LCOM182 Lent & Eastertide
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The Order for the Compline and Tenebrae in Holy Week
LINCOLN CATHEDRAL THE ORDER FOR THE COMPLINE AND TENEBRAE IN HOLY WEEK Compline on the Monday and Tuesday of Holy Week at 7 30pm on Monday 29th and Tuesday 30th March 2021 Tenebrae of Maundy Thursday at 7 30pm on Wednesday 31st March 2021 1 The Cathedral Church of the Blessed Virgin Mary of Lincoln Services for the week beginning 28th March 2021 28th March 7 45am Litany (BCP) St Hugh’s Shrine PALM SUNDAY 8am Holy Communion (BCP) St Hugh’s Shrine 10 30am SUNG EUCHARIST with Blessing of Palms (Cantors) Nave and online Hosanna to the Son of David Makinson Psalm 31.9-16 In residence: Missa In Feriis Quadragesimae Plainsong Hymn 86 The Precentor 3 45pm SUNG EVENSONG (Lay Vicars) Online only Monday From today the cathedral will be open for private prayer from 10am to 3pm, daily 29th March 8am Morning Prayer St Hugh’s Shrine 12 30pm Eucharist St Hugh’s Shrine In residence: 5 30pm Evening Prayer St Hugh’s Shrine and online The Dean 7 30pm ADDRESS and COMPLINE (Cantors) St Hugh’s Shrine Tuesday 8am Morning Prayer St Hugh’s Shrine 30th March 8 30am Holy Communion St Hugh’s Shrine 11am EUCHARIST with Blessing of Oils (Cantor) Nave 5 30pm EVENSONG (Lay Vicars) Online only Plainsong responses Psalm 55.13-24 Magnificat ‘quinti toni’ Viadana Nunc dimittis ‘primi toni’ de Zachariis The Lamentations of Jeremiah (Part II) Tallis Hymns 78 and 94 7 30pm ADDRESS and COMPLINE (Cantors) St Hugh’s Shrine Wednesday 8am Morning Prayer St Hugh’s Shrine 31st March 12 30pm Eucharist St Hugh’s Shrine 5 30pm Evening Prayer St Hugh’s Shrine and online 7 30pm TENEBRAE: -
Celebrating Easter for Fifty Days There Is No Scriptural Requirement for Us to Celebrate Easter for Fifty Days, Or Even One Day, for That Matter
Celebrating Easter for Fifty Days There is no scriptural requirement for us to celebrate Easter for fifty days, or even one day, for that matter. But there is nothing in the Bible that would prohibit joyful remembrance of the resurrection for any length of time. In fact, there is much to commend the practice of celebrating Eastertide. Christian Reflection Prayer A Series in Faith and Ethics Scripture Reading: Ephesians 1:15-23 Meditation† Resurrection changes everything.… This is why I need more than just Easter Day. If Easter were only a single day, I would Focus Article: never have time to let its incredible reality settle over me, settle Celebrating Easter for into me. I would trudge through my life with a disconnect Fifty Days between what I say I believe about resurrection and how I live (Easter, pp. 11-18) (or fail to live) my life in light of it. Thanks be to God, our forebears in faith had people like me Suggested Article: in mind when they decided that we simply cannot celebrate Easter in a single day, or even a single week. No, they decided, Between Easter Eggs and we need fifty days, seven Sundays, to even begin to plumb the the Empty Tomb depths of this event. (Easter, pp. 77-81) Kimberlee Conway Ireton Reflection “The implications of the resurrection lavishly overflow a one-day container,” Mark Roberts notes in his winsome invitation to celebrate Eastertide, the fifty-day season to mark Christ’s resurrection which begins on Easter Sunday. We need the extra time to explore, savor, and grow into those amazing implications. -
Revd Dr Jenny Arnold 3.30Pm Evening Prayer
