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The Anthems of Thomas Ford (Ca. 1580-1648). Fang-Lan Lin Hsieh Louisiana State University and Agricultural & Mechanical College

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The Anthems of Thomas Ford (Ca. 1580-1648). Fang-Lan Lin Hsieh Louisiana State University and Agricultural & Mechanical College Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1989 The Anthems of Thomas Ford (Ca. 1580-1648). Fang-lan Lin Hsieh Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Hsieh, Fang-lan Lin, "The Anthems of Thomas Ford (Ca. 1580-1648)." (1989). LSU Historical Dissertations and Theses. 4722. https://digitalcommons.lsu.edu/gradschool_disstheses/4722 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Order Number 9002149 The anthems of Thomas Ford (ca. 1580-1648) Hsieh, Fang-lan Lin, Ph.D. The Louisiana State University and Agricultural and Mechanical Col., 1989 Copyright ©1990 by Hsieh, Fang-lan Lin. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE ANTHEMS OF THOMAS FORD (CA. 1580-1648) A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by Fang-lan Lin Hsieh B.A., The College of Chinese Culture, 1974 M.Mus., University of South Carolina, 1976 M.Lib., University of South Carolina, 1978 May 1989 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ACKNOWLEDGMENT I wish to express my thanks to a number of people. First of all, I must express my deep gratitude to Dr. Wallace McKenzie for his guidance, support, and invaluable suggestions and criticisms on the content and format of the dissertation. I am equally grateful to Dr. Jan Herlinger for his assistance and guidance in the revisions of the draft throughout the final stages of the work. Special thanks must also go to Dr. Jason Li and Lydia Hamessley who sacrificed their own valuable time to provide editorial suggestions for this dissertation; to Paul Banrow for his task of inputting Ford's anthems into computer, to Dr. Nai-Kuan Huang and Joseph Liu for their assistance with computer equipment and technology. I also cannot omit thanking my husband for his encouragement and sympathy, and for sharing both the pleasure and the pain during my time of travail. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OF CONTENTS Page ACKNOWLEDGMENT........................................................... u TABLE OF CONTENTS ..................................................................................... “ i LIST OF TABLES................................................................................................... vi LIST OF FIGURES................................................................................................ vii LIST OF MUSICAL EXAMPLES ................................................................ viii ABSTRACT ..............................................................................................................xvii CHAPTER I . INTRODUCTION ........................................................................................ 1 Brief Biography of Thomas F o r d .....................................................* ................ 1 The Music of Thomas F o r d ................................................................................... 3 H. A SURVEY OF ANTHEM COMPOSITIONS TO CA. 1650 .............. 14 The Development of the Full A n th e m ................................................................ 14 The Development of the Verse A n th e m ............................................................. 16 Anthems Adapted from M o te ts j g The Anthem in the Church Service ..................................................................... 22 The Church C hoir ......................................................... 23 Sources of Early A nthem s ................................................................................... 24 ChristopherTye(ca. 1500-ca. 1573) ................................................................... ? g Thomas Tallis (ca. 1505-1585) ............................................................................. 31 John Sheppard (ca. 1520-ca. 1563) ........................................ 34 Richard Farrant (ca. 1525- 1 5 8 0 ) .................................................. 33 William Mundy (ca. 1529- 1 5 9 1 ) ...................................................................... 38 iii Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. William Byrd (ca. 1542- 1 6 2 3 ) ........................................................................... 39 Thomas Tomkins (1572- 165 6 ) ............................................. 44 Thomas Weelkes (1575- 1 6 2 3 ) ........................................................................... 50 Orlando Gibbons (1583- 1 6 2 5 ) ........................................................................... 55 Walter Porter (ca. 1587?- 1 6 5 9 ) ........................................................................... 59 HI. THOMAS FORD'S ANTHEMS .............................................................. 62 Sources of the Anthems ............................................................................... • 62 Editorial Approach to T ra n sc rip tio n s ................................................................ 65 T exts ...................................................................................................................... 70 Expressive Effect, Rhetoric, and A ffe c tio n ......................................................... 72 M e lo d y .................................................................................................................... 85 H a rm o n y .............................................................................................................. 97 Counterpoint ...................................................................................................... 102 F o rm ........................................................................................................................ 107 Performance P ra c tic e ......................................................................................... I l l TV. A COMPARATIVE STUDY OF FORD'S ANTHEMS AND OTHER WORKS .............................................................................. 113 The Anthems and Other Vocal Music of Thomas Ford ........................................ 113 The Anthems and Instrumental Music of Thomas F o r d ................................... 124 Anthems of Thomas Ford Compared to Those of Tomkins, Weelkes, and G ib b o n s ......................................................................................................... 125 Anthems of Thomas Ford Compared to Those of Pilkington, Peerson, and R a m s e y ........................................................................................................... 135 SUMMARY AND CONCLUSIONS................................................................143 BIBLIOGRAPHY....................................................................................................146 iv Reproduced with permission of the copyright
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