Gloucester Cathedral Lay Clerks

Total Page:16

File Type:pdf, Size:1020Kb

Gloucester Cathedral Lay Clerks GLOUCESTER CATHEDRAL ORGAN SCHOLARSHIP The Dean & Chapter of Gloucester Cathedral annually seek to appoint an organ scholar for each academic year. He/She will play a key role in the Cathedral music department, working closely with Adrian Partington (Director of Music), Jonathan Hope (Assistant Director of Music), Nia Llewelyn Jones (Singing Development Leader) and Helen Sims (Music Department Manager). The organ scholarship is open to recent graduates or to gap-year applicants of exceptional ability. Duties The organ scholar plays for Evensong every Tuesday, and in addition plays the organ or directs the choirs as necessary when the DoM or the ADoM is away. He/She will also play for many of the special services which take place in the Cathedral, for which additional fees are paid (see remuneration details below). The organ scholar is fully involved with the training of choristers and probationers and the teaching of theory and general musicianship. They will also be expected to help with the general administration of the music department, attending a weekly meeting and assisting other members of the department in the music office. Gloucester Cathedral Choir Today’s choir is the successor to the boys and monks of the Benedictine Abbey of St Peter, who sang for daily worship nine centuries ago. The choir of today stems from that established by Henry VIII in 1539, consisting of 18 choristers (who receive generous scholarships to attend the neighbouring King’s School), 12 lay clerks and choral scholars. The choir plays a major part in the internationally renowned Three Choirs Festival, the world’s oldest Music Festival, which dates back to 1715. This is held annually in Gloucester, Worcester and Hereford in rotation. The Festivals are held in Gloucester 2016, Hereford and Worcester in rotation – see www.3choirs.org for more details. In addition to the main work of the daily Cathedral services, the choir receives many invitations for outside engagements. Gloucester Cathedral Girl Choristers (7-13 years) The Organ Scholar is accompanist to the cathedral’s Girl Choristers. Rehearsals are Thursdays and Saturdays and the girls sing Evensong on Mondays. The girl choristers were established in April 2016 and will commence their role from September 2016. Gloucester Cathedral Youth Choir Gloucester Cathedral Youth choir was founded in 1999 and consists of girls and boys aged thirteen to nineteen from across Gloucestershire. Directed by the Director of Music and assisted by the Assistant Director of Music and the Singing Development Leader, the choir rehearses on Monday evenings and sings Evensong every Thursday. The Youth Choir also join with the Cathedral Choir for services on the major festivals of the Church Year. As well as singing for weekly Cathedral services, the Youth choir undertakes tours, and has performed on broadcasts for both BBC Radio and Television. They have also taken part in performances by English Touring Opera, Gloucester Choral Society and Three Choirs Festivals. They have an active programme of trips and social events. Gloucester Cathedral Organ Scholarship General information. - 1 - The Organ Scholar accompanies the Youth Choir in the absence of the ADoM. Gloucester Cathedral Junior Choir (7-13 years) The Organ Scholar is accompanist to the cathedral’s flourishing Junior Choir, which is conducted by the Singing Development Leader. The Junior Choir rehearses at 9:30am on Saturday mornings (term-time only) at the King’s School. Junior Voices Project (JVP) The cathedral’s Junior Voices Project involves visiting three local schools per term, to encourage singing. The Singing Development Leader arranges and leads this initiative, and the Organ Scholar is the accompanist for these visits. 6 visits are paid per term to each school and culminate in a concert in the cathedral. Weekly timetable The present timetable of choir rehearsals and services is as follows: Sunday 9.15 am Boys’ rehearsal 9.20 am Full rehearsal 10.15 am Cathedral Eucharist 2.00 pm Boys’ rehearsal 2.20 pm Full rehearsal 3.00 pm Evensong Monday 8.05-9.05am Boys’ rehearsal 4.40-6.00pm Youth Choir rehearsal Tuesday, Wednesday, Friday 8.05-9.05am Boys’ rehearsal 4.00-4.30pm Choral Scholars’ Rehearsal 4.40 pm Boys’ rehearsal 4.50 pm Full rehearsal 5.30 pm Evensong Thursday 4.45 pm Youth Choir rehearsal 5.30 pm Evensong sung by Cathedral Youth Choir Saturday 9.30-11am Cathedral Junior Choir Rehearsal 2.00-3.00pm Choral Scholars’ Rehearsal 3.15 pm Boys’ rehearsal 3.45 pm Full rehearsal 4.30 pm Evensong 5.20 pm L/C & C/S rehearsal The Organ The four-manual organ is one of the finest and most versatile instruments in the country, located in arguably the most