DOCSLIB.ORG

Service Schedule Beginning 22 June BASIC SHEET.Qxd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Service Schedule Beginning 22 June BASIC SHEET.Qxd June/July 2014 Sunday 22nd June The First Sunday after Trinity Sunday 29th June Peter the Apostle Cantoris 1 Decani 1 8 am Holy Communion Book of Common Prayer 8 am Holy Communion Book of Common Prayer 10.15 am Mattins Responses Smith 10.15 am Mattins Responses Moore Canticles Te Deum and Jubilate in F Ireland Venite Monk Canticles Te Deum (First Service); Jubilate (Short Service) Weelkes Venite Ayrton Preacher The Reverend Jonathan Coore, Minor Canon and Succentor Psalm 113 Preacher The Reverend Canon Mark Oakley, Chancellor, Canon in Residence Psalm 49. 1-12 Voluntary A Fancie Byrd Hymns 468, 206 Voluntary Allegretto & Andante espressivo from Sonata in G (Op. 28) Elgar Hymns 346, 354 11.30 am Sung Eucharist 11.30 am Sung Eucharist City of London Festival Service Setting Missa Tu es Petrus Palestrina Hymns SP 217 (i), 464, 478, 272 Setting Mass in G minor Vaughan Williams Hymns 398 (395), SP 203, 437, 205 Anthem Tu es Petrus Duruflé Anthem Come my soul Howells Preacher The Reverend Canon Mark Oakley, Chancellor, Canon in Residence Preacher The Reverend Sarah Eynstone, Minor Canon and Chaplain Voluntary Prelude and Fugue in E minor (BWV 548) J. S. Bach Voluntary Allegro maestoso from Sonata in G (Op. 28) Elgar 3.15 pm Evensong 3.15 pm Evensong Canticles Chichester Service Walton Responses Moore Canticles Murrill in E Responses Smith Anthem Hymn to St Peter Britten Psalm 138 Preacher The Reverend Paul Dominiak, Chaplain, Trinity College, Cambridge Hymns 426, 419, 172 (443) Anthem The Evening Watch Holst Psalm 46 Voluntary Alléluia final from Livre du Saint Sacrement Messiaen Preacher The Reverend Richard Bastable, Vicar, St Luke’s, Uxbridge Road Hymns 393, 298, 360 4.45 pm Organ Recital Julian Bewig (Germany) Voluntary Presto (comodo) from Sonata in G (Op. 28) Elgar 6 pm Eucharist 4.45 pm Organ Recital Katherine Pardee (University of Oxford) 6 pm Eucharist Monday 30th June 7.30 am Morning Prayer Psalm 147 Monday 23rd June Etheldreda, Abbess of Ely, c.678 8 am and 12.30 pm Eucharist 7.30 am Morning Prayer Psalms 120, 121, 122 5 pm Evensong sung by the Choir of St Mark’s, Bromley 8 am and 12.30 pm Eucharist Canticles Stanford in C Responses Rose 5 pm Evensong sung by Fettes College Chapel Choir Eve of the Birth of John the Baptist Anthem Evening Hymn Balfour Gardiner Psalm 150 Canticles Collegium Regale Howells Responses Smith Tuesday 1st July Henry, John, and Henry Venn the younger, Anthem The heavens are telling the glory of God Haydn Psalm 71 Hymn 476 Priests, Evangelical Divines, 1797, 1813 and 1873 7.30 am Morning Prayer Psalms 1, 2 Tuesday 24th June The Birth of John the Baptist 8 am and 12.30 pm Eucharist 7.30 am Morning Prayer Psalm 50 5 pm Sung Eucharist attended by the College of Canons 8 am and 12.30 pm Eucharist sung by the Choristers and the Hackney Children’s Choir 5 pm Sung Eucharist Setting Missa brevis Britten Hymns 12, 18 Setting Missa