A Festival of Nine Lessons and Carols Sunday, December 20, 2020 Five O’ Clock in the Afternoon

Total Page:16

File Type:pdf, Size:1020Kb

A Festival of Nine Lessons and Carols Sunday, December 20, 2020 Five O’ Clock in the Afternoon A Festival of Nine Lessons and Carols Sunday, December 20, 2020 Five o’ clock in the afternoon First Presbyterian Church • Greensboro, North Carolina First Presbyterian Church Greensboro, North Carolina A Festival of Nine Lessons and Carols Sunday, December 20, 2020 • Five o’ clock in the afternoon Given by the Music Ministry of First Presbyterian Church This is a service of worship. Through the singing of carols and the reading of scripture, we offer our gifts to God who sent His Son to live and grow among us. PROCESSIONAL CAROL: Once in Royal David’s City .........................................................................................................irby Text: Cecil Francis Alexander / Music: Henry John Gauntlett BIDDING PRAYER Reverend Dr. Jill Duffield, Senior Pastor FIRST LESSON God makes an announcement in the Garden of Eden Genesis III Lizzie Albert, Canticle Choir Reader: The Word of the Lord People: Thanks be to God. CAROL: Adam lay y bounden .......................................................................................................................Philip Ledger (b. 1937) Chancel Choir Ensemble Adam lay ybounden, bounden in a bond: Ne had the apple taken been. Four thousand winter thought he not too long. Ne had never our lady abeen heavnè queen. Deo gracias! (Thanks be to God) Deo gracias! And all was for an apple, an apple that he took, Blessed be the time that apple taken was. As clerkes finden written in their book. Therefore we moun singen Deo gracias! Deo gracias! – Anonymous, 15th century SECOND LESSON God makes a promise to faithful Abraham Genesis XXII Rhonda Youngdahl, Coventry Ringers Reader: The Word of the Lord People: Thanks be to God. CAROL: Lo! How a Rose E’re Blooming ...................................................................................................... arr. Cynthia Dobrinski Coventry Ringers Susan Fancher, soprano saxophone THIRD LESSON The Prophet foretells the coming of the Saviour Isaiah IX Terry Lashley, Chancel Choir Reader: The Word of the Lord People: Thanks be to God. CAROL: Climb to the Top of the Highest Mountain ..........................................................................Carolyn Jennings (b. 1936) Chancel Choir Ensemble Climb to the top of the highest mountain, Joyous tidings proclaim to the world, He will come in power and glory, Lift up your voice, shout the good news: He will rule with mercy and truth, Behold, your Lord comes to you. Hope of the nations, Light of all the world. He will feed his flock like a shepherd, He will love the little children, He will carry the lambs in his arms, He will hold them in his arms. He will ever keep them safe from harm. Love him and trust him as a child, Behold, your Lord comes to you. Behold, your Lord comes to you. – text adapted from Isaiah 40 He who made the stars in the heaven, He who fashioned the earth and the sea, From time eternal He was God, the Alpha and Omega, He. Behold, your Lord! FOURTH LESSON The peace that Christ will bring is foreshown Isaiah XI Ty Buckner, President of the Chancel Choir Reader: The Word of the Lord People: Thanks be to God. CAROL: The Lamb .................................................................................................................................... John Tavener (1944-2013) Chancel Choir Ensemble Little Lamb who made thee Little Lamb I’ll tell thee, Dost thou know who made thee Little Lamb I’ll tell thee! Gave thee life and bid thee feed. He is called by thy name, By the stream and o’er the mead; For he calls himself a Lamb: Gave thee clothing of delight, He is meek and he is mild, Softest clothing wooly bright; He became a little child: Gave thee such a tender voice, I a child and thou a lamb, Making all the vales rejoice! We are called by his name. Little Lamb who made thee Little Lamb God bless thee. Dost thou know who made thee Little Lamb God bless thee. – William Blake FIFTH LESSON The angel Gabriel salutes the Blessed Virgin Mary Luke I John Whisnant, Chair, Worship Committee Reader: The Word of the Lord People: Thanks be to God. CAROL: O Magnum Mysterium ........................................................................................................... Morten Lauridsen (b.1943) Chancel Choir Ensemble O magnum mysterium, O great mystery, et admirabile sacramentum, and wonderful sacrament, ut animalia viderent Dominum natum, that animals should see the new-born Lord, jacentem in praesepio! lying in a manger! Beata Virgo, cujus viscera Blessed is the Virgin whose womb meruerunt portare was worthy to bear Dominum Christum. Christ the Lord. Alleluia. Alleluia! SIXTH LESSON Luke tells of the birth of Jesus Luke II Keith Dove, Sid & Cathy Batts Pastoral Resident Reader: The Word of the Lord People: Thanks be to God. CAROL: Cradle Hymn ............................................................................................................................................James E. Clemens Canticle Choir Hush, my Babe, lie still and slumber, Holy angels guard your bed! May you live to know and fear him, Heav’nly blessings without number Trust and love him all your days; Gently fall on your head. The go dwell forever near him, See his face and sing his praise! Soft and easy is your cradle, – Isaac Watts Coarse and hard your Savior lay, When his birth-place was a stable And his softest bed was hay. SEVENTH LESSON The shepherds go to the manger Luke II Robert Wells, Director of the Chancel Choir Reader: The Word of the Lord People: Thanks be to God. CAROL: My Lord Has Come ...............................................................................................................................Will Todd (b. 1970) Chancel Choir Ensemble Shepherds, called by angels, called by love and angels; no place for them but a stable. My Lord has come. Sages, searching for stars, searching for love in heaven; no place for them but a stable. My Lord has come. His love will hold me, his love will cherish me, love will cradle me. Lead me, lead me to see him, sages and shepherds and angels; no place for me but a stable. My Lord has come. EIGHTH LESSON The wisemen are led by a star to Jesus Matthew II John Alexander, Director of Music and Principal Organist Reader: The Word of the Lord People: Thanks be to God. CONGREGATIONAL CAROL: O Come, All Ye Faithful ....................................................................... adeste fideles Text: John Francis Wade / Music: John Francis Wade CAROL: Shepherd’s Pipe Carol ........................................................................................................................John Rutter (b. 1951) Canticle Choir Chancel Choir Going through the hills on a night all starry Angels in the sky came down from on high, On the way to Bethlehem, Hovered o’er the manger where the babe was lying Far away I heard a shepherd boy piping Cradled in the arms of his mother, Mary, On the way the Bethlehem. Sleeping there at Bethlehem. Angels in the sky brought this message nigh: “Where is this new King, shepherd boy piping merrily, ‘Dance and sing for joy that Christ the newborn King “I will find him soon by the star shining brightly is come to bring us peace on earth, Is he there at Bethlehem?” and he’s lying cradled there at Bethlehem.’ In the sky o’er Bethlehem.” ‘Tell me, shepherd boy piping tunes so merrily Angels in the sky brought this message nigh: On the way to Bethlehem, ‘Dance and sing for joy that Christ the newborn King Who will hear your tunes on these hills so lonely is come to bring us peace on earth, On the way to Bethlehem?’ and he’s lying cradled there at Bethlehem.’ Angels in the sky brought this message nigh: “May I come with you, shepherd boy piping merrily, ‘Dance and sing for joy that Christ the newborn King Pay my homage too at the new King’s cradle, is come to bring us peace on earth, Come with you to Bethlehem? and he’s lying cradled there at Bethlehem.’ Is it far to Bethlehem?” ‘None may hear my pipes on these hills so lonely Angels in the sky brought this message night: On the way to Bethlehem, “Dance and sing for joy that Christ the infant King is But a King will hear me play sweet lullabies Born this night in lowly stable yonder, When I get to Bethlehem.’ Born for you at Bethlehem.” NINTH LESSON John unfolds the mystery of the Incarnation John I Reverend Dr. Jill Duffield, Senior Pastor Reader: The Word of the Lord People: Thanks be to God. RECESSIONAL HYMN : Hark! The Herald Angels Sing ............................................................................... mendelssohn Text: Charles Wesley / Music: Felix Mendelssohn BENEDICTION Dr. Jill Duffield VOLUNTARY: Chorale Prelude on ‘In dulci jubilo’ ................................................................................... J. S. Bach (1685-1750) John Alexander, organ A Festival of Nine Lessons and Carols is drawn from ancient sources and has a format patterned after that used at King’s College, Cambridge, England, since 1918. Carols are sung as a response to each of the traditional lessons. Readers have been chosen to represent various aspects of congregational life. Offering supports the Music Ministry of First Presbyterian Church, including the Music Scholarship Intern Program. If you would like to show your support in this manner please click on the link here to give. Thank you for your generosity! A special thanks to Lee Lashley, our Choral Librarian My Lord Has Come by Will Todd was given by Ann and Trip Adams in memory of Curtis Lashley and his love of the Music Ministry of First Presbyterian Church, July
Recommended publications
  • Download Album Booklet
    CHRISTMAS WITH ST JOHN’S Christmas with St John’s unhurried, easy-flowing vernacular feel as Sansom’s powerful verses, and the overall For many people, the pleasures of the Christmas structure is equally effective; the melody is 1 The Shepherd’s Carol Bob Chilcott [3.40] season can be summed up in a single word: first presented by trebles alone before the 2 The Holly and the Ivy Traditional, arr. Henry Walford Davies [2.54] tradition. However, perhaps strangely for a other voices softly enter, one by one, gradually 3 Sir Christèmas William Mathias [1.33] world so steeped in the music and practices layering a serene pillow of harmonic suspensions. 4 O Oriens Cecilia McDowall [4.35] of centuries past, the English sacred choral The one fortissimo moment comes at the 5 Adam Lay ybounden Boris Ord [1.19] scene is as much about the new as it is the central climax, when all the vocal parts join 6 A Spotless Rose Philip Ledger [2.00] in homophony, for the first and only time, 7 The Seven Joys of Mary William Whitehead [4.45] old at this time of year; Christmas presents 8 Dormi Jesu John Rutter [4.56] a golden opportunity to present brand new to describe the angels’ voices. 9 Creator of the Stars of Night Plainsong, arr. John Scott [3.41] music to wide audiences, and the role played 0 I Wonder as I Wander Carl Rutti [1.46] by St John’s College Choir in this area has Henry Walford Davies’ popular 1913 q O Little Town of Bethlehem Henry Walford Davies [4.49] been significant, as demonstrated by this arrangement of The Holly and the Ivy sticks w I Saw Three Ships Traditional arr.
    [Show full text]
  • A Service of Lessons and Carols for Advent
    A SERVICE OF LESSONS AND CAROLS FOR ADVENT SUNDAY , NOVEMBER 30, 2014 5:OO PM INTRODUCTION : FROM ADVENT TO CHRISTMAS TO NOW “God is love, and those who abide in love but “to do justice, love mercy, and walk humbly abide in God, and God abides in them. We love with God.” because God first loved us. The commandment Isaiah sees that the nation of Israel will be we have from God is this: those who love God able to realize God’s redemption—to break the must love their brothers and sisters also.” grip of sin, violence, and murder—only through great suffering endured by an innocent servant (to These words, from the First Letter of many readers the nation of Israel itself). This John, state a central tenet of our faith, and sum servant will become the receptacle for all up in a few words much of the message of the violence, an atoning human scapegoat. Bible. The story of the Bible is the story of the Advent of Christ, the gradual unfolding of our Isaiah envisions redemption for Israel understanding of God’s message of love and through suffering that is God’s will (Isa. 53:10). redemption. The readings tonight were chosen to With the coming of the Christ, it becomes clear illuminate this process. that redemption is for all humankind, and that the servant —Jesus—suffers not because of God’s will Cain murders Abel in a time when there for suffering, but because a world wedded to were no recorded rules against murder, when the violence will have it no other way (Sixth Lesson).