FEBRUARY Verse: Cantoris Friday 24 8.00am Morning Prayer and Holy Communion 5.45pm Evening Prayer Monday 20 8.00am Morning Prayer and Holy Communion 12.30pm Free Guided Tour (meet at main door) Saturday 25 5.45pm Evening Prayer 9.00am Morning Prayer and Holy Communion 11.00am Readers’ Licensing Service 3.30pm Evening Prayer Tuesday 21 8.00am Morning Prayer and Holy Communion 5.45pm Evening Prayer Sunday 26 Sunday next before Lent Verse: Decani 9.00am Holy Communion 11.00am Sung Eucharist Preacher: Revd Dr Jenny Arnold 3.30pm Evening Prayer Wednesday 22 8.00am Morning Prayer 11.30am Free Guided Tour (meet at main door) 1.10pm Holy Communion 5.45pm Evening Prayer Thursday 23 8.00am Morning Prayer and Holy Communion 5.45pm Evening Prayer Dean (Acting): The Revd Canon Nigel Hand Canon Liturgist: The Revd Canon Andrew Lythall Director of Music: Canon Marcus Huxley FEBRUARY Verse: Decani Friday 3 8.00am Morning Prayer and Holy Communion Monday 27 George Herbert, priest, poet,1633 5.45pm Choral Evensong (Boys' and Men's voices) 8.00am Morning Prayer and Holy Communion Responses: Tomkins & Sheppard 5.45pm Evening Prayer Psalm 7 Amner (Cesar’s service) Tuesday 28 Hear my prayer - Purcell 8.00am Morning Prayer and Holy Communion 5.45pm Shorter Choral Evensong (Girls’ Voices) Preces: Malcolm Archer Saturday 4 Psalms 143, 144 9.00am Wholeness and Healing Service with Communion Nunc dimittis: Marcus Huxley in A flat 3.30pm Installation of Revd Andrew Lythall as Canon Liturgist Nolo mortem peccatoris - Morley (Girls’ & Men’s voices) Responses: Philip -
A Eric an Choral Review
A ERIC AN CHORAL REVIEW JOURNAL OF THE AMERICAN CHORAL FOUNDATION, INC. VOLUME XIX • NUMBER 3 • JULY, 1977 AMERICAN CHORAL REVIEW ALFRED MANN, Editar ALFREDA HAYS, Assistant Editor Associate Editors EDWARD TATNALL CANBY ANDREW C. MINOR RICHARD JACKSON MARTIN PICKER JACK RAMEY The AMERICAN CHORAL REVIEW is published quarterly as the official journal of the Association of Choral Conductors sponsored by The American Choral Foundation, Inc. The FOlmdation also publishes a supplementary Research Memorandum Series and maintains a reference library of current publications of choral works. Membership in the Association of Choral Conductors is available for an annual contribution of $20.00 and includes subscriptions to the AMERICAN CHORAL REVIEW and the Research Memorandum Series and use of the Foundation's Advisory Services Division and reference library. All contributions are tax deductible. Back issues of the AMERICAN CHORAL REVIEW are available to members at $2.25; back issues of the Research Memorandum Series at $1.50. Bulk prices will be quoted on request. THE AMERICAN CHORAL FOUNDATION, INC. SHELDON SOFFER, Administrative Director 130 West 56th Street New York, New York 10019 Editorial Address 215 Kent Place Boulevard Summit, New Jersey 07901 Material submitted for publication should be sent in duplicate to the editorial address. All typescripts should be double-spaced and have ample margins. Footnotes should be placed at the bottom of the pages to which they refer. Music examples should preferably appear on separate sheets. Copyright 1977 by THE AMERICAN CHORAL FOUNDATION, INC. Indexed in MUSIC INDEX and MUSIC ARTICLE GUIDE Second-class Postage Paid- New York, New York AMERICAN CHORAL REVIEW July, 1977 CONTENTS The Madrigals of Thomas Morley A Survey Daniel R Salotti 3 Notes on Renaissance Performance Practice Joel Kramme 7 Choral Performances New York Donal Henahan 13 Allen Hughes 13 Peter G. -
Bernsteincelebrating More Sides of the Story