stunning acoustical and architectural environment of any English Cathedral. It was redesigned and extensively rebuilt by Hill, Norman & Beard in 1971 under the guidance of Cathedral Organist John Sanders and consultant Ralph Downes, and was overhauled by Nicholson and Co. of Malvern in 1999. In June 2010, following a generous donation, a solo reed was added to the organ, further increasing its versatility both as a solo and accompanimental instrument. Gloucester Cathedral Organ Scholarship General information. - 2 - Amongst the many distinguished former Organists of Gloucester Cathedral are Samuel Sebastian Wesley, Herbert Brewer, Herbert Sumsion, John Sanders, David Briggs and Andrew Nethsingha. The organ scholar is given a key to the Cathedral, and the organ is freely available for practice most evenings, subject to other events taking place in the building. Accommodation and remuneration The organ scholar currently receives a salary (c£3500pa), details on request, payable in arrears in monthly instalments. The organ scholar is provided with a two bedroom house (rent free) near the Cathedral, possibly as shared accommodation. Council Tax and some running costs are paid by the Dean and Chapter. There is also the opportunity to earn a considerable amount from fees for the many special services that take place in the Cathedral (currently £107 per service), and past holders of the scholarship have been able to build up a considerable amount of freelance work in the area playing for concerts and services at other churches and accompanying local choirs and choral societies. Organ lessons are offered, free of charge, with the Assistant Director of Music. The organ scholar will have one day off each week (normally Wednesday). It is recognised that the successful candidate will wish to pursue freelance engagements outside his/her work at the Cathedral. This is encouraged, and flexibility will be given whenever possible with regard to time away. Director of Music Adrian Partington is a musician of rare versatility—a successful conductor, chorus master, pianist and organist. In January 2008, he became Director of Music at Gloucester Cathedral, and joint conductor of the Three Choirs Festival. He is also Artistic Director of the BBC National Chorus of Wales, Conductor of the Bristol Choral Society, Conductor of the Gloucester Choral Society and Director of the new and highly-innovative choral conducting course at the Royal Welsh College of Music and Drama. Since his arrival at Gloucester’s magnificent Cathedral, he has directed the choir in broadcasts for BBC Radio 3, in the Three Choirs Festival 2009 in Hereford, recorded a CD with the Cathedral choir singing the works of John Joubert and undertaken a highly- successful tour of the U.S.A. in 2008. 2010 was his first year as Festival Director of the Three Choirs Festival in Gloucester, www.3choirs.org. Since his BBC appointment in 1999, Adrian has prepared the BBCNCW for over a 100 concerts and recordings for BBC Radio 3, many of which he has conducted himself. He has conducted broadcast concerts in Hoddinott Hall the BBC’s new concert hall in Cardiff. He has also prepared choirs for some of the greatest conductors of our time e.g. Haitink, Abbado, Rattle, Tortelier and Elder. He collaborated with the late Richard Hickox on many CDs, including Stanford’s “Revenge” which won a Gramophone award in 2006. Under Adrian's guidance, Bristol Choral Society remains one of the U.K.’s leading big city choirs, and gives its principal concerts with the Bournemouth Symphony Orchestra. He has conducted most of the standard large choral-orchestral repertoire in the past decade: Elgar, Gloucester Cathedral Organ Scholarship General information. - 3 - Walton, Tippett, Bruckner, Verdi, Vaughan Williams, Haydn, Mozart and Beethoven. Alongside this he is Director of Music of Gloucester Choral Society who have recently initiated a youth membership section to encourage young adults to take part in choral music making. Adrian has directed many of the country’s principal choruses –The BBC Symphony Chorus (e.g. for the opening night of the Proms in 2005), The London Symphony Chorus, The Philharmonia Chorus and the Bach Choir. He has also worked with many of the UK’s leading orchestras: regularly conducting the BBC National Orchestra of Wales in Cardiff, and the Philharmonia; he has directed the Royal Philharmonic Orchestra in Opera Galas, Summer Proms and in the Vaughan Williams Anniversary celebrations in Gloucester Cathedral in May 2008. He has toured with the Mozart Festival Orchestra in the U.K. and Ireland, and has conducted the Philharmonia, the English Symphony Orchestra and the Royal Liverpool Philharmonic at the Three Choirs Festival. Gloucester Cathedral Organ Scholarship General information. - 4 - .
