Service of Choral Evensong with Darien, Greenwich Church Choirs Coming to St Luke's

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Darienite News for Darien https://darienite.com Service of Choral Evensong with Darien, Greenwich Church Choirs Coming to St Luke's Author : David Gurliacci Categories : Churches, Music, Weekend Events Tagged as : Evensong 2017, St Luke's Choir 2017, St. Luke's Church 2017, St. Luke's Parish 2017 Date : October 22, 2017 The Choirs of Saint Luke’s Parish in Darien, and Christ Church in Greenwich will sing a service of Choral Evensong on Saturday, Nov. 18 at 5 p.m. at Saint Luke’s. The service will be the first joint effort between the two Episcopal parishes in recent memory. It is being conducted by Jamie Hitel (director of music at Christ Church) and David Pulliam, (director of music and organist at Saint Luke’s). ____________ — an announcement from St. Luke's Parish ____________ The service, held in the historic Saint Luke’s Parish church at 1864 Boston Post Road, is open to everyone. A wine and cheese reception will follow. Evensong, one of the great liturgical legacies of Henry VIII and most cherished of Episcopal services, has its origins in the ancient monastic (and before then, Jewish), tradition of marking the day with specific times of prayer. 1 / 2 Darienite News for Darien https://darienite.com When the Church of England severed its Roman ties, Archbishop Thomas Cranmer (1489—1556) condensed several traditional monastic services into Morning Prayer and Evening Prayer, called Matins and Evensong when sung. The choirs will perform works of composers Bernard Rose and Herbert Murrill and the monumental anthem “They that go down to the sea in ships” by English composer Herbert Sumsion, who served Gloucester Cathedral as organist for nearly forty years. 2 / 2 Powered by TCPDF (www.tcpdf.org).

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Choral Evensong
CHORAL EVENSONG 5:00 P.M. SUNDAY, FEBRUARY 5, 2017 THE FIFTH SUNDAY AFTER EPIPHANY CHRIST CHURCH 118 N. Washington St. Alexandria, VA 22314 www.HistoricChristChurch.org CHORAL EVENSONG is the service of Evening Prayer with choral music. It is sung in cathedrals with choral foundations on a more or less daily basis, and in many parish churches around the world. The Prayer Book of 1662 established the pattern for Choral Evensong which remains in common usage throughout the worldwide Anglican Communion. Since the earliest Christian times, the need to mark the passing of time with prayer has been recognized. The monastic cycle of prayer began in the desert with Anthony in the fourth century and continues to this day. By the Reformation, Vespers had become an elaborate musical celebration in the evening. The English Reformation demanded that the vernacular be the language of worship and resulted in the liturgical simplicity of Thomas Cranmer’s services of Morning and Evening Prayer. The provision of music for this structure and these words was the task of men like Tallis, Byrd, Gibbons, and Tomkins, whose creativity laid the foundations of Anglican choral worship. Choral Evensong is the quintessence of such worship. The canon of music for Evensong continues to grow, with composers from around the world contributing to it. Unlike the Eucharist, which follows the movement of the Church calendar, and unlike private prayer, which follows the events of our lives, the daily office follows its own rhythm. The readings are done “in course,” and are not specifically chosen to make a particular point, and the canticles (Magnificat and Nunc dimittis) are the same each day.
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Gloucester Cathedral Lay Clerks
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The Choir of Men and Boys · the Parish of All Saints, Ashmont ASH
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21—27 June 2021
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Download CD Booklet
T B s r e i d g a g e m m I a n n a I m m e g a g d i e r s B Charles Villiers Stanford Herbert Howells 2 This recording is a choral tribute to the sacred music of two visionary composers who, among their other achievements, made distinctive, lasting and much-cherished contributions to the musical repertory of the English Church. There are many links between Charles Villiers Stanford (1852–1924) and Herbert Howells (1892–1983), the most obvious being that from 1912 to 1916 Howells was one of Stanford’s many composition students at the Royal College of Music in London, where Howells was himself later to teach composition for over fifty years. Both men were outstanding teachers, Stanford in particular being virtually father to a whole generation of British composers, including Vaughan Williams, Holst, Bridge, Moeran, Bliss, Ireland and Gurney. For a time, both held organist’s posts at Cambridge—Stanford at Trinity College and Howells as wartime replacement for Robin Orr at St John’s. Both were active in other areas of music, Stanford mainly as a conductor, Howells more as an adjudicator and examiner. Both were prolific and formidably accomplished composers in many genres, but are remembered chieﬂy for their vocal and choral music; and here perhaps lies the secret of their enduring appeal. In the best work of both composers there is an indefinable sense of poetry: the poetry of a text sensitively set to music, or simply the poetry of music itself, whether evoking the Irish landscape of Stanford’s youth, the gentle hills and soaring cathedral of Howells’s native Gloucestershire, or just the ‘other world’ of the imagination.
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Magnificat 2 NEW TESTAMENT CANTICLES The texts known by their Latin opening words as Magnificat and Nunc Dimittis are among Herbert Howells (1892-1983) Herbert Sumsion (1899-1995) the most frequently sung words in Christian Magnificat & Nunc Dimittis Magnificat & Nunc Dimittis in G Collegium Regale 0 Magnificat [4.41] worship. In the Western Catholic Church, they 1 Magnificat [5.25] q Nunc Dimittis [2.40] are associated respectively with the evening 2 Nunc Dimittis [4.09] Francis Jackson (b. 1917) services of Vespers and Compline, the last two Giles Swayne (b. 1946) Evening Service in G of the seven daily ‘offices’ that mark the different 3 Magnificat I [4.09] w Magnificat [6.26] stages of the day in the monastic timetable; in e Nunc Dimittis [3.57] Sydney Watson (1903-1991) the Orthodox churches of the East, the Nunc Magnificat & Nunc Dimittis in E Arvo Pärt (b. 1935) Dimittis is sung towards the end of Vespers. 4 Magnificat [3.34] r Magnificat [8.22] When the sixteenth-century Church of 5 Nunc Dimittis [2.43] Julian Anderson (b. 1967) England simplified the structure of daily William Walton (1902-1983) Evening Canticles prayer, both texts were included in the order Magnificat & Nunc Dimittis St John’s Service* of Evening Prayer, usually called ‘Evensong’. Chichester Service t Magnificat [5.29] 6 y Despite reforms in the last few decades which Magnificat [4.03] Nunc Dimittis [4.59] Moon © Matt 7 Nunc Dimittis [2.21] have sought to restore the older pattern of Dr Rowan Williams Total timings: [74.22] having the Magnificat alone at Evening Prayer, Lennox Berkeley (1903-1989) Magnificat & Nunc Dimittis with the Nunc Dimittis reserved for a late opportunity for dramatic light and shade.
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Christ Church Cathedral Dublin
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The Career and Reputation of Herbert Howells
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