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We Are Proud to Offer to You the Largest Catalog of Vocal Music in The
Dear Reader: We are proud to offer to you the largest catalog of vocal music in the world. It includes several thousand publications: classical,musical theatre, popular music, jazz,instructional publications, books,videos and DVDs. We feel sure that anyone who sings,no matter what the style of music, will find plenty of interesting and intriguing choices. Hal Leonard is distributor of several important publishers. The following have publications in the vocal catalog: Applause Books Associated Music Publishers Berklee Press Publications Leonard Bernstein Music Publishing Company Cherry Lane Music Company Creative Concepts DSCH Editions Durand E.B. Marks Music Editions Max Eschig Ricordi Editions Salabert G. Schirmer Sikorski Please take note on the contents page of some special features of the catalog: • Recent Vocal Publications – complete list of all titles released in 2001 and 2002, conveniently categorized for easy access • Index of Publications with Companion CDs – our ever expanding list of titles with recorded accompaniments • Copyright Guidelines for Music Teachers – get the facts about the laws in place that impact your life as a teacher and musician. We encourage you to visit our website: www.halleonard.com. From the main page,you can navigate to several other areas,including the Vocal page, which has updates about vocal publications. Searches for publications by title or composer are possible at the website. Complete table of contents can be found for many publications on the website. You may order any of the publications in this catalog from any music retailer. Our aim is always to serve the singers and teachers of the world in the very best way possible. -
Contents Price Code an Introduction to Chandos
CONTENTS AN INTRODUCTION TO CHANDOS RECORDS An Introduction to Chandos Records ... ...2 Harpsichord ... ......................................................... .269 A-Z CD listing by composer ... .5 Guitar ... ..........................................................................271 Chandos Records was founded in 1979 and quickly established itself as one of the world’s leading independent classical labels. The company records all over Collections: Woodwind ... ............................................................ .273 the world and markets its recordings from offices and studios in Colchester, Military ... ...208 Violin ... ...........................................................................277 England. It is distributed worldwide to over forty countries as well as online from Brass ... ..212 Christmas... ........................................................ ..279 its own website and other online suppliers. Concert Band... ..229 Light Music... ..................................................... ...281 Opera in English ... ...231 Various Popular Light... ......................................... ..283 The company has championed rare and neglected repertoire, filling in many Orchestral ... .239 Compilations ... ...................................................... ...287 gaps in the record catalogues. Initially focussing on British composers (Alwyn, Bax, Bliss, Dyson, Moeran, Rubbra et al.), it subsequently embraced a much Chamber ... ...245 Conductor Index ... ............................................... .296 -
Complete Performnace International Diploma Syllabus
00 Dip perf cover 2007.qxd:00 Dip perf cover 29/11/07 13:31 Page 2 SPECIAL NOTICES (updated 2007) This syllabus is valid worldwide from January 2005 and will remain in force until further notice. At the reprint of this document in late 2007, the following minor changes have been incorporated into the text: ● updates to the publisher information in the repertoire lists (and Appendix 4) ● details of a procedural change to the Quick Study for singers and clarification of the Quick Study procedure for percussionists (see p. 10) In all other respects the syllabus requirements remain unchanged. Cover design: Økvik Design Text design: Tamasin Cole Printed in England: Caligraving Ltd © 2004 by The Associated Board of the Royal Schools of Music Thetford, Norfolk Reprinted (with updated information) in 2005, 2007 00 Dip perf cover 2007.qxd:00 Dip perf cover 29/11/07 13:31 Page 3 TABLE OF ASSOCIATED BOARD DIPLOMAS DipABRSM LRSM FRSM Music Performance Prerequisite Prerequisite Prerequisite ABRSM Grade 8 Practical in DipABRSM (Music Performance) LRSM (Music Performance) in the instrument presented or in the instrument presented or the instrument presented or a permitted substitution a permitted substitution a permitted substitution Requirements Requirements Requirements Section 1 Section 1 Section 1 Recital (35 mins: ± 10%) Recital (40 mins: ± 10%) Recital (50 mins: ± 10%) including optional free including optional free including optional free choice of repertoire choice of repertoire and choice of repertoire and one-third specialist option maximum -