    [Show full text]
  • Music List Complete Fall Term 2019
    ALL SAINTS CHURCH WORCESTER C Sunday, September 15 - Christmas Eve, 2019 September 15-Christmas Eve, Sunday, The Choir of All Saints Church All Saints of Choir The HORAL HORAL Organist and Director of Music and Director Organist Graeme McCullough McCullough Graeme Assistant Organist Michael Celularo Celularo Michael M USIC All Saints Church All Saints Church was the first Episcopal church established in the city of Worcester, beginning with a small gathering in the Town Hall on December 13, 1835. The name All Saints Church was adopted in 1843 and on June 10, 1846, the first service was held in the first Episcopal building on Pearl Street. A fire destroyed that building on April 7, 1874. A new church building on the present site was consecrated in 1877. Fire struck again in 1932 and destroyed all but the tower, spire, and some exterior walls. On Easter Sunday, 1934 the first service was held in the present building. With its rich carvings of wood and stone and its glorious stained glass windows, All Saints Church has been described by many as one of the most beautiful churches in New England. It is the largest Episcopal church in the Diocese of Western Massachusetts, and as the architects for this Gothic Revival building were Frohman, Robb and Little of Boston, designers of the National Cathedral in Washington DC, our building has many similarities to that majestic cathedral. The Rice Memorial Organ at All Saints is one of the most celebrated in North America. Built by the Aeolian-Skinner company of Boston, opus 909 was an early success in the career of the company’s visionary tonal director, G.
    [Show full text]
  • Christ Church Cathedral Vancouver, BC
    Christ Church Cathedral Vancouver, BC . Open Doors, Open Hearts, Open Minds holy week Gapriloo d, Friday | pm CATHEDRAL VISION | We envision a Cathedral which is radically inclusive, restlessly inquisitive, intentional, and inspired. This is a place that is called to lead and to serve, in communion and in community, with healing, reconciliation, and love, living out Christian mission. Together, we look to the power of Christ for the transformation of each person, this city, and the world. We recognize our history and traditions, while seeking renewal and growth. Curious and adaptable, this chorus has room for all voices. Whoever you are, wherever you come from, whomever you love, and regardless of what you may bring or are searching for, you are welcome here. If you have any questions about the Cathedral, its ministries or congregations, please visit our website at thecathedral.ca. thecathedral.ca .. Dear friends in Christ Th ank you for participating in this virtual worship for Good Friday coming from Christ Church Cathedral. Like you I long for the day when we will all gather together to worship in person again. For now, though, we must be together from a distance to protect everyone’s health and safety. Gods mission through the ministry of local communities of faith continues. Th ough we are in unprecedented times, your fi nancial support is needed now more than ever. Many of you may be in a precarious fi nancial position and may not be able to maintain your giving to your parish. But if you’re able to maintain your giving or even off er an additional special gift during this time, I would urge you to do so.
    [Show full text]
  • 03 June Newsletter
    February 2004 SING FOR JOY is heard on more than 150 Sing For Joy host other radio stations throughout the United Pastor States. It airs at 10 a.m. and 9:30 p.m. Sunday on Classical 89.3 WCAL in the Minneapolis/ W. Bruce Benson St. Paul metropolitan area and on affiliate 88.7 KMSE in Rochester, Minn. It For a list of stations or to request another copy of the Sing For Joy newsletter, visit singforjoy.com or call 888-798-9225. Sing For Joy is produced by Classical 89.3 WCAL, the public radio service of St. Olaf College, on the web at From the host stolaf.edu. I had a new year and time on my mind when I wrote If we feel pressed for time, if we feel like we don’t last month’s letter. I have time on my mind again this have enough hours in the day, or if seems there is month, because — this February — many of us are too little time in our weeks and months, it does help thinking about time differently than we do during to get more organized or to give up some activities. non-leap years. Suddenly, in 2004, we have this But we would not be wise to give up songs of joy. extra day! Where did it come from? Time spent singing for joy is free time; it isn’t sub- Well, we know about the calculations of the earth’s tracted from the time available in our lives. Time orbit around the sun and the need to “correct” the spent singing for joy is like time spent dancing calendar every four years by adding a day.
