A Service of Lessons and Carols for Advent
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LCOM182 Lent & Eastertide
LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas -
Download Album Booklet
CHRISTMAS WITH ST JOHN’S Christmas with St John’s unhurried, easy-flowing vernacular feel as Sansom’s powerful verses, and the overall For many people, the pleasures of the Christmas structure is equally effective; the melody is 1 The Shepherd’s Carol Bob Chilcott [3.40] season can be summed up in a single word: first presented by trebles alone before the 2 The Holly and the Ivy Traditional, arr. Henry Walford Davies [2.54] tradition. However, perhaps strangely for a other voices softly enter, one by one, gradually 3 Sir Christèmas William Mathias [1.33] world so steeped in the music and practices layering a serene pillow of harmonic suspensions. 4 O Oriens Cecilia McDowall [4.35] of centuries past, the English sacred choral The one fortissimo moment comes at the 5 Adam Lay ybounden Boris Ord [1.19] scene is as much about the new as it is the central climax, when all the vocal parts join 6 A Spotless Rose Philip Ledger [2.00] in homophony, for the first and only time, 7 The Seven Joys of Mary William Whitehead [4.45] old at this time of year; Christmas presents 8 Dormi Jesu John Rutter [4.56] a golden opportunity to present brand new to describe the angels’ voices. 9 Creator of the Stars of Night Plainsong, arr. John Scott [3.41] music to wide audiences, and the role played 0 I Wonder as I Wander Carl Rutti [1.46] by St John’s College Choir in this area has Henry Walford Davies’ popular 1913 q O Little Town of Bethlehem Henry Walford Davies [4.49] been significant, as demonstrated by this arrangement of The Holly and the Ivy sticks w I Saw Three Ships Traditional arr. -
Sun 7Th Mar 2021 to Sat 3Rd Apr 2021
SUNDAY 7 MARCH 0945 THE CATHEDRAL EUCHARIST ONLINE ONLY SUNDAY 14 0945 THE CATHEDRAL EUCHARIST NAVE ALTAR THIRD SUNDAY Missa in honorem sacratissimi cordis Henrik Andriessen Hymns Lent Prose, 395, 547 FOURTH SUNDAY Missa simplex Katherine Dienes-Williams Hymns 499 (omit vv3-9), 238, OF LENT Prevent us, O Lord Alan Ridout Psalm 19. 7-end OF LENT God so loved the world (Crucifixion) John Stainer 535 (133ii), 507 Preacher: The Venerable Stuart Beake Laetare Sunday Preacher: The Revd Canon Chris Hollingshurst Prelude in B minor (BWV 544) Johann Sebastian Bach Mothering Sunday Regina Pacis (Symphony No 1) Guy Weitz 1800 EVENSONG NAVE MONDAY 8 Evening service Sancti Ioannis Cantabrigiensis Philip Moore Hymns 163 (omit v 2), 109 Edward King, Lo, the full final sacrifice Gerald Finzi Responses: Ebdon Bishop of Lincoln, 1910 In manus tuas Jeanne Demessieux Psalm 107. 1-9 Felix, Bishop, Apostle to the East Angles, 647 Geoffrey Studdert Kennedy, MONDAY 15 1730 EVENSONG NAVE Priest, Poet, 1929 Magnificat Secundi toni Philippe de Monte Responses: Harris Nunc Dimittis Secundi toni plainsong Ubi caritas Philip Moore TUESDAY 9 1930 LENT TALK III: THE KINGDOM, THE POWER AND THE GLORY ONLINE ONLY The Very Revd Dianna Gwilliams For further details, please email [email protected] TUESDAY 16 0800 MORNING PRAYER PRESBYTERY 0830 HOLY COMMUNION 1730 EVENSONG NAVE WEDNESDAY 10 Short Evening service Thomas Weelkes Responses: Byrd Nolo mortem peccatoris Thomas Morley 1930 LENT TALK IV: THE KINGDOM, THE POWER AND THE GLORY ONLINE ONLY THURSDAY 11 The Very Revd Dianna Gwilliams For further details, please email [email protected] FRIDAY 12 WEDNESDAY 17 0900 MORNING PRAYER PRESBYTERY Patrick, Bishop, Missionary, 0930 HOLY COMMUNION SATURDAY 13 Patron of Ireland, c.460 THURSDAY 18 0900 MORNING PRAYER PRESBYTERY Cyril, Bishop of Jerusalem, 0930 HOLY COMMUNION Teacher of the Faith, 386 1730 FIRST EVENSONG OF JOSEPH OF NAZARETH NAVE Evening service in E minor Pelham Humphrey Responses: Byrd The Cherry Tree Carol traditional, arr. -
The Byrd Edition & English Madrigalists