The Official Organ of Theb.B.C
Radio Times, November 13th, 1925. ger NEW SCHEMES FOR RADIO HUMOUR. pe eresARfeOEEN nei | beagoow “oveiamLAy) ne Sires_ I — LEEDS-apanroRg = BULL cyeyre ORC.ae RELA pein AW i ur _alv ancheste osneFEELO orTG hat I erowrcueraent LAT (ncLaAw) 4 o SPAIN GAM } Lonoon Oe—_ ee TH Py WAR maithPHDttn y wet™cay i 7 OD viltie THE OFFICIAL ORGAN OF THE B.B.C _Vol. 9. No. 112. [aiatirrd.s. = EVERY FRIDAY. Two‘Pence@, Pen OFFICIAL The World“On One Valve! PROGRAMMES for the week beginning By P. P. ECKERSLEY. | READ so much of sets. which can give his. wireless set. It is a crystal set. In time, SUNDAY, November 15th. very loud signals; or can stil hear he reads of valve sets; his imagination very distant or weak stations. I read, in depicts him inviting his neighbours in to PROGRAMMES1 INDEX.» fact, so much of sensitivity that [ sometimes hear Rome, Brussels, Aberdeen, London. or feel I read little sense. “Why 1s it that all some remote station. He is everywhere LONDON..... 347, 948, 350 must be praising sets in terms of quantity encouraged to beheve that, with a single rather than quality? Why are sets which valve set, he can hear the world. The very BELFAST i ae “hearAmerica on the fewest of valves hoardings shout at him, “All the World BIRMINGHAM seuss $49, 350 held up to our admiring eyes 3 on one valve!” Hé, in a moment of pro- BOURNEMOUTH os 354, 352 t a * i sperity—lI say this in no spirit of scorn ; we CARDIFF ..... -
5 Classical Vocal Music by Composer 38 Classical Song Collections for Beginning Singers Art Song Collections 41 American & B
4 Vocal 5 Classical Vocal Music by Composer 38 Classical Song Collections for Beginning Singers Art Song Collections 41 American & British Song Collections 43 French Song Collections 44 German Song Collections 44 Italian Song Collections 47 Spanish Song Collections 47 General Mixed Composer Vocal Collections 53 Christmas Vocal Collections 54 Sacred Vocal Collections 60 The Vocal Library 67 Vocal Duets & Ensembles 70 Voice with Various Instruments 73 Vocal Methods, Vocalises & Sight-Singing See the Opera section for aria collections, vocal scores and full scores. See the Musical Theatre section for vocal selections and vocal scores. CLASSICAL VOCAL MUSIC BY COMPOSER 5 ADOLPHE ADAM FRANCES ALLITSEN ______50290250 Cantique de Noel (O Holy Night) (Stickles) ______50286670 The Lord Is My Light High in E Flat w/Organ, Fr/Eng High in E Flat with piano or organ Schirmer ST46047 ...........................................................$3.95 Schirmer ST43301 ...........................................................$3.95 ______50279730 Cantique de Noel (O Holy Night) (Deis) ______50286680 The Lord Is My Light High in E flat w/Piano, Fr/Eng Med High in D with piano or organ Schirmer ST36859 ...........................................................$3.95 Schirmer ST43302 ...........................................................$3.95 ______50290240 Cantique de Noel (O Holy Night) (Stickles) ______50286690 The Lord Is My Light Medium High in D flat w/Organ, Fr/Eng Med Low in C with piano or organ Schirmer ST46046 ...........................................................$3.95 -
Alaris Capture Pro Software
•r r i Fhe Elgar Society JOURNAL 1 t wk ► 1. JANUARY 19 8 1 Contents Editorial page 3 Concert Diary page 16 News Items 4 Caleb Jarvis - a photograph 17 Elgar Birthplace Report 5 Book Reviews 18 Elgar's Silver Salver 7 Record Reviews 20 Article Branch Reports 24 V\fullner and "Gerontius" 8 Letters 30 New plaque at Ventnor 14 Subscriptions 32 Ponp and Circumstance 15 ********************************************************************** The editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. ********************************************************************** The cover portrait, is reproduced by kind permission of RADIO TIMES. Novissima verba.. 31st March at 7.30 p.m. in Worcester Cathedral Chapter House. Dr. Donald Hunt and the Donald Hunt Singers. Illustrated talk on "Elgar's Piano Music and Part-Songs". £2. Contact West Midlands Secretary by end of February re possible reduced prices. 9th May at-7.00 p.m. St. Michael's College, Tenbury. Elgar's Organ Sonata and Religious Works. Roger Judd (organ) and College Choir. Contact W.Midlands Secretary. (Includes wine and cheese). Mr. Bernard Steff,' Caxton Cottage, 173 Eastwood Road, Boston, Lines, has offered members the chance to purchase his sets of Elgar's First and Second Symphonies, on the original 78's.(D1944/9 5 D7558/63). He also has runs of the Gramophone magazine from 1960; space forbids full details of the run. Offers should be made direct to Mr.Steff. .*.*.*.*.*.*.*.*.*.*.*.*.*.*.*. Elgar Society Journal ISSN 0143 - 1269 2 The Elgar Society Journal 104 CRESCENT ROAD. NEW BARNET. 01-440 2651 HERTS. -
