The Companion to THE EDINGTON MUSIC FESTIVAL

A festival of music within the liturgy 23-30 AUGUST 2015 The Priory Church of Saint Mary, Saint Katharine and All Saints Edington, Westbury,

THE COM PANION TO THE ED I NGTON MUSIC FESTI VAL

Sunday 23 to Sunday 30 August 2015 Contents Introduction Benjamin Nicholas

Introduction page 3 For some, the first Edington Music Festival in August 1956 is still within Festival and general information page 6 living memory, and it has been wonderful to hear from some of the singers Festival participants page 10 who were involved in that very first festival. Whilst the world outside is very, Orders of service, texts and translations page 12 very different, the purpose of this unique week remains very much the same: David Trendell page 48 a festival of music within the liturgy sung by singers from the finest Cathedral Sir David & Lady Barbara Calcutt page 50 and collegiate choirs in the land. It is very good to welcome you to the Sixty years of Edington page 52 Diamond Jubilee Festival. The Edington Music Festival—commissioned works page 54 There has been plenty to celebrate in recent festivals, and the dedication of Biographies page 56 the new Harrison & Harrison organ last year is still very much in our minds. Festival Participants from 1956 page 59 It may be no surprise that the theme this year is inspired by a cycle of organ works by the organist- Jean-Louis Florentz. The seven movements of his suite Laudes have influenced the structure of the week: A call to prayer , Incantation , Sacred dance , Meditation , Sacred song , Procession and Hymn . The weekdays produce a steady crescendo to the weekend when we sound forth praise for the first sixty years of the festival. I am indebted to Peter McGeary for his advice in the preparation and development of the theme, and to the conductors for embracing it with enthusiasm. The creativity of my predecessors has been an inspiration to me, and that so many works commissioned by the festival are now part of the regular repertoire of liturgical choirs is a great testament to their judgement. Almost every note to be heard in the broadcast Choral was written for the festival: the Edington Service by Grayston Ives (1975), the Responses by Philip Radcliffe (1972) and Elena Vorotko’s setting of Sancte Pater Benedicte (2004). Continuing the festival’s encouragement of young and emerging talent, it is fitting that the first of this year’s commissions will be heard at this servic e— a setting of Tantum ergo by Marco Galvani. I would like to recognize the Edington Music Festival Association for their financial support of this commission. It is on Saturday 29 August that we focus our 60th celebrations, and it has been good to collaborate with the Friends of the Priory Church to offer a full programme of events. At Evensong that day you will hear the first performance of Festival Magnificat by the brilliant improviser, organist and composer David Briggs. The use of Tone 8 is a nod to the musical traditions of the festival, and the scoring for (full) organ and three choirs will surely create an incredible aural feast. I am enormously grateful to Gill James for encouraging and sponsoring this new addition to the repertoire. Preparations for this festival have been bittersweet with the shocking news of the untimely death of David Trendell, former singer, conductor and Designed and typeset by Nick Flower Edited by Peter Roberts and Ian Aitkenhead director of the festival. Our tribute to him, and to Barbara, Lady Calcutt, will Printed in by Caligraving Ltd be at the Requiem Mass on Friday 28 August when we remember all those

2 3 who have given so much to the festival and who are no longer with us. Perhaps there can be no finer tribute to David than the Duarte Lôbo Requiem, a composer whose music he did so much to champion through recordings and performances of great power and intensity. Most high, all powerful, all good Lord! The unstoppable energy of Anne Curtis has resulted in a special All praise is Yours, all glory, all honour, and all blessing. exhibition, Sixty Faces from the Festival . Short biographies and photos of sixty To You, alone, Most High, do they belong. participants from the hundreds of clergy, conductors, organists and singers No mortal lips are worthy to pronounce Your name. who have played their part have been displayed. Please do find time to peruse Be praised, my Lord, through all Your creatures, the Festival Marquee and learn something more of the history of the festival. especially through my lord Brother Sun, There will also be details of a great enterpris e— Edington Art s— as they move who brings the day; and You give light through him. into their second season of promoting concerts in the Priory Church. And he is beautiful and radiant in all his splendor! Just as this year offers the opportunity for something of a reunion, we also Of You, Most High, he bears the likeness. welcome a number of new participants. I particularly want to mention Simon Be praised, my Lord, through Sister Moon and the stars; Bell who, with Charles Maxtone-Smith, will provide the organ playing this in the heavens You have made them bright, precious and beautiful. week. Simon has held appointments at , Southwell Be praised, my Lord, through Brothers Wind and Air, Minster and , and is currently Director of Tewkesbury and clouds and storms, and all the weather, Abbey Schola Cantorum. Charles Maxtone-Smith has just completed his through which You give Your creatures sustenance. schooling at Winchester College and is shortly to begin a year as Organ Be praised, my Lord, through Sister Water; Scholar of Hereford Cathedral. Following the success of last year’s daily she is very useful, and humble, and precious, and pure. recitals, we have organ music for half an hour before the evening services, Be praised, my Lord, through Brother Fire, this year played by the ‘home’ team of organists. through whom You brighten the night. I know that all those involved in the running of the festival value the He is beautiful and cheerful, and powerful and strong. willingness and enthusiasm which radiates from the local community. We Be praised, my Lord, through our sister Mother Earth, sincerely appreciate the warm welcome we receive from the Vicar, The who feeds us and rules us, Reverend Mark Jones, and all in Edington and the surrounding villages. My and produces various fruits with coloured flowers and herbs. thanks to the team who work so hard not just during the festival but also Be praised, my Lord, through those who forgive for love of You; throughout the year: Sheila Pinson, Sue Davies, Julia Taylor, Allan Edwards, through those who endure sickness and trial. John d’Arcy, Rachel King, Sheila Miles, Chloe Watts, Anne Curtis, Mark Happy those who endure in peace, Bushby, Matthew Power, Hugo Janacek, James Butler, Emily Roberts and for by You, Most High, they will be crowned. Eleanor Lane. Peter Roberts continues to administrate the festival with great Be praised, my Lord, through our sister Bodily Death, skill, and I am enormously grateful to him for the care and dedication he from whose embrace no living person can escape. takes over every detail. The distinguished trio of festival conductors, Jeremy Woe to those who die in mortal sin! Summerly, Matthew Martin and Peter Stevens, have all brought their Happy those she finds doing Your most holy will. customary expertise to the preparations, and we congratulate Jeremy on his The second death can do no harm to them. appointment as Director of Music at St Peter’s College, Oxford and Matthew Praise and bless my Lord, and give thanks, on his appointment as Director of Music at Keble College, Oxford. and serve Him with great humility.

We have a terrific clergy team who I know enjoy the time spent SAINT FRANCIS OF ASSISI (c1181–1226) Laudes Creaturarum worshipping and socialising with choirs and congregation alike. Our ‘visiting’ preacher, The Right Reverend Humphrey Southern, needs no introduction to Edington or indeed the festival, and we congratulate him on his recent appointment as Principal of . There is much to celebrat e— I really hope you enjoy the 60th festival.

4 5 Festival and general information

Festival & parish finances Oxford; New College, Oxford; St George’s Chapel, Windsor Castle; The festival is financed almost entirely by voluntary donations from visitors Southwark Cathedral; Westminster Abbey; and Westminster Cathedral and by the participants themselves, who pay to come. Collections are the for allowing their boys to take part in the festival. main source of the festival’s income and, if you are a UK taxpayer, we would Finally, the festival is grateful for the assistance of the Eastleigh Surgery, ask you to consider using the Gift Aid envelopes provided. Any surplus made Westbury, in relation to medical emergencies. at the festival is put towards the cost of future festivals. It is important to recognize that the festival could not have become Seating established and would be unable to continue without the Priory Church and You are reminded that there is no system of reserved seating for any of the the local community’s support. With this in mind, one collection during the services and that, consequently, the practice of leaving items on seats prior course of the week and the collection from final service of the festival on to services is strongly discouraged. Sunday go to the parish: this helps to meet the costly maintenance of such a Car parking large church in a small village of only some 270 households. If you regularly Car parking for visitors to the festival is provided on the verge opposite attend and enjoy the festival we urge you to become a Friend of the Priory Monastery Gardens, and will be signposted. The parish hall car park will be Church (details below). reserved for members of the festival and the church car park for members of Please be as generous as you can in the collections. the clergy, administrative team, and the disabled and infirm whose parking Clergy needs will be given priority. The festival would be grateful for advance The festival clergy will be delighted to make time for individual conversations warning of any such parking requirements to Mrs J Robertson, Beech House, with members of the congregation. Please contact them after any of the Tinhead Road, Edington, Westbury, Wiltshire BA13 4PH , Telephone 01380 services. Details of each day’s president and preacher can be found displayed 830375 . The festival regrets that it cannot accept responsibility for the security in the porch. of parked cars and advises visitors to place possessions in a locked boot.

Voluntaries and rehearsals Village facilities If you have to leave during a voluntary, please do so quietly as they are There are lavatory facilities available in the church car park. intended to be part of the service. Following the rehearsals for evening The Three Daggers will be open during festival week serving a full range services, various of the festival’s organists will play music before the service: it of foods from bar snacks to daily specials. The staff will be happy to welcome is worth noting that these moments should not be viewed as a concert but a you throughout festival week. period during which people can come and go as before any other service or Meals are also available at the Duke Inn in Bratton, one mile to the west simply collect their thoughts. towards Westbury, the George and Dragon in Erlestoke, a mile-and-a-half east Choirs practise in the church prior to services. If you are taking a seat of Edington on the B3098, and at the Longs Arms in Steeple Ashton, three whilst the practice is in progress we would be grateful if you could do so miles to the north towards . Afternoon tea can be taken at the quietly, as the noise levels produced by conversations can be extremely Pickleberry Coffee and Gift Shop, Fitzroy Farm, Bratton. distracting to the musicians. The Friends of Edington Priory Church Acknowledgements Those who value the festival ought seriously to consider supporting the The festival extends its thanks to The Reverend Mark Jones, Sue Davies vicar and the parochial church council in maintaining the Priory Church. and Sheila Pinson, and to all the people of Edington and the surrounding The Friends of Edington Priory Church (Registered Charity 0268249 ) villages, for welcoming us during the week, in particular to those who have always welcome new members. Further information can be obtained provided accommodation for festival participants. Thanks are also due to the from the Honorary Secretary, Mrs Susie Hancock, Dunge Farm, Bratton parents and to the Organists of: ; Magdalen College, Road, West Ashton, Wiltshire BA14 6AX , Telephone 01225 754626 and at the back of the church. Further details may also be found on the Friends’ website: www.edingtonfriends.org.uk.

6 7 The Edington Music Festival Association Recently, a very successful choral workshop was held in the Priory Church. In response to the worry of covering the costs of the festival, the Edington Led by Bob Chilcott and with wonderful soloists (including Michael Music Festival Association (Registered Charity 1099266 ) was founded in 2000. Hickman, who sang in the 2012 festival), they worked on Bob’s St John The Association is now affording the festival a more assured financial footing, Passion . Seventy singers had a wonderful day’s music making, and plans are whilst giving supporters an opportunity to become more involved in its being put together for a similar but interestingly different event next year. future. Members of the Edington Music Festival Association will receive Encouraging more visitors to the Priory Church and to the festival is one of regular mailings of the Association Newsletter with articles on all aspects Edington Arts’ aims, and thus every visitor was given a festival leaflet. Many of church music, commercial recording offers and details of forthcoming who were unaware of it said they would visit the festival: if you are one of concerts of interest. The minimum suggested annual subscription is £10 and them, welcome! forms may be obtained at the back of the church or from Mrs Sue Lowery, The remaining two concerts this year present Regency Brass in October 10 High Street, Steeple Ashton, Wiltshire BA13 6EL , Telephone 01380 871549 . and Merton College Choir with an Advent programme in December. Full details of all events are on the website, www.edingtonarts.org . The Friends of Cathedral Music The full 2016 programme will be announced in the autumn, but already If you have appreciated and valued the music during this festival, please confirmed are Ashley Grote, former festival director and Master of Music at consider supporting the Friends of Cathedral Music (FCM) and so assist on 16th April, Clare Jones, a former Royal Harpist and cathedrals in maintaining their daily choral heritage. Membership leaflets are darling of Classic FM, in May, and another choral workshop in June. Keep an available on the bookstall at the back of the church and further information eye on the website for up to date informatio n— or better still, use it to sign can be obtained from the Friends of Cathedral Music Membership up to the mailing list for regular (but not too frequent) e-mails. Department, 27 Old Gloucester Street, WC1N 3XX , Telephone 0845 644 3721 , e-mail [email protected]. Edington Music Festival 2016 Sunday 21 to Sunday 28 August 2016 Anyone wishing to receive advance notice of the 2016 festival and who is not Edington: The Bishop’s Legacy already on our mailing list should complete one of the forms at the church Graham Laslett, whose tours of the church and lectures to the Friends of entrance. Further details can be obtained from the Information Secretary, Edington Priory Church have been enjoyed over many years by festival-goers, John d ’Arcy, The Old Vicarage, Edington, Westbury, Wiltshire, BA13 4QF , has written an 8,000 word book, Edington: The Bishop’s Legacy , published by Telephone 01380 830512 , e-mail [email protected]. Hobnob Press. Copies of this detailed and fascinating book are on sale in the church. Profits from sales will help further the work of the Friends of the Edington Music Festival website Priory Church. The Association has developed a website as part of its support of the festival in general. This includes information about the history and current activities Edington Arts of the festival and is being developed to include a comprehensive archive of Edington Arts is now half way through its first season of musical events in material concerning the festival from its inception in 1956. The website may the Priory Church. The website is working well; the mailing list, through be found at www.edingtonfestival.org. web contacts and other means, now stands at well over 100; and plans for the 2015/16 season are well advanced. Edington Arts is working hard to deliver a financially stable organization; a Friends scheme, Edington Angels, has been launched and they would be delighted to welcome more Angels to the churc h— a leaflet can be found in the Exhibition tent at the north door. We would be delighted to hear from anyone interested in considering our high quality musical entertainment as a business development or client relationship management opportunity in return for some specific benefits. Please email [email protected] or phone 01380 831454 if you would like to discuss this.

8 9 Festival participants Nave Choir

VICAR OF EDINGTON The Reverend Mark Jones DIRECTOR Matthew Martin

CHURCHWARDENS Sheila Pinson TREBLES Giacomo Balaes Oscar Bennett Sue Davies Byron Bickley Maximilian Broad Thomas Butterworth Michael Doyle FESTIVAL DIRECTOR Benjamin Nicholas William Grayling Dominic Kwan FESTIVAL ADMINISTRATOR Peter Roberts Max Langdale Xavier Millard

CLERGY The Reverend Chris Chivers Principal, Westcott Leo Milne Rupert O’Sullivan House, Cambridge, and Vicar, Westminster Abbey Zachary Roberts James Robson The Reverend Canon Jeremy Davies Alistair Spencer George Vyvyan Canon Emeritus, Cathedral Max Wedmore The Reverend Canon Neil Heavisides ALTOS Edward Edgcumbe Hugo Janacek , Gloucester Cathedral Stephen Power Ben Sawyer The Reverend Peter McGeary Vicar, Saint Mary’s Church, TENORS Harry Bradford Mark Bushby Cable Street, London, and Priest Vicar, Westminster Abbey James Butler Samuel Oladeinde The Reverend Canon Paul Rose Toby Ward Canon Emeritus, Peterborough Cathedral BASSES Ben Cooper Henry Hawkesworth The Reverend Andrew Wickens Rector of Newton Heath, Ed Kay Humphrey Thompson City & Diocese of Manchester, Vicar Choral ,Manchester Cathedral The Reverend Malcolm Wieck Assistant , Bratton, Edington and Imber, Erlestoke and Coulston Consort DIRECTOR Jeremy Summerly VERGERS Matthew Power Leah Stead SOPRANOS Helena Moore Anna Ramell ASSISTANT VERGER Julia Taylor Imogen Russell Fleur Smith SERVERS George Nicholson Zebedee MacIntosh Emily Tann Eleanor Thompson Jacob Spires Katherine Whiffin Helena Thomson Elizabeth Woodward Harriet Woodward ALTOS Oliver Finn Bille Hylton ORGANIST Simon Bell Corinne Hull

ASSISTANT ORGANIST Charles Maxtone-Smith TENORS Joseph Denby Andrew Hayman Alistair Walker Joseph Wicks HONORARY TREASURER Allan Edwards BASSES Tom Bennett Thomas Herring INFORMATION SECRETARY John d ’Arcy Alex Jones ACCOMMODATION Rachel King

MATRONS Eleanor Lane Schola Cantorum Emily Roberts DIRECTOR Peter Stevens

ROBES Mark Bushby Graeme Adamson Henry Chadwick Sheila Miles Alistair Clark William Hamilton-Box Chloë Watts William Hare Charlie Hughes Justin Lowe James Perkins LIBRARIANS James Butler Alex Pott Matthew Salisbury Hugo Janacek

10 11 texts and translations for SUNDAY 23 AUGUST SUNDAY 23 AUGUST

Compline Compline 9.15pm Nave RESPONSES  Turn us, O God our Saviour.  And let thine anger cease from us. plainsong  O God, make speed to save us.  O Lord, make haste to help us. PRELUDE Larghetto in F sharp minor Samuel Sebastian Wesley (181 0–1876)  Glory be to the Father, and to the Son, and to the Holy Ghost.  As it was in the beginning, is now and ever shall be, world without end. Amen. Alleluia. RESPONSES plainsong

ANTIPHON Miserere mihi, Domine, Have mercy upon me, O Lord, ANTIPHON Miserere mihi, Domine plainsong plainsong et exaudi orationem meam. and hear my prayer. PSALM plainsong HYMN Te lucis ante terminum, Before the ending of the day, 91 Tallis Rerum Creator poscimus, Creator of the world, we pray HYMN Te lucis ante terminum Thomas Tallis (c150 5–1585) Ut solita clementia, that thou with love wouldst keep Sis praesul ad custodiam. thy watch around us while we sleep. RESPONSORY In pace in idipsum John Sheppard (c151 5–1558) Procul recedant somnia, O let no evil dreams be near, Et noctium phantasmata: nor phantoms of the night appear; ANTIPHON Salva nos plainsong Hostemque nostrum comprime, our ghostly enemy restrain, CANTICLE Nunc dimittis in F Sir George Dyson (188 3–1964) Ne polluantur corpora. lest aught of sin our bodies stain. Praesta Pater omnipotens, Almighty Father, hear our prayer, RESPONSES plainsong Per Jesum Christum Dominum, through Jesus Christ our Lord most high, Qui tecum in perpetuum who with the Holy Ghost and thee ANTIPHON Hymne à la Vierge Op 24 Pierre Villette (192 6–1998) Regnat cum Sancto Spiritu. Amen. doth live and reign eternally. Amen.

RESPONSORY In pace In peace Sheppard in idipsum, dormiam et requiescam will I lie down and I shall sleep si dedero somnum oculis meis if I rest my eyes et palpebris meis dormitationem. and let my eyelids close. Gloria Patri et Filio Glory be to the Father, and to the Son, et Spiritui Sancto. and to the Holy Ghost.

ANTIPHON Salva nos, Domine, vigilantes, Save us, O Lord, whilst awake, The praises of my tongue plainsong custodi nos dormientes: guard us whilst sleeping, I offer to the Lord, ut vigilemus cum Christo, that awake we may watch with Christ et requiescamus in pace. and asleep we may rest in peace. That I was taught, and learnt so young

RESPONSES Lord, have mercy upon us. iij Christ, have mercy upon us. iij Lord, have mercy upon us. iij To read his holy Word. plainsong Our Father, which art in heaven, hallowed be thy name; thy kingdom come; thy will be done, in earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, as we forgive ISAAC WATTS (167 4–1748) from ‘Praise to God for learning to read’ them that trespass against us. And lead us not into temptation; but deliver us from evil.  I will lay me down in peace.  And take my rest. Look for the good and praise it.  Let us bless the Father, the Son and the Holy Ghost. ANONYMOUS  Let us praise and magnify him for ever.  Blessed art thou, O Lord, in the firmament of heaven.  Above all to be praised and glorified for ever.  The almighty and merciful Lord preserve us and give us his blessing.  Amen.  The Lord be with you.  And with thy spirit.

COLLECT  Amen.  The Lord be with you.  And with thy spirit.  Let us bless the Lord.  Thanks be to God.