Ecce ego Johannes Palestrina Hymns 12, 18 Anthem The Call of Wisdom Will Todd Anthem Fuit homo missus a Deo Palestrina Preacher The Reverend Catherine Williams, National Advisor for Vocations, Church of England Voluntary Tu es Petrus Demessieux Preacher The Reverend Canon Mark Oakley, Chancellor, Canon in Residence Voluntary Toccata in F (BWV 540) J. S. Bach Wednesday 2nd July 7.30 am Morning Prayer Psalms 5, 6 Wednesday 25th June Ember Day 8 am and 12.30 pm Eucharist 7.30 am Morning Prayer Psalms 132, 133 5 pm Evensong attended by the Friends of St Paul’s Cathedral Eve of Thomas the Apostle 8 am and 12.30 pm Eucharist Canticles St Paul’s Service Howells Responses Rose 5 pm Evensong Anthem Bring us O Lord God Harris Psalm 27 Introit I will lift up mine eyes Philip Ledger Responses Moore Preacher The Very Reverend Nicholas Frayling, Dean Emeritus of Chichester Hymns 362 (185), SP 280, 271 (omit v 3) Canticles Magnificat in A minor Darke; Nunc dimittis Holst Psalm 134, 135 Voluntary Toccata from Symphony No 5 Widor Anthem The Spirit of the Lord Elgar Thursday 3rd July Thomas the Apostle 7.30 am Morning Prayer Psalm 92 th Thursday 26 June 8 am and 12.30 pm Eucharist 7.30 am Morning Prayer Psalm 136 5 pm Sung Eucharist 8 am and 12.30 pm Eucharist Setting Missa Aeterna Christi munera Palestrina Hymns 173 (265) (omit v 2 & 4), 272 5 pm Evensong sung by the Vicars Choral Responses Leighton Jones Anthem Quia vidisti me Thoma Hassler Introit God grant we grace Tallis Psalms 137, 138 Preacher The Reverend Prebendary Stephen Coles Canticles Wood in E Voluntary Pro martyribus Saint-Saëns Anthem View me, Lord Wood 8 pm City of London Festival Concert Threnody for the Victims of Hiroshima Penderecki; Symphony No 9 Bruckner London Symphony Orchestra conducted by Daniel Harding Tickets on sale Barbican Box Office from www.barbican.org.uk/eticketing Tel: 0845 120 7502 Friday 27th June Ember Day Cyril, Bishop of Alexandria, Teacher of the Faith, 444 Friday 4th July 7.30 am Morning Prayer and Litany Psalm 139 7.30 am Morning Prayer and Litany Psalms 11, 12 8 am and 12.30 pm Eucharist 8 am and 12.30 pm Eucharist 5 pm Evensong 5 pm Evensong Introit I will lift up mine eyes Philip Ledger Responses Moore Introit St Godric’s Hymn Britten Responses Rose Canticles Third Service Byrd Psalms 140, 141 Canticles Short Service Byrd Psalms 13, 14 Anthem Credo (Mass for four voices) Byrd Anthem Veni Sancte Spiritus Victoria Saturday 5th July Saturday 28th June Irenæus, Bishop of Lyons, Teacher of the Faith, c.200 7.30 am Morning Prayer Psalms 15, 16 Ember Day 8 am and 12.30 pm Eucharist 7.30 am Morning Prayer Psalms 142, 143 5 pm Evensong 8 am Eucharist Introit St Godric’s Hymn Britten Responses Rose 3 pm Ordination of Deacons Eve of Peter the Apostle Canticles Darke in F Psalm 17 Preacher The Bishop Anthem Libera me Domine Fauré Hymn SP 66 The Very Reverend David Ison, Dean The Reverend Canon Mark Oakley, the Reverend Canon Philippa Boardman, Canons in Residence The Reverend Jonathan Coore, Minor Canon and Succentor Andrew Carwood, Director of Music.