Recommended publications
  • Choral Evensong
    CHORAL EVENSONG 5:00 P.M. SUNDAY, FEBRUARY 5, 2017 THE FIFTH SUNDAY AFTER EPIPHANY CHRIST CHURCH 118 N. Washington St. Alexandria, VA 22314 www.HistoricChristChurch.org CHORAL EVENSONG is the service of Evening Prayer with choral music. It is sung in cathedrals with choral foundations on a more or less daily basis, and in many parish churches around the world. The Prayer Book of 1662 established the pattern for Choral Evensong which remains in common usage throughout the worldwide Anglican Communion. Since the earliest Christian times, the need to mark the passing of time with prayer has been recognized. The monastic cycle of prayer began in the desert with Anthony in the fourth century and continues to this day. By the Reformation, Vespers had become an elaborate musical celebration in the evening. The English Reformation demanded that the vernacular be the language of worship and resulted in the liturgical simplicity of Thomas Cranmer’s services of Morning and Evening Prayer. The provision of music for this structure and these words was the task of men like Tallis, Byrd, Gibbons, and Tomkins, whose creativity laid the foundations of Anglican choral worship. Choral Evensong is the quintessence of such worship. The canon of music for Evensong continues to grow, with composers from around the world contributing to it. Unlike the Eucharist, which follows the movement of the Church calendar, and unlike private prayer, which follows the events of our lives, the daily office follows its own rhythm. The readings are done “in course,” and are not specifically chosen to make a particular point, and the canticles (Magnificat and Nunc dimittis) are the same each day.
    [Show full text]
  • The Choir of Saint John's College, Cambridge
    PROGRAM William Byrd: Civitas sancti tui Henry Purcell: Remember Not, Lord, Our Offences Rejoice in the Lord Alway J. S. Bach: Trio super Herr Jesu Christ, dich zu uns wend, BWV 655 Glen Dempsey, organ Francis Poulenc: Mass in G Major, FP 89 Kyrie Gloria Sanctus Benedictus Agnus Dei Dieterich Buxtehude: Praeludium in E Major, BuxWV 141 Glen Dempsey, organ Jonathan Harvey: The Annunciation PROGRAM: Jonathan Dove: Gloria (Missa Brevis) THE CHOIR OF INTERMISSION ST. JOHN’S COLLEGE, CAMBRIDGE C. Hubert H. Parry: Hear My Words, Ye People MARCH 29 / 7:30 PM Edward Elgar: Imperial March, op. 32 MEMORIAL CHURCH Joseph Wicks, organ William Harris: Faire Is the Heaven ARTISTS James Burton: O Thoma! Choir of St. John’s College, Cambridge Andrew Nethsingha, director of music Joseph Wicks and Glen Dempsey, organ This program is presented by the Office for Religious Life in partnership with Stanford Live, with additional support from Clint and Mary Gilliland and the Stanford Department of Music. PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. Photography and recording of any kind are not permitted. Thank you. 26 STANFORD LIVE MAGAZINE MARCH 2016 PROGRAM: THE CHOIR OF ST. JOHN’S COLLEGE, CAMBRIDGE extraordinary and extensive discography. In 2009 the choir signed with Chandos Records, and its first 11 CDs on the label—with music spanning 500 years—have garnered international critical acclaim: Howells’ St. John’s Magnificat; Hear My Words, popular choral classics; Laudent Deum, a CD of Lassus’ works including many previously unrecorded motets; On Christmas Night; Mozart Coronation Mass; Purcell’s My Beloved Spake; Samuel Sebastian Wesley’s Ascribe unto the Lord; Sheppard’s Gaude, gaude, gaude Maria; Tomkins’ When David Heard; an album of French organ masses, O Sacrum Convivium; and The Call, a second album of popular classics released in September 2015.
    [Show full text]
  • The Choir of Men and Boys ∙ the Parish of All Saints, Ashmont
    The Choir of Men and Boys ∙ The Parish of All Saints, Ashmont 209 Ashmont Street, Dorchester Boston, Massachusetts 02124 Telephone 617–436–3520 [email protected] FAX 617–436–7320 FREDERICK BACKHAUS, Organist & Master of Choristers CHORAL MUSIC – Advent to Last Epiphany, 2008-09 (Year B) YEAR B Advent I The Gentlemen of the Choir November 25, 2008 The Great Litany in Procession (Thanksgiving weekend) Missa brevis (TTBB) – Denis Bedárd Psalm 122 (Tone I) Ecce advenit – William Byrd Remember me, O Lord – Thomas Tomkins Advent II The Choir of Men & Boys December 7, 2008 Matin Responsory and ‘Come, thou Redeemer of the earth’ Communion Service in F – William H. Harris Psalm 72:1-8 (Tone I) There is no rose – Joel Martinson O come, O come, Emmanuel – Andrew Carter Advent III The Choir of Men & Boys December 14, 2008 The Great Litany in Procession Communion Service in F – Herbert Sumsion Psalm 146:4-9 (Tone VII) This is the record of John – Orlando Gibbons Lessons & Carols (7:00 pm - Saturday) The Choir of Men & Boys December 20. 2008 St. John the Evangelist R.C. Church, Winthrop Advent IV Chamber Choir December 21, 2008 Missa brevis – Leslie Betteridge (SSA) Psalm 24:1-7 (Tone I) Ave Maria – Claudio Monteverdi (SSA) Lessons & Carols (4:00 pm - Sunday) The Choir of Men & Boys December 21, 2008 The Parish of All Saints, Ashmont Hymn: Once in royal David’s city (Irby) – David Willcocks This is the truth sent from above – Philip Moore Jesus Christ the apple tree – Anthony Piccolo There is no rose – Joel Martinson Up! good Christen folk, and listen – G.R.
    [Show full text]
  • Mass in G Minor
    MASS IN G MINOR VAUGHAN WILLIAMS: string of works broadly appropriate to worship MASS IN G MINOR appeared in quick succession (more than half Ralph Vaughan Williams (1872-1958) of the music recorded here emerged during this Vaughan Williams wrote of music as a means of period). Some pieces were commissioned for Mass in G Minor ‘stretching out to the ultimate realities through specific events, or were inspired by particular 1 Kyrie [4.42] the medium of beauty’, enabling an experience performers. But the role of the War in prompting the intensified devotional fervour 2 Gloria in excelsis [4.18] of transcendence both for creator and receiver. Yet – even at its most personal and remote, apparent in many of the works he composed 3 Credo [6.53] as often on this disc – his church music also in its wake should not be overlooked. As a 4 Sanctus – Osanna I – Benedictus – Osanna II [5.21] stands as a public testament to his belief wagon orderly, one of Vaughan Williams’s more 5 Agnus Dei [4.41] in the role of art within the earthly harrowing duties was the recovery of bodies realm of a community’s everyday life. He wounded in battle. Ursula Vaughan Williams, 6 Te Deum in G [7.44] embraced the church as a place in which a his second wife and biographer, wrote that 7 O vos omnes [5.59] broad populace might regularly encounter a such work ‘gave Ralph vivid awareness of 8 Antiphon (from Five Mystical Songs) [3.15] shared cultural heritage, participating actively, how men died’.
    [Show full text]
  • Spring 2018/2 by Brian Wilson and Dan Morgan
    Second Thoughts and Short Reviews - Spring 2018/2 By Brian Wilson and Dan Morgan Reviews are by Brian Wilson unless signed [DM]. Spring 2018/1 is here. Links there to earlier editions. Index: ADAMS Absolute Jest; Naïve and Sentimental Music_Chandos BACH Keyboard Music: Volume 2_Nimbus - Complete Organ Works Volume 7_Signum BEETHOVEN Triple Concerto_DG (+ BRAHMS) BORENSTEIN Violin Concerto, etc._Chandos BRAHMS Double Concerto_DG (+ BEETHOVEN) BRUCKNER Symphony No. 3_Profil - Symphony No. 4 in E-flat ‘Romantic’_LSO Live BUSONI Orchestral Works_Chandos ELGAR Violin Sonata, etc._Naxos_Chandos GERSHWIN Rhapsody in Blue_Beulah GUILMANT Organ Works_Chandos (+ WIDOR, FRANCK, SAINT-SAËNS) IRELAND Downland Suite, etc._Chandos - Mai Dun, Overlanders Suite, etc._Hallé JANITSCH Rediscoveries from the Sara Levy Collection_Chandos KARAYEV Symphony No.1; Violin Concerto_Naxos - Seven Beauties Suite, etc._Chandos LIDSTRÖM Rigoletto Fantasy_BIS (+ SHOSTAKOVICH Cello Concerto) LISZT A Faust Symphony_Alpha LUDFORD Missa Videte miraculum, etc._Hyperion MAHLER Symphony No.1_CAvi - Symphonies Nos. 4-6_Signum - Symphony No. 6_BIS MONTEVERDI Lettera Amorosa_Ricercar - Clorinda e Tancredi: Love scenes_Glossa - Night - Stories of Lovers and Warriors_Naïve PALUMBO Three Concertos_BIS RACHMANINOV The Bells, Symphonic Dances_BRKlassik ROSSINI Overtures – Gazza Ladra, Guillaume Tell_Beulah SAUER Piano Concerto No.1_Hyperion (+ SCHARWENKA) SCHARWENKA Piano Concerto No.4_Hyperion (+ SAUER) SHOSTAKOVICH Cello Concerto No.1_BIS (+ LIDSTRÖM) TALLIS Lamentations and Medieval Chant_Signum TIPPETT Symphonies Nos. 1 and 2_Hyperion VIVALDI Concertos Op.8/1-12_Chandos - Double Concertos_Chandos WESLEY, Samuel Symphonies_Chandos WESLEY, Samuel Sebastian Ascribe unto the Lord - Sacred choral works_Chandos WIDOR Organ Works_Chandos (see GUILMANT) Electric Django (Reinhardt)_Beulah *** MusicWeb International April 2018 Second Thoughts and Short Reviews - Spring 2018/2 Nicholas LUDFORD (c.1490-1557) Ninefold Kyrie (at Ladymass on Tuesday, Feria iii) [4:45] Alleluia.
    [Show full text]
  • Joy and Pineapples
    Joy and Pineapples Since the Chili Cook Off was such a favorite Weeping may linger for the night, but joy with everyone, we will be having a cooking contest at comes with the morning. Psalm 30:5 this event also. The rules for this one are that you One of the things that I wish we would talk can make whatever type of dish that you want to more about at church is Joy! After all it is one of the cook; the most important rule is that the dish you gifts of the Spirit that we read about in Galatians prepare must contain Pineapple!. It 5:22. can be a main course, a side dish or a dessert. The most creative use of I love the verse (above) from Psalm 30. Pineapple will win a special prize. As in Every one of us goes through difficult times in life. It the past, the identity of the cook will be is just a part of being human. Many times in my life I kept a secret until all of the voting is have held on to this verse to remind myself that hard completed. times never last forever. We are always under God’s care. When we cry or hurt, God cries and Pineapples were first discovered by hurts with us. I truly believe this with all of my heart. Columbus in his sailings and exploration. He took them back to Europe where they were Now, we at Living Faith do a pretty good job enthusiastically received. Europeans soon of having fun and laughter together.
    [Show full text]
  • Bristol Choral Society Scholars
    ! Choral Scholarships 2021 Bristol Choral Society is pleased to invite singers to apply for one of four choral scholarships for the year 2021. Successful candidates will be expected to attend weekly rehearsals on Wednesday evenings in term time, in addition to around four performances a year. Currently these are happening on line. The scholarships are open to singers aged 18-30, or students in full or part time music education. The scholarships are ideal for aspiring professional singers wishing to develop their choral singing and sight-reading, or in preparation for university choral scholarships, and as a means of broadening repertoire knowledge. Scholarships can start at the beginning of any term in the season and are worth £1000. There will be some solo/quartet/semi chorus opportunities, and also a chance for the scholars to receive coaching from the choir’s Musical Director. It is expected that choral scholars will take an active role with social media for the ensemble, and generally support the endeavors of Bristol Choral Society. The choir has an auditioned membership of approximately 140 singers encompassing all ages from students and young professionals to the recently retired, from all walks of life. Bristol Choral Society usually stages at least four major concerts each year, with professional orchestras and soloists. The choir has an established reputation as the leading symphony chorus in the South West. 2020 saw the choir release it’s first recording on CD under the Delphian Record label, called the Big Picture and featuring works for Choir, Piano and Percussion. The choir is directed by Hilary Campbell, a freelance choral specialist who is also founder and director of professional chamber choir Blossom Street, and Musical Director of the Music Makers of London and Chiswick Choir.