ANTIPHON Ô toute belle Vierge Marie, O beautiful Virgin Mary, Villette Votre âme trouve en Dieu le parfait amour. in God your soul discovers perfect love. Il vous revêt du manteau de la Grâce It cloaks you with the mantle of Grace Comme une fiancée parée de ses joyaux. like a betrothed adorned with her jewels. Alléluia. Je vais chanter ta louange, Seigneur, Alleluia. I will sing your praise, Lord, Car tu as pris soin de moi, for you have looked after me, Car tu m’as enveloppée du voile de l’innocence, for you have covered me with the veil of innocence, Car tu m’as faite avant le jour, for you have made me before the day, Car tu m’as fait précéder le jaillissement des sources. for you have made me go before gushing fountains. Vous êtes née avant les collines You were born before the hills, Ô sagesse de Dieu, porte du Salut. O wisdom of God, the way to salvation. Heureux celui qui marche dans vos traces, Happy is he who walks in your footsteps, Qui apprête son cœur à la voix de vos conseils. who prepares his heart to listen to your advice. Avant les astres vous étiez présente, You were present before the stars, Mère du Créateur, au profond du ciel. Mother of the Creator, in the very depths of heaven. Quand Dieu fixait les limites du monde, When God was creating the world, Vous partagiez son cœur, étant à l’œuvre avec lui. working with him you shared his heart. 12 ROLAND BOUHÉRET (193 0–1995) 13 texts and translations for MONDAY 24 AUGUST ST BARTHOLOMEW MONDAY 24 AUGUST A call to prayer

Matins Matins 9.00am Chancel ANTIPHON Hoc est praeceptum meum: This is my commandment: plainsong ut diligatis invicem sicut dilexi vos. that you love one another as I have loved you. ANTIPHON Hoc est praeceptum meum plainsong HYMN Relucens inter principes Glittering among the princes PSALM 108 plainsong plainsong Immensae Dei curiae, of God’s massed array, Bartholomaee, laudibus Bartholomew, hearken to our HYMN Relucens inter principes plainsong Nostrisque intende precibus. praises and prayers. In te convertit Dominus Onto you the Lord turned ANTIPHON Dum steteritis plainsong Dilectionis oculos, the eyes of his chosen; VOLUNTARY Fantasia of Four Parts (158 3–1625) Quem pura insignem conspicit he sees you as a worthy Sinceritate pectoris. model of purity of heart. Prophetae quem cecinerant, The one of whom the prophets sang, Solemn Eucharist 11.30am Nave Quem longa clamant tempora, the one whom long ages proclaim, Messias en mirifice the Messiah, behold, is wondrously PRELUDE Concerto del Signor Torelli in A minor Tibi laetanti proditur. produced for you in joy. Johann Gottfried Walther (168 4–1748) Teque sibi conglutinat And he joins you to his person Sequelae talis foedere, by this covenant of consequence, INTROIT HYMN Lord, teach us how to pray aright (406) ST HUGH Qua petat crucis aspera, to whomsoever seeks the chafing of the Cross Edward James Hopkins (181 8–1901) Caeli sedes retribuat. will he give the throne of heaven. Christi, qui saeclis imperat, Friend and Apostle GLORIA Missa Bell’ Amfitrit’ altera Orlande de Lassus (1530/3 2–1594) Amicus et Apostolus, of Christ, who rules for ever, READING Malachi 1: 1–11 Magistro vivis, homines you live as a teacher, you Magistri vita refoves. revive mankind by living as a teacher. ALLELUIA Laudate Dominum plainsong Sit ipsi laus et gloria, Praise and glory be to him Qui, te iuvante meritis, who, with your helping merits, GOSPEL Matthew 3: 1–12 Aeternis nos in patria allows us to enjoy eternal bliss SERMON The Reverend Canon Chris Chivers Frui concedat gaudiis. Amen. in his land. Amen. Principal, Westcott House, Cambridge, and Priest Vicar, Westminster Abbey  Constitues eos principes You make them princes super omnem terram. over all the earth. OFFERTORY Dirigatur oratio mea plainsong  Memores erunt nominis tui Domine. They shall be mindful of your name, O Lord. SANCTUS Orlande de Lassus (1530/3 2–1594) ANTIPHON Dum steteritis ante reges et praesides, When you are brought before kings and governors, Missa Bell’ Amfitrit’ altera plainsong nolite praemeditari qualiter respondeatis; do not worry beforehand about what to say; AGNUS DEI Missa Bell’ Amfitrit’ altera Orlande de Lassus (1530/3 2–1594) dabitur enim vobis in illa hora what you have to say will be given quid loquamini. to you at that time. COMMUNION Voce mea ad Dominum clamavi plainsong

COMMUNION Panis angelicus João Lourenço Rebelo (161 0–1661) Solemn Eucharist HYMN LASST UNS ERFREUEN ALLELUIA Alleluia. Laudate Dominum, omnes gentes: Alleluia. O praise the Lord, all ye nations: Ye watchers and ye holy ones (478) plainsong et collaudate eum, omnes populi. praise him, all ye people. (187 2–1958) OFFERTORY Dirigatur oratio mea sicut incensum Let my prayer be directed as incense BLESSING plainsong in conspectu tuo, Domine. in thy sight, O Lord; Elevatio manuum mearum the lifting up of my hands VOLUNTARY Praeambulum in E major LübWV7 Vincent Lübeck (165 4–1740) sacrificium vespertinum. as evening sacrifice.

COMMUNION Voce mea ad Dominum clamavi, I have cried to the Lord with my voice: plainsong et exaudivit me de monte sancto suo: and he hath heard me from his holy hill. non timebo milia populi circumdantis me. I will not fear thousands of the people surrounding me.

COMMUNION Panis angelicus fit panis hominum, The bread of angels becomes the food of humanity. To obtain the value Rebelo dat panis caelicus figuris terminum: The heavenly bread brings mere symbols to an end. of a sound, a movement, o res mirabilis, manducat Dominum O what marvel: a poor humble servant pauper servus et humilis. consumes the Lord. measure from zero. (Pay attention to what it is, just as it is.) A bird flies.

JOHN CAGE (191 2–1992) 2 Pages, 122 Words on Music and Dance

14 15 texts and translations for MONDAY 24 AUGUST ST BARTHOLOMEW MONDAY 24 AUGUST A call to prayer

Solemn Evensong Music before the service 7.30pm Nave INTROIT Tibi dixit cor meum, quaesivi vultum tuum, My heart declared to you: ‘Your countenance have I sought; plainsong vultum tuum Domine requiram: I shall ever seek your countenance, O Lord; PLAYED BY Benjamin Nicholas Organist & Director of Music, Merton College, Oxford ne avertas faciem tuam a me. do not turn your face from me.’ Dominus illuminatio mea, et salus mea: The Lord is my light and my salvation; Fantasia on ‘Komm, Heiliger Geist’ BWV651 Johann Sebastian Bach (168 5–1750) quem timebo? whom shall I fear? Partita on ‘Auf meinen lieben Gott’ BuxWV179 Dietrich Buxtehude (163 7–1707) OFFICE HYMN Exsultet caelum laudibus: Let the round world with songs rejoice; plainsong Resultet terra gaudiis: let heaven return the joyful voice; Allemande · Double · Sarabande · Courante · Gigue · Allemande Apostolorum gloriam all mindful of the Apostles’ fame, Vesper Voluntaries Op 14 Sir Edward Elgar (185 7–1934) Sacra canunt sollemnia. let heaven and earth their praise proclaim. Vos, saecli iusti iudices You servants who once bore the light Et vera mundi lumina, of gospel truth o’er heathen night, Solemn Evensong 8.00pm Nave Votis precamur cordium, still may your work that light impart, Audite supplicum. to glad our eyes and cheer our heart. INTROIT Tibi dixit cor meum plainsong

Qui caelum verbo clauditis O God, by whom to them was given RESPONSES Richard Ayleward (162 6–1669) Serasque eius solvitis, the key that shuts and opens heaven, Nos a peccatis omnibus our chains unbind, our loss repair, OFFICE HYMN Exsultet caelum laudibus plainsong Solvite iussu, quaesumus. and grant us grace to enter there. PSALM 34 Sydney Bevan (183 8–1901) Quorum praecepto subditur For at thy will they preached the word Salus et languor omnium, which cured disease, which health conferred: READING Isaiah 40: 1–11 Sanate aegros moribus, O may that healing power once more Nos reddentes virtutibus, our souls to grace and health restore, ANTIPHON Petite, et accipietis plainsong that when your Son again shall come Ut, cum iudex advenerit CANTICLE Magnificat Sir Charles Villiers Stanford (185 2–1924) Christus in fine saeculi, and speak the world’s unerring doom, Nos sempiterni gaudii he may with them pronounce us blessed, SERVICE IN C MAJOR, Op 115 Faciat esse compotes. and place us in your endless rest. READING Colossians 3: 1–17 Deo Patri sit gloria To you, O Father; Son, to you; Eiusque soli Filio, to you, blessed Spirit, glory be! CANTICLE Nunc dimittis Sir Charles Villiers Stanford (185 2–1924) Cum Spiritu Paracleto, So was it ay for ages past, SERVICE IN C MAJOR, Op 115 Et nunc et in perpetuum. Amen. so shall through endless ages last. Amen.

ANTIPHON Petite, et accipietis; quaerite, et invenietis; Ask, and it shall be given you; seek, and you shall find; RESPONSES Richard Ayleward (162 6–1669) plainsong pulsate, et aperietur vobis, alleluia. knock, and it shall be opened to you, alleluia. ANTHEM Like as the hart Herbert Howells (189 2–1983) ANTHEM Like as the hart desireth the waterbrooks: Howells so longeth my soul after thee, O God. PRAYERS My soul is athirst for God, yea, even for the living God: when shall I come to appear before the presence of God? HYMN Give me the wings of faith (225ii) SAN ROCCO Derek Williams (b1945) My tears have been my meat day and night: while they daily say unto me, Where is now thy God? BLESSING PSALM 42: 1 –3 VOLUNTARY Rhapsody No 1 in D flat Herbert Howells (189 2–1983)

Compline Compline 9.15pm Nave ANTIPHON Ave regina caelorum, Hail, queen of heaven, plainsong Ave domina angelorum: hail, mistress of the angels: PRELUDE Andante Louis Vierne (187 0–1937) Salve radix, salve porta, hail, holy root, hail, gateway, SYMPHONIE NO 1 IN D MINOR, Op 14 Ex qua mundo lux est orta: from whom came light for the world. Gaude virgo gloriosa, Rejoice, glorious virgin, PSALM 86 plainsong Super omnes speciosa: beautiful above all others: Vale, o valde decora, hail, most gracious one, ANTIPHON Ave regina caelorum plainsong Et pro nobis Christum exora. plead always with Christ for us.

But the conceited man did not hear him. Conceited people never hear anything but praise.

ANTOINE DE SAINT -E XUPÉRY (190 0–1944) The Little Prince

16 17 texts and translations for TUESDAY 25 AUGUST TUESDAY 25 AUGUST Incantation

Matins Matins 9.00am Chancel ANTIPHON Invocabo nomen tuum Domine: I invoke your name, O Lord: plainsong ne avertas faciem tuam a clamore meo. hide not your voice from my cry. ANTIPHON Invocabo nomen tuum Domine plainsong HYMN Ad preces nostras deitatis aures, God, of thy pity, unto us thy children PSALM 62 plainsong plainsong Deus, inclina pietate sola; bend down thine ear in thine own loving kindness, Supplicum vota suscipe, precamur and all thy people’s prayers and vows ascending HYMN Ad preces nostras plainsong Famuli tui. hear, we beseech thee. Respice clemens solio de sancto Look down in mercy from thy seat of glory. ANTIPHON In spiritu humilitatis plainsong Vultu sereno, lampadas illustra Pour on our souls the radiance of thy presence, VOLUNTARY Ricercar No 3 a primi toni in D minor Alessandro Poglietti (d1683) Olei nostri, tenebras depelle drive from our weary hearts the shades of darkness, Pectore cunctas. lightening our footsteps. ROSSIGNOLO Crimina laxa pietate multa, Free us from sin by might of thy great loving, Ablue sordes, vincula disrumpe, cleanse thou the sordid, loose the fettered spirit, Parce peccatis, releva iacentes spare every sinner, raise with thine own right hand Dextera tua. all who have fallen. Gloria Deo sit aeterno Patri, To God the Father, praise and endless glory, Sit tibi semper, Genitoris Nate, to God the Son, the Blessed Incarnation, Cum quo per cuncta Spiritus aequalis and to the Spirit, ever one in union, Saecula regnat. Amen. reigning for ever. Amen. A Christian fellowship lives and exists by the intercession of its members  Domine exaudi orationem meam.  O Lord, hear my prayer. for one another, or it collapses. I can no longer condemn or hate a brother  Et clamor meus ad te veniat.  And let my cry come unto thee. for whom I pray, no matter how much trouble he causes me. His face, ANTIPHON In spiritu humilitatis et in animo contrito In an humble spirit and a contrite heart plainsong suscipiamur, Domine, a te; may we be accepted by thee, O Lord; that hitherto may have been strange and intolerable to me, is et sic fiat sacrificium nostrum, and so let our sacrifice be this day, transformed in intercession into the countenance of a brother for whom ut a te suscipiatur hodie that it may be acceptable and pleasant in thy sight, et placeat tibi, Domine Deus. O Lord our God. Christ died, the face of a forgiven sinner.

DIETRICH BONHOEFFER (190 6–1945) Life Together: The Classic Exploration of Christian Community

Fear not because your prayer is stammering, your words feeble, and your language poor. Jesus can understand you.

JOHN CHARLES RYLE (181 6–1900)

18 19 texts and translations for TUESDAY 25 AUGUST TUESDAY 25 AUGUST Incantation

Solemn Eucharist Solemn Eucharist 11.30am Nave INTROIT Kyrie eleison. Christe eleison. Kyrie eleison. Lord, have mercy. Christ, have mercy. Lord, have mercy. plainsong Pater de caelis Deus, miserere nobis. God the Father of heaven, have mercy on us. PRELUDE Passacaglia in D minor BuxWV161 Dieterich Buxtehude (c163 7–1707) Fili Redemptor mundi Deus, miserere nobis. God the Son, redeemer of the world, have mercy on us. Spiritus Sancte Deus, miserere nobis. God the Holy Spirit, have mercy on us. INTROIT Litany of the Saints plainsong Sancta Trinitas unus Deus, miserere nobis. Holy Trinity, one God, have mercy on us. Sancta Maria, ora pro nobis. Holy Mary, pray for us. KYRIE David Trendell (196 4–2014) Sancta Dei Genitrix, ora pro nobis. Holy Mother of God, pray for us. Sancta Virgo virginum, ora pro nobis. Holy Virgin among virgins, pray for us. READING 1 Kings 8: 2 2– 30 Omnes Sancti et Sanctae Dei, orate pro nobis. All you saints of God, pray for us. ALLELUIA plainsong Agnus Dei, qui tollis peccata mundi, Lamb of God, you take away the sins of the world, De profundis parce nobis Domine. spare us, Lord. GOSPEL Luke 11: 1–13 Agnus Dei, qui tollis peccata mundi, Lamb of God, you take away the sins of the world, exaudi nos Domine. graciously hear us, Lord. SERMON The Reverend Andrew Wickens Rector of Newton Heath, Agnus Dei, qui tollis peccata mundi, Lamb of God, you take away the sins of the world, miserere nobis. have mercy upon us. City & Diocese of Manchester, Vicar Choral, Manchester Cathedral Christe audi nos. Christe exaudi nos. Christ, hear us. Christ, graciously hear us. OFFERTORY SWV61 Kyrie eleison. Christe eleison. Kyrie eleison. Lord, have mercy. Christ, have mercy. Lord, have mercy. Verba mea auribus percipe, Domine Heinrich Schütz (158 5–1672) ALLELUIA Alleluia. Alleluia. plainsong De profundis clamavi ad te, Domine: Out of the deep have I called to you, O Lord: SANCTUS Missa Cantate John Sheppard (c151 5–1558) Domine exaudi vocem meam. Lord, hear my voice. PSALM 130: 1 AGNUS DEI Missa Cantate John Sheppard (c151 5–1558)

OFFERTORY Verba mea auribus percipe, Domine; Give ear, O Lord, to my words, COMMUNION Ave verum corpus Op 2 No 1 Sir Edward Elgar (185 7–1934) Schütz intellige clamorem meum. understand my cry. Intende voci orationis meae, Hearken to the voice of my prayer, COMMUNION Petite, et accipietis plainsong rex meus et Deus meus. my King and my God. PSALM 5: 1 –2 HYMN Holy Jesus, by thy passion PLEAD FOR ME Sir John Stainer (184 0–1901)

COMMUNION Ave verum corpus, natum Hail true body, born BLESSING Elgar Ex Maria virgine, of the virgin Mary, Vere passum, immolatum truly killed, dying VOLUNTARY Litanies Jehan Alain (1911–1940) In cruce pro homine. on the cross for man. Cuius latus perforatum From whose pierced flank Vero fluxit sanguine; flowed the true blood; Esto nobis praegustatum, behold him now, tested for us, Mortis in examine. through the trial of death. O clemens, o pie, o dulcis Jesu, Fili Mariae. O clement, O holy, O sweet Jesus, Son of Mary. Prayer is either a sheer illusion or a personal contact between embryonic, COMMUNION Petite, et accipietis; quaerite, et invenietis; Ask, and it shall be given you; seek, and you shall find; incomplete persons (ourselves) and the utterly concrete Person. Prayer in plainsong pulsate, et aperietur vobis: knock, and it shall be opened to you: omnis enim qui petit, accipit; for everyone that asks, receives; the sense of petition, asking for things, is a small part of it; confession and et qui quaerit, invenit; and he that seeks, finds; pulsanti aperietur, alleluia. to him that knocks it shall be opened, alleluia. penitence are its threshold, adoration its sanctuary, the presence and vision and enjoyment of God its bread and wine. In it God shows Himself to us. That He answers prayers is a corollar y— not necessarily the most important on e— from that revelation. What He does is learned from what He is.

CLIVE STAPLES LEWIS (189 8–1963) The Efficacy of Prayer

20 21 texts and translations for TUESDAY 25 AUGUST TUESDAY 25 AUGUST Incantation

Solemn Evensong Music before the service 7.30pm Nave INTROIT God be in my head, and in my understanding; Davies God be in mine eyes, and in my looking; PLAYED BY Charles Maxtone-Smith , Hereford Cathedral God be in my mouth, and in my speaking; God be in my heart, and in my thinking; Toccata in F major BuxWV156 Dieterich Buxtehude (c163 7–1707) God be at mine end, and at my departing. BOOK OF HOURS, 1514, IN ENGLISH IN THE SARUM PRIMER OF 1558 Schmücke dich, o liebe Seele BWV654 Johann Sebastian Bach (168 5–1750)

ANTHEM Welcome Jesu, Herr Jesu Christ, dich zu uns wend BWV655 Johann Sebastian Bach (168 5–1750) MacMillan Deep in my soul forever stay, Pièce héroïque César Franck (1822–1890) Joy and love my heart are filling On this glad Communion day. No 3 of TROIS PIÈCES POUR GRAND ORGUE, M35–37

Compline Solemn Evensong 8.00pm Nave ANTIPHON Salve regina, mater misericordiae: Hail queen, mother of mercy: INTROIT God be in my head Sir Henry Walford Davies (186 9–1941) plainsong vita, dulcedo, et spes nostra, salve. hail, our life, our sweetness, and our hope. Ad te clamamus, exsules filii Hevae. To you do we call, in exile, the children of Eve. RESPONSES Philip Radcliffe (190 5–1986) Ad te suspiramus, gementes et flentes To you do we sigh, mourning and weeping in hac lacrimarum valle. in this vale of tears. PSALM 56 Samuel Sebastian Wesley (181 0–1876) Eia ergo, advocata nostra, Come therefore, our advocate, illos tuos misericordes oculos ad nos converte. turn those merciful eyes of yours towards us. & Sir Ivor Algernon Atkins (186 9–1953) Et Jesum, benedictum fructum ventris tui, And after this our exile, show us Jesus, READING Jeremiah 14: 11 –21 nobis post hoc exsilium ostende. the blessed fruit of your womb. O clemens, o pia, o dulcis virgo Maria. O clement, O loving, O sweet virgin Mary. CANTICLE Magnificat Grayston Ives (b1948) EDINGTON SERVICE

READING Matthew 15: 21–31

CANTICLE Nunc dimittis Grayston Ives (b1948) EDINGTON SERVICE

RESPONSES Philip Radcliffe (190 5–1986)

ANTHEM A child’s prayer James MacMillan (b1959)

PRAYERS

HYMN Sun of my soul (251) ABENDS Herbert Oakley (183 0–1903)

BLESSING

VOLUNTARY Fantaisie et Fugue Alexandre-Pierre-François Boëly (178 5–1858) No 6 of DOUZE PIÈCES POUR ORGUE AVEC PÉDALE OBLIGÉE, Op 18

Compline 9.15pm Nave

PRELUDE Chant de peine Jean Langlais (1907–1991) No 1 of NEUF PIÈCES POUR GRAND ORGUE

PSALM 143 plainsong

ANTIPHON Salve regina plainsong

22 23 texts and translations for WEDNESDAY 26 AUGUST WEDNESDAY 26 AUGUST Sacred dance