    [Show full text]
  • 100 Years of Nine Lessons & Carols
    The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 100 YEARS OF NINE LESSONS & CAROLS David Willcocks Philip Ledger Stephen Cleobury THE CHOIR OF KING’S COLLEGE, CAMBRIDGE For more than half a millennium, King’s College Chapel has been the home to one of the world’s most loved and renowned choirs. Since its foundation in 1441 by the 19-year-old King Henry VI, choral services in the Chapel, sung by this choir, have been a fundamental part of life in the College. Through the centuries, people from across Cambridge, the UK and, more recently, the world have listened to the Choir at these services. Today, even people who aren’t able to attend services in the Chapel have heard King’s Choir, thanks to its many recordings and broadcasts, and the tours that have taken it to leading international concert venues around the world. Despite its deep roots in musical history, the Choir has always been at the forefront of technological innovation, and records exclusively on its “impeccable” own label. 2 100 YEARS OF NINE LESSONS & CAROLS The Choir of King’s College, Cambridge David Willcocks conductor | Director of Music, 1957–1974 Philip Ledger conductor | Director of Music, 1974–1982 Stephen Cleobury conductor | Director of Music, 1982–2019 3 VOL 1 | New recordings 48:30 Conductor, Stephen Cleobury 1 O Holy Night | Adolphe Adam, arr. John Rutter 5:38 2 The Linden Tree Carol | Traditional, arr. Stephen Cleobury 3:04 3 The Lamb | John Tavener 3:39 4 God rest you merry, gentlemen | English traditional, arr.
    [Show full text]
  • Service Schedule Beginning 22 June BASIC SHEET.Qxd
    June/July 2014 Sunday 22nd June The First Sunday after Trinity Sunday 29th June Peter the Apostle Cantoris 1 Decani 1 8 am Holy Communion Book of Common Prayer 8 am Holy Communion Book of Common Prayer 10.15 am Mattins Responses Smith 10.15 am Mattins Responses Moore Canticles Te Deum and Jubilate in F Ireland Venite Monk Canticles Te Deum (First Service); Jubilate (Short Service) Weelkes Venite Ayrton Preacher The Reverend Jonathan Coore, Minor Canon and Succentor Psalm 113 Preacher The Reverend Canon Mark Oakley, Chancellor, Canon in Residence Psalm 49. 1-12 Voluntary A Fancie Byrd Hymns 468, 206 Voluntary Allegretto & Andante espressivo from Sonata in G (Op. 28) Elgar Hymns 346, 354 11.30 am Sung Eucharist 11.30 am Sung Eucharist City of London Festival Service Setting Missa Tu es Petrus Palestrina Hymns SP 217 (i), 464, 478, 272 Setting Mass in G minor Vaughan Williams Hymns 398 (395), SP 203, 437, 205 Anthem Tu es Petrus Duruflé Anthem Come my soul Howells Preacher The Reverend Canon Mark Oakley, Chancellor, Canon in Residence Preacher The Reverend Sarah Eynstone, Minor Canon and Chaplain Voluntary Prelude and Fugue in E minor (BWV 548) J. S. Bach Voluntary Allegro maestoso from Sonata in G (Op. 28) Elgar 3.15 pm Evensong 3.15 pm Evensong Canticles Chichester Service Walton Responses Moore Canticles Murrill in E Responses Smith Anthem Hymn to St Peter Britten Psalm 138 Preacher The Reverend Paul Dominiak, Chaplain, Trinity College, Cambridge Hymns 426, 419, 172 (443) Anthem The Evening Watch Holst Psalm 46 Voluntary Alléluia final from Livre du Saint Sacrement Messiaen Preacher The Reverend Richard Bastable, Vicar, St Luke’s, Uxbridge Road Hymns 393, 298, 360 4.45 pm Organ Recital Julian Bewig (Germany) Voluntary Presto (comodo) from Sonata in G (Op.