BernsteinCelebrating More Sides of the Story Wednesday 17 October 2018, 7.45pm Holy Trinity Sloane Square, SW1 Chichester Psalms Missa Brevis Choral Suite from West Side Story London Concert Choir Conductor Mark Forkgen Tickets £25 (under-25s £15) to include a programme and interval drink. Box Office (020) 7730 4500, www.cadoganhall.com and at the door A collection will be held in aid of The Royal Marsden Cancer Charity One of the most talented and successful musicians in American history, Leonard Bernstein was not only a composer, but also a conductor, pianist, educator and humanitarian. His versatility as a composer is brilliantly illustrated in this concert to celebrate the centenary of his birth. The Dean of Chichester commissioned the Psalms for the 1965 Southern Cathedrals Festival with the request that the music should contain ‘a hint of West Side Story.’ Bernstein himself described the piece as ‘forthright, songful, rhythmic, youthful.’ Performed in Hebrew and drawing on jazz rhythms and harmonies, the Psalms Music Director: include an exuberant setting of ‘O be joyful In the Lord all Mark Forkgen ye lands’ (Psalm 100) and a gentle Psalm 23, ‘The Lord is my shepherd’, as well as some menacing material cut Nathan Mercieca from the score of the musical. countertenor In 1988 Bernstein revisited the incidental music in Richard Pearce medieval style that he had composed in 1955 for organ The Lark, Anouilh’s play about Joan of Arc, and developed it into the vibrant Missa Brevis for unaccompanied choir, countertenor soloist and percussion. Anneke Hodnett harp After three contrasting solo songs, the concert is rounded off with a selection of favourite numbers from Sacha Johnson and West Side Story, including Tonight, Maria, I Feel Pretty, Alistair Marshallsay America and Somewhere. -
Seasons/08-09/Chichester Translation.Pdf
In 1965, Leonard Bernstein received a commission from the 1965 Southern Cathedral Festival to compose a piece for the cathedral choirs of Chichester, Winchester, and Salisbury. The result was the three-movement Chichester Psalms, a choral setting of a number of Hebrew psalm texts. This is Bernstein's version of church music: rhythmic, dramatic, yet fundamentally spiritual. The piece opens with the choir proclaiming Psalm 108, verse 2 (Awake, psaltery and harp!). This opening figure (particularly the upward leap of a minor seventh) recurs throughout the piece. The introduction leads into Psalm 100 (Make a joyful noise unto the Lord), a 7/4 dance that fits the joyous mood of the text. At times, this movement sounds like something out of West Side Story - it is percussive, with driving dance rhythms. The second movement starts with Psalm 23, with only a solo boy soprano and harp (suggesting David); the sopranos of the choir enter, repeating the solo melody. Suddenly and forcefully, the men interrupt in the middle of the Psalm 23 text (just after "Thy rod and thy staff, they comfort me") with Psalm 2. The setting of this text differs greatly from the flowing melodic feel of Psalm 23; it is evocative of the conflict in the text, with the men at times almost shouting. The men's voices gradually fade, and the initial peaceful melody returns (along with the rest of the Psalm 23 text), with the men continuing underneath. Movement 3 begins with an instrumental introduction based on the opening figure of the piece. The choir then enters with Psalm 131, set in a fluid 10/4 meter. -
The Crucifixion: Stainer's Invention of the Anglican Passion
The Crucifixion: Stainer’s Invention of the Anglican Passion and Its Subsequent Influence on Descendent Works by Maunder, Somervell, Wood, and Thiman Matthew Hoch Abstract The Anglican Passion is a largely forgotten genre that flourished in the late nineteenth and early twentieth centuries. Modeled distinctly after the Lutheran Passion— particularly in its use of congregational hymns that punctuate and comment upon the drama—Anglican Passions also owe much to the rise of hymnody and small parish music-making in England during the latter part of the nineteenth century. John