T74 (2020) THE BYRD EDITION and THE ENGLISH MADRIGALISTS (including the INVITATION Series) William Byrd 1543 — 1623 STAINER & BELL ORDERING INFORMATION This catalogue contains titles in print at the date of its preparation and provides details of volumes in The Byrd Edition, The English Madrigalists and the Invitation Series. A brief description of contents is given and full lists of contents may be obtained by quoting the CON or ASK sheet number given. Many items by William Byrd and composers included in The English Madrigalists are available as separate items and full details can be found in our Choral Catalogue (T60) and our Early Music Catalogue (T71). Items not available either separately or in a small anthology may be obtained through our ‘Made-to-Order’ Service. Our Archive Department will be pleased to help with enquiries and requests. Alternatively, Adobe Acrobat PDF files of individual titles from The Byrd Edition and The English Madrigalists are now available through the secure Stainer & Bell online shop. Please see pages 5 and 13 for full details. Other catalogues containing our library series which will be of interest are: T69 Musica Britannica T75 Early English Church Music T108 Purcell Society Edition Prices, shown in £ sterling, are recommended retail prices exclusive of carriage and are applicable from 1st January 2020. Prices and carriage charges are subject to change without notice. In case of difficulty titles can be supplied directly by the publisher if prepaid by cheque, debit or credit card or by sending an official requisition. Card payments (Visa, Mastercard, Maestro or Visa Debit) are accepted for orders of £5.00 or over and can be made via our secure online ordering system on our website (www.stainer.co.uk) or by letter, telephone, email or fax. -
The Anthems of Thomas Ford (Ca. 1580-1648). Fang-Lan Lin Hsieh Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1989 The Anthems of Thomas Ford (Ca. 1580-1648). Fang-lan Lin Hsieh Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Hsieh, Fang-lan Lin, "The Anthems of Thomas Ford (Ca. 1580-1648)." (1989). LSU Historical Dissertations and Theses. 4722. https://digitalcommons.lsu.edu/gradschool_disstheses/4722 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Musica Britannica
T69 (2021) MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Vauxhall Pleasure Gardens c.1750 Stainer & Bell Ltd, Victoria House, 23 Gruneisen Road, London N3 ILS England Telephone : +44 (0) 20 8343 3303 email: [email protected] www.stainer.co.uk MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Musica Britannica, founded in 1951 as a national record of the British contribution to music, is today recognised as one of the world’s outstanding library collections, with an unrivalled range and authority making it an indispensable resource both for performers and scholars. This catalogue provides a full listing of volumes with a brief description of contents. Full lists of contents can be obtained by quoting the CON or ASK sheet number given. Where performing material is shown as available for rental full details are given in our Rental Catalogue (T66) which may be obtained by contacting our Hire Library Manager. This catalogue is also available online at www.stainer.co.uk. Many of the Chamber Music volumes have performing parts available separately and you will find these listed in the section at the end of this catalogue. This section also lists other offprints and popular performing editions available for sale. If you do not see what you require listed in this section we can also offer authorised photocopies of any individual items published in the series through our ‘Made- to-Order’ service. Our Archive Department will be pleased to help with enquiries and requests. In addition, choirs now have the opportunity to purchase individual choral titles from selected volumes of the series as Adobe Acrobat PDF files via the Stainer & Bell website. -
Service Scheme October 2018
Service Scheme October 2018 Regular Authorised services 1 Monday 08:30 Morning Prayer 12:30 Holy Communion 17:30 Choral Evensong The First Service Philip Moore Responses: Stephen Cleobury Hear my prayer Adrian Batten Psalms: 6, 7, 8 2 Tuesday 08:30 Morning Prayer 12:30 Holy Communion 17:30 Choral Evensong Basil Harwood in A flat Responses: Humphrey Clucas O hearken thou Edward Elgar Psalms: 12, 13, 14 3 Wednesday 08:30 Morning Prayer : 12:30 Holy Communion 17:30 Said Evening Prayer 4 Thursday 08:30 Morning Prayer 12:30 Holy Communion Francis of Assisi, Friar, 13:10 Organ Recital Founder of the Friars Minor, 1226 Friedhelm Flamme (Germany) 17:30 Choral Evensong Responses: Thomas Ebdon The Short Service William Byrd Hymn: 263 *(4, 5, 6) Hear, O Lord John Amner Psalms: 22, 23 5 Friday 08:30 Morning Prayer 12:30 Holy Communion 17:30 Choral Evensong Herbert Sumsion in D Responses: Harrison Oxley Ave verum Arthur Wills Psalms: 27, 28, 29 6 Saturday 09:30 Holy Communion 16:15 Choral Evensong Responses: Richard Lloyd William Tyndale, Hugh Blair in B minor Psalms: 32, 33, 34 Translator of the Scriptures, Reformation Blessed be the God and father S S Wesley Hymn: 199 Martyr, 1536 7 Sunday 08:00 Holy Communion 11:00 The Cathedral Eucharist: Hymns on service sheet The Nineteenth Harvest Festival Preacher: The Very Revd Dr Tim Stratford Sunday After Missa Brevis Lennox Berkeley ` Trinity Fear not, O land Edward Elgar 15:30 Choral Evensong Responses: Richard Lloyd Hymns: 414, 413 Herbert Howells in G Psalm: 37 Welcome, Sweet and Sacred Feast Gerald -