Load more

Recommended publications
  • Download Album Booklet
    CHRISTMAS WITH ST JOHN’S Christmas with St John’s unhurried, easy-flowing vernacular feel as Sansom’s powerful verses, and the overall For many people, the pleasures of the Christmas structure is equally effective; the melody is 1 The Shepherd’s Carol Bob Chilcott [3.40] season can be summed up in a single word: first presented by trebles alone before the 2 The Holly and the Ivy Traditional, arr. Henry Walford Davies [2.54] tradition. However, perhaps strangely for a other voices softly enter, one by one, gradually 3 Sir Christèmas William Mathias [1.33] world so steeped in the music and practices layering a serene pillow of harmonic suspensions. 4 O Oriens Cecilia McDowall [4.35] of centuries past, the English sacred choral The one fortissimo moment comes at the 5 Adam Lay ybounden Boris Ord [1.19] scene is as much about the new as it is the central climax, when all the vocal parts join 6 A Spotless Rose Philip Ledger [2.00] in homophony, for the first and only time, 7 The Seven Joys of Mary William Whitehead [4.45] old at this time of year; Christmas presents 8 Dormi Jesu John Rutter [4.56] a golden opportunity to present brand new to describe the angels’ voices. 9 Creator of the Stars of Night Plainsong, arr. John Scott [3.41] music to wide audiences, and the role played 0 I Wonder as I Wander Carl Rutti [1.46] by St John’s College Choir in this area has Henry Walford Davies’ popular 1913 q O Little Town of Bethlehem Henry Walford Davies [4.49] been significant, as demonstrated by this arrangement of The Holly and the Ivy sticks w I Saw Three Ships Traditional arr.
    [Show full text]
  • A Service of Lessons and Carols for Advent
    A SERVICE OF LESSONS AND CAROLS FOR ADVENT SUNDAY , NOVEMBER 30, 2014 5:OO PM INTRODUCTION : FROM ADVENT TO CHRISTMAS TO NOW “God is love, and those who abide in love but “to do justice, love mercy, and walk humbly abide in God, and God abides in them. We love with God.” because God first loved us. The commandment Isaiah sees that the nation of Israel will be we have from God is this: those who love God able to realize God’s redemption—to break the must love their brothers and sisters also.” grip of sin, violence, and murder—only through great suffering endured by an innocent servant (to These words, from the First Letter of many readers the nation of Israel itself). This John, state a central tenet of our faith, and sum servant will become the receptacle for all up in a few words much of the message of the violence, an atoning human scapegoat. Bible. The story of the Bible is the story of the Advent of Christ, the gradual unfolding of our Isaiah envisions redemption for Israel understanding of God’s message of love and through suffering that is God’s will (Isa. 53:10). redemption. The readings tonight were chosen to With the coming of the Christ, it becomes clear illuminate this process. that redemption is for all humankind, and that the servant —Jesus—suffers not because of God’s will Cain murders Abel in a time when there for suffering, but because a world wedded to were no recorded rules against murder, when the violence will have it no other way (Sixth Lesson).
    [Show full text]
  • Garlactic Arkestral Orchestra
    Garlactic Arkestral Orchestra Proudly present ALL ITALIAN EARLY MUSIC Cover image from: http://www.ibiblio.org/wm/paint/auth/gris/music/violin- guitar/gris.violin-guitar.jpg Garlactic Arkestral Orchestra Peter Schrödingerus, Music Director John P. Lagrange, Conductor Emeritus Wilhelm Potatoman Conducting Monteverdi Toccata and Prologue from L’Orfeo Corelli Concerto Grosso Op. 6 No. 8 Palestrina Tu es Petrus Kyrie from Missa Tu es Petrus DuFay Nuper rosarum flores Gabrieli Sonata pian e forte a 8 Strozzi Lagrime mie Midori Buffety, soprano Imagine that we ignore any music related to Claudio Monteverdi was about forty years old Italy from the western music history, how much will when his first opera, L’Orfeo, had its premiere in be lost? Perhaps it is easier to ask how much will be Mantua in 1607 to the members of Accademia degli left. The Marriage of Figaro is sung in Italian (also for Invaghiti. By the letter that Francesco Gonzaga, the Don Giovanni and Cosi Fan Tutte). Vivaldi’s Four dedicatee of the opera, sent to his brother about the Seasons will be gone. Can you imagine a classical performance of Feburary 24, we might conclude that music world without Four Seasons? Certainly, Italy the premiere was given in a small room in an has been playing a major role in cultivating the apartment owned by the Duchess of Ferrara— musical tradition since the Medieval. Our standard Margherita. However, in the preface of the score musical notation, though always gradually changing edited by Denis Stevens, the editor pointed out that the with the new inventions in the twentieth century, is letter hinted a little bit about the actual premiere date.