Stainer’s The Crucifixion (1887) is a quintessential example of the genre and the Anglican Passion that is most often performed and recorded. This article traces the origins of the genre and explores lesser-known early twentieth-century Anglican Passions that are direct descendants of Stainer’s work. Four works in particular will be reviewed within this historical context: John Henry Maunder’s Olivet to Calvary (1904), Arthur Somervell’s The Passion of Christ (1914), Charles Wood’s The Passion of Our Lord according to St Mark (1920), and Eric Thiman’s The Last Supper (1930). Examining these works in a sequential order reveals a distinct evolution and decline of the genre over the course of these decades, with Wood’s masterpiece standing as the towering achievement of the Anglican Passion genre in the immediate aftermath of World War I. The article concludes with a call for reappraisal of these underperformed works and their potential use in modern liturgical worship. A Brief History of the Passion Genre from the sung in plainchant, and this practice continued Medieval Era to the Eighteenth Century through the late medieval and early Renaissance eras. -
Dr. John Blow (1648-1708) Author(S): F
Dr. John Blow (1648-1708) Author(s): F. G. E. Source: The Musical Times and Singing Class Circular, Vol. 43, No. 708 (Feb. 1, 1902), pp. 81-88 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/3369577 Accessed: 05-12-2015 16:35 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times and Singing Class Circular. http://www.jstor.org This content downloaded from 137.189.170.231 on Sat, 05 Dec 2015 16:35:56 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES.-FEBRUARY I, 1902. 81 THE MUSICAL composerof some fineanthems and known to TIMES everybodyas the authorof the ' Grand chant,'- AND SINGING-CLASS CIRCULAR. and William Turner. These three boys FEBRUARY I, 1902. collaboratedin the productionof an anthem, therebycalled the Club Anthem,a settingof the words ' I will always give thanks,'each young gentlemanbeing responsible for one of its three DR. JOHN BLOW movements. The origin of this anthem is variouslystated; but the juvenile joint pro- (1648-I7O8). -
Tuesday, March 30, 2021 Holy Week and Easter Service Schedule
Tuesday, March 30, 2021 Brown, Ford Madox, 1821-1893. Jesus Washing Peter's Feet, from Art in the Christian Tradition, a project of the Vanderbilt Divinity Library, Nashville, TN. Original source: Wikimedia Holy Week and Easter Service Schedule Sign up in the schedule below The Maundy Thursday and 10am Easter service will be livestreamed only. For all other indoor and outdoor services, we invite parishioners to join us. Each individual attending must sign up for all in-person services. A sign-up link for each service is in the schedule below and will be in the Friday email. Maundy Thursday 7:30pm Maundy Thursday Liturgy and Stripping of the Altar - Streamed on April 1st Facebook and YouTube Good Friday 12:00 noon Good Friday Liturgy Indoors April 2nd and livestreamed 8:30am outdoors (filled) Easter Sunday 10:00am (streamed on Facebook and YouTube) April 4th 11:30am Family service outdoors (filled) 1:00pm Children's & Middle Schoolers' Easter service (spaces available) Holy Week Leaflets Maundy Thursday Leaflet > Good Friday Leaflet > 2021 Easter Offering -- B-LOVE B-LOVE is an outreach effort of St. Stephen’s Youth Programs and its partners to deliver food and financial aid to families in need. Your grocery donations and gift cards have been a staple of this ministry grocery donations and gift cards have been a staple of this ministry. B-LOVE now reaches out across the Episcopal Diocese of Massachusetts to partner parishes and stakeholders to bless the needs of neighbors. Our Easter Offering for 2021 will be to help St. Stephen’s Youth Programs close the gap on their $60,000.00 need. -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
