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Performing Arts Library King George Street Yeovil Somerset, BA20 1PY Roger Taylor Ref. RDT/1/RDT Performing Arts Librarian Telephone 01935 472020 Fax 01935 429133 e-mail [email protected] VOCAL SETS CATALOGUE Abbreviations: Languages of Texts English unless stated otherwise. Language(s) stated after publisher statement, as: E English S Spanish F French R(C) Russian (Cyrillic) G German R(t) Russian (transliterated) I Italian W Welsh P Portuguese Abbreviations: Music Formats Ch.pt Chorus score OVS Organ vocal score D.rec. Descant recorder Tun.Perc. Tuned percussion FS Full score VS Vocal score CONTENTS 1. Secular: Mixed Voices: Collections 2. Secular: Mixed Voices: Works 3. Secular: Ladies/Children’s Voices: Collections 4. Secular: Ladies/Children’s Voices: Works 5. Sacred: Mixed Voices: Collections 6. Sacred: Mixed Voices: Works 7. Sacred: Ladies/Children’s Voices: Collections 8. Sacred: Ladies/Children’s Voices: Works 9. Choral Works 10. Operas 11. Operettas, Musicals 12. Title Index 13. Multi-voice Index 14. Contents pages of collections Acknowledgements Appreciation is expressed by Somerset Libraries for permissions granted to reproduce the contents pages of copyright editions published by: Boosey & Hawkes Music Publishers Ltd. Chester Music [j Music Sales Limited] Glyn Court Freeman [jEMI Music Publishing Ltd.] Lawson-Gould [j Schott Music International/European American Music] Oxford University Press Penguin Group UK Peters Edition Limited Stainer & Bell Ltd. Regarding The Treasury of Christmas Music (Blanford Press, 1950/1961), The Orion Publishing Group Ltd. (owner of Blandford Publishing which in turn had acquired Blandford Press) has stated: “Due to lack of sufficient information in our records, we can neither grant nor refuse permission to reproduced material from The Treasury of Christmas Music...” All attempts to trace the copyright holder have failed and Orion Publishing Group Ltd. has requested this acknowledgement. Likewise, regarding Gaudeamus! The Cathedral and Choral Society Carol Book (Paget Publications, 1991), all attempts to trace the copyright holder have failed. 1.1 1. 780.4 Secular: Mixed Voices: Collections ALLWOOD, Ralph ed. By popular request: songs on the lighter side for mixed voice choirs. Novello, 2001. [Novello Choral Programme series.] SATB 40 For contents, see: 13.A1. BISSELL, Keith arr. The S.A.B. choir. Boosey & Hawkes, 1965. SAB 17 For contents, see: 13.A9. BLACKWELL, David & In the mood: 17 choral arrangements of classic CARTER, Andrew eds. popular songs. OUP., 1995. SATB 40 For contents, see: 13.A10. BLEZZARD, Judith ed. German romantic partsongs. OUP., 1993. G/E. SATB 40 For contents, see: 13.A11. BRITTEN, Benjamin Five flower songs,Op.47. Boosey & Hawkes, 1951. SATB 40 Contents: 1, To daffodils. 2, The succession of the four sweet months. 3, March flowers. 4, The evening primrose. 5, Ballad of green broom. BROWN, Timothy ed. French chansons. Faber Music, 1994. [Choral Programme series.] SATB 40 Contents: SAINT-SAËNS, Calme des nuits, Op.68 No.1. SAINT-SAËNS, Les fleurs et les arbres,Op.68 No.2. FAURÉ, Madrigal,Op.35. DEBUSSY, Trois chansons de Charles d’Orleans. DEBUSSY, Claude Trois chansons. Contents: 1, Dieu! qui’il la fait bon regarder. SATB 2, Quant j’ai ouy le tambourin. ms, ATB 3, Yver, vous n’estes qu’un vilain. SATB See: 1, Seculur mixed-voice collections BROWN, T. French chansons. ELGAR, Edward [Partsongs]. The early part-songs, 1890-1891. Novello, 1979. SATB 40 Contents: O happy eyes, Op.18 No.1. Love, Op.18 No.2. My love dwelt in a Northern land, Op.18 No.3. Stars of a summer night (Spanish serenade), Op.23. 1.2 FINZI, Gerald 7 partsongs, Op.17. Boosey & Hawkes, 1939/1969. SATB 40 Contents: I praise the tender flower. I have loved flowers that fade. My spirit sang all day. Clear and gentle stream. Nightingales. Haste on, my joys! Wherefore to-night so full of care. FRESCOBALDI, Girolamo [Madrigals]. 6 madrigals for 5 voices, vol.1, ed. Felice Boghen. Chester, 1920. I. SSATB 30 Contents: 1, Fortunata per me felice aurora. 2, Ahi bella si ma cruda mia nemica. 3, Se la gogliae’ i martire. FRESCOBALDI, Girolamo [Madrigals]. 6 madrigals for 5 voices, vol.2, ed. Felice Boghen. Chester, 1920. I. SSATB 30 Contents: 4, Da qual sfera del ciel fra noi discese. 5, Perchè spess’a veder la vostra luce. 6, Amor, amor ti chiam’il mondo. GABRIELI, Andrea [Madrigals]. 10 madrigals, ed. Denis Arnold. OUP, 1970. SATB 19 For contents, see: 13.A24. GARDNER, John Seven songs, Op.36. OUP, 1958. SATB 45 Contents: 1, Crabbed age and youth. 2, Fear no more the heat of the sun. 3, Gather ye rosebuds. 4, Hark! hark! the lark. 5, How happy is he born and taught. 6, It is not growing like a tree. 7, Under the greenwood tree. GESUALDO, Carlo [Madrigals]. 