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Journal of Romanian Literary Studies Issue No
2013 Journal of Romanian Literary Studies Issue no. 3 http://www.upm.ro/jrls/ E-ISSN: 2248-3304 Published by Petru Maior University Press, Nicolae Iorga Street No. 1, 540088, Târgu-Mureș, Romania Email: [email protected]; (c) 2011-2013 Petru Maior University of Târgu-Mureș SCIENTIFIC BOARD: Prof. Virgil NEMOIANU, PhD Prof. Nicolae BALOTĂ, PhD Prof. Nicolae MANOLESCU, PhD Prof. Eugen SIMION, PhD Prof. George BANU, PhD Prof. Alexandru NICULESCU, PhD EDITORIAL BOARD: Editorial Manager: Prof. Iulian BOLDEA, PhD Executive Editor: Prof. Al. CISTELECAN, PhD Editors: Prof. Cornel MORARU, PhD Prof. Andrei Bodiu, PhD Prof. Mircea A. DIACONU, PhD Assoc. Prof. DORIN STEFANESCU, PhD Assoc. Prof. Luminița CHIOREAN, PhD Lecturer Dumitru-Mircea BUDA, PhD CONTACT: [email protected], [email protected] Table of Contents AL. CISTELECAN Faith Testimonials ...................................................................................................................... 3 ȘTEFAN BORBELY The Literary Pursuit of a Historian of Religions: The Case of Ioan Petru Culianu ................ 13 CAIUS DOBRESCU Sphinx Riddles for Zamolxes. Ethno-Politics, Archaic Mythologies and Progressive Rock in Nicolae Ceausescu’s Romania ................................................................................................. 21 MIRCEA A. DIACONU The Critical Spirit in ”România Literară” in 1989 ................................................................. 31 LIVIU MALIȚA 1918: One Nation and Two Memories .................................................................................... -
We Are Proud to Offer to You the Largest Catalog of Vocal Music in The
Dear Reader: We are proud to offer to you the largest catalog of vocal music in the world. It includes several thousand publications: classical,musical theatre, popular music, jazz,instructional publications, books,videos and DVDs. We feel sure that anyone who sings,no matter what the style of music, will find plenty of interesting and intriguing choices. Hal Leonard is distributor of several important publishers. The following have publications in the vocal catalog: Applause Books Associated Music Publishers Berklee Press Publications Leonard Bernstein Music Publishing Company Cherry Lane Music Company Creative Concepts DSCH Editions Durand E.B. Marks Music Editions Max Eschig Ricordi Editions Salabert G. Schirmer Sikorski Please take note on the contents page of some special features of the catalog: • Recent Vocal Publications – complete list of all titles released in 2001 and 2002, conveniently categorized for easy access • Index of Publications with Companion CDs – our ever expanding list of titles with recorded accompaniments • Copyright Guidelines for Music Teachers – get the facts about the laws in place that impact your life as a teacher and musician. We encourage you to visit our website: www.halleonard.com. From the main page,you can navigate to several other areas,including the Vocal page, which has updates about vocal publications. Searches for publications by title or composer are possible at the website. Complete table of contents can be found for many publications on the website. You may order any of the publications in this catalog from any music retailer. Our aim is always to serve the singers and teachers of the world in the very best way possible. -
Brahms, Johannes (B Hamburg, 7 May 1833; D Vienna, 3 April 1897)