Matins Matins 9.00am Chancel ANTIPHON Introibo ad altare Dei: sumam Christum, I will go in to the altar of God: I will take up Christ, plainsong qui renovat iuventutem meam. who renews my youth. ANTIPHON Introibo ad altare Dei plainsong HYMN Christe, lux vera, bonitas et vita, O Christ, the true light, goodness and our lifespring, PSALM 147 plainsong plainsong Gaudium mundi, pietas immensa, Joy of the world and greatest fount of mercy, Qui nos a morte vivido salvaste Who saved us from the jaws of death most vivid HYMN Christe, lux vera plainsong Sanguine tuo. Shedding thy life’s blood. Insere tuum, petimus, amorem Conjoin thy love, we ask thee, humble servants, ANTIPHON Sanctificavit Dominus plainsong Mentibus nostris, fidei refunde Unto our minds; once more thy light eternal VOLUNTARY Fantasia of Four Parts Orlando Gibbons (158 3–1625) Lumen aeternum, caritatis auge Of faith renew; increase our joy and pleasure Dilectionem. In thy great goodness. Procul a nobis perfidus absistat Let treach’rous Satan gashed in myriad pieces, Solemn Eucharist 11.30am Nave Satan a tuis viribus confractus; Far from thy flock flee after thy great violence; Sanctus assistat Spiritus, a tua And may thy Holy Spirit then assist us, PRELUDE Vater unser im Himmelreich I Sede demissus. Sent down from heaven. Johann Heinrich Scheidemann (159 5–1663) Gloria Deo sit aeterno Patri, Glory to thee, O God the eternal Father, Sit tibi semper, Genitoris Nate, Glory to thee forever, Father’s offspring, INTROIT HYMN O worship the Lord (52) WAS LEBET Cum quo per cuncta Spiritus aequalis Who with the equal Spirit now and always melody from the Reinhardt MS (1754) Saecula regnat. Amen. Reigns through all ages. Amen. EDWARD TAMBLING KYRIE Mass for five voices (1539/4 0–1623)

 Laudent nomen eius in choro.  Let them praise his name in choir. READING Exodus 24: 3– 8  In tympano et psalterio psallant ei.  Let them sing to him with the timbrel and the psaltery. ALLELUIA Adorabo ad templum plainsong ANTIPHON Sanctificavit Dominus tabernaculum suum: The Lord has made holy the place where he dwells: plainsong haec est domus Dei in qua invocetur this is the house of God in which his name GOSPEL Mark 14: 1 2– 26 nomen eius, de qua scriptum est: will be invoked; as it is written: Erit nomen meum ibi, dicit Dominus. My name shall be there, says the Lord. SERMON The Reverend Peter McGeary Vicar, Saint Mary’s Church, Cable Street, London, and Priest Vicar, Westminster Abbey Solemn Eucharist OFFERTORY Laudibus in sanctis William Byrd (1539/4 0–1623) ALLELUIA Alleluia. Adorabo ad templum sanctum tuum: Alleluia. I will bow down toward your holy temple plainsong et con fitebor nomini tuo. and give thanks to your name. SANCTUS Mass for five voices William Byrd (1539/4 0–1623) OFFERTORY Laudibus in sanctis Dominum Sing to the Lord on high AGNUS DEI Mass for five voices William Byrd (1539/4 0–1623) Byrd celebrate supremum: with praises in his holy place: firmamenta sonent inclyta facta Dei; let the heavens tell out the wonderful works of God; COMMUNION Tantum ergo Déodat de Séverac (187 2–1921) inclyta facta Dei cantate, sacraque potentis sing of his wonderful works, and the holiness of his power, voce potestatem saepe sonate manus. tell out his might, clap your hands continually. COMMUNION Introibo ad altare Dei plainsong Magnificum Domini cantet Let the battle-trumpet praise tuba martia nomen: the glorious name of the Lord: HYMN Stand up and bless the Lord (452) CARLISLE Pieria Domino concelebrate lyra. sing to him on the lyre of the Muses. Charles Lockhart (174 5–1815) Laude Dei resonent Echoing drums resound resonantia tympana summi: when taken up with praise of God: BLESSING alta sacri resonent organa laude Dei. lofty organs resound with praise to God most holy. Hunc arguta canant tenui psalteria corda, Tuneful harps with their slender strings sing of him, VOLUNTARY Prelude & Fugue in G BWV550 Johann Sebastian Bach (168 5–1750) hunc agili laudet laeta chorea pede. the joyful dance praises him with swift-moving feet. Concava divinas effundant cymbala laudes, Hollow cymbals pour out heavenly praises, cymbala dulcisona laude repleta Dei. cymbals filled with the melodious praise of God. Omne quod aethereis in mundo vescitur auris, Let all creation, everything that breathes, Alleluia canat, tempus in omne Deo. sing praises now and evermore to God. Those who dance are considered insane by those COMMUNION Tantum ergo sacramentum Let us venerate this great sacrament Séverac Veneremur cernui: with bowed heads; who cannot hear the music. Et antiquum documentum let the ancient example ANONYMOUS Novo cedat ritui. give way to a new rite. Praestet fides supplementum Let faith make good Sensuum defectui. the insuf ficiency of our senses. Everything in the universe has a rhythm, everything dances.

Genitori, genitoque Praise and rejoicing, MAYA ANGELOU (192 8–2014) Laus et iubilatio, safety and honour, virtue Salus, honor, virtus quoque and blessing to the begetter Sit et benedictio. and the begotten. Dance is the hidden language of the soul. Procedenti ab utroque To him who comes from either MARTHA GRAHAM (189 4–1991) Compar sit laudatio. Amen. be there equal praise. Amen.

COMMUNION Introibo ad altare Dei, I will go in to the altar of God, plainsong ad Deum qui laetificat iuventutem meam. to the God who gives joy to my youth. 24 25 texts and translations for WEDNESDAY 26 AUGUST WEDNESDAY 26 AUGUST Sacred dance Choral Evensong Choral Evensong 3.30pm Nave BBC broadcast, doors close 3.25pm INTROIT Tantum ergo sacramentum Let us venerate this great sacrament Galvani Veneremur cernui: with bowed heads; PRELUDE Andantino Louis Vierne (187 0–1937) Et antiquum documentum let the ancient example No 1 of SUITE 1, VINGT-QUATRE PIÈCES DE FANTAISIE POUR ORGUE, Op 51 Novu cedat ritui. give way to a new rite. Praestet fides supplementum Let faith make good INTROIT Tantum ergo Marco Galvani (b1994) FESTIVAL COMMISSION Sensum defectui. the insufficiency of our senses. Genitori, genitoque Praise and rejoicing, BIDDING Laus et iubilatio, safety and honour, virtue Salus, honor, virtus quoque and blessing to the begetter RESPONSES Philip Radcliffe (190 5–1986) Sit et benedictio. and the begotten. PSALM 145 James Turle (180 2–1882) Procedenti ab utroque To him who comes from either Compar sit laudatio. Amen. be there equal praise. Amen. READING Jeremiah 31: 7–14 ST THOMAS AQUINAS (122 5–1274) from Pange lingua sacramentum, FEAST OF CORPUS CHRISTI OFFICE HYMN Sol, ecce, lentus occidens plainsong OFFICE HYMN Sol, ecce, lentus occidens In view the sun behold, lately rising, CANTICLE Magnificat Grayston Ives (b1948) EDINGTON SERVICE plainsong Montes et arva et aequora Vast mountains, fields and seas, Maestus relinquit, innovat Even sad to leave them; but the READING 1 Corinthians 11: 2 3– 34 Sed lucis omen crastinae, Sign of tomorrow’s light renews itself to CANTICLE EDINGTON SERVICE Mirantibus mortalibus People on earth marvelling, and thus to you, Nunc dimittis Grayston Ives (b1948) Sic te, Creator provide, O clairvoyant Creator; RESPONSES Philip Radcliffe (190 5–1986) Leges vicesque temporum Key laws and changes of Umbris dedisse et lumini. E’en to have given to shadows and light. ANTHEM Sancte Pater Benedicte Elena Vorotko (b1980) Ac dum, tenebris aethera Now while, with shadows pressing Silentio prementibus, The air with silence, PRAYERS Vigor laborum deficit, Owed strength is lacking and HYMN Lord of beauty, thine the splendor (265) WOOD GREEN Quies cupita quaeritur, Much-needed quiet is sought, Matthew Martin (b1976) Spe nos fideque divites And we who with hope and faith Tui beamur lumine Are blessed with the light of thy word through ANTIPHON Salve regina plainsong Verbi, quod est a saeculis All ages which hath shewn Splendor paternae gloriae. All splendour of the Father’s glory. BLESSING Est ille sol qui nesciat And there is he who may not ever know the sun VOLUNTARY Prelude & Fugue in C minor Op 37 No 1 Ortum vel umquam vesperum; At its rising or its setting; Quo terra gestit contegi, At which point the earth longs to be covered Felix Mendelssohn (180 9–1847) Quo caeli in aevum iubilant. And where the heavens rejoice in age. Hac nos serena perpetim Refulgent light may we enjoy Da luce tandem perfrui, To the end; grant us this. Compline 9.30pm (approx) Nave Cum Nato et almo Spiritu In the name too of the Son and loving Spirit PRELUDE Chant de paix Jean Langlais (190 7–1991) Tibi novantes cantica. Amen. Now renewing our hymns of joy. Amen. EDWARD TAMBLING No 3 of NEUF PIÈCES POUR GRAND ORGUE

ANTHEM Sancte Pater Benedicte, intercede pro nobis. Holy Father Benedict, pray for us. PSALM 30 plainsong Vorotko Ut digni efficamur That we might be made worthy promissionibus Christi. for the promises of Christ. ANTIPHON Regina caeli plainsong Gloria Patri, et Filio, Glory to the Father, and to the Son, et Spiritui Sancto. and to the Holy Spirit.

ANTIPHON Salve regina, mater misericordiae: Hail queen, mother of mercy: plainsong vita, dulcedo, et spes nostra, salve. hail, our life, our sweetness, and our hope. Ad te clamamus, exsules filii Hevae. To you do we call, in exile, the children of Eve. Ad te suspiramus, gementes et flentes To you do we sigh, mourning and weeping in hac lacrimarum valle. in this vale of tears. Faeries, come take me out of this dull world, Eia ergo, advocata nostra, Come therefore, our advocate, For I would ride with you upon the wind, illos tuos misericordes oculos ad nos converte. turn those merciful eyes of yours towards us. Et Jesum, benedictum fructum ventris tui, And after this our exile, show us Jesus, Run on the top of the dishevelled tide, nobis post hoc exsilium ostende. the blessed fruit of your womb. O clemens, o pia, o dulcis virgo Maria. O clement, O loving, O sweet virgin Mary. And dance upon the mountains like a flame. WILLIAM BUTLER YEATS (186 5–1939) The Land of Heart’s Desire Compline ANTIPHON Regina caeli, laetare, alleluia. Queen of heaven, rejoice, alleluia. plainsong Quia quem meruisti portare, alleluia. For he whom you were worthy to bear, alleluia. Resurrexit, sicut dixit, alleluia. Has risen as he said, alleluia. Ora pro nobis Deum, alleluia. Pray for us to God, alleluia. 26 27 texts and translations for THURSDAY 27 AUGUST MONICA, MOTHER OF AUGUSTINE OF HIPPO THURSDAY 27 AUGUST Meditation

Matins Matins 9.00am Chancel ANTIPHON Tu autem, cum oraveris, intra in cubiculum But thou when thou shalt pray, enter into thy chamber, plainsong et clauso ostio, ora Patrem tuum. and having shut the door, pray to thy Father. ANTIPHON Tu autem, cum oraveris plainsong HYMN Iam lucis orto sidere, Now that the daylight fills the sky, PSALM 146 plainsong plainsong Deum precemur supplices, We lift our hearts to God on high, Ut in diurnis actibus That he, in all we do or say, HYMN Iam lucis orto sidere plainsong Nos servet a nocentibus. Would keep us free from harm today. Linguam refrenans temperet, May he restrain our tongues from strife, ANTIPHON Spiritus est Deus plainsong Ne litis horror insonet, And shield from anger’s din our life, VOLUNTARY Fancy in C fa ut Orlando Gibbons (158 3–1625) Visum fovendo contegat, And guard with watchful care our eyes Ne vanitates hauriat. From earth’s absorbing vanities. Sint pura cordis intima, O may our inmost hearts be pure, Solemn Eucharist 11.30am Nave Absistat et vecordia: From thoughts of folly kept secure, Carnis terat superbiam And pride of sinful flesh subdued PRELUDE Master Tallis’s Testament Herbert Howells (189 2–1983) Potus cibique parcitas. Through sparing use of daily food. No 3 of SIX PIECES FOR ORGAN Ut cum dies abscesserit, So we, when this day’s work is o’er, Noctemque sors reduxerit, And shades of night return once more, INTROIT HYMN Be still for the presence of the Lord BE STILL David Evans (b1957) Mundi per abstinentiam Our path of trial safely trod, Ipsi canamus gloriam. Shall give the glory to our God. KYRIE Mass II ‘Kyrie fons bonitatis’ plainsong Deo Patri sit gloria, All praise to God the Father be, READING Philippians 4: 4–13 Eiusque soli Filio, All praise, eternal Son, to thee, Cum Spiritu Paraclito, Whom with the Spirit we adore GRADUAL Da pacem, Domine Arvo Pärt (b1935) Nunc et per omne saeculum. Amen. Forever and forevermore. Amen. GOSPEL John 14: 1 5–27  Domine exaudi orationem meam.  O Lord hear my prayer.  Et clamor meus ad te veniat.  And let my cry come unto thee. SERMON The Reverend Canon Jeremy Davies

ANTIPHON Spiritus est Deus, et eos qui adorant eum, God is a spirit; and they that adore him, Canon Emeritus, plainsong in spiritu et veritate oportet adorare. must adore him in spirit and in truth. OFFERTORY O pray for the peace of Jerusalem Herbert Howells (189 2–1983) No 1 of FOUR ANTHEMS Solemn Eucharist GRADUAL Da pacem, Domine, in diebus nostris Give peace, O Lord, in our time SANCTUS Mass II plainsong Pärt quia non est alius because there is no one else qui pugnet pro nobis who will fight for us, AGNUS DEI Mass II plainsong nisi tu Deus noster. if not you, our God. COMMUNION Tantum erg o French noël, arranged Jacques Berthier (192 3–1994) OFFERTORY O pray for the peace of Jerusalem. Howells They shall prosper that love thee. COMMUNION O sacrum convivium Olivier Messiaen (190 8–1992) Peace be within thy walls, and plenteousness within thy palaces. HYMN Let all mortal flesh keep silence (295) PICARDY

COMMUNION Tantum ergo sacramentum Let us venerate this great sacrament 17th-century French carol Berthier Veneremur cernui: with bowed heads; BLESSING Et antiquum documentum let the ancient example Novo cedat ritui. give way to a new rite. VOLUNTARY Kyrie, Gott Heiliger Geist BWV671 Johann Sebastian Bach (168 5–1750) Praestet fides supplementum Let faith make good Sensuum defectui. the insuf ficiency of our senses. Genitori, genitoque Praise and rejoicing, Laus et iubilatio, safety and honour, virtue Salus, honor, virtus quoque and blessing to the begetter Sit et benedictio. and the begotten. Procedenti ab utroque To him who comes from either The music is not in the notes, Compar sit laudatio. Amen. be there equal praise. Amen. but in the silence between. ST THOMAS AQUINAS (122 5–1274) from Pange lingua sacramentum, FEAST OF CORPUS CHRISTI WOLFGANG AMADEUS MOZART (175 6–1791) COMMUNION O sacrum convivium in quo Christus sumitur, O most sacred banquet, wherein Christ is received, Messiaen recolitur memoria passionis eius, the memory of his passion renewed; mens impletur gratia; the mind with grace is filled; et futurae gloriae nobis pignus datur. Alleluia. and a vision of future glory is given to us. Alleluia. ANTIPHON FOR SECOND VESPERS AT CORPUS CHRISTI

28 29 texts and translations for THURSDAY 27 AUGUST MONICA, MOTHER OF AUGUSTINE OF HIPPO THURSDAY 27 AUGUST Meditation

Sequence of Music and Readings Music before the service 7.30pm Nave CANTATA AD PEDES Ecce super montes TO THE FEET Behold, upon the mountains Buxtehude pedes evangelizantis the feet of one bringing good news PLAYED BY Peter Stevens Assistant Master of Music, Westminster Cathedral et annunciantis pacem. and proclaiming peace. NAHUM 1: 15 Prelude in B minor BWV544i Johann Sebastian Bach (168 5–1750) Salve mundi salutare, Hail, salvation of the world, Fantasia in D minor William Byrd (1539/4 0–1623) Salve Jesu care! hail, hail, dear Jesus! Cruci tuae me aptare On your cross would I hang Allein Gott in der Höh sei Ehr BWV664 Johann Sebastian Bach (168 5–1750) Vellem vere, tu scis quare, truly, you know why Fugue in B minor BWV544ii Johann Sebastian Bach (168 5–1750) Da mihi tui copiam. give me your strength. Clavos pedum, plagas duras, The nails in your feet, the hard blows Et tam graves impressuras and so grievous marks Sequence of Music and Readings 8.00pm Nave Circumplector cum affectu, I embrace with love, Tuo pavens in aspectu, fearful at the sight of you, CANTATA Ad pedes: Ecce super montes Dieterich Buxtehude (c163 7–1707) Tuorum memor vulnerum. mindful of your wounds. Movement 1 of MEMBRA JESU NOSTRI, BuxWV75 Dulcis Jesu, pie Deus, Sweet Jesus, merciful God Ad te clamo licet reus, I cry to you, in my guilt HYMN My song is love unknown (86, omit vv 4 & 6) LOVE UNKNOWN Praebe mihi te benignum, show me your grace, John Ireland (187 9–1962) Ne repellas me indignum turn me not unworthy away De tuis sanctis pedibus. from your sacred feet. CHANT Meditatio plainsong CHANT Meditatio cordis mei in conspectu tuo semper: The meditation of my heart is forever in your sight, READING Wofully araide Anonymous 15th century plainsong Domine adiutor meus, et redemptor meus. O Lord, my helper and my redeemer. Caeli enarrant gloriam Dei, The heavens describe the glory of God, CANTATA Ad genua: Ad ubera portabimini Dieterich Buxtehude (c163 7–1707) et manuum eius and the firmament proclaims annunciat firmamentum. the work of his hands. Movement 2 of MEMBRA JESU NOSTRI, BuxWV75

CANTATA AD GENUA Ad ubera portabimini, TO THE KNEES You will be brought to nurse READING Upon the bleeding crucifix:a song Richard Crashaw (161 2–1649) Buxtehude et super genua blandientur vobis. and be dandled on the knees [of Jerusalem, as a mother]. from STEPS TO THE TEMPLE ISAIAH 66: 12 Salve Jesu, rex sanctorum, Hail Jesus, King of Saints, CANTATA Ad manus: Quid sunt plagae istae? Dieterich Buxtehude (c163 7–1707) Spes votiva peccatorum, hope of sinners’ prayers, Movement 3 of MEMBRA JESU NOSTRI, BuxWV75 Crucis ligno tanquam reus, like an offender on the wood of the cross, Pendens homo verus Deus, a man hanging, true God, READING Lachrimae Antiquae Novae Geoffrey Hill (b1932) Caducis nutans genibus. bending on failing knees. CHANT Adoro te plainsong Quid sum tibi responsurus, What answer shall I give you, Actu vilis corde durus? vile as I am in deed, hard in my heart? CANTATA Ad faciem: Illustra faciem tuam Dieterich Buxtehude (c163 7–1707) Quid rependam amatori, How shall I repay your love, Qui elegit pro me mori, who chose to die for me, Movement 7 of MEMBRA JESU NOSTRI, BuxWV75 Ne dupla morte morerer? unless I die a second death? HYMN O sacred head (90) PASSION CHORALE That I may seek you with pure heart, Ut te quaeram mente pura, (168 5–1750) Sit haec mea prima cura, be my first care, Traditional melody harmonized Johann Sebastian Bach Non est labor et gravabor, it is no labour nor shall I be loaded down: VOLUNTARY Praeludium in G minor BuxWV149 Dieterich Buxtehude (c163 7–1707) Sed sanabor et mundabor, but I shall be cleansed, Cum te complexus fuero. when I embrace you.