Vol. 15, No.5 July 2008
Cockaigne (In London Town) • Concert Allegro • Grania and Diarmid • May Song • Dream Children • Coronation Ode • Weary Wind of the West • Skizze • Offertoire • The Apostles • In The South (Alas- sio) • Introduction and Allegro • Evening Scene • In Smyrna • The Kingdom • Wand of Youth • HowElgar Calmly Society the Evening • Pleading • Go, Song of Mine • Elegy • Violin Concerto in B minor • Romance • Symphony No.2 •ournal O Hearken Thou • Coronation March • Crown of India • Great is the Lord • Cantique • The Music Makers • Falstaff • Carissima • Sospiri • The Birthright • The Windlass • Death on the Hills • Give Unto the Lord • Carillon • Polonia • Une Voix dans le Desert • The Starlight Express • Le Drapeau Belge • The Spirit of England • The Fringes of the Fleet • The Sanguine Fan • Violin Sonata in E minor • String Quartet in E minor • Piano Quintet in A minor • Cello Concerto in E minor • King Arthur • The Wanderer • Empire March • The Herald • Beau Brummel • Severn Suite • Solilo- quy • Nursery Suite • Adieu • Organ Sonata • Mina • The Spanish Lady • Chantant • Reminiscences • Harmony Music • Promenades • Evesham Andante • Rosemary (That's for Remembrance) • Pas- tourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Gavotte • Salut d'Amour • Mot d'Amour • Bizarrerie • O Happy Eyes • My Love Dwelt in a Northern Land • Froissart • Spanish Serenade • La Capricieuse • Serenade • The Black Knight • Sursum Corda • The Snow • Fly, Singing Bird • From the Bavarian Highlands • The Light of Life • King Olaf • ImperialJULY March 2008 Vol. • The15, No. Banner 5 of St George • Te Deum and Benedictus • Caractacus • Variations on an Original Theme (Enigma) • Sea Pictures • Chanson de Nuit • Chanson de Ma- tin • Three Characteristic Pieces • The Dream of Gerontius • Ser- enade Lyrique • Pomp and Circumstance • The Elgar Society The Elgar Society Journal Founded 1951 362 Leymoor Road, Golcar, Huddersfield, HD7 4QF Telephone: 01484 649108 Email: [email protected] President Richard Hickox, CBE July 2008 Vol. -
MUSIC CATALOGUE VOCAL Setsfulldocumentpdf
Performing Arts Library King George Street Yeovil Somerset, BA20 1PY Roger Taylor Ref. RDT/1/RDT Performing Arts Librarian Telephone 01935 472020 Fax 01935 429133 e-mail [email protected] VOCAL SETS CATALOGUE Abbreviations: Languages of Texts English unless stated otherwise. Language(s) stated after publisher statement, as: E English S Spanish F French R(C) Russian (Cyrillic) G German R(t) Russian (transliterated) I Italian W Welsh P Portuguese Abbreviations: Music Formats Ch.pt Chorus score OVS Organ vocal score D.rec. Descant recorder Tun.Perc. Tuned percussion FS Full score VS Vocal score CONTENTS 1. Secular: Mixed Voices: Collections 2. Secular: Mixed Voices: Works 3. Secular: Ladies/Children’s Voices: Collections 4. Secular: Ladies/Children’s Voices: Works 5. Sacred: Mixed Voices: Collections 6. Sacred: Mixed Voices: Works 7. Sacred: Ladies/Children’s Voices: Collections 8. Sacred: Ladies/Children’s Voices: Works 9. Choral Works 10. Operas 11. Operettas, Musicals 12. Title Index 13. Multi-voice Index 14. Contents pages of collections Acknowledgements Appreciation is expressed by Somerset Libraries for permissions granted to reproduce the contents pages of copyright editions published by: Boosey & Hawkes Music Publishers Ltd. Chester Music [j Music Sales Limited] Glyn Court Freeman [jEMI Music Publishing Ltd.] Lawson-Gould [j Schott Music International/European American Music] Oxford University Press Penguin Group UK Peters Edition Limited Stainer & Bell Ltd. Regarding The Treasury of Christmas Music (Blanford Press, 1950/1961), The Orion Publishing Group Ltd. (owner of Blandford Publishing which in turn had acquired Blandford Press) has stated: “Due to lack of sufficient information in our records, we can neither grant nor refuse permission to reproduced material from The Treasury of Christmas Music...” All attempts to trace the copyright holder have failed and Orion Publishing Group Ltd. -
UNIVERSITÀ DEGLI STUDI DI BERGAMO DOTTORATO DI RICERCA in LETTERATURE EUROAMERICANE XXVIII Ciclo Writing the Nation and Writing