8 madrigali, ed. Wilhelm Weismann. Peters, 1931/1959. I/G. SSATB/SAATB 20 For contents, see: 13.A25. GIBBONS, Orlando Madrigals. See: Invitation to madrigals, 11. HARMAN, Alec ed. Popular Italian madrigals of the 16th century. OUP, 1976. SATB 18 For contents, see: 13.A26. 1.3 HEWITT-JONES, Tony Seven sea poems, for contralto or baritone, mixed chorus, and strings with oboe and cor anglais ad lib. Novello, 1958. 38 Contents: 1, Dreams of the sea. c/a, SATB 2, Full fathom five. SSAATTBB 3, Port of Holy Peter. c/b, SATB 4, Complaint of the absence of her lover being upon the sea. SSA 5, The sailor’s consolation. TBB 6, Home-thoughts, from the sea. a/b 7, A wanderer’s song. SATB [div.] HILLIER, Paul ed. English romantic partsongs. OUP, 1986. SATB 40 For contents, see: 13.A27. S Invitation to madrigals, 1, ed. Thurston Dart. Stainer & Bell, 1961. SAB 18 For contents, see: 13.A29. S Invitation to madrigals, 2, ed. Thurston Dart. Stainer & Bell, 1962. SATB 40 For contents, see: 13.A30. S Invitation to madrigals, 5, ed. Thurston Dart. Stainer & Bell, 1971. SATB 19 For contents, see: 13.A33. S Invitation to madrigals, 6, ed. David Scott. SSATB + Stainer & Bell, 1973. SSATBaB 19 For contents, see: 13.A34. S Invitation to madrigals, 7, ed. David Scott. SSATB + Stainer & Bell, 1973. SSATBaB 20 For contents, see: 13.A35. S Invitation to madrigals, 8: Thomas Morley, SATB, SSAT, ed. E.H. Fellowes, rev. Thurston Dart.. SSATB + Stainer & Bell, 1976. SATTB 21 For contents, see: 13.A36. S Invitation to madrigals, 9: Thomas Weelkes, ed. E.H. Fellowes, rev. Thurston Dart.. Stainer & Bell, 1976. SSATB 20 For contents, see: 13.A37. S Invitation to madrigals, 10: John Wilbye, SAT, SATB, ed. E.H. Fellowes, rev. Thurston Dart.. SSATB + Stainer & Bell, 1977. SSATTB 19 For contents, see: 13.A38. S Invitation to madrigals, 11: Orlando Gibbons, ed. E.H. Fellowes, rev. Thurston Dart.. SSATB + Stainer & Bell, 1977. SATTB 19 For contents, see: 13.A39 1.4 S Invitation to medieval music, 1: music of the earlier 15th century, ed. Thurston Dart. Stainer & Bell, 1967. 19 For contents, see: 13.A40. S Invitation to medieval music, 2: music of the later 15th century, ed. Thurston Dart. Stainer & Bell, 1969. 21 For contents, see: 13.A41. S Invitation to medieval music, 3: music of the mid- 15th century (i), ed. Brian Trowell. Stainer & Bell, 1976. 19 For contents, see: 13.A42. JOHNSON, David ed. The Scholars’ book of glees, for 5 voices. OUP, 1985. S(S)AT(T)B(B) 19 For contents, see: 13.A43. JOHNSON, David ed. Ten Georgian glees, for 4 voices. OUP, 1981. SATB 19 For contents, see: 13.A44. MARENZIO, Luca [Madrigals]. 10 madrigals for mixed voices, ed. Denis Arnold. SATB, OUP, 1966. I. SSATB 18 For contents, see: 13.A47. MOERAN, E.J. Songs of Springtime: 7 Elizabethan poems. Novello, 1933. SATB 44 Contents: 1, Under the greenwood tree. 2, The river-god’s song. 3, Spring, the sweet Spring. 4, Love is a sickness. 5, Sigh no more, ladies. 6, Good wine. 7, To daffodils. MORLEY, Thomas Madrigals See: Invitation to madrigals, 8. S The Oxford book of English madrigals, ed. Philip Ledger. OUP, 1978. 40 For contents, see: 13.A48. 1.5 POULENC, Francis Chansons Françaises (1945-46). Contents: 1, Margoton va t’a l’iau. SATB 2, La Belle se sied au pied de la tour. SMsTTBB 3, Pilons l’orge. SMsATB 5, C’est la petit’ fill’ du prince. SMsTBB 7, Ah! mon beau laboureur. SMsTB 8, Les tisserands. SMsTBB See: 1, Secular mixed-voice collections POULENC Complete music for unaccompanied chorus, vol.1. POULENC, Francis Complete music for unaccompanied chorus: vol.1, secular music for mixed chorus. Paris: Salabert, 1994. F. 40 Contents: 7 chansons (1936). S(S)A(A)T(T)B(B). Un soir de neige: little chamber cantata (1944). SSATBB. Chansons Françaises (1945-46): Nos.1-3, 5, 7-8. S(Ms)AT(T)B(B). POULENC, Francis 7 chansons (1936). Contents: 1, La blanche neige. SATB 2, À peine défigurée. SATB 3, Par une nuit nouvelle. SSAATTBB 4, Tous les droits. SSAATTBB 5, Belle et ressemblante. SSAATTBB 6, Marie. SSAATTBB 7, Luire. SSAATTBB See: 1, Secular mixed-voice collections POULENC Complete music for unaccompanied chorus, vol.1. RITCHIE, John Six folk-songs. Novello, 1958. SAB 30 Contents: 1, Dashing away with the smoothing iron. 2, I will give my love an apple. 3, Jock o’Hazeldean. 4, My boy Billy. 5, My gentle harp! 6, ‘Tis the last rose of Summer. ROCHE, Jerome The Penguin book of Italian madrigals for 4 voices. Penguin, 1974. SATB 27 For contents, see: 13.A55. 1.6 ROWLEY, Alec The sailor’s garland: a sea-cycle. Novello, 1934. SATB 50 Contents: 1, Deep water Jack. 2, The Blue Peter. 3, Sacramento. 4, A sea burthen.
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  • Music Festival Sunday a Festival of Hymns, Anthems & Readings