CANTATA AD MANUS Quid sunt plagae istae TO THE HANDS What are those wounds Buxtehude in medio manuum tuarum? in the midst of your hands? ZECHARIAH 13: 6 Seeking the face of God in everything, everyone, all the time, and his Salve Jesu, pastor bone, Hail, Jesus, good shepherd, Fatigatus in agone, wearied in agony, hand in every happening; This is what it means to be contemplative Qui per lignum es distractus tormented on the cross Et ad lignum es compactus nailed to the cross in the heart of the world. Seeing and adoring the presence of Jesus, Expansis sanctis manibus. your sacred hands stretched out. especially in the lowly appearance of bread, and in the distressing Manus sanctae, vos amplector, Holy hands, I embrace you, disguise of the poor. Et gemendo condelector, and, lamenting, I delight in you, Grates ago plagis tantis, I give thanks for the terrible wounds, BLESSED TERESA OF CALCUTTA (191 0–1997) In the Heart of the World: Thoughts, Stories and Prayers Clavis duris guttis sanctis the hard nails, the holy drops, Dans lacrymas cum osculis. shedding tears with kisses. In cruore tuo lotum Washed in your blood Me commendo tibi totum, I wholly entrust myself to you; Tuae sanctae manus istae may these holy hands of yours Me defendant, Jesu Christe, defend me, Jesus Christ, Extremis in periculis. in the final dangers. 30 … continued overleaf 31 texts and translations for THURSDAY 27 AUGUST Sequence of Music and Readings, continued MONICA, MOTHER OF AUGUSTINE OF HIPPO THURSDAY 27 AUGUST Meditation

CHANT Adoro te devote, latens Deitas, Prostrate I adore thee, Deity unseen, plainsong Quae sub his figuris vere latitas; who thy glory hidest ’neath these shadows mean; Compline 9.30pm Nave Tibi se cor meum totum subiicit, lo, to thee surrendered, my whole heart is bowed, Quia te contemplans totum deficit. tranced as it beholds thee, shrined within the cloud. PRELUDE Pastorale Louis Vierne (187 0–1937) Visus, tactus, gustus in te fallitur, Taste, and touch, and vision, to discern thee fail; from VINGT-QUATRE PIÈCES EN STYLE LIBRE, Op 31 Sed auditu solo tuto creditur. faith, that comes by hearing, pierces through the veil. Credo quidquid dixit Dei Filius; I believe whate’er the Son of God hath told; PSALM 16 plainsong Nil hoc verbo veritatis verius. what the Truth hath spoken, that for truth I hold. ANTIPHON Alma redemptoris mater plainsong In cruce latebat sola Deitas, On the cross lay hidden but thy Deity, At hic latet simul et humanitas, here is hidden also thy humanity: Ambo tamen credens atque confitens, but in both believing and confessing, Lord, Peto quod petivit latro poenitens. ask I what the dying thief of thee implored. Plagas, sicut Thomas, non intueor: Thy dread wounds, like Thomas, though I cannot see, Deum tamen meum te confiteor. his be my confession, Lord and God, of thee, Fac me tibi semper magis credere, make my faith unfeigned evermore increase, In te spem habere, te diligere. give me hope unfading, love that cannot cease. Life is an experimental journey undertaken involuntarily. It is a journey O memoriale mortis Domini! O memorial wondrous of the Lord’s own death; of the spirit through the material world and, since it is the spirit that Panis vivus, vitam praestans homini! living bread, that giveth all thy creatures breath, Praesta meae menti de te vivere, grant my spirit ever by thy life may live, travels, it is the spirit that is experienced. That is why there exist Et te illi semper dulce sapere. to my taste thy sweetness never-failing give. contemplative souls who have lived more intensely, more widely, more Pie Pelicane, Jesu Domine, Pelican of mercy, Jesus, Lord and God, Me immundum munda tuo sanguine: cleanse me, wretched sinner, in thy precious blood: tumultuously than others who have lived their lives purely externally. Cuius una stilla salvum facere blood where one drop for human-kind outpoured FERNANDO PESSOA (188 8–1935) The Book of Disquiet Totum mundum quit ab omni scelere. might from all transgression have the world restored. Jesu, quem velatum nunc aspicio, Jesus, whom now veiled, I by faith descry, If there were a little more silence, if we all kept quiet … maybe we could Oro, fiat illud quod tam sitio: what my soul doth thirst for, do not, Lord, deny, Ut te revelata cernens facie, that thy face unveiled, I at last may see, understand something. Visu sim beatus tuae gloriae. Amen. with the blissful vision blest, my God, of thee. Amen. FEDERICO FELLINI (192 0–1993) CANTATA AD FACIEM Illustra faciem tuam TO THE FACE Let your face shine Buxtehude super servum tuum, upon your servant, salvum me fac in misericordia tua. save me in your mercy. Our life of contemplation shall retain the following characteristics: PSALM 31: 16 —missionary: by going out physically or in spirit in search of souls all over Salve, caput cruentatum, Hail, bloodied head, the universe. Totum spinis coronatum, all crowned with thorns, Conquassatum, vulneratum, beaten, wounded, —contemplative: by gathering the whole universe at the very centre of Arundine verberatum struck with a cane, Facie sputis illita. the face soiled with spit. our hearts where the Lord of the universe abides, and allowing the pure Dum me mori est necesse, When I must die, water of divine grace to flow plentifully and unceasingly from the source Noli mihi tunc deesse, do not then be away from me, itself, on the whole of his creation. In tremenda mortis hora in the anxious hour of death Veni, Jesu, absque mora, come, Jesus, without delay, —universal: by praying and contemplating with all and for all, Tuere me et libera. protect me and set me free. especially with and for the spiritually poorest of the poor. Cum me iubes emigrare, When you command me to depart, Jesu care, tunc appare, dear Jesus, then appear, BLESSED TERESA OF CALCUTTA (191 0–1997) In the Heart of the World: Thoughts, Stories and Prayers O amator amplectende, O lover to be embraced, Temet ipsum tunc ostende then show yourself In cruce salutifera. on the cross that brings salvation.

Compline ANTIPHON Alma redemptoris mater, quae pervia caeli Gracious mother of the redeemer, you who remain the plainsong porta manes et stella maris, succurre cadenti, ever-open gate of heaven, and the star of the sea, succour surgere qui curat populo. Tu quae genuisti, your people, who fall but strive to rise again. You who gave natura mirante, tuum sanctum genitorem: birth, while nature marvelled, to your holy creator: Virgo prius ac posterius, a virgin before and after, Gabrielis ab ore sumens illud Ave, who heard that ‘Ave’ from the mouth of Gabriel, peccatorum miserere. have mercy on sinners.

32 33 texts and translations for FRIDAY 28 AUGUST AUGUSTINE OF HIPPO FRIDAY 28 AUGUST Sacred song

Choral Matins Choral Matins 11.30am Nave INTROIT God be in my head, and in my understanding; Radcliffe God be in mine eyes, and in my looking; PRELUDE Cantabile César Franck (182 2–1890) God be in my mouth, and in my speaking; No 2 of TROIS PIÈCES POUR GRAND ORGUE, M36 God be in my heart, and in my thinking; God be at mine end, and at my departing. INTROIT God be in my head Philip Radcliffe (190 5–1986) ANTHEM Blest pair of sirens, pledges of heaven’s joy, Parry Sphere-borne harmonious sisters, Voice and Verse, RESPONSES David Buckley (b1976) Wed your divine sounds, and mixed power employ Dead things with inbreathed sense able to pierce, CANTICLE Venite Henry Thomas Smart (181 3–1879) And to our high-raised phantasy present, PSALM 135 Charles Frederick South (185 0–1916) That undisturbed song of pure concent, Ay sung before the sapphire-coloured throne READING Exodus 15: 1–18 To him that sits thereon With saintly shout, and solemn jubilee, CANTICLE Te Deum Sir Charles Villiers Stanford (185 2–1924) Where the bright seraphim in burning row Their loud uplifted angel trumpets blow, MORNING, COMMUNION AND EVENING SERVICE IN B FLAT, Op 10 And the cherubic host in thousand choirs READING Touch their immortal harps of golden wires, Revelation 7: 9–17 With those just spirits that wear victorious palms, CANTICLE Jubilate Deo Matthew Martin (b1976) Hymns devout and holy psalms Singing everlastingly; RESPONSES David Buckley (b1976) That we on earth with undiscording voice May rightly answer that melodious noise; ANTHEM Blest pair of sirens Sir C Hubert H Parry (184 8–1918) As once we did, till disproportioned sin Jarred against nature’s chime, and with harsh din SERMON The Reverend Canon Paul Rose Broke the fair music that all creatures made Canon Emeritus, Peterborough Cathedral To their great Lord, whose love their motion swayed In perfect diapason, whilst they stood PRAYERS In first obedience, and their state of good. O may we soon again renew that song, HYMN No words, O Lord, can tell the wonder of your love And keep in tune with heaven, till God ere long To his celestial consort us unite, FRESHFORD John Barnard (b1948) To live with him, and sing in endless morn of light. BLESSING JOHN MILTON (160 8–1674) VOLUNTARY Chorale Fantasia on ‘O God our help’ Sir C Hubert H Parry (184 8–1918)

Man’s music is seen as a means of restoring the soul, as well as confused and discordant bodily afflictions, to the harmonic proportions that it shares with the world, soul of the cosmos.

PLATO (42 9– 34 7BC ) Timaeus

The prime objective of all Initiatory music in the Temples of Antiquity was to bring about physical purification and renewal, mental stimulation and alertness, spiritual exhilaration and Illumination.

SAINT AMBROSE (33 7–397) who brought the diatonic scale of Pythagoras to the Church

If I were not a physicist, I would probably be a musician. I often think in music. I live my daydreams in music. I see my life in terms of music.

ALBERT EINSTEIN (187 9–1955)

34 35 texts and translations for FRIDAY 28 AUGUST AUGUSTINE OF HIPPO FRIDAY 28 AUGUST Sacred song

Solemn Requiem Music before the service 7.30pm Nave INTROIT Requiem aeternam dona eis, Domine, Grant them eternal rest, Lord, & KYRIE et lux perpetua luceat eis. and let perpetual light shine upon them. PLAYED BY Simon Bell Director of Choral Music & Organist at Dean Close School, Lôbo Te decet hymnus, Deus, in Sion, A hymn becometh thee, O God, in Zion, et tibi reddetur votum in Jerusalem. and a vow shall be paid to thee in Jerusalem. Cheltenham, and Director of Tewkesbury Abbey Schola Cantorum Exaudi orationem meam, Hear my prayer: ad te omnis caro veniet. to thee all flesh shall come. Sinfonia Johann Sebastian Bach (1685–1750), arranged Marcel Dupré (188 6–1971) Kyrie eleison. Christe eleison. Lord, have mercy. Christ, have mercy. Movement 1 of WIR DANKEN DIR, GOTT, WIR DANKEN DIR, BWV29

GRADUAL Requiem aeternam dona eis Domine: Give them eternal rest, Lord, Canzona in G major BuxWV170 Dietrich Buxtehude (163 7–1707) plainsong et lux perpetua luceat eis. and let perpetual light shine on them. Sicilienne Charles-Marie Widor (184 4–1937) In memoria aeterna erit iustus: The righteous man will be remembered for ever; Movement 5 of BACH’S MEMENTO ab auditione mala non timebit. he will not fear ill repute. Sonata in D minor Op 65 No 6 Felix Mendelssohn (180 9–1847) OFFERTORY Versa est in luctum cithara mea, My harp is turned to grieving, Lobo et organum meum in vocem flentium. and my music to the voice of those who weep. Parce mihi, Domine, nihil enim sunt dies mei. Spare me, Lord, for my days are worth nothing. 8.00pm Nave JOB 30: 31; 7: 16; OFFICE OF THE DEAD Solemn Requiem

SANCTUS Sanctus, sanctus, sanctus Holy, holy, holy INTROIT & KYRIE Missa pro defunctis Duarte Lôbo (c156 5–1646) Lôbo Dominus Deus Sabaoth. Lord God of hosts! Pleni sunt caeli et terra gloria tua. Heaven and earth are full of your glory. READING Isaiah 25: 6–9 Hosanna in excelsis. Hosanna in the highest. GRADUAL Requiem aeternam plainsong Benedictus qui venit in nomine Domini. Blessed is he who comes in the name of the Lord. Hosanna in excelsis. Hosanna in the highest. GOSPEL John 20: 1 –9

AGNUS DEI Agnus Dei, qui tollis peccata mundi: Lamb of God, you take away the sins of the world, OFFERTORY Versa est in luctum (155 5–1617) Lôbo dona eis requiem. Give them rest. Agnus Dei, qui tollis peccata mundi: Lamb of God, you take away the sins of the world, SANCTUS Missa pro defunctis Duarte Lôbo (c156 5–1646) dona eis requiem sempiternam. Give them eternal rest. AGNUS DEI Missa pro defunctis Duarte Lôbo (c156 5–1646) COMMUNION Lux aeterna luceat eis, Domine, May everlasting light shine upon them, O Lord, plainsong cum sanctis tuis in aeternum, quia pius es. with your saints for ever, for you are merciful. COMMUNION Lux aeterna plainsong COMMUNION Libera me, Domine, de morte aeterna, Deliver me, O Lord, from eternal death Gowers in die illa tremenda: on that awful day COMMUNION Libera me Patrick Gowers (193 6–2014) quando caeli movendi sunt et terra: when the heavens and the earth shall quake, HYMN Soul of my Saviour (305) ANIMA CHRISTI William Maher (182 3–1877) dum veneris iudicare saeculum per ignem. when thou shalt come to judge the world by fire.

COMMUNIO Lux aeterna luceat eis, Domine, May everlasting light shine upon them, O Lord, BLESSING Lôbo cum sanctis tuis in aeternum, quia pius es. with your saints for ever, for you are merciful. Requiem aeternam dona eis, Domine, Grant them eternal rest, Lord, COMMUNIO Missa pro defunctis Duarte Lôbo (c156 5–1646) et lux perpetua luceat eis: and let perpetual light shine upon them: cum sanctis tuis in aeternum, quia pius es. with your saints for ever, for you are merciful. Compline 9.15pm Nave

Compline PRELUDE Postlude pour l’Office de Complies JA29 Jehan Alain (1911–1940) ANTIPHON Alma redemptoris mater, quae pervia caeli Gracious mother of the redeemer, you who remain the plainsong porta manes et stella maris, succurre cadenti, ever-open gate of heaven, and the star of the sea, succour PSALM 130 plainsong surgere qui curat populo. Tu quae genuisti, your people, who fall but strive to rise again. You who gave ANTIPHON plainsong natura mirante, tuum sanctum genitorem: birth, while nature marvelled, to your holy creator: Alma redemptoris mater Virgo prius ac posterius, a virgin before and after, Gabrielis ab ore sumens illud Ave, who heard that ‘Ave’ from the mouth of Gabriel, peccatorum miserere. have mercy on sinners.

Love and harmony combine, And round our souls entwine While thy branches mix with mine, And our roots together join.

WILLIAM BLAKE (175 7–1827)

36 37 texts and translations for SATURDAY 29 AUGUST THE BEHEADING OF JOHN THE BAPTIST SATURDAY 29 AUGUST Procession

Matins Matins 9.00am Chancel ANTIPHON Loquebantur variis linguis apostoli The apostles spoke in divers tongues plainsong magnalia Dei, alleluia, alleluia, alleluia. of the wonders of God, alleluia, alleluia, alleluia. ANTIPHON Loquebantur variis linguis plainsong HYMN Lux aeterna, lumen potens, Daylight eternal, light powerful, PSALMS 149 & 150 plainsong plainsong Dies indeficiens, day unfailing, Debellator atrae noctis, conqueror of dark night, HYMN Lux aeterna plainsong Reparator luminis, restorer of light, Destructorque tenebrarum, and destroyer of darkness, ANTIPHON Euntes in mundum plainsong Illustrator mentium: illuminator of minds: VOLUNTARY A Fantasy Thomas Tomkins (157 2–1656) Quo nascente suscitamur, by whose being born, we are awakened, Quo vocante surgimus; by whose calling, we rise; Faciente quo beati, by whose doing, we are blessed, Quo liquente miseri; by whose leaving, we are miserable; Quo a morte liberati, by whom from death we are liberated, Quo sumus perlucidi; by whom we are translucent; Mortis quo victores facti, by whom we are made victors of death, Go forth into the world in peace; be of good courage; hold fast that which Noctis atque saeculi; of night and of the world; Ergo nobis, rex aeternae, therefore to us, king eternal, is good; render to no man evil for evil; strengthen the fainthearted; Lucem illam tribue, grant that light support the weak; help the afflicted; honour all men; love and serve the Quae fuscator nulla nocte, which is darkened by no night Solo gaudens lumine. rejoicing in the only light. Lord, rejoicing in the power of the Holy Spirit.

Honor Patri sit ac tibi, May honour be to the Father and to thee, 1 T HESSALONIANS 5: 1 2– 22 Sancto sit Spiritui, and may it be to the Holy Spirit, Deo trino sed et uni, to God triune but also one, Paci, vitae, lumini, who is peace, life, light, The Simple Path Nomini prae cunctis dulci to the name which is above all sweet Silence is Prayer Divinoque numini. Amen. and to the divine godhead. Amen.  Spiritus Sanctus docebit vos, alleluia.  The Holy Spirit will teach you, alleluia. Prayer is Faith  Quaecumque dixero vobis, alleluia.  Everything I have told you, alleluia. Faith is Love ANTIPHON Euntes in mundum, docete omnes gentes, Going therefore, teach ye all nations; Love is Service plainsong baptizantes eos, alleluia, baptizing them, alleluia, in nomine Patris et Filii in the name of the Father, and of the Son, The Fruit of Service is Peace et Spiritus Sancti, alleluia. and of the Holy Ghost, alleluia. BLESSED TERESA OF CALCUTTA (191 0–1997)

Instead of being just a church that welcomes and receives by keeping the doors open, let us try also to be a church that finds new roads, that is able to step outside itself and go to those who do not attend Mass, to those who have quit or are indifferent.

POPE FRANCIS (b1936)

38 39 texts and translations for SATURDAY 29 AUGUST THE BEHEADING OF JOHN THE BAPTIST SATURDAY 29 AUGUST Procession

Solemn Eucharist Solemn Eucharist 11.30am Nave ALLELUIA Alleluia. Alleluia. plainsong Confitemini Domino, et invocate nomen eius: Give thanks to the Lord, tell his name, PRELUDE Allein Gott in der Höh sei Ehr BWV663 annuntiate inter gentes opera eius. make known his deeds among the peoples. Johann Sebastian Bach (168 5–1750) OFFERTORY Ye choirs of new Jerusalem Stanford Your sweetest notes employ, INTROIT HYMN O Jesus, I have promised (420) WOLVERCOTE The Paschal victory to hymn William H Ferguson (187 4–1950) In strains of holy joy. For Judah’s Lion burst his chains GLORIA Mass in G Francis Poulenc (189 9–1963) Crushing the serpent’s head; And cries aloud through death’s domains READING 2 Corinthians 4: 1–10 To wake the imprisoned dead. ALLELUIA Confitemini Domino plainsong Devouring depths of hell their prey At his command restore; GOSPEL John 13: 31 –35 His ransomed hosts pursue their way Where Jesus goes before. SERMON The Reverend Mark Jones Triumphant in his glory now Vicar of Bratton, Edington and Imber, Erlestoke, and Coulston To him all power is given; OFFERTORY Ye choirs of new Jerusalem Op 123 To him in one communion bow All saints in earth and heaven. Sir Charles Villiers Stanford (185 2–1924)

While we his soldiers praise our King, SANCTUS Mass in G Francis Poulenc (189 9–1963) His mercy we implore, Within his palace bright to bring AGNUS DEI Mass in G Francis Poulenc (189 9–1963) And keep us evermore. COMMUNION O salutaris hostia Thomas Tallis (c150 5–1585) All glory to the Father be, All glory to the Son, COMMUNION Data est mihi plainsong All glory, Holy Ghost, to thee, While endless ages run. Alleluia! Amen. HYMN Forth in thy name (235) SONG 34 (ANGEL’S SONG) BISHOP FULBERT OF CHARTRES ( c96 0–1028) Orlando Gibbons (158 3–1625) translated by ROBERT CAMPBELL (181 4–1868)

COMMUNION O salutaris hostia O sacrifice that brings salvation, BLESSING Tallis Quae caeli pandis ostium, you who open wide the gate of heaven, Bella premunt hostilia: we are hard pressed by hostile war: VOLUNTARY Finale Charles-Marie Widor (184 4–1937) Da robur, fer auxilium. give strength, bring help. SYMPHONIE POUR ORGUE NO 8, Op 42 No 4 ANTIPHON FOR THE FEAST OF CORPUS CHRISTI

COMMUNION Data est mihi omnis potestas All power has been given to me plainsong in caelo et in terra, alleluia: in heaven and on earth, alleluia; euntes, docete omnes gentes, baptizantes eos go therefore and teach all the nations, baptizing them in nomine Patris et Filii in the name of the Father, and of the Son, et Spiritus Sancti, alleluia, alleluia. and of the Holy Spirit, alleluia, alleluia. We are all God’s children so it is important to share His gifts. Do not worry about why problems exist in the worl d— just respond to people’s needs.

BLESSED TERESA OF CALCUTTA (191 0–1997) Meditations from A Simple Path

Let me thus praise Thee in the way Thou dost love best, by shining on those around me. Let me preach Thee without preaching, not by words but by my example, by the catching force, the sympathetic influence of what I do, the evident fullness of the love my heart bears to Thee.