Renaissance Terms
Renaissance Terms Cantus firmus: ("Fixed song") The process of using a pre-existing tune as the structural basis for a new polyphonic composition. Choralis Constantinus: A collection of over 350 polyphonic motets (using Gregorian chant as the cantus firmus) written by the German composer Heinrich Isaac and his pupil Ludwig Senfl. Contenance angloise: ("The English sound") A term for the style or quality of music that writers on the continent associated with the works of John Dunstable (mostly triadic harmony, which sounded quite different than late Medieval music). Counterpoint: Combining two or more independent melodies to make an intricate polyphonic texture. Fauxbourdon: A musical texture prevalent in the late Middle Ages and early Renaissance, produced by three voices in mostly parallel motion first-inversion triads. Only two of the three voices were notated (the chant/cantus firmus, and a voice a sixth below); the third voice was "realized" by a singer a 4th below the chant. Glogauer Liederbuch: This German part-book from the 1470s is a collection of 3-part instrumental arrangements of popular French songs (chanson). Homophonic: A polyphonic musical texture in which all the voices move together in note-for-note chordal fashion, and when there is a text it is rendered at the same time in all voices. Imitation: A polyphonic musical texture in which a melodic idea is freely or strictly echoed by successive voices. A section of freer echoing in this manner if often referred to as a "point of imitation"; Strict imitation is called "canon." Musica Reservata: This term applies to High/Late Renaissance composers who "suited the music to the meaning of the words, expressing the power of each affection." Musica Transalpina: ("Music across the Alps") A printed anthology of Italian popular music translated into English and published in England in 1588. -
The 1600 Collection of Madrigals by Thomas Weelkes
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2014 The 1600 olC lection of Madrigals By Thomas Weelkes Rachel Linsey Albert University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Music Commons Recommended Citation Albert, Rachel Linsey, "The 1600 oC llection of Madrigals By Thomas Weelkes" (2014). Theses and Dissertations. 351. https://dc.uwm.edu/etd/351 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE 1600 COLLECTION OF MADRIGALS BY THOMAS WEELKES by Rachel Linsey Albert A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin-Milwaukee May 2014 ABSTRACT THE 1600 COLLECTION OF MADRIGALS BY THOMAS WEELKES by Rachel Linsey Albert The University of Wisconsin-Milwaukee, 2014 Under the Supervision of Professor Mitchell P. Brauner Thomas Weelkes in considered among the most important of the English madrigalists of the late sixteenth and early seventeenth centuries; however, little has been written about him. Modern scholarship begins with Edmund H. Fellowes’s edition of Weelkes’s madrigal publications. The only comprehensive study of Weelkes’s life and works is David Brown’s 1969 Thomas Weelkes: A Biographical and Critical Study. Most other Weelkes scholarship simply compares his music to that of his contemporaries. This thesis fills another gap in Weelkes studies by offering an analysis of his 1600 collection, Madrigals of 5 and 6 Parts, Apt for the Viols and Voices. -
Music List Complete Fall Term 2019
ALL SAINTS CHURCH WORCESTER C Sunday, September 15 - Christmas Eve, 2019 September 15-Christmas Eve, Sunday, The Choir of All Saints Church All Saints of Choir The HORAL HORAL Organist and Director of Music and Director Organist Graeme McCullough McCullough Graeme Assistant Organist Michael Celularo Celularo Michael M USIC All Saints Church All Saints Church was the first Episcopal church established in the city of Worcester, beginning with a small gathering in the Town Hall on December 13, 1835. The name All Saints Church was adopted in 1843 and on June 10, 1846, the first service was held in the first Episcopal building on Pearl Street. A fire destroyed that building on April 7, 1874. A new church building