Brahms, Johannes (b Hamburg, 7 May 1833; d Vienna, 3 April 1897). German composer. The successor to Beethoven and Schubert in the larger forms of chamber and orchestral music, to Schubert and Schumann in the miniature forms of piano pieces and songs, and to the Renaissance and Baroque polyphonists in choral music, Brahms creatively synthesized the practices of three centuries with folk and dance idioms and with the language of mid and late 19thcentury art music. His works of controlled passion, deemed reactionary and epigonal by some, progressive by others, became well accepted in his lifetime. 1. Formative years. 2. New paths. 3. First maturity. 4. At the summit. 5. Final years and legacy. 6. Influence and reception. 7. Piano and organ music. 8. Chamber music. 9. Orchestral works and concertos. 10. Choral works. 11. Lieder and solo vocal ensembles. WORKS BIBLIOGRAPHY GEORGE S. BOZARTH (1–5, 10–11, worklist, bibliography), WALTER FRISCH (6– 9, 10, worklist, bibliography) Brahms, Johannes 1. Formative years. Brahms was the second child and first son of Johanna Henrika Christiane Nissen (1789–1865) and Johann Jakob Brahms (1806–72). His mother, an intelligent and thrifty woman simply educated, was a skilled seamstress descended from a respectable bourgeois family. His father came from yeoman and artisan stock that originated in lower Saxony and resided in Holstein from the mid18th century. A resourceful musician of modest talent, Johann Jakob learnt to play several instruments, including the flute, horn, violin and double bass, and in 1826 moved to the free Hanseatic port of Hamburg, where he earned his living playing in dance halls and taverns. -
Repertoire Lists
REPERTOIRE LISTS 36 Piano 41 Harpsichord 43 Organ 46 Violin 49 Viola 51 Cello 52 Double Bass 54 Guitar 57 Harp 59 Recorder 61 Flute 63 Oboe 65 Clarinet 67 Bassoon 69 Saxophone 71 Horn REPERTOIRE LISTS 72 Trumpet, Cornet in Bb, Flugelhorn 74 Eb Horn 75 Trombone 77 Baritone, Euphonium 78 Tuba 80 Percussion 81 Singing 97 Orchestral excerpts for FRSM 99 Accepted related instruments Requirements concerning programming and examination music, as well as other performance details, are given on pp. 7–8 (DipABRSM), pp. 11–12 (LRSM) and pp. 14–15 (FRSM). Candidates are advised to study these requirements carefully when planning their Recital programmes. For contact details of publishers and distributors referred to in the following repertoire lists, see pp. 118–121. A brace is used in the repertoire lists to indicate instances where two or more items appear in the same volume, e.g.: Toccata no.3 in D, BWV 912: complete r Bach 7 Toccatas (Henle or Henle – Schott/M.D.S.) Toccata no.5 in E minor, BWV 914: complete R 36 REPERTOIRE LISTS/Piano Piano: DipABRSM J.S. Bach Any one of the following 48 Preludes and Fugues from ‘The Well-Tempered Clavier’ Part 1: no.12 in F minor, BWV 857; r (Associated Board) no.14 in F# minor, BWV 859; no.16 in G minor, BWV 861 R Part 2: no.5 in D, BWV 874; r no.9 in E, BWV 878; no.11 in F, BWV 880; D (Associated Board) no.16 in G minor, BWV 885; no.17 in Ab, BWV 886 R Toccata no.3 in D, BWV 912: complete r Bach 7 Toccatas (Henle or Henle – Schott/M.D.S.) Toccata no.5 in E minor, BWV 914: complete R Bartók Any two or more -
Contents Price Code an Introduction to Chandos
CONTENTS AN INTRODUCTION TO CHANDOS RECORDS An Introduction to Chandos Records ... ...2 Harpsichord ... ......................................................... .269 A-Z CD listing by composer ... .5 Guitar ... ..........................................................................271 Chandos Records was founded in 1979 and quickly established itself as one of the world’s leading independent classical labels. The company records all over Collections: Woodwind ... ............................................................ .273 the world and markets its recordings from offices and studios in Colchester, Military ... ...208 Violin ... ...........................................................................277 England. It is distributed worldwide to over forty countries as well as online from Brass ... ..212 Christmas... ........................................................ ..279 its own website and other online suppliers. Concert Band... ..229 Light Music... ..................................................... ...281 Opera in English ... ...231 Various Popular Light... ......................................... ..283 The company has championed rare and neglected repertoire, filling in many Orchestral ... .239 Compilations ... ...................................................... ...287 gaps in the record catalogues. Initially focussing on British composers (Alwyn, Bax, Bliss, Dyson, Moeran, Rubbra et al.), it subsequently embraced a much Chamber ... ...245 Conductor Index ... ............................................... .296 -