JOHN HENRY NEWMAN (1801–1890)

40 41 texts and translations for SATURDAY 29 AUGUST THE BEHEADING OF JOHN THE BAPTIST SATURDAY 29 AUGUST Procession

Solemn Evensong Music before the service 7.30pm Nave INTROIT Svyatyi Bozhe, Svyatyi Krepkyi, O Holy God, Holy Mighty, Kedrov Svyatyi Bezsmertnyi, pomiluy nas. Holy Immortal, have mercy on us. PLAYED BY Matthew Martin Director of Music, Keble College, Oxford Slava Otsu, i Synu, i Svyatomu Dukhu, Glory to the Father and the Son and the Holy Spirit, i nyne i prisno, i vo veki vekov. Amin. now and ever, and unto ages of ages. Amen. An Occasional Trumpet Voluntary Patrick Gowers (193 6–2014) OFFICE HYMN Deus creator omnium Creator of the earth and sky, Einige canonische Veränderungen über das Weynacht Lied Vom Himmel hoch, da plainsong Polique rector, vestiens Ruling the firmament on high, Diem decoro lumine, Clothing the day with robes of light, komm ich her BWV769 Johann Sebastian Bach (168 5–1750) Noctem soporis gratia. Blessing with gracious sleep the night. Toccata Patrick Gowers (193 6–2014) Artus solutos ut quies That rest may comfort weary men, Reddat laboris usui And brace to useful toil again, Mentesque fessas allevet And soothe awhile the harassed mind, Solemn Evensong 8.00pm Nave Luctusque solvat anxios. And sorrow’s heavy load unbind. INTROIT Svyatiy Bozhe Nicolai Kedrov Sr (1871–1940) Grates peracto iam die Day sinks; we thank thee for thy gift; Et noctis exortu preces, Night comes; and once again we lift RESPONSES Bernard Rose (191 6–1996) Voti reos ut adiuves, Our prayer and vows and hymns that we Hymnum canentes solvimus. Against all ills may shielded be. OFFICE HYMN Deus creator omnium plainsong

Te cordis ima concinant, Thee let the secret heart acclaim, PSALMS 121 & 122 Sir Henry Walford Davies (186 9–1941) Te vox canora concrepet, Thee let our tuneful voices name, Te diligat castus amor, Round thee our chaste affections cling, & Sir Walter Parratt (1841–1924) Te mens adoret sobria. Thee sober reason own as King. READING Micah 4: 1 –5 Ut cum profunda clauserit That when black darkness closes day, Diem caligo noctium, And shadows thicken round our way, ANTIPHON Beata es, Maria plainsong Fides tenebras nesciat Faith may no darkness know, and night Et nox fide reluceat. From faith’s clear beam may borrow light. CANTICLE Festival Magnificat David Briggs (b1962) FESTIVAL COMMISSION

Christum rogamus et Patrem, Pray we the Father and the Son, READING Matthew 20: 1–16 Christi Patrisque Spiritum; And Holy Ghost: O Three in One, Unum potens per omnia, Blest Trinity, whom all obey, CANTICLE Nunc dimittis in B flat Charles Wood (186 6–1926) Fove precantes, Trinitas. Amen. Guard thou thy sheep by night and day. Amen. RESPONSES Bernard Rose (191 6–1996) ANTIPHON Beata es, Maria, quae credidisti: perficientur Blessed art thou, Mary, that hast believed: in you shall be plainsong in te quae dicta sunt tibi a Domino, alleluia. accomplished the things that the Lord told to thee, alleluia. ANTHEM Coronation Te Deum Sir William Walton (190 2–1983) ANTHEM We praise thee, O God: we acknowledge thee to be the Lord. PRAYERS Walton All the earth doth worship thee: the Father everlasting. To thee all Angels cry aloud: the heavens and all the powers therein. HYMN How shall I sing that majesty (373) COE FEN Ken Naylor (1931–1991) To thee Cherubin and Seraphin: continually do cry, Holy, Holy, Holy: Lord God of Sabaoth; Heaven and earth are full of the Majesty: of thy glory. The glorious company of the Apostles: praise thee. BLESSING The goodly fellowship of the Prophets: praise thee. The noble army of Martyrs: praise thee. The holy Church throughout all the world: doth acknowledge thee; VOLUNTARY Carillon de Westminster Louis Vierne (187 0–1937) The Father: of an infinite Majesty; Thine honourable, true: and only Son; No 6 of SUITE 3, VINGT-QUATRE PIÈCES DE FANTAISIE POUR ORGUE, Op 54 Also the Holy Ghost: the Comforter. Thou art the King of glory: O Christ. Thou art the everlasting Son: of the Father. When thou tookest upon thee to deliver man: thou didst not abhor the Virgin’s womb. Compline 9.15pm Nave When thou hadst overcome the sharpness of death: thou didst open the kingdom of heaven to all believers. PRELUDE Cantabile Louis Vierne (187 0–1937) Thou sittest at the right hand of God: in the glory of the Father. SYMPHONIE NO 2 IN E MINOR, Op 20 We believe that thou shalt come: to be our Judge. We therefore pray thee, help thy servants: whom thou hast redeemed with thy precious blood. PSALM 4 plainsong Make them to be numbered with thy Saints: in glory everlasting. O Lord, save thy people: and bless thine heritage. Govern them: and lift them up for ever. MOTET Ave Maria Giovanni Pierluigi da Palestrina (152 5–1594) Day by day: we magnify thee; and we worship thy Name: ever world without end. Vouchsafe, O Lord: to keep us this day without sin. O Lord, have mercy upon us: have mercy upon us. O Lord, let thy mercy lighten upon us: as our trust is in thee. O Lord, in thee have I trusted: let me never be confounded. BOOK OF COMMON PRAYER Compline MOTET Ave Maria, gratia plena, Dominus tecum, Hail Mary, full of grace, the Lord is with you; Palestrina benedicta tu in mulieribus, blessed are you among women et benedictus fructus ventris tui, Jesus. and blessed is the fruit of your womb, Jesus. Sancta Maria, regina caeli, dulcis et pia, Holy Mary, queen of heaven, sweet and holy, O Mother of God, pray for us sinners, 42 o Mater Dei, ora pro nobis peccatoribus, 43 ut cum electis te videamus. that with the chosen we might see you. texts and translations for SUNDAY 30 AUGUST SUNDAY 30 AUGUST Hymn

Matins Matins 9.00am Chancel ANTIPHON Laudate Deum, caeli caelorum, Praise the Lord, ye heavens of heavens: plainsong et aquae omnes. and all the waters. ANTIPHON Laudate Deum plainsong HYMN Aeterne rerum conditor, Maker of all, eternal King, PSALM 116 plainsong plainsong Noctem diemque qui regis, who day and night about dost bring: Et temporum das tempora, who, weary mortals to relieve, HYMN Aeterne rerum conditor plainsong Ut alleves fastidium; dost in their times the seasons give: Praeco diei iam sonat, Now the shrill cock proclaims the day, ANTIPHON Gratias tibi, Deus plainsong Noctis profundae pervigil, and calls the sun’s awakening ray, VOLUNTARY Fantasia in D minor William Byrd (1539/4 0–1623) Nocturna lux viantibus the wandering pilgrim’ guiding light, A nocte noctem segregans. that marks the watches night by night. Hoc excitatus Lucifer Roused at the note, the morning star Solvit polum caligine, heaven’s dusky veil uplifts afar: Hoc omnis erronum chorus night’s vagrant bands no longer roam, Vias nocendi deserit. but from their dark ways hie them home. Hoc nauta vires colligit The encouraged sailor’s fears are o’er, Pontique mitescunt freta, the foaming billows rage no more: Praise ye the Lord, immortal choir, Hoc ipsa petra ecclesiae Lo! e’en the very Church’s Rock Canente culpam diluit. melts at the crowing of the cock. That fill the realms above; Jesu, labantes respice, Look in us, Jesu, when we fall, Praise him who form’d you of his fire Et nos videndo corrige, and with thy look our souls recall: Si respicis, lapsus cadunt, if thou but look, our sins are gone, And feeds you with his love. Fletuque culpa solvitur. and with due tears our pardon won. ISAAC WATTS (167 4–1748) Tu lux refulge sensibus, Shed through our hearts thy piercing ray, Mentisque somnum discute, our soul’s dull slumber drive away: Te nostra vox primum sonet thy Name be first on every tongue, In every thing give thanks: for this is the will of God in Christ Jesus Et vota solvamus tibi. to thee our earliest praises sung. concerning you.

Sit, Christe, Rex piissime, All laud to God the Father be; 1 T HESSALONIANS 5: 18 Tibi Patrique gloria all praise, Eternal Son, to thee; Cum Spiritu Paraclito, all glory, as is ever meet, In sempiterna saecula. Amen. to God the Holy Paraclete. Amen. We, the heirs of grace and glory,  Benedictus es, Domine, in firmamento caeli.  Blessed are you, Lord, in the firmament of heaven. Standing in the ancient ways,  Et laudabilis et gloriosus in saecula.  To be praised and glorified for ever. We would keep undimmed her brightness ANTIPHON Gratias tibi, Deus; Thanks be to thee, O God; plainsong gratias tibi, vera una Trinitas, thanks to thee, true and only Trinity, Through the onward march of days; una et trina Veritas, trina et vera Unitas. one and threefold Truth, threefold and true Unity. Give us worthy hearts to offer Purest prayer and sweetest praise.

ARTHUR CHRISTOPHER BENSON (186 2–1925)

44 45 texts and translations for SUNDAY 30 AUGUST SUNDAY 30 AUGUST Hymn

Solemn Eucharist Solemn Eucharist 11.30am Nave ALLELUIA Alleluia. Te decet hymnus, Deus, in Sion: Alleluia. A hymn, O God, becometh thee in Sion: plainsong et tibi reddetur votum in Jerusalem. and a vow shall be paid to thee in Jerusalem. PRELUDE Sonata in C minor Op 65 No 2 Felix Mendelssohn (180 9–1847) OFFERTORY In exitu Israel de Aegypto When Israel came out of Egypt, INTROIT HYMN Now thank we all our God (413) NUN DANKET Wesley domus Jacob de populo barbaro, and the house of Jacob from among the strange people, Judaea santificatio eius, Judah was his sanctuary, Felix Mendelssohn (180 9–1847) Israel potestas eius. and Israel his dominion. Mare vidit, et fugit; Jordanis The sea saw that and fled; Jordan KYRIE Mass XI ‘Orbis factor’ plainsong conversus est retrorsum. was driven back. GLORIA Missa Sancti Nicolai Joseph Haydn (173 2–1809) PSALM 114: 1 –3 READING COMMUNION Narrabo omnia mirabilia tua: I will recount all your wonders. James 1: 1 7– 27 plainsong laetabor, et exsultabo in te: I will rejoice and exult in you. psallam nomini tuo, Altissime. I will sing a psalm to your name, O Most High. ALLELUIA Te decet hymnus plainsong

COMMUNION Laudate Dominum omnes gentes: Praise the Lord, all nations: GOSPEL Mark 7: 1 –8, 14, 15, 21–23 Mozart laudate eum omnes populi. praise him, all peoples. Quoniam confirmata est Because his mercy upon us SERMON The Right Reverend Humphrey Southern super nos misericordia eius: is confirmed: Principal, Ripon College Cuddesdon et veritas Domini manet in aeternum. and the trustworthiness of the Lord will endure for ever. Gloria Patri et Filio, Glory be to the Father, and to the Son, CREED et Spiritui Sancto. and to the Holy Spirit. OFFERTORY In exitu Israel Samuel Wesley (176 6–1837) Sicut erat in principio, et nunc, et semper: As it was in the beginning, is now, and ever shall be, et in saecula saeculorum. Amen. world without end. Amen. SANCTUS Missa Sancti Nicolai Joseph Haydn (173 2–1809) MOTET Ave Maria, gratia plena, Hail Mary, full of grace, Parsons Dominus tecum, the Lord is with thee, AGNUS DEI Missa Sancti Nicolai Joseph Haydn (173 2–1809) benedicta tu in mulieribus, blessed art thou among women, COMMUNION Narrabo omnia mirabilia plainsong et benedictus fructus ventris tui. Amen. and blessed is the fruit of thy womb. Amen. COMMUNION Laudate Dominum Wolfgang Amadeus Mozart (175 6–1791) VESPERAE SOLENNES DE CONFESSORE, K339

HYMN Praise to the Lord, the Almighty, the King of creation (440) LOBE DEN HERREN Anonymous 17th-century German

MOTET Ave Maria Robert Parsons (c153 5–1572)

BLESSING

VOLUNTARY Toccata in D major Marcel Lanquetuit (189 4–1985)

Be anxious for nothing, but in everything by prayer and supplication, with thanksgiving, let your requests be made known to God.

PHILIPPIANS 4: 6

O may we soon again renew that Song, And keep in tune with Heav’n, till God ere long To his celestial consort us unite, To live with him, and sing in endles morn of light.

JOHN MILTON (160 8–1674) At a Solemn Musick

46 47 David Robin Charles Trendell 17 August 1964 – 28 October 2014

All that knew him were shocked to learn last autumn that David Trendell an enviable reputation as an exacting and expressive choir director, fine had died of a brain haemorrhage at the age of just 50. He leaves behind scholar, and as a loyal and engaging colleague. His research was married to countless friends and a legacy that encompasses not just a large body of his choir’s performances in an expression of intellectual and musical integrity scholarly and practical research into the music of the renaissance, but also an which would allow him to mould one of the finest mixed-voice choirs in the inheritance in the form of the musicians whom he trained and with whom he country and make recordings of the highest quality. Whilst himself self- worked, many of them here at the Edington Festival. In this anniversary year, effacing, his scholarly editions were the catalyst for beautifully-crafted it is particularly painful that we cannot celebrate his and the festival’s performances and recordings of well-rounded singing from his young successes with him. charges: the BBC Music Magazine observed that they sang with a ‘sustained David was born in Tavistock, Devon, on August 17th 1964 to Michael intensity of expression’, and ‘youthful timbre [that] imparts a freshness to the and Betty. It was perhaps inevitable that he would become a musician of such interpretation’. It would be impossible to find a singer who passed through great quality. When David was 7 or 8 years old and soon after the family David’s choir who could not attest to his ability to get more out of them than relocated to Norfolk, Michael recalls taking him to Norwich Cathedral only they themselves thought possible. In this he was a natural teacher: often he to lose him. After a little searching, he was to be found standing at the end spied in others strengths they did not know or believe they had. of the choir stalls listening to the choir rehearse: thereafter he would talk of Were his University duties not enough, David was a central force in the nothing else but wanting to be a chorister. This he duly became, singing musical life of London’s churches, in 1996 becoming Director of Music at under the current director of the festival’s father, Michael Nicholas, and in St Bartholomew the Great, Smithfield, before moving to St Mary’s, Bourne time showing his fine voice to great acclaim in a recording of Mendelssohn’s Street, in 2009. Throughout, his meticulous planning gave rise to services O For the Wings of a Dove . A Gramophone reviewer observed: ‘One must salute that were a model of musical and religious coherence. After his years with the admirable freshness of young David Trendell.’ He returned to the choir as the Edington Festival, David’s summers were spent in the United States, a choral scholar and developed a very fine countertenor voice. lecturing at the International William Byrd Festival in Portland, Oregon, and Faced with the choice between a choral scholarship at King’s College, leading choral workshops with Chorus Angelorum in Houston. Throughout Cambridge, and an Organ Scholarship at Exeter College, Oxford, David his career, David brought his experience and extremely fine ear to bear on the plumped for the option that would best allow him to hone the directorial performances of fellow musicians as a hugely respected and effective record skills from which so many were to benefit over the coming three decades. producer working with such choirs as Westminster Abbey; The Clerks’ Following this first stint at Oxford, David became Assistant Organist at Group; Oxford Camerata; Schola Cantorum of Oxford; New College, Winchester College. He was to return to pursue his researches into the Oxford; Winchester College and the Maîtrise de Caen. music of Alexander Zemlinsky and take up the position of Organist of the David was quietly but consistently committed to his religion and he was University Church of St Mary the Virgin between 1989 and 1992. This he a great believer in the imperfectability of man. Perhaps born in the wrong combined with periods as Tutor at St Hugh’s, St Hilda’s and Oriel. century, he was high Tory and high, dry, Anglican who revelled in the He attended the Edington Festival first as a singer, serving for three eccentricities of his fellow man, enjoying but never judging them. He was summers in the Nave Choir, then becoming the festival’s Director from 1987 an immensely generous teacher, exuberant raconteur and bon vivant, and a to 1991 and latterly the Director of the Nave Choir from 1992 to 2000. selfless companion and colleague. David, or Trixie as he was known to his His organizational skills, when needed, and passion for the music of the many friends, was possessed of a sparkling wit which was often to be found Renaissance were evident throughout, but it was his unswerving commitment at its best after concerts and services or when entertaining friends at the to excellence in all things that ensured the renaissance of the festival itself. Athenaeum. There are so many fine and moving memories that those who Under his careful guidance, it evolved into an important proving ground knew David possess that it would be impossible to do them or him justice in for many of the most talented of today’s younger generation of church these pages. What is certain is that hundreds of choral scholars, thousands of musicians; his legacy here was a festival that had earned and consolidated its students and countless singers and lovers of choral music will be immensely international renown as an example of how music and liturgy ought properly the sadder at having lost so bright and engaging a musician and friend so to be married in the service of God. soon. In 1992, David was appointed Lecturer, later Senior Lecturer, in Music at He is survived by his parents and sister, Charlotte, and brother, Jonathan. King’s College London, a role he fulfilled simultaneously with his duties as He was unmarried. College Organist and Director of Chapel Music. At King’s he was to establish 48 49 Sir David & Lady Barbara Calcutt Peter Roberts

Only days before the 49th festival we learned with great sadness of the death he accepted the role of Assistant Choirmaster in Ralph’s then parish of West of one of its founders, Sir David Calcutt. In the days that followed, his Wratting, close to Cambridge. The friendship forged between the two men widow, Lady Barbara, was to take some comfort from attending the festival during the smoke-filled evening drives back and forth between Cambridge and celebrating David’s life and one of his most lasting achievements at a and West Wratting was the foundation stone upon which the festival was Requiem Mass to Mozart’s setting. In the years that followed, Barbara built. On leaving Cambridge and being called to the Bar in 1955, it was continued the sterling support that David and she gave the festival, and clear to David that his love of music and the church should not be allowed latterly was instrumental in galvanizing the efforts of all who love the festival to recede gently into memories of undergraduate life. Happily, in the summer by acting, along with Simon Preston, as Patron of the Edington Organ of 1955, Warren Green met Ralph Dudley, by now in his second year as Vicar Project. It was a great joy that Barbara was present at the organ’s dedication of Edington, and they encouraged David to try to arrange something here last summer to see the fruits of the efforts of those who shared her and for the following summer. He did, and guided the festival through its first David’s vision of a festival rooted in a desire to encourage young people to tentative years until handing over the directorship of an established festival give freely and of their best, principally through music, in the worship of to Nicholas Hinton, himself a treble at the first festival, in 1965. Just one God. It was especially sad, therefore, to learn in early July of Barbara’s death: example of the affection in which David held Edington was that he should it is fitting that along with all others of our benefactors and friends whom we return to the festival in 1969 for the celebration of his marriage to Barbara. see no more we will be able to give thanks and pray for the soul of Barbara in Perhaps the seeds of the Organ Project were sown then: no fewer than six Lôbo’s setting of the Requiem Mass during this summer’s festival. organists were to play at the service! I first met David and Barbara in Edington in the summer of 1998. Not It was not just in music that David’s love of the church was evident. long afterwards, as the festival’s new administrator, I had the great privilege As his legal practice grew so did the number of appointments; in 1970 he of being called to the Bar by Sir David, then the Master Treasurer of the became Chancellor of the diocese of , in 1971 of Exeter and in 1983 Middle Temple. I asked what, in his view, was the key to the continued of the newly formed diocese of Europe. The records that David success of the festival that he had founded and which I was to spend the next enjoyed pointing out to his friends that, geographically, the Pope was within nigh on twenty years helping to run. He was typically clear and succinct. his jurisdiction as Chancellor! He became Deputy Chairman of the ‘Keep it young, keep it fun, and keep the vision alive.’ The vision? Not for Quarter Sessions in 1970, took Silk in 1972 and that same year became a him the stuffiness of unchanging pomp or ceremony but rather a festival in Recorder for the Crown Court. He was appointed a Judge of the Appeal which youngsters, especially those who by dint of joining a profession would Court of the Channel Islands of 1978. Were he not busy enough, in 1984 otherwise lose touch with their previous singing activities, might be able to to 1985 he was Chairman of the Bar Council, thereafter chairing numerous sing the daily services, and through which ever more people might come to inquiries and committees, perhaps the most famous of them being the understand the value of the choral tradition. Falkland Islands Commission of 1984 and the Committee on Privacy and For those lucky enough to have worked, volunteered, sung or studied Related Matters looking into the habits of the press in 1986. A signal of the alongside David and Barbara, the following can be but a pale attempt at clarity of David’s vision was to be found in so many of his recommendations, capturing their importance generally and to Edington in particular. For those, spurned by a hostile press and strangely timid government, being revisited however, who are new to the festival or who have not visited for longer than and adopted in the recent Levenson enquiry. they would wish and thus have not witnessed the demonstrations of the In 1986 he also became Master of Magdelene College Cambridge where esteem and affection in which David and Barbara are held by those who he and Barbara brought great enthusiasm to all aspects of College life and are continue their work, the following might be instructive. fondly remembered both for the renewed intellectual vigour that was David Calcutt was born on 2 November 1930 in Marlow, encouraged in all and the unstuffy atmosphere that together they promoted. Buckinghamshire, and from there he went to Christ Church, Oxford, as a It was with Barbara’s help that women were admitted to the college, and one chorister. He was educated at Cranleigh, where he was a music scholar, and it gains a glimpse of the sense of fun that they engendered and the esteem in was perhaps at this point that the seeds of the Edington Music Festival were which they were held when one reads of Barbara cutting a dash wearing sown. Under the tutelage of Warren Green he was to win a choral scholarship tights in college colours, purple and indigo, and of the College Boat Club to the King’s College, Cambridge, where he took two degrees simultaneously naming a new racing eight The Mistress of Magdalene after her. David was in music and law. It was during these years that he met Ralph Dudley when knighted in 1991 and became Master Treasurer of Middle Temple in 1998.