    [Show full text]
  • P Tifical HIGH MASS
    PTIFICa LHIGHMASS in tHe o rdinariate use of the ro man rite for tHe FEASTof SAINT G GRY On the Occasion of this Community’s Fourth Feast of Title and Dedication And the First Episcopal Visitation of our Bishop His Excellency Steven J. Lopes Friday, September Second at Seven-Thirty in the Evening at Saint Andrew’s Parish, Billerica Massachusetts Saint Gregory the Great Church A Community of the Personal Ordinariate of the Chair of Saint Peter Memoranda. His Excellency Steven J. Lopes celebrant The Very Reverend Fr. Timothy Perkins concelebrant The Reverend Fr. Jürgen W.V. Liias concelebrant Deacon Edward Giordano deacon Deacon Charles Hall subdeacon Mr. David Allen master of ceremonies Mr. Raymond Chagnon master of ceremonies Mr. Kevin McDermott verger Mr. Ryan Hawkes thurifer Mr. Richard Piwowarski crucifer Mr. Joe Cooley acolyte Mr. Steven Hardy acolyte Mr. Peter Glendinning acolyte Mr. Alastair-Ian Means acolyte Mr. Thomas O’Neill acolyte Mr. Joshua Pulliam acolyte Mr. Kevin Roy acolyte Mrs. Elise Sweet reader Mr. Joseph McLellan intercessor Mr. & Mrs. John Covert processors chappel Ms. Jessica Petrus treble Ms. Carey Shunskis treble Ms. Stephanie Scogna mean Mr. Jason McStoots tenor Mr. Marc DeMille baritone Mr. Jacob Cooper bass Mr. Richard Chonak clerk Mr. Michael Olbash choir director & precentor Mr. Michael Zadig music director & organist 3 .f The Feast of Saint Gregory the Great (vigil) Pontifical High Mass in the Ordinariate Use of the Roman Rite Friday 2. September 2016 .f 7:30 in the Evening organ prelude Allein Gott in der Höh sei Ehr (bwv 662) — Johann Sebastian Bach (1685–1750) Processional Hymn ¶Stand.
    [Show full text]
  • Byrd Draft 1
    i Introduction ii Acknowledgments Chapter 1 Byrd - a very brief biography Chapter 2 The Reformation - Historical Background - Effect on composers - Counter Reformation Chapter 3 An introduction to the mass Chapter 4 Some notes on mass settings - plainsong mass - Machaut Messe de Notre Dame - Taverner Missa Gloria tibi trinitas - Palestrina Missa Tu es Petrus Chapter 5 Ave Verum Corpus Commentary Chapter 6 The Kyrie and Gloria from the Mass for Four Voices - analytical commentary Chapter 7 If ye love me commentary Chapter 8 This is the record of John commentary Chapter 9 Settings of Services Bibliography and Discography 1 William Byrd Mass for Four Voices Background, commentary and related works Support material for teaching OCR A2 Music Historical and Analytical Studies option 4: Music and Belief Steven Griffin June 2009 2 Chapter 1 Byrd - a very brief biography William Byrd (c1540 - 1623) is one of the most celebrated English composers of any era. His career spans a time of political and religious upheaval and also the culmination of the musical Renaissance and the beginnings of Baroque style. Byrd’s music influences the new ideas of the Baroque era, particularly his keyboard music and the hints of tonality in his harmony (as opposed to modality). However, he remains a composer of the earlier time unlike Monteverdi, for example, whose religious works (e.g. 1610 Vespers, Beatus Vir etc) are Renaissance in style but whose operas (e.g. Orfeo) introduce Baroque ideas such as recitative. Byrd studied with Thomas Tallis (1505 - 1585) and is known to have been employed at Lincoln Cathedral before becoming a Gentleman of the Chapel Royal.
