Brochure 2019-2 Advent-Epiphany
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Choral Evensong
CHORAL EVENSONG 5:00 P.M. SUNDAY, FEBRUARY 5, 2017 THE FIFTH SUNDAY AFTER EPIPHANY CHRIST CHURCH 118 N. Washington St. Alexandria, VA 22314 www.HistoricChristChurch.org CHORAL EVENSONG is the service of Evening Prayer with choral music. It is sung in cathedrals with choral foundations on a more or less daily basis, and in many parish churches around the world. The Prayer Book of 1662 established the pattern for Choral Evensong which remains in common usage throughout the worldwide Anglican Communion. Since the earliest Christian times, the need to mark the passing of time with prayer has been recognized. The monastic cycle of prayer began in the desert with Anthony in the fourth century and continues to this day. By the Reformation, Vespers had become an elaborate musical celebration in the evening. The English Reformation demanded that the vernacular be the language of worship and resulted in the liturgical simplicity of Thomas Cranmer’s services of Morning and Evening Prayer. The provision of music for this structure and these words was the task of men like Tallis, Byrd, Gibbons, and Tomkins, whose creativity laid the foundations of Anglican choral worship. Choral Evensong is the quintessence of such worship. The canon of music for Evensong continues to grow, with composers from around the world contributing to it. Unlike the Eucharist, which follows the movement of the Church calendar, and unlike private prayer, which follows the events of our lives, the daily office follows its own rhythm. The readings are done “in course,” and are not specifically chosen to make a particular point, and the canticles (Magnificat and Nunc dimittis) are the same each day. -
The English Lyrics of the Henry VIII Manuscript
The English Lyrics of the Henry VIII Manuscript by RAYMOND G. SIEMENS B. A. (Hons), The University of Waterloo, 1989 M.A., The University of Alberta, 1991 A THESIS SUBMITTED LN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES, Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA May 20, 1997 ©R.G. Siemens, 1997 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or 'by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. /7 v. Department of The University of British Columbia Vancouver, Canada Date DE-6 (2788) Abstract The Henry VIII MS (BL Additional MS 31,922)—a song book with lyrics by Henry VIII, Thomas Wyatt, William Cornish, and other literary figures of the early Henrician court—is a document that contributes greatly to a critical understanding of the connections between poetry, patronage, and power in early Renaissance society because of the prominence of its chief author, the King himself, and the manuscript's reflection of literary, social, and political elements of the early Tudor court. Acknowledging that the contents of the Henry VIII MS have been thoroughly treated as "words for music" by the musicologist John Stevens, whose Music and Poetry in the Early Tudor Court and Music at the Court of Henry VIII are the standard works in the area, my thesis builds on existing scholarship to treat the lyrics of H chiefly as "words," as literary texts. -
Oursaviournyc.Org 2 February 2020
T HE P ARISH OF O UR S AVIOUR S AINT S TEPHEN AND O UR L ADY OF THE S CAPULAR C HAPEL OF THE S ACRED H EARTS OF J ESUS AND M ARY in the City of New York oursaviournyc.org CHURCH OF OUR SAVIOUR CHAPEL OF THE Fifty-nine Park Avenue SACRED HEARTS OF JESUS AND MARY (at East Thirty-eighth Street) 325 East Thirty-third Street New York, NY 10016 (between First and Second Avenues) Parish Office: (212) 679–8166 New York, NY 10016 Chapel Office: (212) 213–6027 Our Saviour and Sacred Hearts are both handicapped accessible. v Rev. Robert J. Robbins, K.C.H.S., Pastor Parish Trustees: Rev. Andrew E. Kurzyna, Parochial Vicar Leilani Siri, M.D. Rev. Msgr. Kevin Sullivan, In Residence Mr. Thomas J. Travers, K.C.H.S. Rev. Msgr. Hilary C. Franco, Honorary Associate Mr. Paul J. Murray, K.C.H.S., Director of Music & Organist MASS FOR THE LORD’S DAY OUR SAVIOUR SACRED HEARTS Saturday Vigil: 5:00 p.m. (Sung) Sunday: 12:45 p.m. (Sung), Sunday: 9:00 a.m., 11:00 a.m. (Choral), 5:00 p.m. 3:00 p.m. (Korean-English bilingual), 5:30 p.m. (Sung) DAILY MASS OUR SAVIOUR SACRED HEARTS 7:45 a.m. (Monday–Friday) 5:15 p.m. (Monday–Friday) 12:05 p.m. (Monday–Saturday) SACRAMENT OF PENANCE (CONFESSION) OUR SAVIOUR SACRED HEARTS Sunday: 10:30–10:50 a.m. Sunday: 5:00–5:15 p.m. Monday– Friday: 7:20–7:40 a.m. -
Lessons&Carols 1 Page Web PDF2019.Indd
THE ANTHEM ~ “Hark! the Herald Angels Sing” ~ Arranged by DAN FORREST Hark! the herald angels sing, “Glory to the newborn King! Peace on earth, and mercy mild, God and sinners reconciled!” Joyful, all ye nations rise, Join the triumph of the skies, With th’angelic host proclaim, “Christ is born in Bethlehem!” Hark! the herald angels sing! “Glory to the newborn King!” Christ, by highest heav’n adored, Christ, the everlasting Lord! usic of hristmas Late in time, behold him come, Offspring of a virgin’s womb. M C Veiled in flesh the Godhead see, Hail th’incarnate Deity, Pleased with us in flesh to dwell Jesus, our Emmanuel, Hark! the herald angels sing! “Glory to the newborn King!” Hail the heav’nborn Prince of Peace, Hail the Sun of Righteousness! Light and life to all he brings, Ris’n with healing in his wings. Mild he lays his glory by, Born that man no more may die, Born to raise the sons of earth, Born to give them second birth, Hark! the herald angels sing! “Glory to the newborn King!” THE ANTHEM ~ “One Sweet Little Baby” MCCLURE & KINNESON ~ Arranged by SHAWN KIRCHNER O Mary, shining glory! The Lord smiles upon you. What a blessing is this little baby that you brought to our world, Refrain: O all for the love of one sweet little baby, All for the love of one sweet baby child, All for the love of one sweet little baby, we have come so far. O, a good old man named Simeon said, “I’m never gonna rest till I see that Messiah child and hold him to my breast.” Many gonna speak against you, child, they’ll crucify all that’s true. -
The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
LCOM182 Lent & Eastertide
LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas -
The Choir of Men and Boys ∙ the Parish of All Saints, Ashmont
The Choir of Men and Boys ∙ The Parish of All Saints, Ashmont 209 Ashmont Street, Dorchester Boston, Massachusetts 02124 Telephone 617–436–3520 [email protected] FAX 617–436–7320 FREDERICK BACKHAUS, Organist & Master of Choristers CHORAL MUSIC – Advent to Last Epiphany, 2008-09 (Year B) YEAR B Advent I The Gentlemen of the Choir November 25, 2008 The Great Litany in Procession (Thanksgiving weekend) Missa brevis (TTBB) – Denis Bedárd Psalm 122 (Tone I) Ecce advenit – William Byrd Remember me, O Lord – Thomas Tomkins Advent II The Choir of Men & Boys December 7, 2008 Matin Responsory and ‘Come, thou Redeemer of the earth’ Communion Service in F – William H. Harris Psalm 72:1-8 (Tone I) There is no rose – Joel Martinson O come, O come, Emmanuel – Andrew Carter Advent III The Choir of Men & Boys December 14, 2008 The Great Litany in Procession Communion Service in F – Herbert Sumsion Psalm 146:4-9 (Tone VII) This is the record of John – Orlando Gibbons Lessons & Carols (7:00 pm - Saturday) The Choir of Men & Boys December 20. 2008 St. John the Evangelist R.C. Church, Winthrop Advent IV Chamber Choir December 21, 2008 Missa brevis – Leslie Betteridge (SSA) Psalm 24:1-7 (Tone I) Ave Maria – Claudio Monteverdi (SSA) Lessons & Carols (4:00 pm - Sunday) The Choir of Men & Boys December 21, 2008 The Parish of All Saints, Ashmont Hymn: Once in royal David’s city (Irby) – David Willcocks This is the truth sent from above – Philip Moore Jesus Christ the apple tree – Anthony Piccolo There is no rose – Joel Martinson Up! good Christen folk, and listen – G.R. -
SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com SirArthurSullivan ArthurLawrence,BenjaminWilliamFindon,WilfredBendall \ SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences. From the Portrait Pruntfd w 1888 hv Sir John Millais. !\i;tn;;;i*(.vnce$. i-\ !i. W. i ind- i a. 1 V/:!f ;d B'-:.!.i;:. SIR ARTHUR SULLIVAN : Life-Story, Letters, and Reminiscences. By Arthur Lawrence. With Critique by B. W. Findon, and Bibliography by Wilfrid Bendall. London James Bowden 10 Henrietta Street, Covent Garden, W.C. 1899 /^HARVARD^ UNIVERSITY LIBRARY NOV 5 1956 PREFACE It is of importance to Sir Arthur Sullivan and myself that I should explain how this book came to be written. Averse as Sir Arthur is to the " interview " in journalism, I could not resist the temptation to ask him to let me do something of the sort when I first had the pleasure of meeting ^ him — not in regard to journalistic matters — some years ago. That permission was most genially , granted, and the little chat which I had with J him then, in regard to the opera which he was writing, appeared in The World. Subsequent conversations which I was privileged to have with Sir Arthur, and the fact that there was nothing procurable in book form concerning our greatest and most popular composer — save an interesting little monograph which formed part of a small volume published some years ago on English viii PREFACE Musicians by Mr. -
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A KNIGHT’S PROGRESS A KNIGHT’S PROGRESS According to the rubric in the service book for the 1953 Coronation, the Queen, as soon as 1 I was glad Hubert Parry (1848-1918) [4.57] Born in the seaside town of Bournemouth, Sir she entered at the west door of the Church, 2 The Twelve William Walton (1902-1983) [11.49] Charles Hubert Hastings Parry went on to study was to be received with this anthem and, while Soloists: Oscar Simms treble at Eton and then at Oxford University where it was being sung, she was to pass through Benedict Davies treble Tom Williams alto he subsequently became Professor of Music. the body of the Church, into and through the Thomas Guthrie tenor From 1895 until his death he was also Director Choir, and up to her Chair of Estate beside Christopher Dixon bass of the Royal College of Music in London. He the Altar. On that occasion the Queen’s Our present charter * Nico Muhly (b.1981) wrote music of all kinds, including an opera, Scholars of Westminster School led the choir 3 I. First [4.02] symphonies, chamber and instrumental music, in singing the central section of this anthem – 4 II. Thy Kingdome Come, O God [4.21] oratorios and church music. However, he is ‘Vivat Regina Elizabetha!’ – a section that 5 III. The Beatitudes [4.22] perhaps best known nowadays for his famous nowadays is ususally omitted in concert 6 IV. Nullus Liber Homo Capiatur [4.45] setting of William Blake’s poem, Jerusalem. performances, as it is on this recording. -
Lent Term 2010
KING’SCOLLEGE CAMBRIDGE CHAPELSERVICES LENTTERM HOLYWEEKANDEASTER 2010 NOT TO BE TAKEN AWAY THE USE OF CAMERAS, RECORDING EQUIPMENT, VIDEO CAMERAS AND MOBILE PHONES IS NOT PERMITTED IN CHAPEL [ 2 ] NOTICES SERMONSAND ADDRESSES 17 January Dr Edward Kessler Director Woolf Institute of Abrahamic Faiths, Cambridge; Fellow St Edmund’s College 24 January The Revd Richard Lloyd Morgan Acting Dean 31 January The Revd Abi Smetham Assistant Curate of Sheffield Manor Parish 7 February The Revd Canon Michael Hampel Acting Dean and Precentor, St Edmundsbury Cathedral 14 February The Revd Canon Anna Matthews St Albans Cathedral 21 February The Very Revd Dr John Hall Dean of Westminster 28 February The Rt Revd Dr Richard Cheetham Bishop of Kingston 7 March The Revd Canon Brian Watchorn Assistant Chaplain Maundy Thursday Professor Ellen Davies Amos Ragan Kearns Professor, Duke Divinity School, North Carolina Easter Day The Revd Richard Lloyd Morgan Acting Dean SERVICE BOOKLETS Braille and large print service booklets are available from the Chapel Administrator for Evensong and Sung Eucharist services. CHORAL SERVICES Services are normally sung by King’s College Choir on Sundays and from Tuesdays to Saturdays. Services on Mondays are sung by King’s Voices, the College’s mixed voice choir. Exceptions are listed. ORGAN RECITALS Each Saturday during term time there is an organ recital at 6.30 p.m. until 7.15 p.m. Admission is free, and there is a retiring collection. There is no recital on 16 January; the recital on 20 February will last 30 minutes and start at 6.45 p.m. following the longer Evensong that day. -
CHOIR MUSIC ANDREW NUNN (Dean)
PETER WRIGHT (Organist) STEPHEN DISLEY (Assistant Organist) FEBRUARY 2019 SOUTHWARK CATHEDRAL RACHEL YOUNG (Succentor) GILLY MYERS (Canon Precentor) CHOIR MUSIC ANDREW NUNN (Dean) DAY SERVICE RESPONSES PSALMS HYMNS SETTINGS ANTHEMS 1 Friday 5.30pm Evensong Smith 62 157 Stanford in B flat Look up, sweet babe (Lennox Berkeley) 3 SUNDAY 11.00am Eucharist 24 (7-end) 336; 44; SP 13 Missa Aeterna Christi munera O thou, the central orb (Charles Wood) CANDLEMAS (Palestrina) O nata lux (Thomas Tallis) Nunc dimittis (Dyson in F) 3.00pm Evensong Smith 132 (1-10) 156 (t. 288); CP 65 (t. 33) Stanford in A When to the temple Mary went (Johannes Eccard) 6.00pm Eucharist (Trad Rite) (men’s voices) 157; 57; 373 (t. CP 466); Missa Aeterna Christi munera Tout puissant (Francis Poulenc) 338 (Palestrina) Seigneur, je vous en prie (Francis Poulenc) 4 Monday 5.30pm Evensong Rawsthorne 4 457 (ii) Rubbra in A flat Mother of God, here I stand (John Tavener) 5 Tuesday 5.30pm Evensong Smith 9 (1-12) 346 Wise in F Hail, gladdening light (Charles Wood) 6 Wednesday 5.30pm Evensong (Cranleigh Voices) Byrd 34 373 (t. Coe Fen) Stanford in G And I saw a new heaven (Edgar Bainton) 7 Thursday 5.30pm Evensong (treble voices) Plainsong 118 (19-end) 338 (omit *) Rawsthorne in F Auf meinen lieben Gott (J. S. Bach) 8 Friday 5.30pm Evensong (men’s voices) Moore 22 245 Tonus peregrinus (Plainsong) Laudem dicite Deo (John Sheppard) 10 SUNDAY 11.00am Eucharist 138 377; CP 390; Darke in F Let all mortal flesh keep silence (Edward Bairstow) IV BEFORE 353 (omit v.3); CP 470 Ave verum corpus (William Byrd) LENT 3.00pm Evensong Shephard 2 254 (t. -
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OUT OF DARKNESS q Litany to the Holy Spirit Peter Hurford (b. 1930) [2.36] Choristers Music from Lent to Trinity Bertie Baigent organ w If ye love me Thomas Tallis (1505-1585) [2.00] Chapel Choir 1 Cunctis diebus William Byrd (1540-1623) [6.31] College Choir e Listen sweet dove Grayston Ives (b. 1948) [2.40] Chapel Choir 2 Remember not, Lord, our offences. Z 50 Henry Purcell (1659-1695) [2.57] Bertie Baigent organ Combined Choirs r Breathe on me, breath of God Ned Rorem (b. 1923) [2.17] 3 The Lamentation Edward Bairstow (1874-1946) [9.03] College Choir College Choir Benjamin Morris organ t The Spirit of the Lord is upon me Edward Elgar (1857-1934) [7.21] from The Apostles, Op. 49 4 Tantum ergo Fernand Laloux (1901-1970) [2.01] Combined Choirs College Choir Benjamin Morris organ 5 O vos omnes Pablo Casals (1876-1973) [3.36] y Libera nos John Sheppard (c. 1515-1559) [3.21] College Choir College Choir 6 Ye Choirs of New Jerusalem Charles Villiers Stanford (1852-1924) [4.44] u I Saw the Lord John Stainer (1840-1901) [7.19] Combined Choirs Combined Choirs Bertie Baigent organ Benjamin Morris organ Harry Shapiro & Jamie Wilkinson trebles 7 Surrexit pastor bonus Jean L’Heritier (1480-1551) [3.31] Louisa Dawes soprano, Sophie Nairac contralto College Choir Jaliya Senanayake tenor, Peter Lidbetter bass 8 Festival Te Deum, Op. 32 Benjamin Britten (1913-1976) [6.11] Total timings: [75.45] College Choir Julia Sinclair soprano Benjamin Morris organ 9 Incantation pour un jour Saint Jean Langlais (1907-1991) [5.20] Benjamin Morris organ THE CHOIR OF JESUS COLLEGE CAMBRIDGE 0 Sedebit dominus rex James MacMillan (b.