50 51 Throughout this time he remained a staunch friend of the festival. Each musical clergy but with organists of liturgical intelligence. Yes, the Edington year, Barbara and he would make the journey to Edington to take part in the Festival is indeed a time when one can do that twenty-minute-long votive worship we carry on, a pilgrimage that Barbara continued with increasing antiphon as the anthem at Evensong and nobody will mind. But the music determination and drive until she was able to see the new Harrison and must be liturgically appropriate to the day or the theme. Harrison organ dedicated last summer. Some might not have known of A typical Festival day begins at 9.00 with the short Office of Matins, sung David’s reputation generally or importance to the festival specifically, but a to plainchant in Latin and English by the Schola Cantorum (twelve men, succession of young directors were enormously grateful to be able to rely on currently under the direction of Peter Stevens). As the office ends, so the his wise counsel. That he did not seek the limelight was what marked David other choirs assemble for rehearsal: the Nave Choir, consisting of boys and out whether in his legal, academic or church life; his care and love for all men from various cathedral and collegiate foundations rehearse in church three and his immense ability were what resulted in the great affection and under Matthew Martin’s direction. Up the hill in the village hall, Jeremy high esteem in which he was held by so many. That Barbara was, as to the Summerly rehearses the Consort, a mixed-voice group of present and former festival, an equally committed servant, friend and benefactor is truly choral scholars. Meanwhile visiting clergy and local young people are put remarkable. We are indeed lucky to enjoy the gift that David created and left through their paces in the sanctuary to ensure that the ceremonial side of to us in this festival and which Barbara did so much recently to strengthen. things goes smoothly. Our most fitting tribute to their memories should be that the beauty of At 11.30 there is a solemn celebration of the Eucharist, and Solemn sound made and heard in the word, sung or spoken, might resound for Evensong at 8.0 0pm. All three choirs participate in these services in their generations to come in this place which they loved. different ways: the Consort specializing in a cappella works, especially from the Renaissance and the twentieth century; the Nave Choir singing a wide range of ‘cathedral’ repertoire; and the Schola adding chants, office hymns Neither shy or retiring Peter McGeary and antiphons (and also a setting of the Ordinary of the Mass). Sixty years of Edington There are slight variations to this pattern: on Wednesdays Evensong is much earlier, in order to be broadcast live on Radio 3. On Fridays the This article was first published in Cathedral Music, the magazine for members of Eucharist is transferred to the evening, and BCP Matins is sung at 11.30, the charity Friends of Cathedral Music (FCM). FCM provides over £150,000 per thus allowing the performance of music that can all too rarely see the light of day. The Friday Eucharist is often a Requiem, further broadening the annum in support of cathedral and collegiate chapel choirs (fcm.org.uk). repertoire performed. On Thursday evenings there is a musical sequence of Ten years ago the Edington Festival of Music within the Liturgy celebrated readings and music that attempts to crystallize the theme of the Festival week. fifty years of its existence, and the then Festival Director Julian Thomas wrote At 9.30 the day ends as it has begun, with plainchant, as the Schola lead a splendid article for this journal to mark the occasion. As one of the the Office of Compline in a dark, candlelit church. In many ways, the chant chaplaincy team at the time I can remember an already busy schedule being is the ‘glue’ which binds the whole day together and gives it shape. It is quite made rather more complicated by the presence of a BBC film crew, making remarkable to see how it affects not just members of the congregations, but a documentary of the Festival as part of series of programmes about the singers also. contemporary . Worries that this might be yet another All of this is made possible by the generosity of so many people: the large chance for the media to poke fun at the Church were quickly set aside; the number of local people who provide hospitality for festival participants is resulting programme caught the flavour of the Festival week very well, I remarkable; the singers themselves, many of whom pursue professional thought. careers, pay to be there; the parish priest and his congregations allow One of those things was the unique chemistry that Edington has between themselves to be invaded by hundreds of strangers. From this have sprung music and worship. For the sake of convenience it is often called the many friendships. ‘Edington Music Festival’, but this is to miss the point of the week: it is a A very important part of the Festival’s work is its legacy, not just in festival of music within the liturgy . This not mere quibbling over semantics: inspiring men and women to sing, but in encouraging new music in the the Festival is not just an excuse to perform all sorts of wonderful pieces of Church. Every year a living composer is commissioned to write a new piece music. The liturgical context is vital. Every year a Festival theme is selected for the Festiva l— a list can be found below. Last year saw the commissioning well in advance, and discussed in great detail (this usually invokes a great deal of two short organ pieces to mark the inauguration of the splendid new of pizza and chianti!). It is very stimulating to work on this, not just with Harrison and Harrison organ at the Priory. 52 53 Ten years ago I described the Edington Festival week to a BBC reporter 1977 John Hardy Four Propers for solo flute as being for me like a rather noisy retrea t— albeit one with very nice noises! John Hardy Four Propers for solo oboe I was not being facetious: as one of the chaplaincy team I am sure that I am John Harper Four variations for solo flute not alone in having had extraordinary conversations with all sorts of peopl e— John Harper Four Requiem Paraphrases for solo oboe visitors, singers, villager s— for whom the Festival has an importance way Grayston Ives Four Propers for solo flute beyond the aesthetically pleasing. Grayston Ives Four Propers for solo oboe Grayston Ives Four Propers for flute and oboe As I said some years ago from the pulpit of Edington Priory: Philip Radcliffe Missa Brevis Edingtoniensis Maybe for some of us this festival of music within the liturgy is a shot in the arm 1978 John Hardy Hail Mary ich am sory, Whenne ich see on on roode to keep us going, on an otherwise rather arid spiritual journey. Maybe the music John Harper Ecumenical Eucharist Anglican form helps, or the building, or even the preaching … We live in a world, and (God John Harper Edington Responses Series Three help us) a church, where the banal and the plain stupid are given far too much 1979 John Hardy Four Canticles air time, where philistinism is exalted as a virtue in the name of inclusiveness or John Harper Missa Brevis super Cunctipotens Genitor Deus comprehensibility, and where any challenge to this state of affairs is seen as with parts used for Litany of the Saints elitist. I reject this dangerous nonsense, I always will, and I hope you do too. 1980 Duncan Fraser Sanctus Patric Standford Sequence As the Edington Festival of Music within the Liturgy reaches her pensionable 1981 John Hardy Nunc dimittis age, let no one imagine that she is shy, or retiring. David Harvey Four Lyrics 1982 James Simpson Cibavit eos 1983 James Simpson New heaven and new earth The Edington Music Festiva l— commissioned works 1985 Helen Roe Five Edington Monodies 1986 Francis Pott O merciful Saviour 1958 Philip Radcliffe O bone Jesu 1987 Francis Grier Dilectus meus mihi 1959 Sydney Watson O most merciful 1988 Andrew Gant Blessed are the pure in heart 1960 Philip Radcliffe God be in my head 1990 Andrew Gant I sat down under his shadow 1965 Simon Preston Psalm 119: 7 3–104 1993 Andrew Gant The Mercy of God 1966 Simon Preston Five sets of Proper Anthems 1996 Ruth Byrchmore In manus tuas 1967 Simon Preston Missa Brevis Ruth Byrchmore Manus tuam fecerunt me 1968 Simon Preston Magnificat and Nunc dimittis 1997 John Streeting Nunc dimittis 1969 Patrick Gowers Paean 1998 John Streeting Magnificat 1970 Christopher Brown Proper Anthems 1999 John Streeting The Name Patric Standford Liturgy 2000 Andrew Johnstone Scandenti supra sidera 1971 Grayston Ives Missa Brevis Andrew Johnstone En Christi fit memoria John Rutter Communion Service Series Three 2001 John Barnard Blessed are the merciful 1972 John Harper Nunc dimittis Matthew Martin Domine Jesu Christe Grayston Ives And behold, a white horse 2002 Simon Whalley Petrus Grayston Ives Proper Anthems Philip Radcliffe Responses 2004 Elena Vorotko Sancte Pater Benedicte John Streeting Salvator mundi 1973 John Harper Mass of Textures Series Three Grayston Ives Two Anthems for boys’ voices 2005 Judith Bingham Magnificat and Nunc dimittis 2006 Before Abraham was, I AM 1975 Grayston Ives Magnificat and Nunc dimittis Antony Pitts 2007 Come, Holy Ghost, our hearts inspire 1976 John Hardy Tenebrae seven pieces for solo flute Grayston Ives John Joubert Proper Anthems for the feast of Saint Augustine 2008 Nico Muhly Pater noster

54 2009 Francis Jackson Most glorious Lord of Lyfe! 55 2010 Graham Ross Ut tecum lugeam Jeremy Summerly is a conductor, musicologist, and broadcaster. He studied 2011 John Harper Preces & Responses music as an undergraduate at Oxford University and as a 2012 Ed Rex Beneath the Cross postgraduate at King’s College, London. He is founder-director of Oxford Camerata and the Royal Academy Consort, co-artistic director of Oxford 2013 Neil Cox The fruit of silence is prayer Baroque, and Director of Music at St Luke’s, Chelsea. He has conducted fifty 2014 Alec Roth Et organo original commercial recordings of music spanning nine centuries, and has 2014 also saw the inauguration of the new Harrison and Harrison organ at Edington Priory. Before Evensong each day there was a short organ recital to demonstrate the instrument, and the following conducted resident choirs and orchestras in locations as far afield as San commissions were among the pieces performed. They are intended to be part of the ‘Orgelbüchlein Project’, Francisco, Melbourne, Helsinki, Tokyo, and . He has edited four which aims to complete the work left unfinished by Bach: volumes of medieval and Renaissance music for Faber Music, has contributed Joseph Phibbs Nun freut euch to the new Cambridge History of Musical Performance , is a reviewer for BBC Guy Bovet Der Herr ist mein getreuer Hirt (sponsored by Harrison & Harrison) Radio 4’s Front Row and Radio 3’s CD Review , and is Choral Music Editor 2015 David Briggs Festival Magnificat for Rhinegold Publishing’s Choir & Organ magazine. He has lectured at the Marco Galvani Tantum ergo Royal Academy of Music since 1989, where he has variously held the posts of Head of Academic Studies, Head of Undergraduate Programmes, and Sterndale Bennett Lecturer in Music. He is Artistic Director of Mayfield Biographies Festival of Music and the Arts, and next week he takes up the newly created post of Director of Music at St Peter’s College, Oxford.

Benjamin Nicholas has been Festival Director since 2013, having succeeded Matthew Martin is Director of Music and a college lecturer at Keble Andrew Carwood as conductor of the Schola in 2011. Benjamin is currently College, Oxford. He followed an organ scholarship at Magdalen College, Organist and Director of Music, and Lecturer in Music at Merton College, Oxford with postgraduate study at the Royal Academy of Music, London Oxford having spent twelve years at Tewkesbury Abbey where he directed where he won all the major performance prizes. the Schola Cantorum. He is a former pupil of David Sanger for organ and From 2001 to 2004 he continued his studies with the late Marie-Claire Denise Ham for conducting and has held the organ scholarships at Alain in Paris and in 2005 was elected an Associate of the Royal Academy Cathedral, Lincoln College, Oxford and St Paul’s Cathedral. of Music. Matthew has held positions at New College, Oxford, Canterbury During Benjamin’s time at Merton, the College has established the annual Cathedral and Westminster Cathedral where he was Assistant Master of Music Passiontide at Merton festival, and in 2013 the new Dobson Organ was from 2004 to 2010. More recently, he has held the position of Organist at the installed, a project with which he was closely involved. With Merton College London Oratory and a tutor in Techniques of Composition at Magdalen Choir, Benjamin has toured in France, Sweden and the USA, given concerts College, Oxford. in the Cadogan Hall, The Temple Church and Gloucester Cathedral (as part Matthew’s career as a composer is rapidly gaining him an international of the Cheltenham Music Festival), and broadcast on BBC Radio 3 and BBC reputation. His ‘spikily dynamic style of composition’ ( BBC Music Magazine ) Television. has led him to be commissioned to write for many prominent ensembles. He As a conductor, recent performances have included Holst’s Savitri in the won the Liturgical category in the 2013 British Composer Awards and earlier Cheltenham Music Festival, Mozart’s Requiem in St Germain, Paris and this year a disc of his choral music was released by the choir of Magdalen Elgar’s The Dream of Gerontius with the Oxford Philomusica. Benjamin’s College, Oxford to critical acclaim. Forthcoming writing engagements for recordings are mainly on the Delphian label, and include discs of Weelkes, this year and next include a Trumpet Sonata for the 2015 Cheltenham Music Mozart ( Coronation Mass and Solemn Vespers ), Stainer, Stanford, and Rutter. Festival and a set of Lamentations for The Tallis Scholars. He is currently Benjamin has collaborated with numerous , and is largely working on a new work for Help Musicians UK for the 2015 St Cecilia responsible for the Merton Choirbook , commissioned to celebrate the 750th Service in St Paul’s Cathedral. His work is published by Faber Music. anniversary of the College. In April 2014 he conducted the first performances As a recitalist, he has given concerts both in the UK and as far afield as of Gabriel Jackson’s Passion in Oxford and New York, and on St Cecilia’s Day Japan and Australia. In 2010, he was invited to play the recital at the annual 2014 conducted the premiere of Harrison Birtwistle’s most recent work, presentation of diplomas for the Royal College of Organists in Southwark Chorale-Prelude . Cathedral and has acted as an adviser for their new examination syllabus.

