clarinet performer and teacher with a complete bibliography of compositions written for him. With biographical knowledge and access to the few extant recordings of Thurston’s playing, clarinetists may gain a fuller understanding of Thurston’s ideal clarinet sound and musical ideas. These resources are necessary in order to recognize the qualities about his playing that inspired composers to write for him and to perform these works with the composers’ inspiration in mind. Despite the vast list of works written for and dedicated to Thurston, clarinet players in the United States are not familiar with many of these works, and available resources do not include a complete listing.
  • Nizells-Brochure.Pdf

    Nizells-Brochure.Pdf

    ANAN EXCLUSIVE EXCLUSIVE DEVELOPMENT OF OF LUXURYNINE LUXURIOUSAPARTMENTS RESIDENCES AND HOUSES ONE NIZELLS AVENUE HOVE LIFESTYLE REIMAGINED One Nizells Avenue is a new The elegant two and three bedroom development of luxurious apartments apartments and three bedroom townhouses and townhouses, ideally positioned all feature intelligently configured, spacious adjacent to an attractive expanse of open plan layouts, with full height glazing landscaped parkland, yet just minutes affording a wonderful stream of natural from the beautiful seafront and buzzing light. A contemporary specification with central Brighton scene. premium materials and designer finishes is complemented by exquisite interior design. Just moments from the doorstep, St Ann’s Each home benefits from private outside Well Gardens is one of Brighton and Hove’s space, the townhouses boasting terraces most treasured city parks, and the perfect and gardens and the penthouse apartment spot to relax and unwind within a captivating opening onto a wraparound terrace with setting of ancient trees, exotic plants and distant horizon views. winding pathways. Nizells Avenue is also perfectly placed to enjoy the limitless bars, eateries, shops and cultural offerings of the local area, whether in laid-back Hove or vibrant Brighton. 1 LOCATION CITY OF SPIRIT Arguably Britain’s coolest, most diverse North Laine forms the cultural centre of the and vibrant city, Brighton and Hove is city, a hotbed of entertainment including an eccentric hotchpotch of dynamic The Brighton Centre and ‘Best Venue in entertainment and culture, energetic the South’, Komedia Brighton. It’s also a nightlife and eclectic shopping, fantastic choice for shopping and eating, with an eating and drinking scene with over 400 independent businesses.
  • VAN JA 2021.Indd

    VAN JA 2021.Indd

    Lismore Castle Arts ALICIA REYES MCNAMARA Curated by Berlin Opticians LIGHT AND LANGUAGE Nancy Holt with A.K. Burns, Matthew Day Jackson, Dennis McNulty, Charlotte Moth and Katie Paterson. Curated by Lisa Le Feuvre 28 MARCH - 10 JULY - 10 OCTOBER 2021 22 AUGUST 2021 LISMORE CASTLE ARTS, LISMORE CASTLE ARTS: ST CARTHAGE HALL LISMORE CASTLE, LISMORE, CHAPEL ST, LISMORE, CO WATERFORD, IRELAND CO WATERFORD, IRELAND WWW.LISMORECASTLEARTS.IE +353 (0)58 54061WWW.LISMORECASTLEARTS.IE Image: Alicia Reyes McNamara, She who comes undone, 2019, Oil on canvas, 110 x 150 cm. Courtesy McNamara, She who comes undone, 2019, Oil on canvas, of the artist Image: Alicia Reyes and Berlin Opticians Gallery. Nancy Holt, Concrete Poem (1968) Ink jet print on rag paper taken from original 126 format23 transparency x 23 in. (58.4 x 58.4 cm.). 1 of 5 plus AP © Holt/Smithson Foundation, Licensed by VAGA at Artists Rights Society (ARS), New York. VAN The Visual Artists’ Issue 4: BELFAST PHOTO FESTIVAL PHOTO BELFAST FILM SOCIETY EXPERIMENTAL COLLECTION THE NATIONAL COLLECTIVE ARRAY Inside This Issue July – August 2021 – August July News Sheet News A Visual Artists Ireland Publication Ireland A Visual Artists Contents Editorial On The Cover WELCOME to the July – August 2021 Issue of within the Irish visual arts community is The Visual Artists’ News Sheet. outlined in Susan Campbell’s report on the Array Collective, Pride, 2019; photograph by Laura O’Connor, courtesy To mark the much-anticipated reopening million-euro acquisition fund, through which Array and Tate Press Offi ce. of galleries, museums and art centres, we 422 artworks by 70 artists have been add- have compiled a Summer Gallery Guide to ed to the National Collection at IMMA and First Pages inform audiences about forthcoming exhi- Crawford Art Gallery.
  • 2008–2009 Season Sponsors

    2008–2009 Season Sponsors

    2008–2009 Season Sponsors The City of Cerritos gratefully thanks our 2008–2009 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. Season 08/09 YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Morris Bernstein Linda Dowell Ping Ho $50,001-$100,000 Norman Blanco Gloria Dumais Jon Howerton José Iturbi Foundation James Blevins Stanley Dzieminski Christina and Michael Hughes Michael Bley Lee Eakin Melvin Hughes Patron Kathleen Blomo Dee Eaton Marianne and Bob Hughlett, Ed.D. $20,001-$50,000 Marilyn Bogenschutz Susie Edber and Allen Grogan Mark Itzkowitz Linda and Sergio Bonetti Gary Edward Grace and Tom Izuhara National Endowment for the Arts Patricia Bongeorno Jill Edwards Sharon Jacoby Ilana and Allen Brackett Carla Ellis David Jaynes Partner Paula Briggs Robert Ellis Cathy and James Juliani $5,001-$20,000 Darrell Brooke Eric Eltinge Luanne Kamiya Bryan A. Stirrat & Associates Mary Brough Teri Esposito Roland Kerby Chamber Music Society of Detroit Dr.
  • Kings Brighton

    Kings Brighton

    Location factfile: Kings Brighton In this factfile: Explore Brighton Explore Kings Brighton School facilities Local map Courses available Accommodation options School life and community Activities and excursions Clubs and societies Enrichment opportunities Kings Brighton Choose Kings Brighton 1 One of the UK’s most vibrant seaside cities 2 Hip and relaxed, with two universities 3 New “state of the art” city centre school Location factfile: Kings Brighton Explore Brighton Also known as ‘London on Sea’ thanks to its cosmopolitan feel, Brighton is a creative and diverse city with plenty to cater for its large student population. It enjoys a great location on the south coast of England, with easy access to London, and a beautiful national park — the South Downs — right on its doorstep Key facts: Location: South East England, coastal Population: 288,000 Nearest airports: Gatwick Airport, Heathrow Airport Nearest cities: London, Portsmouth Brighton Journey time to London: 1 hour Brighton highlights The beach and Palace Pier The i360 No visit to Brighton would be complete without a trip to the beach and Get an amazing view of Brighton and the surrounding countryside a walk along the famous Palace Pier. from 450 feet above the city on the British Airways i360. The Royal Pavilion The North Laine and South Lanes The Sealife Centre This spectacular building was originally built The oldest parts of the city, Brighton’s Dating back to 1872, the Sealife Centre on as a Royal Palace. It features an exotic maze-like ‘Lanes’ are full of independent Brighton’s seafront is the world’s oldest design and eclectic contents from all over shops, cafes, and markets to explore.
  • Walton - a List of Works & Discography

    Walton - a List of Works & Discography

    SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG