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Piet Wackie Eysten Jubileumboek Van De Stichting Voor Kamermuziek
Jubileumboek van de stichting voor kamermuziek Piet Wackie eysten ‘String quartets trudge onstage hundreds of times a year and play music of the gods for a passionate and intensely involved audience. Not much to write about…’ Arnold Steinhardt, Indivisible by Four Inhoudsopgave 1. Een ‘voorloopige commissie’ 5 2. De Vereeniging voor Kamermuziek te ’s-Gravenhage 13 3. De eerste seizoenen 19 4. Koninklijke belangstelling 25 5. Programmering 29 6. Het 12½-jarig jubileum 35 7. Een nieuwe voorzitter 39 8. Het 25-jarig jubileum 45 9. Oorlogsjaren 51 10. Na de oorlog 57 11. De vijftiger jaren 63 12. Blijvend hoog niveau 67 13. De kosten 73 14. Ledenwerving 79 15. De ‘Vereeniging’ wordt een stichting 83 16. Bestuurswisselingen en stijgende prijzen 87 17. Donkere wolken 93 18. Een website tot slot 101 Inhoudsopgave / 3 Dr. D.F. Scheurleer Daniël François Scheurleer werd op 13 november 1855 geboren in Den Haag, waar zijn vader firmant was van het sinds 1804 in Den Haag gevestigde bankiershuis Scheurleer & Zoonen. De jonge Daniël trad bij zijn vaders firma in dienst, nadat hij in Dresden aan het ‘Handelslehranstalt’ een opleiding had gevolgd en bij de Dresdner Bank een stage had doorlopen. Na het overlijden van zijn vader in 1882 werd hij, nog slechts 26 jaar oud, directeur van het familiebedrijf. De firma hield zich vooral bezig met vermogensbeheer van welgestelde Hagenaars uit de hogere kringen. De schrijver Louis Couperus bankierde zijn leven lang bij Scheurleer & Zoonen. Couperus en zijn vrouw verkeerden op vriendschappelijke voet met de heer en mevrouw Scheurleer. In zijn testament bepaalde Couperus dat het vermogensbeheer van de stichting die hij met dat testament in het leven riep, zou worden gevoerd door ‘de tegenwoordige en toekomstige individueele leden van de firma Scheurleer & Zoonen’. -
Mozart Requiem Realisations
The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 MOZART REQUIEM REALISATIONS STEPHEN CLEOBURY CONDUCTOR ELIN MANAHAN THOMAS CHRISTINE RICE JAMES GILCHRIST CHRISTOPHER PURVES ACADEMY OF ANCIENT MUSIC T MOZART rac REQUIEM REALISATIONS Disc One Requiem – Realisations 16 Amen (Fugue) – C. Richard F. Maunder 01:41 Requiem – Wolfgang Amadeus mozart (ed. süssmayr) k L 17 Sanctus – Robert D. Levin / Franz Beyer 01:34 introitus 18 Benedictus – Duncan Druce 07:10 1 Requiem aeternam 04:07 19 Cum sanctis tuis – Robert D. Levin 02:53 Kyrie 20 Lacrimosa – Michael Finnissy 03:08 2 Kyrie eleison 02:39 ist Total Time 62:17 sequentia 3 i. Dies irae 01:55 4 ii. Tuba mirum 02:59 5 iii. Rex tremendae 01:51 Disc Two 6 iv. Recordare 04:59 7 v. Confutatis 02:37 Mozart’s Requiem: An Audio Documentary 8 vi. Lacrimosa 02:50 Written by Cliff Eisen. Offertorium Read by Elin Manahan Thomas, with additional dialogue from Andy Doe (Track 1), Kate Caro 9 i. Domine Jesu 03:24 (Track 3), Simon Kiln (Track 3), Duncan Druce (Track 3) and Michael Finnissy (Track 3). 10 ii. Hostias 04:00 sanctus 1 Chapter 1: Mozart in 1791 and the commissioning of the Requiem 13:45 11 Sanctus 01:26 2 Chapter 2: The Composition of the Requiem 18:21 Benedictus 3 Chapter 3: Reception 34:25 12 Benedictus 04:50 Total Time 66:31 Agnus Dei 13 Agnus Dei 02:54 communio 14 i. Lux aeterna 02:31 15 ii. Cum sanctis tuis 02:49 Disc One French Translation Aurélie Petiot (PhD student at King’s) Recorded in the Chapel of King’s College, Cambridge, by kind permission of the Provost and Fellows German Translation Dr Godela Weiss-Sussex (Fellow of King’s) 26 & 27 June and 27 September 2011. -
Britten Spring Symphony Welcome Ode • Psalm 150
BRITTEN SPRING SYMPHONY WELCOME ODE • PSALM 150 Elizabeth Gale soprano London Symphony Chorus Alfreda Hodgson contralto Martyn Hill tenor London Symphony Orchestra Southend Boys’ Choir Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Benjamin Britten (1913 – 1976) Spring Symphony, Op. 44* 44:44 For Soprano, Alto and Tenor solos, Mixed Chorus, Boys’ Choir and Orchestra Part I 1 Introduction. Lento, senza rigore 10:03 2 The Merry Cuckoo. Vivace 1:57 3 Spring, the Sweet Spring. Allegro con slancio 1:47 4 The Driving Boy. Allegro molto 1:58 5 The Morning Star. Molto moderato ma giocoso 3:07 Part II 6 Welcome Maids of Honour. Allegretto rubato 2:38 7 Waters Above. Molto moderato e tranquillo 2:23 8 Out on the Lawn I lie in Bed. Adagio molto tranquillo 6:37 Part III 9 When will my May come. Allegro impetuoso 2:25 10 Fair and Fair. Allegretto grazioso 2:13 11 Sound the Flute. Allegretto molto mosso 1:24 Part IV 12 Finale. Moderato alla valse – Allegro pesante 7:56 3 Welcome Ode, Op. 95† 8:16 13 1 March. Broad and rhythmic (Maestoso) 1:52 14 2 Jig. Quick 1:20 15 3 Roundel. Slower 2:38 16 4 Modulation 0:39 17 5 Canon. Moving on 1:46 18 Psalm 150, Op. 67‡ 5:31 Kurt-Hans Goedicke, LSO timpani Lively March – Lightly – Very lively TT 58:48 4 Elizabeth Gale soprano* Alfreda Hodgson contralto* Martyn Hill tenor* The Southend Boys’ Choir* Michael Crabb director Senior Choirs of the City of London School for Girls† Maggie Donnelly director Senior Choirs of the City of London School† Anthony Gould director Junior Choirs of the City of London School -
Broadcasting the Arts: Opera on TV
Broadcasting the Arts: Opera on TV With onstage guests directors Brian Large and Jonathan Miller & former BBC Head of Music & Arts Humphrey Burton on Wednesday 30 April BFI Southbank’s annual Broadcasting the Arts strand will this year examine Opera on TV; featuring the talents of Maria Callas and Lesley Garrett, and titles such as Don Carlo at Covent Garden (BBC, 1985) and The Mikado (Thames/ENO, 1987), this season will show how television helped to democratise this art form, bringing Opera into homes across the UK and in the process increasing the public’s understanding and appreciation. In the past, television has covered opera in essentially four ways: the live and recorded outside broadcast of a pre-existing operatic production; the adaptation of well-known classical opera for remounting in the TV studio or on location; the very rare commission of operas specifically for television; and the immense contribution from a host of arts documentaries about the world of opera production and the operatic stars that are the motor of the industry. Examples of these different approaches which will be screened in the season range from the David Hockney-designed The Magic Flute (Southern TV/Glyndebourne, 1978) and Luchino Visconti’s stage direction of Don Carlo at Covent Garden (BBC, 1985) to Peter Brook’s critically acclaimed filmed version of The Tragedy of Carmen (Alby Films/CH4, 1983), Jonathan Miller’s The Mikado (Thames/ENO, 1987), starring Lesley Garret and Eric Idle, and ENO’s TV studio remounting of Handel’s Julius Caesar with Dame Janet Baker. Documentaries will round out the experience with a focus on the legendary Maria Callas, featuring rare archive material, and an episode of Monitor with John Schlesinger’s look at an Italian Opera Company (BBC, 1958). -
We Are Proud to Offer to You the Largest Catalog of Vocal Music in The
Dear Reader: We are proud to offer to you the largest catalog of vocal music in the world. It includes several thousand publications: classical,musical theatre, popular music, jazz,instructional publications, books,videos and DVDs. We feel sure that anyone who sings,no matter what the style of music, will find plenty of interesting and intriguing choices. Hal Leonard is distributor of several important publishers. The following have publications in the vocal catalog: Applause Books Associated Music Publishers Berklee Press Publications Leonard Bernstein Music Publishing Company Cherry Lane Music Company Creative Concepts DSCH Editions Durand E.B. Marks Music Editions Max Eschig Ricordi Editions Salabert G. Schirmer Sikorski Please take note on the contents page of some special features of the catalog: • Recent Vocal Publications – complete list of all titles released in 2001 and 2002, conveniently categorized for easy access • Index of Publications with Companion CDs – our ever expanding list of titles with recorded accompaniments • Copyright Guidelines for Music Teachers – get the facts about the laws in place that impact your life as a teacher and musician. We encourage you to visit our website: www.halleonard.com. From the main page,you can navigate to several other areas,including the Vocal page, which has updates about vocal publications. Searches for publications by title or composer are possible at the website. Complete table of contents can be found for many publications on the website. You may order any of the publications in this catalog from any music retailer. Our aim is always to serve the singers and teachers of the world in the very best way possible. -
Richard Strauss's Ariadne Auf Naxos
Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails. -
The Inspiration Behind Compositions for Clarinetist Frederick Thurston
THE INSPIRATION BEHIND COMPOSITIONS FOR CLARINETIST FREDERICK THURSTON Aileen Marie Razey, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Kimberly Cole Luevano, Major Professor Warren Henry, Committee Member John Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Razey, Aileen Marie. The Inspiration behind Compositions for Clarinetist Frederick Thurston. Doctor of Musical Arts (Performance), August 2018, 86 pp., references, 51 titles. Frederick Thurston was a prominent British clarinet performer and teacher in the first half of the 20th century. Due to the brevity of his life and the impact of two world wars, Thurston’s legacy is often overlooked among clarinetists in the United States. Thurston’s playing inspired 19 composers to write 22 solo and chamber works for him, none of which he personally commissioned. The purpose of this document is to provide a comprehensive biography of Thurston’s career as clarinet performer and teacher with a complete bibliography of compositions written for him. With biographical knowledge and access to the few extant recordings of Thurston’s playing, clarinetists may gain a fuller understanding of Thurston’s ideal clarinet sound and musical ideas. These resources are necessary in order to recognize the qualities about his playing that inspired composers to write for him and to perform these works with the composers’ inspiration in mind. Despite the vast list of works written for and dedicated to Thurston, clarinet players in the United States are not familiar with many of these works, and available resources do not include a complete listing. -
Herald Sun Entertainment Herald Sun
4/30/2015 Melbourne Theatre Company dominates Green Room Awards — but not for theatre | Herald Sun Entertainment Herald Sun Entertainment Melbourne Theatre Company dominates Green Room Awards — but not for theatre by: Sally Bennett arts editor From: Herald Sun April 20, 2015 10:30PM Share × Share this story Facebook Twitter LinkedIn Google Email 0 0 Madeleine Jones and Tom Parsons both won best actor awards for their roles in the musical “Once”. Picture: Eugene Hyland Source: News Corp Australia THE Melbourne Theatre Company has dominated this year’s Green Room Awards, announced http://www.heraldsun.com.au/entertainment/arts/melbourne-theatre-company-dominates-green-room-awards-but-not-for-theatre/story-fni0fcgk-1227312347021 1/10 4/30/2015 Melbourne Theatre Company dominates Green Room Awards — but not for theatre | Herald Sun tonight, but in an unexpected category. Instead of cleaning up the awards for theatre — where it was virtually snubbed — the company won eight awards in the musical category for its coproduction of Once with John Frost, including best production, director and male and female leads. The MTC, which also won a dance award for its coproduction with Chunky Move, tied with Opera Australia to be the two most successful companies with 10 gongs each. But our flagship theatre company came a distant fourth in the theatre category — behind the Malthouse Theatre, Bell Shakespeare and Red Stitch Actors Theatre — picking up only one award for sound design. It’s highly touted Neon Festival of Independent Theatre also managed only one award in the independent theatre category. Opera Australia’s “Eugene Onegin” won seven awards, including female lead for Nicole Car. -
(WA Opera Society
W.A.OPERA COMPANY (W.A. Opera Society - Forerunner) PR9290 Flyers and General 1. Faust – 14th to 23rd August; and La Boheme – 26th to 30th August. Flyer. 1969. 2. There’s a conspiracy brewing in Perth. It starts September 16th. ‘A Masked Ball’ Booklet. c1971. D 3. The bat comes to Perth on June 3. Don’t miss it. Flyer. 1971. 4. ‘The Gypsy Baron’ presented by The W.A. Opera Company – Gala Charity Premiere. Wednesday 10th May, 1972. Flyer. 5. 2 great love operas. Puccini’s ‘Madame Butterfly’ ; Rossini’s ‘The Barber of Seville’ on alternate nights. September 14-30. Flyer. 1972. D 6. ‘Rita’ by Donizetti and ‘Gallantry’ by Douglas Moore. Sept. 9th-11th, & 16th, 17th. 1p. flyer. c1976. 7. ‘Sour Angelica’ by Puccini, Invitation letter to workshop presentation. 1p..Undated. 8. Letter to members about Constitution Amendments. 2p. July 1976. 9. Notice of Extraordinary General Meeting re Constitution Change. 1p. 7 July 1976. 10. Notice of Extraordinay General Meeting – Agenda and Election Notice. 1p. July 1976. 11. Letter to Members summarising events occurring March – June 1976. 1p. July 1976. 12. Memo to Acting Interim Board of Directors re- Constitutional Developments and Confrontation Issues. 3p. July 1976. 13. Campaign letter for election of directors on to the Board. 3p. 1976. 14. Short Biographies on nominees for Board of Directors. 1p.. 1976. 15. Special Priviledge Offer. for ‘The Bear’ by William Walton and ‘William Derrincourt’ by Roger Smalley. 1p. 1977. 16. Membership Card. 1976. 17. Concession Vouchers for 1976 and 1977. 18. The Western Australian Opera Company 1980 Season. -
Mahler's Klagende Lied
Mahler’s Klagende Lied SIMONE YOUNG’S VISIONS OF VIENNA 4 – 7 DECEMBER SYDNEY OPERA HOUSE CONCERT DIARY FEBRUARY 2020 The 1950s Latin Lounge Wed 5 Feb, 7pm Thu 6 Feb, 7pm Program includes: Sat 8 Feb, 7pm GERSHWIN Cuban Overture Sydney Town Hall MARQUEZ Danzón No.2 BERNSTEIN West Side Story – Mambo Guy Noble conductor Imogen Kelly dancer Ali McGregor soprano The Rite of Spring Symphony Hour Wed 19 Feb, 7pm RIOT AT THE BALLET Thu 20 Feb, 7pm WAGNER Die Meistersinger – Prelude Sydney Town Hall STRAVINSKY The Rite of Spring Pietari Inkinen conductor Abercrombie & Kent Debussy and Ravel Masters Series THE GREAT IMPRESSIONISTS Wed 26 Feb, 8pm RAVEL Piano Concerto in G Fri 28 Feb, 8pm MENDELSSOHN The Hebrides Sat 29 Feb, 8pm DEBUSSY La mer Thursday Afternoon Symphony Jun Märkl conductor Thu 27 Feb, 1.30pm Alexandra Dariescu piano Great Classics Sat 29 Feb, 2pm Sydney Town Hall MARCH 2020 Ben Folds Sydney Symphony Presents Fri 6 Mar, 8pm THE SYMPHONIC TOUR Sat 7 Mar, 8pm Pop icon and music innovator Ben Folds Sydney Town Hall returns to Sydney following his last sold- out shows with the Sydney Symphony. Ben Folds Nicholas Buc conductor Scheherazade Symphony Hour Wed 11 Mar, 7pm HYPNOTIC AND SUBLIME Thu 12 Mar, 7pm DEBUSSY Prelude to the Afternoon of a Faun Tea & Symphony RIMSKY-KORSAKOV Scheherazade Fri 13 Mar, 11am Alexander Shelley conductor Sydney Town Hall Debussy, Mozart and Rimsky-Korsakov Emirates Metro Series Fri 13 Mar, 8pm SENSE AND SENSUALITY Sydney Town Hall DEBUSSY Prelude to the Afternoon of a Faun MOZART Sinfonia Concertante, K.364 RIMSKY-KORSAKOV Scheherazade Alexander Shelley conductor Harry Bennetts violin Tobias Breider viola Abercrombie & Kent Beethoven Missa Solemnis Masters Series MUSIC OF INSPIRATION Wed 18 Mar, 8pm BEETHOVEN Missa Solemnis Fri 20 Mar, 8pm Sat 21 Mar, 8pm Donald Runnicles conductor Siobhan Stagg soprano Sydney Town Hall Vasilisa Berzhanskaya mezzo-soprano Samuel Sakker tenor Derek Welton bass Sydney Philharmonia Choirs Cats 240x150.indd 1 2/9/19 16:40 WELCOME Welcome to the Abercrombie & Kent Masters Series. -
Gloucester Cathedral Lay Clerks
GLOUCESTER CATHEDRAL ORGAN SCHOLARSHIP The Dean & Chapter of Gloucester Cathedral annually seek to appoint an organ scholar for each academic year. He/She will play a key role in the Cathedral music department, working closely with Adrian Partington (Director of Music), Jonathan Hope (Assistant Director of Music), Nia Llewelyn Jones (Singing Development Leader) and Helen Sims (Music Department Manager). The organ scholarship is open to recent graduates or to gap-year applicants of exceptional ability. Duties The organ scholar plays for Evensong every Tuesday, and in addition plays the organ or directs the choirs as necessary when the DoM or the ADoM is away. He/She will also play for many of the special services which take place in the Cathedral, for which additional fees are paid (see remuneration details below). The organ scholar is fully involved with the training of choristers and probationers and the teaching of theory and general musicianship. They will also be expected to help with the general administration of the music department, attending a weekly meeting and assisting other members of the department in the music office. Gloucester Cathedral Choir Today’s choir is the successor to the boys and monks of the Benedictine Abbey of St Peter, who sang for daily worship nine centuries ago. The choir of today stems from that established by Henry VIII in 1539, consisting of 18 choristers (who receive generous scholarships to attend the neighbouring King’s School), 12 lay clerks and choral scholars. The choir plays a major part in the internationally renowned Three Choirs Festival, the world’s oldest Music Festival, which dates back to 1715. -
MUSICWEB INTERNATIONAL Recordings of the Year 2019
MUSICWEB INTERNATIONAL Recordings Of The Year 2019 This is the seventeenth year that MusicWeb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2018-November 2019). The 128 selections have come from 27 members of the team and 65 different labels, the choices reflecting as usual, the great diversity of music and sources; I say that every year, but still the spread of choices surprises and pleases me. Of the selections, one has received three nominations: An English Coronation on Signum Classics and ten have received two nominations: Gounod’s Faust on Bru Zane Matthias Goerne’s Schumann Lieder on Harmonia Mundi Prokofiev’s Romeo & Juliet choreographed by John Cranko on C Major Marx’s Herbstymphonie on CPO Weinberg symphonies on DG Shostakovich piano works on Hyperion Late Beethoven sonatas on Hyperion Korngold orchestral works on Chandos Coates orchestral works on Chandos Music connected to Leonardo da Vinci on Alpha Hyperion was this year’s leading label with nine nominations, just ahead of C Major with eight. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2300 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year, but this year one recording in particular put itself forward as the obvious candidate. An English Coronation 1902-1953 Simon Russell Beale, Rowan Pierce, Matthew Martin, Gabrieli Consort; Gabrieli Roar; Gabrieli Players; Chetham’s Symphonic Brass Ensemble/Paul McCreesh rec.