Piano Syllabus
Piano Syllabus Grade exams: Piano, Piano Accompanying Certificate exams: Piano Solo, Piano Duet, Piano Six Hands 2012–2014 Trinity College London 89 Albert Embankment London SE1 7TP UK T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E [email protected] www.trinitycollege.co.uk Charity number 1014792 Patron HRH The Duke of Kent KG Chief Executive Sarah Kemp Copyright © 2011 Trinity College London Published by Trinity College London Third impression, November 2012 Contents Introduction ................................................................................................................................... 3 Range of qualifications ......................................................................................................... 4 Grade exams — Piano, Piano Accompanying Structure ............................................................................................................................................. 5 Duration, Marking ............................................................................................................................ 6 Pieces ................................................................................................................................................... 7 Own Composition .............................................................................................................................8 Technical Work ................................................................................................................................ 9 Supporting Tests: -
Decca Discography
DECCA DISCOGRAPHY >>2 GREAT BRITAIN: ffrr, 1944-57 In a business where exclusive contracts were the norm, it was very difficult for a newcomer to become established and Decca’s initial roster of classical artists was unable to compete with established rivals. In March 1932 an agreement with Polydor provided access to a substantial catalogue of German artists and a year later the company virtually abandoned classical recording to concentrate on dance bands. The move to Thames Street Studios provided more scope for orchestral sessions and a bold policy of recording contemporary British music enhanced the label’s reputation. The newly formed Boyd Neel Orchestra was signed up in 1934, followed by the Griller String Quartet in 1935, Clifford Curzon in 1937, Peter Pears in 1944, Kathleen Ferrier in 1946 and Julius Katchen in 1947. War broke the link with Polydor, leaving Decca with a respectable catalogue of chamber music, but little symphonic repertoire. Armed with ffrr technology, the company began to remedy this in 1944, engaging Sidney Beer’s National Symphony Orchestra until 1947 and the misleadingly named New Symphony Orchestra (it had made its first recordings in 1909) from 1948. Neither developed into a house band to rival EMI’s Philharmonia and, with the Royal Philharmonic also exclusive to EMI, Decca had to resort to the LSO and the LPO, both in rather run-down condition in the post-war years. Meanwhile every opportunity was taken to impress visiting continental orchestras with ffrr sessions and it was evident that the company intended to transfer much of its symphonic work to Paris, Amsterdam, Geneva and Vienna as soon as practicable. -
Complete Performnace International Diploma Syllabus