    Music Festival Sunday a Festival of Hymns, Anthems & Readings

    MUSIC FESTIVAL SUNDAY A FESTIVAL OF HYMNS, ANTHEMS & READINGS Sunday, November 20, 2016 11:00 am St. John’s Episcopal Church 3240 O Street, NW Washington DC 20007 202-338-1796 www.stjohnsgeorgetown.org MUSIC FESTIVAL SUNDAY A Festival of Hymns, Anthems and Readings November 20, 2016 at 11 am Voluntary: The Peace may be exchanged from Rubrics Dan Locklair Processional Hymn 290 Come, ye thankful people, come St. George’s Windsor Opening Acclamation: (standing) Priest: Sing to the Lord a new song; People: Sing to the lord, all the whole earth. Priest: Sing to the Lord and bless his name; People: Proclaim the good news of his salvation from day to day. Priest: Declare God’s glory among the nations; People: And the wonders among all peoples. Priest: Shout with joy to the Lord, all you lands; People: Lift up your voice, rejoice and sing! Please be seated. The Reading: Colossians 3:12-17 Read by Elizabeth Powell A Reading from the Book of Colossians: Therefore, as God's chosen people, holy and dearly loved, clothe yourselves with compassion, kindness, humility, gentleness and patience. Bear with each other and forgive whatever grievances you may have against one another. Forgive as the Lord forgave you. And over all these virtues put on love, which binds them all together in perfect unity. Let the peace of Christ rule in your hearts, since as members of one body you were called to peace. And be thankful. Let the word of Christ dwell in you richly as you teach and admonish one another with all wisdom, and as you sing psalms, hymns and spiritual songs with gratitude in your hearts to God.
  • The Choral Cycle