56 57 Peter Stevens was born in Bury, Lancashire, in 1987. He spent his sixth Names of participants from 1956 form years at Chetham’s School of Music in Manchester, where in his final year he also held the Junior Organ Scholarship at Manchester Cathedral. Listed below are the names of the participants in the festival over the past 59 festivals. Although we have strived to make it accurate, it is inevitable that there will be some errors On leaving school, he spent a year as Organ Scholar at St George’s Chapel, and omissions: for this we apologize. We would be grateful if you could alert us to these at Windsor Castle, where he played for services at which members of the Royal [email protected] so that the lists can be amended and more accurate editions published Family were present, including the service to mark HM The Queen’s 80th on the website. birthday. Vicars Robert Quinney 2001 –2003 Lindsay Aston 1972 Paul Brough 2004 Elizabeth Atherton 1998 Peter spent four years as Organ Scholar at King’s College, Cambridge, Ralph Dudley 195 6–1982 Robert Quinney 200 5–2006 James Atherton 200 0–2005 Maurice 198 2–1987 accompanying the famous Chapel Choir in their daily services, broadcasts and Bird Matthew Martin 200 7– Susan Atherton 2000 Neil Heavisides 198 7–1993 Edmund Atkinson 1972 recordings, as well as studying for BA and MusB degrees. He played three David Belcher 199 5–2003 Euan Au 2005 Graham Southgate 200 3–2011 Consort Directors David Austin 1976 times for the Festival of , broadcast live on Mark Jones 201 2– Godfrey Salmon 196 6–1970 Edward Austin 1994 John Barnard 1971–1972 Matthew Austin 199 8–1999 Christmas Eve to a worldwide audience of millions. John Harper 197 5–1976 Anthony Ayers 1971–1985 Clergy John Hardy 197 7–1978 After graduating, Peter moved to Westminster Cathedral as Organ Geoffrey Beaumont 1967 Geoffrey Webber 197 9–1980 Cath Backhouse 2008 Scholar, before being appointed Assistant Master of Music in January 2011. Maurice Bird 1995 Jeremy Summerly 1981 –2001 Richard Bacon 1974 David Belcher 2005 Paul Brough 2002, 2013 Susie Bagnall 2012 1958 Hugh Broad 198 0–1981 Jeremy Summerly 200 3– Alan Baird In addition to working with the Cathedral Choir, he organizes and gives Adam Baker 200 5–2010 George Bush 199 2– 2000 David Baker 1969 many of the Cathedral’s organ recitals. Peter Cameron 196 2–1963 Schola Directors Edward Baker 1999 Christopher Chivers 2011– Warren Green 1961–1963 Leslie Baker 1964 Peter spent three years as Organist of the Edington Festival of Music Jeremy Davies 199 0–1991, 199 8– Peter McCrystal 197 4–1997 Richard Baker 195 8–1960, 196 2–1964, within the Liturgy, then in 2013 became the Director of the festival’s Schola Richard Dommett 1987 Andrew Carwood 199 8–2010 196 9–1970 David Evans 1969, 197 3–1985, 2003, 2005 Benjamin Nicholas 2011 –2012 Giaco mo Balaes 201 4– Cantorum. His organ teachers have included Thomas Trotter, Colin Walsh Jean Hall 2001-2004 Peter Stevens 201 3– Gavin Ball 1981–1984 Carolyn Hammond 200 0–2014 George Banks Martin 1976 and David Briggs. Neil Heavisides 198 4–1986, 200 5– Festival Organists Geoffrey Banner 1981 Jonathan Jasper 1989 Richard Bannon 1994 Arthur Lloyd-Davies 199 6–1998 Simon Preston 195 6–1964 David Barclay 196 3–1966 Robert Bottone 196 5–1967 Peter McGeary 1999-2001, 200 3– Dominic Barclay Lewis 1973 Keith Elcombe 196 8–1970 Piers Nash-Williams 196 5–1966 Biraj Barkakarti 2005 John Harper 1971–1973 Sacha Pearce 200 5–2006, 2008 John Barker 196 6–1967 John Pryer 197 4–1976 Brother Reginald S.S.F. 198 7–1996 Thomas Barkley 2011 Geoffrey Webber 197 7–1978 Angus Ritchie 199 9–2003 Peter Barley 199 6–1997 Peter Wright 197 9–1983 Judith Rose 199 6–1997 David Barnard 197 4–1977, 197 9–1980 Andrew Lumsden 198 4–1988 John Barnard 1971–1972, 197 4–2013 Paul Rose 196 2–1997, 199 9– Jeremy Filsell 198 9–1994 George Royle 200 7– 2011 Sue Barnard 197 5–1976 Stephen Farr 1995 1969 Andrew Smith 1966 Richard Barnes Peter Barley 199 6–1997 Katherine Barnwell 1972 Humphrey Southern 1988, 199 0–2000 Robert Quinney 199 8–2000 Claire Barraclough 197 5–1977 David Stancliffe 1968, 1970 Matthew Martin 2001 –2006 Roger Barron 199 0–1994 John Streeting 199 8–2004 Ashley Grote 200 7– 2009 Christopher Barson 198 5–1986, 1988 Pat Strowger 200 7– 2010 Peter Stevens 201 0–2012 Blanca Bartos 1981 John Whiteley 1965 2013 John Challenger Aimée Bassett (née Green) 200 4–2007, Andrew Wickens 200 6– Daniel Hyde 2014 201 0–2012 Peter Wills 1972, 197 4–1976, 197 9–1986 David Bates 200 0–2002, 2004 Other participants Lewis Batterham 2007 Christopher Bayston 1961–1966 Directors Stephen Abbott 1971–1972 Anne Bean 1967 David Calcutt 195 6–1964 Chris Adams 199 9–2000 Rebecca Bean 1987 Nicholas Hinton 196 5–1970 Edward Adams 1990 Roy Bean 196 0–1962, 196 6–1967, 197 0–1973 John Harper 1971–1978 Graeme Adamson 2011– Lisa Beckley (Blaze) 199 3–2000 John Hardy 197 9–1982 Paul Agnew 197 7–1985 Ian Bell 198 3–1984 Interregnum 1983 Daniel Aherne 2008 Matthew Bell 1981 Geoffrey Webber 198 4–1986 Adam Aiken 1988 Thomas Bell 197 4–1975 David Trendell 198 7–1991 John Mark Ainsley 198 5–1987 Neil Bellingham 199 6–1997 Andrew Carwood 199 2–1997 Ian Aitkenhead 199 7–1999, 2001, 200 3–2005 Nigel Bennet 1972 Peter Barley 199 8–2003 Jonathan Aldern 197 0–1971 Patrick Bennet 198 3–1985 Julian Thomas 200 4–2009 Tristan Aldridge 1995 Matthew Bennett 200 7– 2008 Ashley Grote 201 0–2012 Philip Allen 1978 Tom Bennett 2011– Benjamin Nicholas 201 3– Patrick Allies 2000, 200 9–2010 Emily Benson 2000 Jane Allsopp 1978, 198 0–1983 John Bernays 1988 Matthew Altham 1989 Edmund Berry 2004 Nave Choir Directors Henry Ames-White 2012 Nick Berry 1996 Warren Green 195 6–1960 Richard Anderton 2006 Lawrence Best 2002 Simon Preston 1961–1963 Richard Andrews 198 0–1981 Simon Betteridge 197 5–1979 David Calcutt 1964 Timothy Angel 1986 Christopher Betts 1984 Richard Seal 196 5–1968 Frank Angell 197 5–2000 Nigel Bevan 196 9–1970 Simon Preston 196 9–1970 Andrew Arbuckle 1982 John Biddle 2007 Grayston Ives 1971–1976 Robbie Armstrong 2012 Martin Biggin 1976 John Harper 197 7–1980 Jonathan Arnold 199 2–1995 Allison Bilbey 197 8–1980 Geoffrey Webber 1981–1983 Helen Ashby 200 6–2007 Peter Bingham 195 6–1958 Peter Wright 198 4–1990 Roger Askew 1966 David Trendell 1991 –2000 Harry Binns 2009 58 59 Isobel Birch 1984 Charles Cain 1961–1962 Jack Cox 2007 Edward Edgcumbe 200 3–2004, 2011– James Gilchrist 197 8–1984, 1991, 1995 Mary Hase 1972 James Birchall 2003 Peter Cairns 1961–1964, 196 7–1976 Roger Coyle 195 8–1959 Richard Edgeworth 197 3–1978 Andrew Giles 1972 Henry Havenga 2011 Eileen Bird 198 4–1987 David Calcutt 196 5–1966 Trevor Craddock 196 3–1966, 1969, 1971–1972 Guy Edmund-Jones 200 7– 2011 Bradley Glee 199 7–1998 Colin Hawke 198 5–1986 Hugo Bishop 2005 Graham Caldbeck 1972 Patrick Craig 198 0–1981 Anthony Edward 197 0–1971 Peter Godfrey 1956 Andrew Hayman 2012, 2014 Matthew Blakeway-Phillips 1973 David Calvert-Smith 196 6–1970 Henry Crawshay-Williams 2011 Allan Edwards 200 5– Andrew Goodier 1965 Joseph Haynes 2012 Finnbar Blakey 2011 –2013 Harry Camilleri 2012 Neville Creed 1981 Barry Edwards 1972, 1977 Adam Gordon 1983 Hugh Hazlehurst 1961 Robin Blaze 1983, 1985, 199 0–2000 Arthur Campbell 2010 John Cridland 2014 Brendan Edwards 1994 Peter Gore 197 4–1975 Brian Head 195 7–1959 James Blinko 2009 Ian Candy 195 9–1962 Alastair Cromwell 1979 Joe Edwards 200 5–2008 Michael Gormley 2001 –2002 Edward Heaven 1997 Andrew Blyth 2009 David Cane 2011 –2013 Richard Cromwell 197 6–1980 Nicholas Edwards 197 3–1974 David Gould 1977, 1988 Thomas Heaven 199 5–1996 Max Bogotyrow 200 9–2010 Jonathan Cann 195 8–1959 Andrew Crookall 1983 Christopher Ekers 197 6–1978 Richard Gowman 1981–1982 Neil Heavisides 197 2–1982 Liz Bond 1979 Matthew Cann 2006 Piers Cross 1969 Keith Elcombe 196 8–1970 John Graham 1962 Miranda Heldt 200 9–2010 Abigail Boreham 200 0–2004 Oliver Campbell-Hill 2001 Tom Cross 2000 David Elias 1983 Gavin Graveson 196 2–1963 Christine Hemmens 1972 Christopher Boswell 195 7–1958 Edward Cardale 1963, 196 5–1969 Nicholas Crossland 1975 James Elias 1987 Danielle Green 201 2– 2013 Ian Henry 197 2–1975 Ruauri Bowen 2002 Alastair Carey 200 8–2009, 2011 Lewis Cullen 2008 Robert Elias 1985, 1987 Gilbert Green 198 9–2002 David Herold 1977 Roger Bowers 197 8–1979 Jonathan Carmault 1977 Andrew Culver 2010 Paul Elliott 1971 Robin Green 1981–1982, 1984 Adam Heron 2011 William Bowes 1992 David Carrington 195 7–1960, 1967 Laurence Cummings 198 8–1992, 199 4–1995 Patrick Elwood 198 7–1999 Warren Green 195 6–1963 Peter Herron 1971 Ewan Bowlby 2008 Jean Carrington 1968 Charles Cunliffe 2008 Ceri Evans 1985 Colin Greetham 195 9–1962 Toby Hession 2008 James Bowman 196 6–1968 Simon Carrington 1957, 1960, 196 3–1965 Kerry Cupid-Gibson 199 7–1998 David Evans 1992 Julian Gregory 2011 –2013 Clement Hetherington 1998 Hilary Bracefield 1972 Anselm Carr-Jones 2001 Graeme Curry 1976 Jennifer Evans 1974, 1976 William Gresford 1993 Olympia Hetherington 2011 Nicholas Bradbury 1961–1962 Horatio Carr-Jones 2006 Luciano Cusack 2010 Jenny Evans 198 0–1981, 198 4–1985 Alice Gribbin 200 0–2001 Xavier Hetherington 2005 Allen Brain 1977 Ralph Carter 1969 Anne Curtis 201 4– Patrick Evans 197 6–1981 Paul Grier 199 0–1991 Nick Hewlett 2004 Richard Brasher 1994 Peter Cartwright 1971–1972 Christopher Cutts 196 3–1965 Peter Evans 1980, 198 2–1985 Andrew Griffiths 199 2–1993 William Hewstone 2006 Mark Braveson 196 4–1966, 1969 Andrew Carwood 198 7–1991 Jacob Ewens 2004 Samuel Grindlay 2012 Edgar Hibbins 2012 Sebastian Braw-Smith 2014 Richard Catterall 198 2–1983, 198 7–1990, 1992 Stephen Dagg 196 7–1969 Peter Gritton 1987 Alexander Hickey 199 9–2004 Esther Brazil 200 9–2011 Philip Cave 1971-1976, 199 2–1994 Paul Dallimore 1986 William Fairbairn 2006 Ed Grocott 2001 Rebecca Hickey (née Parkyns) 199 6–2003 Christopher Breeds 197 4–1976 Miranda Cawrse 1988, 1990 Tim Dallosso 1998 Alfred Fardell 2013 Ashley Grote 200 7– 2012 Michael Hickman 2012 Kay Breeds 197 4–1976 Henry Chadwick 200 7– Charlie Dalton 2004 Stephen Farr 1995, 2014 Helen Grote 201 0–2012 Vincent Hicks 1975 Charles Brett 196 9–1970 Edward Chan 2013 Sophie Daneman 1988 Caspar Fawden 1982 Gary Grummett 1975 Rosser Higginson 1959, 1962 Francis Brett 199 6–1999 197 2–1975 Jonathan Darbourne 199 8–2003, 200 6–2010, Richard Fellowes 195 7–1958 John Gull 1997 Alex Hill 2013 Philip Brett 195 7–1959 Alan Chandler 1991–1994 2014 Martin Fenn 1976 James Gumpert 1982 Simon Hill 1972 Paul Bridge 195 8–1959 Rupert Charlesworth 2010 John d’Arcy 1981 – James Ferguson 200 3–2006 Christopher Gunness 198 2–1986 Nicholas Hilliard 1971 Oliver Brignall 1999 Mark Chaundy 199 9–2001 Sandrey Date 1965 Jonathan Ferry 195 8–1960 William Gunson 201 3–2014 David Hindley 1965, 1967 Owen Brook 2014 David Cheetham 1971 Julian Davidson 1987 Jeremy Filsell 198 9–1994 Stephen Guy 197 2–1973 Mark Hindley 197 9–1980 Tim Brookes 199 7–1998, 200 0–2001, 200 9–2010 Julian Chesterfield 1988 Benjamin Davies 1974 Gregory Finch 199 4–1999 Paul Hindmarsh 1972 Paul Brophy 197 8–1983 Marcus Chesterfield 1984 Howard Davies 196 8–1969 Michael Fitch 1970 Evan Hagger 1979 Cillian Hines 2003 Paul Brough 1985, 198 7–1990, 199 3–1995, 2002, Auriol Chisholm 1979 Hugh Davies 1970 Peter Fletcher 195 6–1959 Luke Haggerty 2009 Matthew Hinman 1993 2004, 2008, 201 2– 2013 Nicholas Chisholm 1979 Jeremy Davies 197 4–1975, 199 0–1991, 199 8– Nick Flower 199 7–2009, 2011 Lilian Hale 1981–1982 Celia Hinton 1966 Charles Brown 1962 Christopher Chivers 198 6–1988, 2011– William Davies-Jenkins 1993 Tammy Flower 200 0–2004 Lawrence Halksworth 2006 Nicholas Hinton 1956, 196 2–1964 Christopher Brown 2011 Dominic Chivers 2011 –2013 Edward Davison 2002 Jeffrey Flynn 2002, 2004 Giles Hall 196 8–1970 Jonathan Hodge 1963 Fergus Brown 2013 Geoffrey Clapham 2002 William Dawes 199 3–1994, 200 6–2009 Peter Folkes 2012 Julian Hall 1959 Theodore Holland 1997 Gabriel Brown 2013 Alistair Clark 201 4– Clare Dawson 199 6–2004, 200 5–2006 Robert Folkes 2008 Peter Hall 1961–1964, 1968 Nicholas Hollands 2012 James Brown 199 9–2000 Nicholas Clark 1971 Richard Dawson 196 3–1964 Britton Forsyth 2012 Ian Hallam 1977 Mark Hollings 1989 Jonathan Brown 1980 Kit Clifford-Page 2005 Leonora Dawson-Bowling 200 8–2010 Frederick Foster 2011 Philip Hallchurch 1991 Robert Hollingworth 1989 Mark Brown 1963 Daniel Cochlin 199 2–1993 Sally Dawton 1979 Michael Foster 1961 Rachel Hall-Curtis 2004 Anthony Holt 196 5–1969 Michael Brown 1986 Dominic Cockburn 2004 Louis de Satgé 2011 Stephen Foster 1963 Benjamin Halsey 1991 Janette Holt 196 9–1970 Richard Brown 1961–1966, 1969 Joshua Cockburn 2004 David de Winter 1999 Ian Fountain 1981–1982 Dominic Halsey 2010 Richard Hooper 2001 Simon Brown 1984 Eamonn Cody 2004 Cynthia Dean 1969 Robert Fowkes 198 6–1987 Tristan Hambleton 200 0–2004, 200 5–2006, Alexander Hopkins 2010 Timothy Brown 1994 Fergal Cody 2007 Paul Dean 197 2–1977, 1979 Charlotte Fowler 1984 2008 Jamie Hopkins 1991 Timothy Brown 196 6–1967, 196 9–1970 Benedict Coldstream 1992, 199 9–2001 Christopher Dearnley 195 6–1957 James Fowler 1984, 198 6–1990 Christopher Hamel-Cooke 1960 Kate Hopkins 199 8–1999, 2001 –2002 Tony Browning 196 4–1966 Charles Cole 1997 Maxim Del Mar 2007 Linda Fox 1970 Bruce Hamilton 198 0–1981, 1983 Michael Houghton 196 4–1965 Martin Bruce 197 0–1971, 197 7–1980 Brian Coleman 1968 Toby Deller 1982 Paul Fox 1977 David Hamilton 1975 David Howard-Jones 1984, 1987 Robert Bryan 1969 Christopher Coleman 2001 Joseph Denby 201 3– Rowan Francis 196 0–1964 William Hamilton-Box 201 2– George Howarth 196 5–1966 David Buckley 1989, 199 2–1995, 2004, 2005 Dermot Coleman 199 2–1999 Paul deThierry 200 2– 2005 Elliot Francis-Mullins 2005 Daniel Hamilton-Foster 2014 Byrn Howell-Price 196 6–1967 Nicholas Buckman 200 3–2004 Oliver Coleman 2005 Anne Devenish 197 8–1980 Ashley Francis-Roy 2014 Christopher Hamley 1976 Nigel Howells 1991 –2002, 2004 Alexander Budd 199 3–1995 Andrew Coles 197 2–1974 Paul Dewhurst 1974 Liz Franklin-Kitchen 2005 Martin Hamley 1976 Benjamin Hughes 1987 Billy Budd 1996 Benjamin Collingwood 1992 Peter di Toro 200 6–2007 Christopher Franks 1958 Jonathan Hammond 1975 Charles Hughes 200 2– 2003, 201 0– Jeremy Budd 198 8–2007 Dominic Collingwood 200 0–2002 Quintus Dickinson 2002 Duncan Fraser 1981 Rory Hammond 1968 Clifford Hughes 1958 Jonathan Bungard 2003 Mervyn Collins 1983 Patricia Didcock 199 4–1998 Martin Freeman 1966, 1968 Samuel Hancock 2001 Alastair Hume 196 5–1967, 1970 Jonathan Bunster 1969 Richard Collins 200 2–2003 Robert Dixon 2010 Sue Freeman 1984 Keith Handley 1983 George Humphreys 2002 Gwen Burbidge 1981–1982 Christopher Collinson 199 8–1999 Mark Dobell 2000 Jonathan Freeman-Attwood 1988 Brian Hann 196 2–1963 Julian Humphreys 1981–1982 Bagiel Burchell 1991 Killian Collopy 2002 William Docherty 2009 Jane Froggart 1966 Simon Hannigan 1985 David Hunter 1967, 196 9–1980 Andrew Burden 199 7– 2014 Thomas Colwell 1991 Hilary Dodds 1985-1990 Martin Fryer 1967, 1970 Benjamin Harding 2012 Francis Hunter 1966 Jonathan Burgess 1981 Edmund Comer 199 0–1996 Christopher Dollins 201 0–2011 Martin Fuggle 1960 David Hardwick 200 9–2010 David Hurley 1982, 198 4–1989 Rupert Burley 199 5–1996 Stewart Conley-Harper 200 5–2007 Ashley Doubtfire 196 0–1962 Ian Fuller 1984-1988 Anthony Hardy 199 3–2007 Stephen Hurn 1984 Francis Burling 1977 Hannah Cooke 200 4–2009, 2012 Eamonn Dougan 2001 Edward Hardy 1971–1979 Kieron Husain 2007 Adrian Gabb-Jones 1956 Harry Burnett 2007 Ashley Cooper 1986 Roger Drabble 199 7–1999 John Hardy 196 9–1973, 197 5–1976 Adrian Hutton 199 0–2012 Desmond Gaeney 1979 David Burrowes 1968 Ben Cooper 201 4– Philip Driver 1971–1973 Kate Hardy 198 0–1981 Daniel Hyde 2014 Patrick Gale 1974 Peter Burrows 1975 David Cooper 1962 Adam Drury 2006 Will Hare 200 6– Hugo Hymas 2010 Andrew Gant 1984, 198 7–1991 Stephen Burrows 2004 Henry Cooper 2010 Mark Duggan 1975 Cynthia Harper 1971–1976 Charles Humphries 1983, 199 2–1993 John Eliot Gardiner 1963 Francis Burt 199 6–1997 Alex Coplan 2008 Pat Dunachie 2011, 2014 Edward Harper 1989 Jeremy Hyne 1966 Jeffrey Garland 1989 Jamie Burton 1995 Thomas Corns 199 2–1993 Sally Dunkley 196 9–1970, 1972 Geoffrey Harper 197 4–1975 Daniel Hynes 2006 Peter Garner-Winship 2000 Timothy Burton 2011 Christopher Cornwell 1957 Tom Dunn 199 0–1991 John Harper 196 0–1962, 196 9–1970 Megan Garrity 2011 Ronan Busfield 2007 Samuel Costello 2010 John Duxbury 1969 Joseph Harper 1997, 200 0–2012 Simon Ingram 1971 Ashley Gaunt 198 5–1986 Julia Bushby 200 8–2010 Benjamin Cottam 1989 James Dyer 1999 Margaret Harper 1971–1978 James Ings 1999 Will Geeson 2011 Mark Bushby 200 5– James Coulson 197 9–1980 Karl Dyson 1985 Milo Harper 200 9–2010 William Ings 199 4–1997 Karl Geitzmann 2006 Andrew Bushell 198 3–1984, 198 6–1990 Anthony Coupe 1987 Sebastian Harper 2014 Charles Inman 196 9–1970 Andrew Eames 197 0–1971 Raphael Geldsetzer 2013 Andrew Busher 197 4–1984 Duncan Couper 1981 Robert Harre-Jones 2011 –2014 Rowan Ireland 2013 Simon Eames 1970 Anne Geoghegan 1974 Timothy Butcher 1991–1993 Philip Cousins 198 3–1984 Clive Harries 1973 David Ireson 196 9–1970 Christopher Earle 1965 Heather George 198 8–1989 David Butler 1988 Janet Covey-Crump 196 9–1970 