    [Show full text]
  • Music List Complete Fall Term 2019
    ALL SAINTS CHURCH WORCESTER C Sunday, September 15 - Christmas Eve, 2019 September 15-Christmas Eve, Sunday, The Choir of All Saints Church All Saints of Choir The HORAL HORAL Organist and Director of Music and Director Organist Graeme McCullough McCullough Graeme Assistant Organist Michael Celularo Celularo Michael M USIC All Saints Church All Saints Church was the first Episcopal church established in the city of Worcester, beginning with a small gathering in the Town Hall on December 13, 1835. The name All Saints Church was adopted in 1843 and on June 10, 1846, the first service was held in the first Episcopal building on Pearl Street. A fire destroyed that building on April 7, 1874. A new church building on the present site was consecrated in 1877. Fire struck again in 1932 and destroyed all but the tower, spire, and some exterior walls. On Easter Sunday, 1934 the first service was held in the present building. With its rich carvings of wood and stone and its glorious stained glass windows, All Saints Church has been described by many as one of the most beautiful churches in New England. It is the largest Episcopal church in the Diocese of Western Massachusetts, and as the architects for this Gothic Revival building were Frohman, Robb and Little of Boston, designers of the National Cathedral in Washington DC, our building has many similarities to that majestic cathedral. The Rice Memorial Organ at All Saints is one of the most celebrated in North America. Built by the Aeolian-Skinner company of Boston, opus 909 was an early success in the career of the company’s visionary tonal director, G.
    [Show full text]
  • Christ Church Cathedral Vancouver, BC
    Christ Church Cathedral Vancouver, BC . Open Doors, Open Hearts, Open Minds holy week Gapriloo d, Friday | pm CATHEDRAL VISION | We envision a Cathedral which is radically inclusive, restlessly inquisitive, intentional, and inspired. This is a place that is called to lead and to serve, in communion and in community, with healing, reconciliation, and love, living out Christian mission. Together, we look to the power of Christ for the transformation of each person, this city, and the world. We recognize our history and traditions, while seeking renewal and growth. Curious and adaptable, this chorus has room for all voices. Whoever you are, wherever you come from, whomever you love, and regardless of what you may bring or are searching for, you are welcome here. If you have any questions about the Cathedral, its ministries or congregations, please visit our website at thecathedral.ca. thecathedral.ca .. Dear friends in Christ Th ank you for participating in this virtual worship for Good Friday coming from Christ Church Cathedral. Like you I long for the day when we will all gather together to worship in person again. For now, though, we must be together from a distance to protect everyone’s health and safety. Gods mission through the ministry of local communities of faith continues. Th ough we are in unprecedented times, your fi nancial support is needed now more than ever. Many of you may be in a precarious fi nancial position and may not be able to maintain your giving to your parish. But if you’re able to maintain your giving or even off er an additional special gift during this time, I would urge you to do so.
    [Show full text]
  • A Festival of Nine Lessons and Carols Sunday, December 20, 2020 Five O’ Clock in the Afternoon
    A Festival of Nine Lessons and Carols Sunday, December 20, 2020 Five o’ clock in the afternoon First Presbyterian Church • Greensboro, North Carolina First Presbyterian Church Greensboro, North Carolina A Festival of Nine Lessons and Carols Sunday, December 20, 2020 • Five o’ clock in the afternoon Given by the Music Ministry of First Presbyterian Church This is a service of worship. Through the singing of carols and the reading of scripture, we offer our gifts to God who sent His Son to live and grow among us. PROCESSIONAL CAROL: Once in Royal David’s City .........................................................................................................irby Text: Cecil Francis Alexander / Music: Henry John Gauntlett BIDDING PRAYER Reverend Dr. Jill Duffield, Senior Pastor FIRST LESSON God makes an announcement in the Garden of Eden Genesis III Lizzie Albert, Canticle Choir Reader: The Word of the Lord People: Thanks be to God. CAROL: Adam lay y bounden .......................................................................................................................Philip Ledger (b. 1937) Chancel Choir Ensemble Adam lay ybounden, bounden in a bond: Ne had the apple taken been. Four thousand winter thought he not too long. Ne had never our lady abeen heavnè queen. Deo gracias! (Thanks be to God) Deo gracias! And all was for an apple, an apple that he took, Blessed be the time that apple taken was. As clerkes finden written in their book. Therefore we moun singen Deo gracias! Deo gracias! – Anonymous, 15th century SECOND LESSON God makes a promise to faithful Abraham Genesis XXII Rhonda Youngdahl, Coventry Ringers Reader: The Word of the Lord People: Thanks be to God. CAROL: Lo! How a Rose E’re Blooming .....................................................................................................
