Broadcasting the Arts: Opera on TV
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Mozart Magic Philharmoniker
THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro). -
Katalog EMI Classics Oraz Virgin Classics
Katalog EMI Classics oraz Virgin Classics Tytuł: Vinci L'Artaserse ICPN: 5099960286925 KTM: 6028692 Data Premiery: 01.10.2012 Data nagrania: styczeń 2012 Main Artists: Diego Fasolis/Philippe Jaroussky/Max Emanuel Cencic/Franco Fagioli/Valer Barna-Sabadus/Yuriy Mynenko/Daniel Behle/Coro della Radiotelevisione svizzera, Lugano/Concerto Köln Kompozytor: Leonardo Vinci 3 CD POLSKA PREMIERA Tytuł: Feelhermony ICPN:5099901770827 KRM:0177082 Data Premiery: 09.10.2012 Data Nagrania: 2012 Main Artists: KROKE, Sinfonietta Cracovia, Anna Maria Jopek, Sławek Berny Kompozytor: KROKE Aranżancje: Krzysztof Herdzin 1 CD Tytuł: Rodgers & Hammerstein at the Movies ICPN: 5099931930123 KTM: 3193012 Data Premiery: 01.10.2012 Data nagrania: styczeń 2012 Main Artists: John Wilson, John Wilson Orchestra, Sierra Boggess, Anna Jane Casey, Joyce DiDonato, Maria Ewing, Julian Ovenden, David Pittsinger, Maida Vale Singers Kompozytor: Rodgers & Hammerstein 1 CD Tytuł: Sound the Trumpet - Royal Music of Purcell and Handel ICPN: 5099944032920 KTM: 4403292 Data Premiery: 15.10.2012 Data nagrania: styczeń 2012 Main Artists: Alison Balsom, The English Concert, Pinnock Trevor Kompozytor: Purcell, Haendel 1 CD Tytuł: Dvorak: Symphony No.9 & Cello Concerto ICPN: 5099991410221 KTM: 9141022 Data Premiery: 08.10.2012 Data Nagrania: styczeń 2012 Main Artists: Antonio Pappano Kompozytor: Antonin Dvorak 2 CD Tytuł: Drama Queens ICPN: 5099960265425 KTM: 6026542 Data Premiery: 01.10.2012 Main Artists: Joyce DiDonato/Il Complesso Barocco/Alan Curtis Kompozytor: Various Artists 1 CD -
Cast Amendment Die Zauberflote
27 FEBRUARY 2015 CAST AMENDMENT DIE ZAUBERFLOTE (Wolfgang Amadeus Mozart) 28 February; 2, 4, 6, 7, 9 and 11 March Due to personal reasons, Australian tenor and Jette Parker Young Artist Samuel Sakker has withdrawn from singing the role of First Man in Armour. The role will now be sung by British tenor and member of the Royal Opera Chorus Andrew Macnair . Andrew Macnair joined the Royal Opera Chorus in 2006. His solo roles for The Royal Opera have included Drunken Guest ( Lady Macbeth of Mtsensk), Notary ( Il barbiere di Siviglia ), Echo ( The Tsarina's Slippers ) and Don Curzio ( Le nozze di Figaro ). The rest of the cast remains unchanged, with British tenor Toby Spence (2, 6, 9, 11 Mar) and Slovakian tenor Pavol Breslik (28 Feb; 4, 7 March) sharing the role of Tamino, American soprano Janai Brugger (2, 6, 9, 11 Mar) and German soprano Christiane Karg (28 Feb; 4, 7 March ) sharing the role of Pamina, Welsh soprano Rhian Lois (28 Feb; 2, 4, 6 Mar) and Australian soprano and Jette Parker Young Artist Lauren Fagan ( 7, 9, 11 Mar) sharing the role of Papagena, Polish soprano Anna Siminska as Queen of the Night, Austrian baritone Markus Werba as Papageno, German bass Georg Zeppenfeld as Sarastro, British tenor Colin Judson as Monostatos, British baritone Benjamin Bevan (2, 6, 9, 11 Mar) and British bass Robert Lloyd (28 Feb; 4, 7 March) sharing the role of the Speaker of the Temple, Irish soprano Sinéad Mulhern, Russian mezzo-soprano and Jette Parker Young Artist Nadezhda Karyazina and British contralto Claudia Huckle as the Three Ladies , Scottish tenor Harry Nicoll and Scottish baritone Donald Maxwell as First and Second Priest and British bass and Jette Parker Young Artist James Platt as Second Man in Armour. -
Lunchtime Opera Recital
Lunchtime Opera Recital Highlights of WNO concert repertoire Excerpts from L’elisir d’amore, Maria Stuarda, Così fan tutte, and Don Giovanni Tuesday 25 January, 1.10pm Blackburn Hall, National Opera Studio PROGRAMME BIOGRAPHIES L’elisir d’amore, Act 1 duet and trio Gaetano Donizetti Sonia Ben-Santamaria pianist Born in France, Sonia studied at the RAM. Repetiteur work in- Adina Aoife O’Sullivan cludes: Ariodante,The Marriage of Figaro, Così fan tutte, La bo- Nemorino John Pierce hème, Billy Budd, The Turn of the Screw (RAM); Lakmé (Opera Belcore Oliver Dunn Holland Park), Tosca (Kentish Opera), Rigoletto, Fledermaus (Pavilion Opera), La traviata, L’elisir d’amore (Riverside Opera), Pianist Julian Black Pagliacci (Chelmsford Opera). In 2009 Sonia was appointed Musical Director of Chelmsford Opera. Amongst singers Sonia has worked with is Katarina Karneus, who she worked with on the preparation of a role. NOS Maria Stuarda, Act 2 duet Gaetano Donizetti studies supported by an MBF repetiteur award. Future plans include conducting L’elisir d’amore, Le nozze di Figaro, Die Zauberflote (Chelmsford Opera) and Maria Susana Gaspar repetiteur work for Aida (Riverside Opera). Talbot Ross McInroy Julian Black pianist Pianist Sonia Ben-Santamaria Julian read Music at Cambridge. He held conductorships with the Cambridge University Musical Society orchestras and Cambridge University Symphony Orchestra, performing rep- Così fan tutte, sextet Wolfgang Amadeus Mozart ertoire including Mahler’s First Symphony, Brahms’s Second Symphony and Dvořak’s Eighth Symphony. Julian music- Fiordiligi Susana Gaspar directed Hansel and Gretel, Les Mamelles de Tirésias, Gianni Dorabella Máire Flavin Schicchi, and The Pirates of Penzance for Cambridge University Opera Society Despina Aoife O’Sullivan (CUOS). -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Boston Symphony Orchestra
Tangtewqpd 19 3 7-1987 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Saturday, 29 August at 8:30 The Boston Symphony Orchestra is pleased to present WYNTON MARSALIS An evening ofjazz. Week 9 Wynton Marsalis at this year's awards to win in the last four consecutive years. An exclusive CBS Masterworks and Columbia Records recording artist, Wynton made musical history at the 1984 Grammy ceremonies when he became the first instrumentalist to win awards in the categories ofjazz ("Best Soloist," for "Think of One") and classical music ("Best Soloist With Orches- tra," for "Trumpet Concertos"). He won Grammys again in both categories in 1985, for "Hot House Flowers" and his Baroque classical album. In the past four years he has received a combined total of fifteen nominations in the jazz and classical fields. His latest album, During the 1986-87 season Wynton "Marsalis Standard Time, Volume I," Marsalis set the all-time record in the represents the second complete album down beat magazine Readers' Poll with of the Wynton Marsalis Quartet—Wynton his fifth consecutive "Jazz Musician of on trumpet, pianist Marcus Roberts, the Year" award, also winning "Best Trum- bassist Bob Hurst, and drummer Jeff pet" for the same years, 1982 through "Tain" Watts. 1986. This was underscored when his The second of six sons of New Orleans album "J Mood" earned him his seventh jazz pianist Ellis Marsalis, Wynton grew career Grammy, at the February 1987 up in a musical environment. He played ceremonies, making him the only artist first trumpet in the New -