    The Choral Cycle

    THE CHORAL CYCLE: A CONDUCTOR‟S GUIDE TO FOUR REPRESENTATIVE WORKS A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY RUSSELL THORNGATE DISSERTATION ADVISORS: DR. LINDA POHLY AND DR. ANDREW CROW BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2011 Contents Permissions ……………………………………………………………………… v Introduction What Is a Choral Cycle? .............................................................................1 Statement of Purpose and Need for the Study ............................................4 Definition of Terms and Methodology .......................................................6 Chapter 1: Choral Cycles in Historical Context The Emergence of the Choral Cycle .......................................................... 8 Early Predecessors of the Choral Cycle ....................................................11 Romantic-Era Song Cycles ..................................................................... 15 Choral-like Genres: Vocal Chamber Music ..............................................17 Sacred Cyclical Choral Works of the Romantic Era ................................20 Secular Cyclical Choral Works of the Romantic Era .............................. 22 The Choral Cycle in the Twentieth Century ............................................ 25 Early Twentieth-Century American Cycles ............................................. 25 Twentieth-Century European Cycles ....................................................... 27 Later Twentieth-Century American
  • Precious Nonsense

    Precious Nonsense

    Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY October 1992 -- Issue 35 -------------------------- If such symptoms you find In your body or head, They're not easy to quell-- You may make up your mind You are better in bed, For you're not at all well! Well, S/A Cole bummed it again. She noticed in the conclusion of the last Nosnense she said a lot of things would happen, barring any disasters. She should stop saying that, because, when she does, she invariably gets disasters. This summer has probably been the most busy, and the most annoying summer of her life, and she is only now starting to go through the boxes of things to put in the Nonsense. In August, every expensive thing she owned that started with a "C" broke (the computer lost its memory, the cat got sick, and the car needed a bypass operation) except her CD player (which had broken in June), and by the time they were all fixed, she broke. She started September off by getting the flu, and has only now seemed to have shaken it. But so much for excuses. We'll certainly try to do better in the future. In the meantime, she still has to go through the responses to the Big Quiz and the drawing from the returned address corrections, and there are no Iolanthe analyses this time around, but the Big Quiz answers are here, along with what has gone on in G&S lately, and what is expected to happen, plus Carol Cole's report of what took place at the Annual Outing.
  • Repertoire Lists

    Repertoire Lists

    REPERTOIRE LISTS 36 Piano 41 Harpsichord 43 Organ 46 Violin 49 Viola 51 Cello 52 Double Bass 54 Guitar 57 Harp 59 Recorder 61 Flute 63 Oboe 65 Clarinet 67 Bassoon 69 Saxophone 71 Horn REPERTOIRE LISTS 72 Trumpet, Cornet in Bb, Flugelhorn 74 Eb Horn 75 Trombone 77 Baritone, Euphonium 78 Tuba 80 Percussion 81 Singing 97 Orchestral excerpts for FRSM 99 Accepted related instruments Requirements concerning programming and examination music, as well as other performance details, are given on pp. 7–8 (DipABRSM), pp. 11–12 (LRSM) and pp. 14–15 (FRSM). Candidates are advised to study these requirements carefully when planning their Recital programmes. For contact details of publishers and distributors referred to in the following repertoire lists, see pp. 118–121. A brace is used in the repertoire lists to indicate instances where two or more items appear in the same volume, e.g.: Toccata no.3 in D, BWV 912: complete r Bach 7 Toccatas (Henle or Henle – Schott/M.D.S.) Toccata no.5 in E minor, BWV 914: complete R 36 REPERTOIRE LISTS/Piano Piano: DipABRSM J.S. Bach Any one of the following 48 Preludes and Fugues from ‘The Well-Tempered Clavier’ Part 1: no.12 in F minor, BWV 857; r (Associated Board) no.14 in F# minor, BWV 859; no.16 in G minor, BWV 861 R Part 2: no.5 in D, BWV 874; r no.9 in E, BWV 878; no.11 in F, BWV 880; D (Associated Board) no.16 in G minor, BWV 885; no.17 in Ab, BWV 886 R Toccata no.3 in D, BWV 912: complete r Bach 7 Toccatas (Henle or Henle – Schott/M.D.S.) Toccata no.5 in E minor, BWV 914: complete R Bartók Any two or more