    [Show full text]
  • The Choral Music of Francis Grier
    HUTCHENS II, ROBERT BENJAMIN, D.M.A. The Choral Music of Francis Grier. (2006) Directed by Dr. William P. Carroll. 111 pp. English composer Francis John Roy Grier (b. 1955) has a large and mostly unexplored opus. He has composed sixty-three works including thirty-nine for chorus, nine for organ, six for voice, three for violoncello, an opera, a string quartet, and one each for trumpet, viola, piano, clarinet and speaker, and vocal duet. His compositions synthesize modern British compositional practices with those of other Western composers while paying homage to the various characteristics of the music of the East. Grier’s music is unique, most notably, because of his combination of English cathedral music, French impressionism, and Indian musical elements. This document includes a brief sketch of the life and a detailed examination of the choral works of Francis Grier. In addition to this author’s analysis, the primary sources for this document are interviews with Francis Grier and the commissioners of his works. Chapter I of this study includes a brief biography of Francis Grier’s life. This includes details of his formal education, past and current musical positions, and discussion of his mid-life career change to becoming a psychoanalyst. Chapter II provides a detailed description of Grier’s a cappella works organized alphabetically; each work is discussed individually. Chapter III presents a similar analysis of the remainder of Grier’s small-scale, accompanied choral works. Chapter IV presents a summary of Grier’s compositional style and conclusion. Four appendices complete this study: Appendix A lists Grier’s choral works by title; Appendix B, by composition date; and Appendix C, by performing forces.
    [Show full text]
  • About the Choirs at All Saints’
    Music All Saints’ 2018-2019 WELCOME September 2018 Dear Friends, We are delighted to welcome you to this season of Music at All Saints’! The coming year continues our tradition of offering glorious sacred choral music at both Sunday Eucharist, monthly Evensong, Compline, Lessons and Carols for Advent and Christmas, and in concert. In addition, we are thrilled share the first season of All Saints’ Chamber Choir’s concert series offering George Frederic Handel’s The Messiah in its entirety on December 2nd as well as small scale sacred cantatas by Dieterich Buxtehude, J. S. Bach, and Heinrich Schutz in early March. We also celebrate the opening of All Saints’ Music School, a community outreach of All Saints’ Parish. Our Sunday Evensong Organ recital series resumes in October and continues through May. This booklet outlines the musical offering for the coming season, particularly the 9 & 11 AM Holy Eucharist services on Sunday mornings. Also included is an envelope for your support of Friends of Music at All Saints’. Whether you are a parishioner or a friend of music, we hope you will consider making a donation to support our musical presence in North Central Phoenix, for the worship or concert setting. We hope to see you at All Saints’ for worship, music education or concert very soon! Joseph Ripka Director of Music Joseph Ripka Ilona Kubiaczyk-Adler Trevor Carolan Director of Music Associate Director of Music Assistant Organist 2 About the Choirs at All Saints’ Music is central to the worship life at All Saints’. All who enjoy music and would like to assist in enriching our worship services are encouraged to join our music program.
    [Show full text]
  • Early Music Vancouver Presents the Celestial Sounds and Angelic Voices of Globally Celebrated Choir of King's College, Cambrid
    FOR IMMEDIATE RELEASE February 23, 2017 Early Music Vancouver Presents the Celestial Sounds and Angelic Voices of Globally Celebrated Choir of King’s College, Cambridge A choir with a history spanning over 600 years shares a programme chronicling more than 500 years of sacred and secular song Vancouver, BC – Early Music Vancouver (EMV), proudly presents one of the world’s most respected and recognized choral ensembles, The Choir of King’s College, Cambridge at the Chan Centre for the Performing Arts, March 26, 2017 at 2pm in the Chan Shun Concert Hall. In a rare Vancouver appearance, revered Director of Music, Dr. Stephen Cleobury, will lead the iconic choir of Men and Boys in a mixed programme of repertoire from across the centuries. “Founded by King Henry VI in 1441, The Choir of King’s College, Cambridge has been a center for musical excellence for over 600 years. Its alumni include literally hundreds of important musicians who, in their time as choir members, received a unique and rigorous training preparing them for professional careers in music,” explained Matthew White, Early Music Vancouver Artistic Director. “The contributions of this institution to international-music making have been profound. For many years, Vancouver’s very own music scene was lucky enough to be led by an ex-choral scholar at King’s College Cambridge. Choral Conductor, Bruce Pullan, a beloved figure in this city, was President of the Vancouver Academy of Music from 1993 to 1997, Professor and Head of Choral Music at the University of British Columbia, and conductor of the Vancouver Bach Choir.