    [Show full text]
  • 03 June Newsletter
    February 2004 SING FOR JOY is heard on more than 150 Sing For Joy host other radio stations throughout the United Pastor States. It airs at 10 a.m. and 9:30 p.m. Sunday on Classical 89.3 WCAL in the Minneapolis/ W. Bruce Benson St. Paul metropolitan area and on affiliate 88.7 KMSE in Rochester, Minn. It For a list of stations or to request another copy of the Sing For Joy newsletter, visit singforjoy.com or call 888-798-9225. Sing For Joy is produced by Classical 89.3 WCAL, the public radio service of St. Olaf College, on the web at From the host stolaf.edu. I had a new year and time on my mind when I wrote If we feel pressed for time, if we feel like we don’t last month’s letter. I have time on my mind again this have enough hours in the day, or if seems there is month, because — this February — many of us are too little time in our weeks and months, it does help thinking about time differently than we do during to get more organized or to give up some activities. non-leap years. Suddenly, in 2004, we have this But we would not be wise to give up songs of joy. extra day! Where did it come from? Time spent singing for joy is free time; it isn’t sub- Well, we know about the calculations of the earth’s tracted from the time available in our lives. Time orbit around the sun and the need to “correct” the spent singing for joy is like time spent dancing calendar every four years by adding a day.
    [Show full text]
  • 100 Years of Nine Lessons & Carols
    The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 100 YEARS OF NINE LESSONS & CAROLS David Willcocks Philip Ledger Stephen Cleobury THE CHOIR OF KING’S COLLEGE, CAMBRIDGE For more than half a millennium, King’s College Chapel has been the home to one of the world’s most loved and renowned choirs. Since its foundation in 1441 by the 19-year-old King Henry VI, choral services in the Chapel, sung by this choir, have been a fundamental part of life in the College. Through the centuries, people from across Cambridge, the UK and, more recently, the world have listened to the Choir at these services. Today, even people who aren’t able to attend services in the Chapel have heard King’s Choir, thanks to its many recordings and broadcasts, and the tours that have taken it to leading international concert venues around the world. Despite its deep roots in musical history, the Choir has always been at the forefront of technological innovation, and records exclusively on its “impeccable” own label. 2 100 YEARS OF NINE LESSONS & CAROLS The Choir of King’s College, Cambridge David Willcocks conductor | Director of Music, 1957–1974 Philip Ledger conductor | Director of Music, 1974–1982 Stephen Cleobury conductor | Director of Music, 1982–2019 3 VOL 1 | New recordings 48:30 Conductor, Stephen Cleobury 1 O Holy Night | Adolphe Adam, arr. John Rutter 5:38 2 The Linden Tree Carol | Traditional, arr. Stephen Cleobury 3:04 3 The Lamb | John Tavener 3:39 4 God rest you merry, gentlemen | English traditional, arr.