J Ohn F. a Ndrews
J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
A MOZART GALA from Salzburg
UNITEL and CLASSICA present A MOZART GALA from Salzburg PATRICIA PETIBON MAGDALENA KOŽENÁ EKATERINA SIURINA MICHAEL SCHADE THOMAS HAMPSON ANNA NETREBKO RENÉ PAPE DANIEL HARDING A MOZART GALA from Salzburg Patricia Petibon René Pape Daniel Harding Magdalena Kožená Thomas Hampson Ekaterina Siurina Anna Netrebko Michael Schade Music by Wolfgang Amadeus Mozart he most spectacular homage to Wolfgang Amadeus Mozart on his 250th birthday in 2006 was incontestably Conductor Daniel Harding the presentation of all of his operas and operatic Orchestra Wiener Philharmoniker T fragments at the Salzburg Festival, “Mozart22”. Recorded on Soloists Anna Netrebko film (available from Unitel Classica), this monumental project Magdalena Kožená has been preserved for posterity as a benchmark of Mozart Ekaterina Siurina interpretation in the early 21st century. Patricia Petibon Thomas Hampson The “Mozart Gala“ held at the Felsenreitschule on 30 René Pape July 2006, in the first days of the 2006 Salzburg Festival, Michael Schade presents a kind of microcosm of the Mozart festivities, with Directed by Brian Large a selection of arias and orchestral music performed by the Vienna Philharmonic under Daniel Harding and featuring Don Giovanni Overture some of the top vocalists of the 2006 Salzburg Festival. A “Madamina, il catalogo è questo“ (René Pape) sampling of exquisite hors d‘œuvres prepared by the most “Dalla sua pace“ (Michael Schade) outstanding musical chefs! Mitridate, Re di Ponto Internationally celebrated soprano Anna Netrebko lives “Nel grave tormento“ (Patricia Petibon) up to her reputation as a fiery, dramatic diva in her passionate La clemenza di Tito rendition of Elettra‘s aria “D‘Oreste, d‘Aiace” from Idomeneo. -
CHAPTER 5 EPILOGUE It Has Been My Aim in This Thesis to Address a Two-Fold Proposition. Informed by My Reading of the Work of Gi
CHAPTER 5 EPILOGUE It has been my aim in this thesis to address a two-fold proposition. Informed by my reading of the work of Gilles de Van, I have discovered that Verdi wished to realize a concept which he called posizione. He provided musical strategies which would delineate characters in their subjective and objective ‘position’ with regard to circumstance and to their relationship with other characters at any given moment of the operatic narrative. The term posizione was intended to denote a musico-dramatic mapping of the co-ordinates which could pinpoint this relationship. With Verdi’s concept in view I have investigated the posizione of Violetta Valéry’s character as it has evolved throughout the course of the operatic narrative of La traviata. In addressing the second facet of my proposition I have taken the term posizione into the broader context of its social implications for the character of Violetta and for women of suspect moral status. In order to do this I have investigated the literary and factual provenance of the narrative and the contemporary response of Despite Budden’s own speculative objection to the notion that Verdi compared Violetta with Giuseppina Strepponi, the possibility remains that the courtesan character elicited a special sympathy from Verdi. The life of Alexandre Dumas fils is the origin from which the narrative of La traviata is drawn. Dumas fils turned the experience of his own liaison with the courtesan Marie Duplessis into the novel La Dame aux Camélias which he later adapted for the stage. As characterized by Dumas, Duplessis, transformed into the more noble Marguerite Gautier, renounced her own happiness in order to save the reputation of the family to whom her lover Armand 192 Duval belonged. -