on the present site was consecrated in 1877. Fire struck again in 1932 and destroyed all but the tower, spire, and some exterior walls. On Easter Sunday, 1934 the first service was held in the present building. With its rich carvings of wood and stone and its glorious stained glass windows, All Saints Church has been described by many as one of the most beautiful churches in New England. It is the largest Episcopal church in the Diocese of Western Massachusetts, and as the architects for this Gothic Revival building were Frohman, Robb and Little of Boston, designers of the National Cathedral in Washington DC, our building has many similarities to that majestic cathedral. The Rice Memorial Organ at All Saints is one of the most celebrated in North America. Built by the Aeolian-Skinner company of Boston, opus 909 was an early success in the career of the company’s visionary tonal director, G. -
Christ Church Cathedral Vancouver, BC
Christ Church Cathedral Vancouver, BC . Open Doors, Open Hearts, Open Minds holy week Gapriloo d, Friday | pm CATHEDRAL VISION | We envision a Cathedral which is radically inclusive, restlessly inquisitive, intentional, and inspired. This is a place that is called to lead and to serve, in communion and in community, with healing, reconciliation, and love, living out Christian mission. Together, we look to the power of Christ for the transformation of each person, this city, and the world. We recognize our history and traditions, while seeking renewal and growth. Curious and adaptable, this chorus has room for all voices. Whoever you are, wherever you come from, whomever you love, and regardless of what you may bring or are searching for, you are welcome here. If you have any questions about the Cathedral, its ministries or congregations, please visit our website at thecathedral.ca. thecathedral.ca .. Dear friends in Christ Th ank you for participating in this virtual worship for Good Friday coming from Christ Church Cathedral. Like you I long for the day when we will all gather together to worship in person again. For now, though, we must be together from a distance to protect everyone’s health and safety. Gods mission through the ministry of local communities of faith continues. Th ough we are in unprecedented times, your fi nancial support is needed now more than ever. Many of you may be in a precarious fi nancial position and may not be able to maintain your giving to your parish. But if you’re able to maintain your giving or even off er an additional special gift during this time, I would urge you to do so. -
A Festival of Nine Lessons and Carols Sunday, December 20, 2020 Five O’ Clock in the Afternoon
A Festival of Nine Lessons and Carols Sunday, December 20, 2020 Five o’ clock in the afternoon First Presbyterian Church • Greensboro, North Carolina First Presbyterian Church Greensboro, North Carolina A Festival of Nine Lessons and Carols Sunday, December 20, 2020 • Five o’ clock in the afternoon Given by the Music Ministry of First Presbyterian Church This is a service of worship. Through the singing of carols and the reading of scripture, we offer our gifts to God who sent His Son to live and grow among us. PROCESSIONAL CAROL: Once in Royal David’s City .........................................................................................................irby Text: Cecil Francis Alexander / Music: Henry John Gauntlett BIDDING PRAYER Reverend Dr. Jill Duffield, Senior Pastor FIRST LESSON God makes an announcement in the Garden of Eden Genesis III Lizzie Albert, Canticle Choir Reader: The Word of the Lord People: Thanks be to God. CAROL: Adam lay y bounden .......................................................................................................................Philip Ledger (b. 1937) Chancel Choir Ensemble Adam lay ybounden, bounden in a bond: Ne had the apple taken been. Four thousand winter thought he not too long. Ne had never our lady abeen heavnè queen. Deo gracias! (Thanks be to God) Deo gracias! And all was for an apple, an apple that he took, Blessed be the time that apple taken was. As clerkes finden written in their book. Therefore we moun singen Deo gracias! Deo gracias! – Anonymous, 15th century SECOND LESSON God makes a promise to faithful Abraham Genesis XXII Rhonda Youngdahl, Coventry Ringers Reader: The Word of the Lord People: Thanks be to God. CAROL: Lo! How a Rose E’re Blooming .....................................................................................................