Cyril Harriss 198 2–1983, 198 6–1991 Eloise Irving 200 5–2014 Michael Earle 196 5–1966, 1969 Michael George 1964 James Butler 2011– Rogers Covey-Crump 1964, 196 7–1970 Stephen Harriss 1959 Simon Irwin 198 3–1987 Timothy Earle 1971 Simon George 1969 Alan Byers 1969 Isaac Cowley 2013 Julian Hartley 2007 Tom Isaac 2004 Christopher Eastwood 200 7– 2010 Oliver Gibb 2013 Henrietta Cowling 1984 Michael Hartley 1970 Stefan Ivanovitch 1990 Simon Eddy 1986 James Gibbon 2013 Harrison Cox 2010 Brian Harvey 1961 Bethan Ives 197 2–1976 60 Neil Gibbons 2009 61 Graham Jackson 1979 Christopher Knight 1972 Ruth Maddock 197 7–1978 Rufus Müller 198 3–1986, 198 8–1989 Henry Pemberton 2005 William Ring 1980 Kevin Jacot 198 6–1990 David Knight 200 2– 2009 Jo Maggs 1987 Thomas Mullock 2010 Laurence Pemberton 2008 Paul Ringrose 197 8–1979 David James 1971 Alexander Knighton 2008 Neil Malcolm 196 9–1970 Roland Mumford 1987 Sarah Pendlebury 198 7–1989 Jonathan Rippon 1987 Freddie James 200 4–2005 Peter Kyrke-Smith 196 5–1966 James Malia 198 8–1991 David Murphy 199 3–1994 Anna Pepler 200 0–2002, 2004 Adrian Roberts 196 8–1970 Heather James 1972 Arthur Malins 200 2– 2003, 200 6–2010 Eamonn Murray 1985 Emily Pepler 200 0–2004 Darren Roberts 1989 Paul James 1983 George Laing 2001 Edwin Malins 200 4–2008 Philippa Murray 200 8–2009 Costa Peristianis 2004 Emily Roberts 200 0– Peter James 1971–1972 James Laing 2002 Peter Mallinson 1999 James Mustard 2001 –2003 James Perkins 201 3– Jonathan Roberts 1972 Serenhedd James 2011 –2013 Oliver Lallemant 1995 Anne Manly 1969 Nigel Perrin 1967, 1969 Jonathan Roberts 199 7–1998 Hugo Janacek 200 4– Benjamin Lamb 1988 David Manners 1987, 200 4–2006 Peter Nagy 1983 James Peschek 1961–1962 Keith Roberts 199 8–2001 Richard Jeffries 1976 Timothy Lamb 198 9–1990 Jeremy Mannings 1979 Trojan Nakade 2008 Alexander Peterkin 1987 Peter Roberts 199 8– Ross Jelf 200 9–2011 Terence Lamont 197 4–1976 Nicholas Mannoukas 2007 Henry Neill 2011 William Petter 1994 Richard Roberts 1977, 198 6–1988 Neil Jenkins 196 4–1967 Carys-Anne Lane 1991–1995 Dana Marsh 200 2– 2003 Roderick Nelson 196 0–1962 Jeremy Peyton-Jones 196 7–1969 Timothy Roberts 197 5–1978, 1980 Charles Jenner 1983 Eleanor Lane 2011– George Marshall 1963 Nigel Nethersole 1964 Oliver Phillips 1994 Zachary Roberts 201 4– Christopher Jenner 1983 Martin Lane 196 5–1968, 1971 Paul Marshall 1966 David Newell 197 6–1978 Roger Phillipson 196 2–1963, 196 5–1966, Jamie Robertson 198 4–1986 Charles Jeremy 1992 Max Langdale 201 4– Alexander Martin 1970 William Newell 197 4–1976, 197 8–1979 197 0–1973 Joanna Robertson 200 3– Gereint John 198 2–1983 Thomas Langdale 2008 Catherine Martin 1969 Caryll Newnham 1969 Alexander Pike 199 3–1994 John Robinson 1969 Stephen John 1976 Myles Langridge 199 9–2003 Rosemary Martin 1971–1974, 197 6–1978 Nicholas Ng 2012 Christopher Pike 196 0–1963 Thomas Robinson-Woledge 2000 Bernadette Johns 201 4– John Larcombe 1956 Genevieve Maskell 1981 Caitríona Ní Dhubhghaill 200 2– 2003 Julian Pike 195 8–1960, 1968 Jonathan Robson 1991–1992 Barbara Johnson 1981–1984 Christine Laslett 199 0–2013 Jemmy Maskell 1980 Richard Niblett 199 4–1996 Simon Pike 1985 Matthew Rogers 2000 Daniel Johnston 198 4–1988 Thomas Last 2010 Kieran Matharu 1990 Benjamin Nicholas 201 0 David Pinson 199 3–1995 William Roland 2008 David Johnston 1960 Peregrine Lavington 1965, 1969, 1971–1972 James Matthews 2005 Jack Nichols 200 0–2004 Roger Pinson 1981–1982 Kenneth Roles 197 9–1980 James Johnston 197 8–1979 Philip Lawson 198 3–1987, 1989 Michael Matthews 1963 George Nicholson 201 3– Sheila Pinson 1981–1982, 201 3– George Rolls 2007, 200 9–2013 Nicolas Johnston 1977 Jonathan Laxton 2011 Nicholas Maurice 1963, 1965 Ian Nicholson 197 5–1980 David Pinto 1981 Stephen Rolls 196 6–1967 Oliver Johnston 198 7–1989, 1992 David le Prevost 2014 Charles Maxtone-Smith 201 4– Harvey Nightingale 198 0–1983 Oliver Piper 199 3–2006 Sally Roper 198 5–1986 Robert Johnston 1977 Rebecca Lea 200 8–2009 Richard Mayall 1978 Anthony Nixon 197 6–1977 Ian Pitter 1956 David Roper-Curzon 1978 Alex Jones 2010, 201 2– Richard Lea 1984 Warwick Mayall 197 7–1978 John Nixon 1970 Paul Plummer 198 7–1990 Peter Roper-Curzon 1990 Anne Jones 200 5–2007, 2009, 2011 –2014 Graham Lea-Cox 1970 Timothy Mayhew 1978 Benjamin Noble 1999 Richard Podger 195 6–1960 William Roper-Curzon 1992, 1994 Benjamin Jones 2003 Jonathan Lean 2005 Michael McCarthy 1981–1988, 1992, Peter Norfolk-Brown 2001 –2004 Simon Ponsford 201 0–2011 Andrew Rose 1973 Bethan Jones 1971 1960 199 4–1996, 1998 Daniel Norman 1983, 1991–1995, 199 7–1999 Simon Poole 1983 Edmund Rose 197 3–1975, 1986 Bruce Jones 2006 Justin Lee 198 9–1993 Rory McCleery 2010 Richard Norman 199 6–1998 George Pooley 198 8–1989 Helen Rose 1974 Christine Jones 1981–1982 Michael Lee 1971–1973 Fergus McClusky 199 2–1993 Philip Normand 2009 Andrew Porter 1969, 1971 Alastair Ross 195 8–1960 Colin Jones 197 2–1975 Huw Leslie 2011 –2013 Peter McCrystal 197 3 Timothy Norris 199 5–1996 Kim Porter 199 7–1998 Keith Ross 195 9–1970 Edward Jones 201 0–2014 Alexander L’Estrange 1986 Ranald McCusker 2005 Richard Northcott 199 9–2001 Brian Postma 195 7–1958 Neil Rosser 199 3–1994 Henry Jones 2000, 200 7– 2008, 201 0–2012 Giles Lewin 198 0–1981 Jonathan McDonald 2003 Leo Novakovic 2009 Alexander Pott 2004, 2014 Andrew Round 197 5–1979, 1981 Hilary Jones 198 4–1986 Daniel Lewington 198 5–1986 Paul McGough 2003 Francis Pott 199 0–1993 Anthony Rouse 1959 Ben Oakley 2001 Jane Jones 1969, 1975, 197 7–1983 Felix Lewis 2002 Andrew McGregor 1984 Alex Potter 2001 –2003 David Rowe 196 4–1965, 1967 Conor O’Brien 2008 John Jones 2001 –2002 Huw Lewis 1995 Marcus McGuiness 197 4–1975 Daniel Potter 199 5–1996 Paul Rowe 195 9–1960 Damon O’Brien 1984 Keith Jones 196 8–1970, 1973, 197 5–1982 Simon Lewis 1980 David McIntyre 2014 James Potter 2011, 2013 Sarah Rowley 201 2– 2013 Donal O’Callaghan 198 4–1986 Kim Jones 198 0–1983 Timothy Lewis 1981 Ian McKee 197 5–1981 Joel Potts 199 2– 2001 David Roy 196 6–1970 Susan Odell 1972 Mark Jones 196 7–1970 Oliver Lewis-Barclay 197 5–1976 Janet McMullin 198 6–1997 Matthew Power 201 3– Francesca Russill 200 3–2004 Manus O’Donnell 200 2– 2004 Max Jones 199 8–1999 Theresa Liddiard 198 8–1989 Peter McMullin 199 0–1999 Stephen Power 201 2– Helen Russill 2007 Peter Ogden 2000 Michael Jones 199 4–1996 Ruth Lindley 1972 Simon McPherson 1999 Hamish Preston 1956, 195 9–1966, 1969 Richard Ogden 1999, 2009 Orlando Jones 2011 Stephen Lindley 198 5–1986 Rory McQueen 1993 James Preston 199 7– 2009 Federico Sadie 2014 David Oguoma-Richards 2006 Richard Jones 1999 Andrew Liu 2011 Maurice McSweeney 2003 Simon Preston 195 9–1963, 196 9–1970 Godfrey Salmon 196 2–1965 Ferdinand Okae 2014 Sophie Jones 2010 Yohann Liyanagi 1987 James McVinnie 2001 David Price 196 8–1969, 1971 Richard Salter 1966 Sam Oladeinde 2011 –2014 Stephen Jones 1966, 196 8–1969 Clare Lloyd 200 6–2008 Joe McWatters 2013 David Price 197 8–1979 Carolyn Sampson 1999 James Oliphant 1975 Trevor Jones 1990 Edward Lloyd 2000 Jeremy Meager 1979 Alex Pridgeon 200 2– 2004 Ajay Sastry 1986 Aidan Oliver 1995, 1999 Daniel Jordan 1988 James Lloyd-Smith 2008 Simon Meager 1979 Guy Protheroe 196 8–1970 Roger Saunders 1988 Andrew Olleson 1983, 1991, 200 3–2009 Nicholas Jordan 1987 Peter Loader 1981 David Meredith 199 4–1995 John Pryer 197 4–1976 Ben Sawyer 200 8– Philip Orchard 2008 Patric Judge 1970 Jonathan Love 1957 Giles Meredith 197 9–1980 Bruce Pullan 1964 Richard Seal 196 2–1968 Peter O’Reilly 2004 David Loveday 199 2–1994 Robin Merrill 196 5–1967, 1969 Mark Purkiss 197 7–1979 Charles Sealey 1964 Patrick Ormond 1991 Robert Karlsson 2000 Nick Low 2013 Christopher Michelmore 1970 Harry Purvis 2004 Anthony Seddon 1959 Cecilia Osmond 1998, 2001 Brian Kay 196 5–1968 Adrian Lowe 2004 Diane Miles 1971–1975 Harry Purvis 200 5–2006 David Seers 1983 Matthew O’Sullivan 1992 Edward Kay 200 7– 2008, 201 2– 2013 David Lowe 1974, 1976 Sebastian Milford 1989 Tom Seligman 1988 Timi Otudeko 2009 Emily Kay 2012 David Lowe 1991 Hugo Millard 2013 David Quin 2003 Timothy Semken 1998 James Outram 1991–1999 Graham Kay 1967 Justin Lowe 199 5– Jo Mills 199 6–1997 Nicola Semple 2008 Rebecca Outram 198 9–1992, 199 4–1995 Andrew Raeburn 1957 Heather Kay 1969 Sue Lowery 2011– Nicholas Mills 1996 Hamish Sennett 2010 Jeremy Ovenden 1984 George Raikes 2008 Lawrence Keeling 2007 Cameron Lowrie 200 5–2007 Clair Milsted 1971–1976 Charlie Serrano 2005, 2006 Bill Oxenbury 195 6–1958, 196 0–1964 Gulliver Ralston 2001 Mitchell Keely 2009 Robert Lowrie 196 5–1968 Charlie Minogue 199 6–2007, 2009 Ivor Setterfield 197 8–1980 Martin Oxenham 2001 Anna Ramell 2011– Jason Kellinger 2014 Peter Lucas 1978 Rebecca Minogue 200 4–2007 Fiona Shand 2006 James Oxley 1985-1986 Becky Ramsey 2010 Bernard Kelly 1975 Andrew Lumsden 2014 William Missin 198 9–1991 Jack Shanley 2005 Maria Oxley 198 5–1986 Tom Raskin 1985, 199 6–1998 Michael Kelly 195 6–1958 Francis Lyne 1964 Andrew Mitchell-Innes 1991 Richard Sharp 1966 Gavin Kemball 197 8–1979 Alastair Lyon 1977 Stephen Ratcliffe 1969 Nicholas Sharpe 1971–1972 Chris Monk 2010 Elizabeth Page 1981 Mark Kemball 1980 Edward Lyon 1996 Ben Rayfield 199 6–1999, 2005 Timothy Sharpe 196 7–1972, 197 4–1979 Neville Moody 1985 Edward Palmer 195 7–1958, 1960 William Kendall 1971, 197 4–1975 Ian Lyon 2009, 2014 Michael Rayson 1977, 198 0–1985, 1988 Philip Sharples 1976 Gregory Moore 1990, 199 4–1995 Timothy Palmer 1990 Philip Kennedy 2011 –2014 Oliver Lyon 1997 Richard Reddyhoff 1964 David Shepherd 197 9–1980 Jeremy Moore 199 7– 2004 Frederick Parekh-Glitsch 2014 Cheyney Kent 199 7– 2000 Dewi Rees 2009 Michael Shepherd 1971, 1978 Neil Moore 1974 James Park 199 3–2001 Thomas Kent 2002 Basil MacDonald 201 3–2014 Simon Reeves 1974 Richard Shepherd 1971–1973 Matthew Morgan 2007 Thomas Park 199 6–1997, 200 0–2003 Tim Kenworthy-Brown 200 2– 2003 Robert Macdonald 1991–1992, 1995, 1999 Michael Reichenberg-Ashby 2013 Piers Sherwood-Roberts 1998 Munro Morgan 1972 David Parry 1975 Timothy Kermode 1982, 198 4–1997 Robert Macdonald 1968 John Reid 1991 Cathy Shewell 1981 Thomas Morgan 1989 Deis Parry 196 2–1963 Edward Kershaw 1986 Robin Macdonald 1969 Charles Reid-Dick 196 4–1966 James Siegl 1992 Alexander Morley 1998, 2000 Duncan Parry 199 4–1997 Anthea Kettle 1976 Ralph Macdonald Smith 1981–1988 William Reid-Dick 1966 Misha Silberberg-Image 1989 Benjamin Morrell 2004 Jack Parry 2008 Christopher Keyte 1958 Andrew Mackay 198 0–1989, 1991–1993, Benjamin Revill 1982 Richard Simpkin 198 0–1981 Nicholas Morrell 1998 Christopher Parsons 1989 Alexandra Kidgell 200 4–2005 200 4–2005 Ferdinand Rex 200 7– 2008 Benjamin Simpson 1996 Peter Morrell 2004 Jacob Partington 201 0–2011 John King 1962 Deborah Mackay 198 9–2009, 201 2– 2013 Oliver Rex 2003 Edwin Simpson 2001 Nigel Morris 197 5–1976 Oliver Pash 2001 Mary King 1972 Daniel Macklin 2004, 200 8–2013 Christophe Rhodes 2004 James Simpson 1975, 197 8–1986 Roderick Morris 199 6–1997 Bendict Payne 2003 Matthew King 1981 Marie Macklin 2010, 2013 Robert Rice 199 8–2000 Michael Simpson 197 6–1977, 198 4–1994 Robin Morrish 195 7–1958 Sebastian Payne 2003 Rachel King 2013- Benjamin MacLean 2011 Stephen Rice 199 6–2009 Robert Simpson 2009 Margaret Mortimer 1983 Tim Payne 1972 Stuart Kinsella 200 2– 2003 Andrew MacMillan 200 0–2002 Andrew Richardson 199 4–1996 Tanya Simpson 2014 Simon Mortimer 197 8–1979 Christopher Peach 1988 Daniel Kirby 2011 Allison MacNamara 1972 Ursula Richardson 196 9–1970 Laura Sims 2004 Michael Morton 196 7–1968, 1970 Adrian Peacock 198 2–1986 Francis Kirk 2006 Amanda MacNamara 1972 William Richardson 2010 Paul Sinson 1986 Steven Moss 1991 Ian Pearson 197 4–1975 Simon Kirkbride 1981–1984, 198 7–1988 Elizabeth MacNamara 1972 Andrew Richley 1990 Greg Skidmore 200 6–2008 Timothy Moule 1990 Harry Peat 1988 Peter Knapp 1969 Nicholas Maddock 197 7–1978 James Ridgway 1987 Charles Sladdin 2010 Elliot Moyle 2005 Timothy Pegg 197 3–1974 62 63 Chris Sladdin 2006 Paul Thomas 1974 Mike Watts 199 9–2002 Philip Slane 1976 Alastair Thompson 1965, 196 8–1969 Deryk Webb 198 2–1983 Norman Smail 196 2–1964 Eleanor Thompson 201 4– Geoffrey Webber 197 0–1975 Peter Smart 1959, 1962 Elliott Thompson 2003 Teresa Webber (née Russill) 198 0–1986 Julian Smedley 196 5–1966, 1969, 1972 Humphrey Thompson 201 4– Peter Weight 1967–1968, 1970 Christine Smith 1966 Cameron Thomson 2011 James Weir 199 0–1991 Colin Smith 197 6–1978 Helena Thomson 201 4– Edward Welch 1961 Nicholas Smith 1992 Francis Thorburn 1996 Stephen Welch 1965, 1969 Richard Smith 200 7– 2009 Patrick Thorburn 199 5–1998 Lewis West 2003 Roger Smith 1965 Jacob Thorn 2009 Michael West 1957 Sebastian Smith 1985 Edward Thornton 1971 Timothy West 1989 Andrew Snow 196 7–1968 Callum Thorpe 200 4–2005 Monty Westall 2014 David Soar 199 9–2000 James Thorpe 199 3–1997 Andrew Westwood 199 2–1993 Alexander Soddy 199 5–1996, 199 9–2000, Peter Thresh 1982 Tom Wheare 196 5–1970, 197 2–1975 200 2– 2003, 2005 Brandy Thwaites 1966 Tom Whichelo 2009 Justin Soriano 2009 Pippa Thynne 198 3–1985 David White 195 6–1957 Antonia Southern 199 9–2002 Christopher Tierney 1982 George White 200 2– 2003 Michael Speight 1999 William Tilden 1965 Kieran White 200 2– 2003, 2009 Toby Spence 1989 Hugo Till 2013 Richard White 195 6–1957, 1963 Alexander Spires 1980 Robert Tims 1965, 1967 Tim Whiteley 200 4–2005 Dominic Spires 1980 Andrew Todd 1961–1962 Julian Whiting 197 5–1976 Jacob Spires 2011, 201 4– Julian Todd 196 6–1970 Edward Wickham 198 9–1998 Jeremy Spires 1980 Nicholas Todd 198 4–1991 Henry Wickham 198 7–1989 George Spires-Pinto 2014 Kristian Tombs 2012 Joseph Wicks 2006 Jeremy Spring 1975 Ben Toombs 199 8–1999 Tanya Wicks 199 9–2002 Christopher Spurgeon 1993 Hugh Topping 2003 Mary Wiegold 1980 Alex Stagg 2010 Andrew Tortise 2001 Peter Wiegold 1980 Dilys Stainer 1975 Christopher Tortise 200 5–2006 George Wignall 2012 Jack Standen 199 8–1999 Chris Totney 200 4–2013 Matthew Wilby 2001 Andrew Staples 1992 Andrew Townsend 1973 Paul Wilcox 1974 Clive Stapley 1978 Matthew Train 198 8–1994 Julian Wilkins 1988 Nicholas Stebbing-Allen 199 5–2001 David Trendell 198 4–1986 James Wilkinson 200 5–2006 Alexander Stefanyszyn 2012 Humphrey Trevelyan 1965 Rowena Wilkinson 1981 Richard Stephens 1983 Christopher Trundle 2012 Alexander Williams 1977 Robert Stephens 1984 Nicholas Turnbull 1975 Christopher Williams 197 5–1977, 198 0–1981 James Stephenson 1968 John Turner 1958 Claire Williams 2014 Edward Stevens 1995 Andrew Tusa 1978, 198 7–1988 David Williams 195 7–1958 Jean Stevens 197 9–1982 Charles Tyler 198 4–1989 Derek Williams 1971 Michael Stevens 1962 Jeremy Tyndall 1972 Francis Williams 201 0–2013 Richard Stevens 197 6–1983 Annabella Tysall 1983 Jeffrey Williams 197 2–1982 Corran Stewart 2012 Mark Williams 197 4–1983 Ian Stewart 1970 Christopher Underwood 1968 Mark Williams 2009 Barry Still 1959 William Unwin 199 2–1993, 2001 –2003 Peter Williams 1990 Peter Still 1980, 1982 Malcolm Upfold 198 0–1981 Rodney Williams 1956 Ewan Stockwell 2012 Simon Williams 197 7–1983, 198 6–1988 David Valsamidis 200 9–2010 Michael Stoddart 200 4–2005 Tom Williams 2000, 200 3–2006 Stephen Varcoe 1969 Dominic Stokes 2012 Guy Willis 2011 –2014 Matthew Venner 2003 Jonny Stoughton 1998 Matthew Willis 1978 Geoffrey Vere 196 7–1968 William Stow 1977 Gregory Wills 2013 Gabriel Vick 1995 Richard Street 196 2–1964 Edwin Wilmot 1976 Alexander Villiers 196 2–1963 Colin Stride 196 7–1968 Andrew Wilson 197 0–1971 Matthew Vine 198 8–1990, 1994, 2008, 2010 Richard Strivens 1990 Colin Wilson 1980 Timothy Vine 1984 Pablo Strong 2008 Lewis Wilson 198 7–1988 Piers Vokes-Dudgeon 1961–1963 David Stuart 2001 –2003 Lisa Wilson 2001 –2003, 2005 Jeremy Summerly 198 0 Andrew Walker 1968 Thomas Wilson 2008 Jeremy Suppey 2014 Peter Walker 195 6–1958 Jonathan Windsor 1983 Derek Sutton 195 7–1961 Simon Walker 2000 Tom Winpenny 2006 Jill Sutton 1970 Dominic Wallis 1989 William Wohlman 1994 Wilfred Swansborough 197 9–1980 Ciaran Walshe 2007, 2011 Paul Woodmansterne 1983 Jeremy Symes 1971 Emma Walshe 2008 Neil Worsey 1981, 2003, 2005 Timothy Symons 1991–1992 Andrew Walter 1982 Samuel Worth 2014 Timothy Walter 197 8–1979, 1981–1982 Jonathan Wrench 198 0–1981 Geoffrey Talbot 197 8–1981 Benjamin Walton 1998 Oliver Wright 1991 Philip Talboys 1986 James Walton 1995 Peter Wright 2014 Emily Tann 201 3– Stewart Walton 1996 Hugh Tatham 1985 Hugh Yendole 1980 Alistair Ward 2001 Henry Taylor 2000 Andrew Yeo 1976 Christopher Ward 1993 Paul Taylor 1962 Alan Young 1998 Christopher Ward 197 5–1977 Stephen Taylor 198 8–2002 Jeremy Ward 1998 Raphael Taylor-Davies 2007 Anne Zealley 196 6–1968 Toby Ward 201 3– Jack Taylorson 2012 Christopher Zealley 196 0–1967 Tom Ward 2013 Tim Teague 2013 Nigel Ward-Gardner 1967 Guy Theaker 1985 Christopher Wardle 200 7– 2009 Adrian Thomas 198 6–1987, 198 9–1992, James Warne 2002 199 4–2001, 200 3–2007, 200 9–2010 David Warwick 1972 Ellen Thomas 200 5–2009 Ashley Waters 2006 Joseph Thomas 2011 Geraint Watkins 200 4–2010 Julian Thomas 198 7– 2000, 200 2– 2003 Amy Watts 200 0–2002 Katie Thomas 2007 Emma Watts 200 0–2004 Oliver Thomas 1997

64 The Companion to THE EDINGTON MUSIC FESTIVAL

A festival of music within the liturgy 23-30 AUGUST 2015