Georg Friedrich Händel
CAPPELLA „ARS MUSICA“ ÜBERREGIONALER CHOR 2004 Messiah HWV 56 Georg Friedrich Händel festschrift Georg Friedrich Händel 1685 – 1759 Messiah Georg Friedrich Händel Ingrid Haselberger, Sopran Florian Meixner, Countertenor Gerd Jaburek, Tenor Marcus Pelz, Bass Nikolaus Newerkla, Cembalo Cappella „Ars Musica“ Camerata „Ars Musica“ Einstudierung: Holger Kristen, Kurt Kren, Maria Magdalena Nödl Dirigentin Maria Magdalena Nödl mitwirkende 3 SONNTAG, 17. OKTOBER, 15.00 UHR PFARRKIRCHE TRAUNSTEIN SONNTAG, 24. OKTOBER, 16.00 UHR PFARRKIRCHE WULLERSDORF DIENSTAG, 26. OKTOBER, 16.00 UHR EGGENBURG - FESTSAAL LINDENHOF SONNTAG, 31. OKTOBER, 16.00 UHR KLOSTER PERNEGG SONNTAG, 14. NOVEMBER, 16.00 UHR STIFT ALTENBURG termine 4 Dr. Erwin Pröll Landeshauptmann von Niederösterreich Die Musik ist die beste Art der Kommunikation und die gemeinsame Sprache der Menschen. Niederösterreich verfügt über ein reiches, viel- fältiges und dynamisches Kulturleben. Der Chor Cappella „Ars Musica“ wird heuer das Wald- und Weinviertel musikalisch zum Klingen bringen. Der „Messias“ von G.F. Händel wird in fünf verschiedenen Orten aufgeführt. Und das ist auch die Philosophie der niederösterreichischen Kulturpolitik. Kunst und Kultur sind bei uns in jeder Gemeinde, in jeder Region erlebbar. Kunst und Kultur schaffen Lebensfreude, Lebensqualität, Zusammengehörig- keit und Identität. Die Musik ist zudem ein wirkungsvoller Botschafter unse- res Heimatlandes. Ich darf also dem Chor viel Erfolg und den Besuchern schöne Stunden mit dem „Messias“ wünschen. vorwort 5 Liebe Bevölkerung Yehudi Menuhin hat einmal gesagt: „Singen und Musik sind die eigent- liche Muttersprache aller Menschen, denn Musik ist die natürlichste Weise, in der wir uns ganz mitteilen können – mit all unseren Erfah- rungen, Empfindungen und Hoffnungen.“ Musik gehört also zur Natur des Menschen und ist eine der ursprünglichsten zwischenmenschlichen Ausdrucksformen. -
A Service of Lessons and Carols for Advent
A SERVICE OF LESSONS AND CAROLS FOR ADVENT SUNDAY , NOVEMBER 30, 2014 5:OO PM INTRODUCTION : FROM ADVENT TO CHRISTMAS TO NOW “God is love, and those who abide in love but “to do justice, love mercy, and walk humbly abide in God, and God abides in them. We love with God.” because God first loved us. The commandment Isaiah sees that the nation of Israel will be we have from God is this: those who love God able to realize God’s redemption—to break the must love their brothers and sisters also.” grip of sin, violence, and murder—only through great suffering endured by an innocent servant (to These words, from the First Letter of many readers the nation of Israel itself). This John, state a central tenet of our faith, and sum servant will become the receptacle for all up in a few words much of the message of the violence, an atoning human scapegoat. Bible. The story of the Bible is the story of the Advent of Christ, the gradual unfolding of our Isaiah envisions redemption for Israel understanding of God’s message of love and through suffering that is God’s will (Isa. 53:10). redemption. The readings tonight were chosen to With the coming of the Christ, it becomes clear illuminate this process. that redemption is for all humankind, and that the servant —Jesus—suffers not because of God’s will Cain murders Abel in a time when there for suffering, but because a world wedded to were no recorded rules against murder, when the violence will have it no other way (Sixth Lesson).