    [Show full text]
  • The Department of Music of the University of Alberta Presents The
    The Department of Music of The University of Alberta presents The Madrigal Singers LEONARD RATZLAFF, Conductor with Norman Nelson, violin Michael Beert, cello Lawrence Fisher, violin Jan Urke, bass Michael Bowie, viola Brian Jones, percussion Sunday, November 4, 1984 at 8:00 p.m. Convocation Hall, Old Arts Building Tu es Petrus (c. 1572) Giovanni Pierluigi da Palestrina (1525-1594) Missa Tu es Petrus (1601) Giovanni Pierluigi da Palestrina (1525-1594) Kyrie Sanctus - Benedictus - Osanna Agnus Dei I Agnus Dei II Denise Lemke, Janet Halsall, soprano; Edette Gagne, alto; Ed Green, tenor This is the record of John (c. 1618) Orlando Gibbons (1583-1625) Edette Gagne, alto Elegischer Gesang, Op. 118 (1814) Ludwig van Beethoven (1770-1827) Sancta Maria, K. 273 (1777) Wolfgang Amedeus Mozart (1756-1791) INTERMISSION cik. -16 657 Psalm 13: Herr, wie lange, Op. 27 (1859) Johannes Brahms (1833-1897) Cantique de Jean Racine, Op. 11 (1865) Gabriel Faure (1845-1924) (accomp. arr. L. Fisher) Music for Mouths, Marimba, Mbira and Roto-Toms (1973) Malcolm Forsyth (b.1936) THE UNIVERSITY OF ALBERTA MADRIGAL SINGERS Soprano Alto Heather Davidson Edette Gagne Janet Halsall Joy-Anne Murphy Jane Hartling Karla Wagner Denise Lemke Michelle Wiart Kathleen Neudorf Shauna Young Marusia Prokopiw Tenor Bass Ian Armstrong Jon Eriksson Ed Green Laurier Fagnan Glen Halls Quinton Hackman Wayne Lemire Paul Mitchinson David Zacharko TEXTS AND TRANSLATIONS Tu es Petrus Tu es Petrus, et super hanc petram Thou art Peter, and on this rock edificabo ecclesiam meam, et portae I shall build my church, and all the inferi non prevalebunt adversus eam, gates of hell shall not prevail against et tibi dabo claves regni coelorum.
    [Show full text]
  • Vienna « Singakademie » – Concerts Including Choral Works of Anton Bruckner (1888-2015)
    Vienna « Singakademie » – Concerts including choral works of Anton Bruckner (1888-2015) Source : https://www.wienersingakademie.at/de/konzertarchiv/?archiv=composer&id=93 10 December 1888 « Großer-Musikvereins-Saal » , Vienna : Max von Weinzierl conducts the Vienna « Singakademie » Mixed-Choir. Soloists : Caroline Wogrincz (Soprano) , Josef Lamberg (Piano) . Johannes Brahms : « Fragen. Sehr lebhaft und rasch » (Asking) , Song in C major for women's choir, Opus 44, No. 4 (1859-1860) . Johannes Brahms : « Minnelied » (Song of Love) , Song in E major for women's choir, Opus 44, No. 1 (1859-1860) . Wilhelm Friedemann Bach : Chorus « Lasset uns ablegen die Werke der Finsternis » (F. 80) . Anton Bruckner : « Ave Maria » No. 2 ; Marian hymn in F major for 7-voice mixed unaccompanied choir (SAATTBB) (WAB 6) (1861) . Laurentius Lemlin : « Der Gutzgauch auf dem Zaune saß » , Folk-song for unaccompanied voices (1540) . Giovanni Pierluigi da Palestrina : « Missa Tu es Petrus » , Parody Mass for 6 mixed-voices (SSATBB) (IGP 110) . Carl Wilhelm Schauseil : « Mir ist ein schön’s braun’s Mägdelein » , folk-song. Franz Schubert : « Mirjams Siegesgesang » , Opus 136 (D. 942) . 13 May 1891 « Minoriten-Kirche » , Vienna. Max von Weinzierl conducts the Vienna « Singakademie » Mixed-Choir. Soloists : Sofie Chotek (Soprano) , Carl Führich (Organ) . Johann Sebastian Bach : « Welt, ade ! ich bin dein müde » (World, farewell ! I am weary of thee) , Chorale in B-flat major for 5-part mixed-choir (SSATB) and orchestra (BWV 27/6) (1726) . Anton Bruckner : « Ave Maria » No. 2 ; Marian hymn in F major for 7-voice mixed unaccompanied choir (SAATTBB) (WAB 6) (1861) . Hermannus Contractus (Herman the Cripple or Herman of Reichenau) : « Salve Regina » harmonized by Professor Franz Krenn.
    [Show full text]