00 Dip perf cover 2007.qxd:00 Dip perf cover 29/11/07 13:31 Page 2 SPECIAL NOTICES (updated 2007) This syllabus is valid worldwide from January 2005 and will remain in force until further notice. At the reprint of this document in late 2007, the following minor changes have been incorporated into the text: ● updates to the publisher information in the repertoire lists (and Appendix 4) ● details of a procedural change to the Quick Study for singers and clarification of the Quick Study procedure for percussionists (see p. 10) In all other respects the syllabus requirements remain unchanged. Cover design: Økvik Design Text design: Tamasin Cole Printed in England: Caligraving Ltd © 2004 by The Associated Board of the Royal Schools of Music Thetford, Norfolk Reprinted (with updated information) in 2005, 2007 00 Dip perf cover 2007.qxd:00 Dip perf cover 29/11/07 13:31 Page 3 TABLE OF ASSOCIATED BOARD DIPLOMAS DipABRSM LRSM FRSM Music Performance Prerequisite Prerequisite Prerequisite ABRSM Grade 8 Practical in DipABRSM (Music Performance) LRSM (Music Performance) in the instrument presented or in the instrument presented or the instrument presented or a permitted substitution a permitted substitution a permitted substitution Requirements Requirements Requirements Section 1 Section 1 Section 1 Recital (35 mins: ± 10%) Recital (40 mins: ± 10%) Recital (50 mins: ± 10%) including optional free including optional free including optional free choice of repertoire choice of repertoire and choice of repertoire and one-third specialist option maximum -
The Official Organ of Theb.B.C
Radio Times, November 13th, 1925. ger NEW SCHEMES FOR RADIO HUMOUR. pe eresARfeOEEN nei | beagoow “oveiamLAy) ne Sires_ I — LEEDS-apanroRg = BULL cyeyre ORC.ae RELA pein AW i ur _alv ancheste osneFEELO orTG hat I erowrcueraent LAT (ncLaAw) 4 o SPAIN GAM } Lonoon Oe—_ ee TH Py WAR maithPHDttn y wet™cay i 7 OD viltie THE OFFICIAL ORGAN OF THE B.B.C _Vol. 9. No. 112. [aiatirrd.s. = EVERY FRIDAY. Two‘Pence@, Pen OFFICIAL The World“On One Valve! PROGRAMMES for the week beginning By P. P. ECKERSLEY. | READ so much of sets. which can give his. wireless set. It is a crystal set. In time, SUNDAY, November 15th. very loud signals; or can stil hear he reads of valve sets; his imagination very distant or weak stations. I read, in depicts him inviting his neighbours in to PROGRAMMES1 INDEX.» fact, so much of sensitivity that [ sometimes hear Rome, Brussels, Aberdeen, London. or feel I read little sense. “Why 1s it that all some remote station. He is everywhere LONDON..... 347, 948, 350 must be praising sets in terms of quantity encouraged to beheve that, with a single rather than quality? Why are sets which valve set, he can hear the world. The very BELFAST i ae “hearAmerica on the fewest of valves hoardings shout at him, “All the World BIRMINGHAM seuss $49, 350 held up to our admiring eyes 3 on one valve!” Hé, in a moment of pro- BOURNEMOUTH os 354, 352 t a * i sperity—lI say this in no spirit of scorn ; we CARDIFF ..... -
5 Classical Vocal Music by Composer 38 Classical Song Collections for Beginning Singers Art Song Collections 41 American & B
4 Vocal 5 Classical Vocal Music by Composer 38 Classical Song Collections for Beginning Singers Art Song Collections 41 American & British Song Collections 43 French Song Collections 44 German Song Collections 44 Italian Song Collections 47 Spanish Song Collections 47 General Mixed Composer Vocal Collections 53 Christmas Vocal Collections 54 Sacred Vocal Collections 60 The Vocal Library 67 Vocal Duets & Ensembles 70 Voice with Various Instruments 73 Vocal Methods, Vocalises & Sight-Singing See the Opera section for aria collections, vocal scores and full scores. See the Musical Theatre section for vocal selections and vocal scores. CLASSICAL VOCAL MUSIC BY COMPOSER 5 ADOLPHE ADAM FRANCES ALLITSEN ______50290250 Cantique de Noel (O Holy Night) (Stickles) ______50286670 The Lord Is My Light High in E Flat w/Organ, Fr/Eng High in E Flat with piano or organ Schirmer ST46047 ...........................................................