A Chat with Arthur Miller
University of 25 C ents ACHAT WITH ARTHUR MILLER by Steve CiofD Born in New York City and educated at the University of Michigan, Arthur Miller is rec ognized as one of America’s foremost dra matists. The author of such classics as Death Eigel Responds To of a Salesman, The Crucible, All My Sons, The Price and After the Fall, Miller’s latest w ork s. two one-act plays called Elegy for a Lady and Some Kind of Love Story. are Phase Out Controversy currently enjoying a successful World Premiere run at Long Wharf Theatre’s Stage by Lisa A. Sahttlka president, Gaylord Haas, statements he had made n. The shows, referred to under the title “2 by oppose both some of the in 1980. “At that time we A.M.”, will be presented through December The Vice President of terminations and the pro announced that we would 5th. Academic Affairs denied cess by which they were' continue to review pro At a recent break between rehearsals for that the recently issued issued. Haas has stated grams because even then the shows, Mr. Miller was kind enough to list of program phase the faculty contract was it was clear we would not share about fifteen minutes with me. As we outs in any way suggests violated because the ad be able to continue the sat next to the make-up mirror in one of the a move toward a lessen ministration failed to give programs we were cur dressing rooms, a square halo of thirty-watt 1 ing of scholastic offerings the Program Evaluation rently offering.” lightbulbs framed his reflection. -
Rite of Spring
JUNE 6, 7, 8 classical series SEGERSTROM CENTER FOR THE ARTS Renée and Henry Segerstrom Concert Hall Concerts begin at 8 p.m. Preview talk hosted by Alan Chapman with Joseph Horowitz and Tony Palmer begins at 7 p.m. presents 2012-2013 HAL & JEANETTE SEGERSTROM FAMILY FOUNDATION CLASSICAL SERIES CARL ST.CLAIR • conductor | JOSEPH HOROWITZ • artistic adviser SUSANA PORETSKY • soprano | HYE-YOUNG KIM • piano | TONY PALMER • film director TONG WANG • choreographer | MEMBERS OF UC IRVINE DEPARTMENT OF DANCE TCHAIKOVSKY (1840-1893) STRAVINSKY (1882 - 1971) Excerpts from The Nutcracker, Op. 71 Epilogue: Lullaby in the Land of Eternity No. 14, Pas de deux from The Fairy’s Kiss No. 12, Divertissement: Chocolate (Spanish Dance) INTERMISSION Aly Anderson, Melanie Anderson, Janelle Villanueva, Tivoli Evans, Ashley LaRosa, Skye Schmidt Excerpt from Stravinsky: Once at a Border (1982 film) Coffee (Arabian Dance) Directed by Tony Palmer Karen Wing, Ryan Thomas, Mason Trueblood Tea (Chinese Dance) STRAVINSKY Tracy Shen, Jeremy Zapanta The Rite of Spring Trepak (Russian Dance) PART I: Adoration of the Earth Alec Guthrie Introduction The Augurs of Spring—Dances of the Young Girls Excerpts from Swan Lake, Op. 20 Ritual of Abduction No. 1, Scene Spring Rounds No. 3, Dance of the Swans Ritual of the Rival Tribes Tiffany Arroyo, Tivoli Evans, Tracy Shen, Janelle Villanueva Procession of the Sage No. 5, Hungarian Dance (Czardas) The Sage Jennifer Lott, Karen Wing, Alec Guthrie, McCree O’Kelley Dance of the Earth No. 6, Spanish Dance PART II: The Sacrifice Celeste Lanuza, Jessica Ryan, Jeremy Zapanta Introduction Mystic Circle of the Young Girls Lullaby in a Storm from Sixteen Songs for Children, Op.