    [Show full text]
  • Andrew Nethsingha and the Choir of St John's College
    Andrew Nethsingha and The Choir of St John’s College, Cambridge release Magnificat 2 Album features world premiere recording of Julian Anderson’s Evening Canticles and booklet introduction by former Archbishop of Canterbury Dr Rowan Williams Signum Records ¦ 16 April 2021 ¦ SIGCD667 Andrew Nethsingha and The Choir of St John’s College, Cambridge, release Magnificat 2, the second volume in their highly-praised Magnificat and Nunc Dimittis series. The album, due to be released on Signum Records on 16 April, features nine settings of the Evening Canticles. This album continues to explore the breadth of imagination with which composers have approached the Magnificat and Nunc Dimittis texts, having been utilised in Christian worship for over 1,000 years. This repertoire is the lifeblood of the Choir, who sing settings of these texts on a daily basis. The nine settings of Magnificat and Nunc Dimittis featured on Magnificat 2 fall into two groups - four by celebrated Organist-Composers, written between 1932 and 1952, and four by non-church musicians from 1974-1989. The recording culminates with a contemporary setting by Julian Anderson, composed for the 150th anniversary of St John’s Chapel, a neat follow-on from the previous album’s final track of canticles by Michael Tippett, commissioned for the College’s 450th anniversary. The aim of the recording is to compare the varied ways in which composers have created musical form out of these timeless texts, and Andrew Nethsingha has selected these choices due to a variety of links between them. These include notable clergymen-commissioners of the mid-twentieth century; Christ Church, Oxford as the place Walton was chorister, Watson was Organist and for which Swayne composed Magnificat I; and French influences for both the works by Berkeley and Anderson.
    [Show full text]
  • MUSICWEB INTERNATIONAL Recordings of the Year 2019
    MUSICWEB INTERNATIONAL Recordings Of The Year 2019 This is the seventeenth year that MusicWeb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2018-November 2019). The 128 selections have come from 27 members of the team and 65 different labels, the choices reflecting as usual, the great diversity of music and sources; I say that every year, but still the spread of choices surprises and pleases me. Of the selections, one has received three nominations: An English Coronation on Signum Classics and ten have received two nominations: Gounod’s Faust on Bru Zane Matthias Goerne’s Schumann Lieder on Harmonia Mundi Prokofiev’s Romeo & Juliet choreographed by John Cranko on C Major Marx’s Herbstymphonie on CPO Weinberg symphonies on DG Shostakovich piano works on Hyperion Late Beethoven sonatas on Hyperion Korngold orchestral works on Chandos Coates orchestral works on Chandos Music connected to Leonardo da Vinci on Alpha Hyperion was this year’s leading label with nine nominations, just ahead of C Major with eight. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2300 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year, but this year one recording in particular put itself forward as the obvious candidate. An English Coronation 1902-1953 Simon Russell Beale, Rowan Pierce, Matthew Martin, Gabrieli Consort; Gabrieli Roar; Gabrieli Players; Chetham’s Symphonic Brass Ensemble/Paul McCreesh rec.