$3.95 Schirmer ST43301 ...........................................................$3.95 ______50279730 Cantique de Noel (O Holy Night) (Deis) ______50286680 The Lord Is My Light High in E flat w/Piano, Fr/Eng Med High in D with piano or organ Schirmer ST36859 ...........................................................$3.95 Schirmer ST43302 ...........................................................$3.95 ______50290240 Cantique de Noel (O Holy Night) (Stickles) ______50286690 The Lord Is My Light Medium High in D flat w/Organ, Fr/Eng Med Low in C with piano or organ Schirmer ST46046 ...........................................................$3.95 -
© in This Web Service Cambridge University
Cambridge University Press 978-0-521-65273-5 - Performing Brahms: Early Evidence of Performance Style Edited by Michael Musgrave and Bernard D. Sherman Index More information Index Abbado, Claudio, 282 Violin Sonatas: 9;Op.30/2: 81, 82;Op.47 Abendroth, Hermann, 237, 245, 277–301 (‘Kreutzer’); 83, 173, 203;Op.96: 91; Abravanel, Maurice, 297 Romance in G (violin, orchestra) Op. 40: D’Albert, Eugen, 13, 328 82; Romance in F, Op. 50, 76 Altmann, Wilhelm, 156, 246 Bellman, Jonathan, 325 Astor, Edmund, 150, 158, 168 Berger, Jonathan, 324, 329, 345 Auer, Leopold, 48, 330, 333–35, 337–38, 341, B´eriot, Charles de, 65 342, 348 Berlin, music in, 18, 190 Av´e Lallemant, Theodor, 39 Berlin Hochshule f¨ur Musik, 155, 336 Berlin Philharmonic Choir, 132, 156, 157–68 Bach, J. S., 16, 39, 71, 155, 156, 169, 203, 337, Berlin Philharmonic Orchestra, 9, 281, 285, 350, 351, 359 286, 365 Baden Baden: music in, 171–73, 177, 204 Berlin Singakademie, 183, 200, 201 Baillot, Pierre, 60, 63, 79, 97 Berlin State Opera Orchestra, 288, 365 Balance, 30–34 Berlioz, Hector, 14, 38 Balassa, Ottilie von, 37 Bernstein, Leonard, 341 Barber, Samuel, 338–39 Bernuth, Julius von, 36, 355 Barenboim, Daniel, 282 Berrsche, Alexander, 282–85, 298 Barth, Heinrich, 13 Birmingham, Masonic Hall, 200–02 Barth, Richard, 17, 18 Bizet, Georges, 280 Bart´ok, B´ela, 34 Blum, David, 113 Beaux Arts Trio, 181, 210 Blume, Walter, 112, 235, 242, 244–76, 352 Beck, Hermann, 130 Boehm, Joseph, 60, 62, 63 Becker, Hugo, 190, 194, 308 Boes, Conrad, 10 Beckerath, Alwin von, 21, 177 Bohemian String Quartet, 363 Beckerath, Willy von, 193 Born, Max, 112, 113, 122, 126 Beethoven, Ludwig van, 52, 61, 63, 123, 172, Borwick, Leonard, 196, 369 174, 232, 303, 356, 357 B¨osendorfer, Ludwig, 37 Works: Boult, Adrian, 6, 10, 282, 297 Symphonies: No. -
Vol. 17, No. 5 August 2012
Journal August 2012 Vol.17, No. 5 The Society President Julian Lloyd Webber FRCM Vice-Presidents Ian Parrott Sir David Willcocks, CBE, MC Diana McVeagh Michael Kennedy, CBE Michael Pope Sir Colin Davis, CH, CBE Dame Janet Baker, CH, DBE Leonard Slatkin Sir Andrew Davis, CBE Donald Hunt, OBE Christopher Robinson, CVO, CBE Andrew Neill Sir Mark Elder, CBE Chairman Steven Halls Vice-Chairman Stuart Freed Treasurer Peter Hesham Secretary Helen Petchey The Elgar Society Journal 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] August 2012 Vol. 17, No. 5 Editorial 3 Researching the Norbury Papers; or, One Thing Leads to Another 4 Kevin Allen Tales from the Complete Edition – 7: Going for a Song 27 John Norris ‘Oh – Praise the Lord!’ 33 Martin Bird Book reviews 38 Barry Collett, Christopher Morley, Ann Vernau Music reviews 42 Julian Rushton CD reviews 46 Barry Collett, Dominic Guyver, Chris Huggett, Richard Wiley, Martin Bird Letters 57 David Bury, Walter Hurst 100 Years Ago 61 The Editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: The Norbury coat of arms superimposed on the start of Variation VIII (W.N.) (the latter courtesy of British Library Board (Add MS 58003-58004)). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this.