UNIVERSITÀ DEGLI STUDI DI BERGAMO DOTTORATO DI RICERCA IN LETTERATURE EUROAMERICANE XXVIII Ciclo Settore scientifico disciplinare: L-LIN 10 “Letteratura inglese” Edvige Pucciarelli Writing the Nation and Writing the Empire From Ben Jonson’s The Masque of Blackness and The Masque of Beauty to Edward Elgar’s The Crown of India Supervisori Chiarissima Professoressa Angela Locatelli Chiarissima Professoressa Rossana Bonadei Anno Accademico: 2016-2017 Acknowledgments I would like to express my deepest thanks to both my supervisors, Professor Angela Locatelli and Professor Rossana Bonadei. This dissertation was made possible because of their invaluable critical insight and for their incredible effort in reviewing all the written material. Professor Angela Locatelli and Professor Rossana Bonadei offered me steady moral support and encouragement throughout these years allowing me to complete this work. My deepest thanks go to Antonio Silla, the best loving and supportive brother- friend I could have ever wished for, to Professor Paola Tornaghi, to Doctor Erica Dilk and to Maestro Alessandro Buffone for their precious support throughout years of friendship. There have been many other people who have supported me during these last difficult years and I thank each and every one of them. My special thanks go to Professor Geoffrey Charles Hutchings, who started this study making me discover Ben Jonson and the Masque when I was an undergraduate student so many years ago. Table of Contents I The Textual Literary Space As Political Space .......................................................... 4 I.1 A Turning Point in the Study of Literary Space in 20th-Century Literary Theory .. 9 I.1.1 Modern Spatial Theorists: Bakhtin and van Baak ......................................... -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 SEA PICTURES. Op.37 BY SIR EDWARD ELGAR: A COMPREHENSIVE GUIDE FOR STUDY AND PERFORMANCE D.M.A. DOCUMENT Presented in partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School o f The Ohio State University by Lynnette Borman, B.M.E., M.M. -
Sir Edward Elgar
ML4IO E4P8 THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES ' 12 Sir Edward Elgar shown by the inscription on the title page of the first " symphony, To Hans Richter, Mus. Doc. True Artist and True Friend." There is one other name that we must esteem as high as Richter's in connection with Elgar, and that is Landon Ronald. Mr. Ronald is probably that greatest exponent of Elgar that has ever lived, up to the present. His work to make Elgar known has been even more untiring that Richter's. His efforts throughout Great Britain have been so per- sistent that his name has become almost a synonym of Elgar. His most striking achievements include the securing of appreciation of Sunday afternoon audiences at Albert Hall for the symphonies, each of which takes up best part of an hour to play, and his hard fight against an apathetic public to rescue the E flat Symphony from oblivion, culminating in the work being described as one of the finest symphonies since Beethoven's day. He has performed the first symphony in Rome and Paris, and given an orchestral concert devoted entirely to Elgar's works at Queen's Hall, London. The interpretations by Landon Ronald of Elgar are remarkable for their insight and wealth of ex- pression, and are generally accepted to be the most authoritative. The full extent of the famous con- ductor's work to make the British public understand the genius in their midst, we are expressly forbidden to mention, but should the facts ever come to light, His Career *3 the world will see yet another example of the self- sacrificing love of true genius for fellow genius. -
The David Clover Festival of Singing 2017
The David Clover Festival of Singing 2017 7 1 Singers' Platform 0 2 g n Saturday 28 January i g n i Sunday 29 January S f l o a v ti s e F r e v o l C d Festival Weekend i v a Friday 3 February D Saturday 4 February Sunday 5 February Programme £1 Tickets: £3 (£2 concessions) per session. Festival Finals £7 (£3 concessions) www.davidclover-festivalofsinging.org.uk “The object is not to win a prize or defeat a rival but to pace one another on the road to excellence.” H.Walford Davies THE DAVID CLOVER FESTIVAL OF SINGING Sheffield Reg. Charity No. 1043131 sponsored and administered by The City of Sheffield Teachers’ Choir Patron: Lesley Garrett CBE President: Mark Wildman FRAM, FRSA Vice-Presidents: Elizabeth Watts Hon. D. Mus, Richard Clover LTCL, FASC, James Kirkwood LRAM, LTCL, ARCM, Ralph Green ARCM Singers’ Platform Saturday 28 January - Sunday 29 January 2017 Adjudicators: Mark Wildman, Gaynor Keeble, Vivien Pike Festival Weekend Friday 3 February - Sunday 5 February 2017 Adjudicator: Gaynor Keeble THE DAVID CLOVER FESTIVAL OF SINGING Dr. David Clover came to Sheffield in 1966 having been appointed as the city’s Music Adviser to the Education Department. It was one of the earliest residential courses for music teachers and its daily choral sessions, organised by David, which brought the first members of the Sheffield Teachers’ Choir (as it was then known) together in 1968. Following David’s untimely death in 1979, The Teachers’ Choir committee at the time decided that there should be a fitting and lasting tribute and memorial to his work.