    [Show full text]
  • Music Listening for Maundy Thursday and Good Friday David Hurd, Mus.D
    Music Listening for Maundy Thursday and Good Friday David Hurd, Mus.D. Organist and Music Director Church of Saint Mary the Virgin, NYC While our Holy Week liturgies this year will be missing their usual live choral aspect, a great wealth of recorded choral music is available to us that may assist us in our reflections as we experience these great days of the church year in a different way. The repertoire of choral music for Holy week is indeed very vast and rich, but I will limit my references to just a few works each for Maundy Thursday and Good Friday. All of these pieces have been sung at Saint Mary’s in past years and some were intended to be sung again this year. The YouTube links which I have provided come from a variety of musicians and places. I hope you will find devotional focus and spiritual benefit in listening to these choral compositions and meditating on the words being sung. Although this music comes to us by electronic means, it was, at some point, live when it was sung before an electronic recording device. Voices singing together have a unique ability, among musical instruments, to impart a sense of community even when transmitted indirectly. Some of the videos have scrolling scores which may enhance your participation in the interaction of the offering and receiving of this music. Watching and listening to these recordings may lead you to sample others as well. Maundy Thursday My Maundy Thursday selections include the Gloria from Arvo Pärt’s Missa Syllabica which was scheduled to be sung at St.
    [Show full text]
  • Contents Price Code an Introduction to Chandos
    CONTENTS AN INTRODUCTION TO CHANDOS RECORDS An Introduction to Chandos Records ... ...2 Harpsichord ... ......................................................... .269 A-Z CD listing by composer ... .5 Guitar ... ..........................................................................271 Chandos Records was founded in 1979 and quickly established itself as one of the world’s leading independent classical labels. The company records all over Collections: Woodwind ... ............................................................ .273 the world and markets its recordings from offices and studios in Colchester, Military ... ...208 Violin ... ...........................................................................277 England. It is distributed worldwide to over forty countries as well as online from Brass ... ..212 Christmas... ........................................................ ..279 its own website and other online suppliers. Concert Band... ..229 Light Music... ..................................................... ...281 Opera in English ... ...231 Various Popular Light... ......................................... ..283 The company has championed rare and neglected repertoire, filling in many Orchestral ... .239 Compilations ... ...................................................... ...287 gaps in the record catalogues. Initially focussing on British composers (Alwyn, Bax, Bliss, Dyson, Moeran, Rubbra et al.), it subsequently embraced a much Chamber ... ...245 Conductor Index ... ............................................... .296
    [Show full text]
  • On Christmas Night
    On Christmas Night Eleanor Farjeon (1881 –1965) / Christopher Steel (1938 –1991) Phillips Brooks (1835 –1893) / Henry Walford Davies (1869 –1941) 1 People, look east 3.13 10 O Little Town of Bethlehem 4.33 Johannes Brahms (1833 –1897) Anon. ( c.1300) / Benjamin Britten (1913 –1976) 2 Chorale Prelude for organ ‘Es ist ein Ros entsprungen’ 2.47 11 A Hymn to the Virgin 3.05 Op.122 No.8 Traditional French carol (arr. Stephen Jackson) Anon. 15th century / Robin Nelson (b.1943) 12 Noël nouvelet 4.30 3 Out of your sleep 2.44 Christina Rossetti (1830 –1894) / Harold Darke (1888 –1976) Thomas Campion (1567 –1620) / Richard H. Lloyd (b.1933) 13 In the bleak midwinter 4.29 4 View me, Lord 2.41 Herbert Sumsion (1899 –1995 ) Johann Sebastian Bach (1685 –1750) 14 Prelude for organ on ‘The holly and the ivy’ 4.33 5 Chorale prelude for organ ‘Wachet auf, ruft uns die Stimme’ 4.02 BWV 645 Bruce Blunt (1899 –1957) / Peter Warlock (1894 –1930) 15 Bethlehem Down 4.23 Anon. 15th century / William Mathias (1934 –1992) 6 A babe is born 3.21 John Rutter (b.1945) 16 Shepherd’s Pipe Carol 3.08 Traditional Czech carol ‘Hajej, nynjej’ (trans. Percy Dearmer) / Traditional Czech melody (collected Martin Shaw, Traditional English folk carols (collected Cecil Sharp & arr. Edward Higginbottom) Ralph Vaughan Williams) / Ralph Vaughan Williams (1872 –1958) 7 Rocking 2.16 17 Fantasia on Christmas Carols 12.45 Marcel Dupré (1886 –1971) 69.02 8 Variations on ‘Il est né le divin enfant’, offertory for organ 4.02 Choir of Magdalen College, Oxford Anon.
    [Show full text]