    [Show full text]
  • Tuesday February 13 8 PM
    The Organizer — — February — 2007 A G O Monthly Newsletter The Atlanta Chapter L O G O AMERICAN GUILD of ORGANISTS The Organizer FEBRUARY 2007 ____________________________________________________________________________________________________ A Valuable Tool . Guild Service: One of the most valuable features of our continuing Choral Vespers AGO presence on the Internet is the ability to send "ListServ" messages to the membership. A ListServe at message is actually a "broadcast" e-mail to the entire membership announcing a recital, workshop, or some Druid Hills Presbyterian Church other bit of news which would be of interest to 1026 Ponce de Leon Avenue ♦ Atlanta, GA 30306 404.875.7591 everyone. It's also a wonderful way to ask questions, or gain wisdom when problems arise for which members may need professional input and advice. In this age of so much "spam" mail, we are asking that Tuesday ♦ February 13 whenever a ListServ message is sent, that the sender include "AGO" in the subject line, so everyone who 8 PM receives the message will know that it is AGO-related and hopefully take the time to read it. Attachments are J. Franklin Clark discouraged, since they may contain viruses. We hope Host you will continue to take advantage of this effective networking resource. Punchbowl: 6:00 pm Dinner & Meeting: 6:30 pm Remaining Meetings Program: 8:00 pm of the 2006—2007 Season _____________________________________ Tuesday, March 13 $12 ♦ Reservations by 02/08/07 Dr. Kay McAfee, organist Central Presbyterian Church, Atlanta Michael Morgan, host 6:00 Punchbowl, 6:30, Dinner, 8:00, Recital ♫ Saturday, April 14 First Presbyterian and First United Methodist Churches In This Issue Covington, Georgia AGO Chapter at a Glance .
    [Show full text]
  • Thursday 19 January
    CHRIST’S COLLEGE CHAPEL SERVICES EASTER T E R M 2 0 1 1 SUNDAY 24 APRIL 6.00pm FESTAL EVENSONG SUNDAY 15 9.00am COLLEGE EUCHARIST (SAID) 6.45pm FESTAL EVENSONG EASTER DAY Responses Rose EASTER 5 Psalm 23 (resp) Responses Clucas Psalm 150 & Easter anthems Hymns 339, 119, 297 Psalm 47 Howells St Paul’s Stanford in G Vaughan Williams Rise, heart 6.00pm CHORAL EVENSONG Stanford Coelos ascendit hodie Hymns 110, 120, 121 Howells Psalm 121 Hymn 135 Responses Howells ______________________________ ______________________ ________________________________________________________________________ Psalm 29 SUNDAY 5 9.00am COLLEGE EUCHARIST (SAID) THURSDAY 28 6.45pm CHORAL EVENSONG Gibbons Second Service 501ST Psalm 68: 1-5 (resp) THURSDAY IN Responses Rose Parry There is an old belief EASTER WEEK Psalm 111 ANNIVERSARY Hymns 282, 272, NEP 613 Hymns 114, 113, 117 Dyson in D OF CONSECRATION 6.00pm SOLEMN EVENSONG WITH TE DEUM & Parry My soul, there is a country OF THE COLLEGE THURSDAY 19 6.45pm CHORAL EVENSONG DEDICATION OF ICON Hymn 124 CHAPEL Responses Shephard Bairstow Let all mortal flesh Psalm 62 Responses Clucas SUNDAY 1 MAY 9.00am COLLEGE EUCHARIST (SAID) Tallis Short Service Psalm 27 EASTER 2 Psalm 16 (resp) Tallis Salvator mundi Victoria Magnificat Hymns 117, 110, SoF 290 Rachmaninov Nyne otpushchayeshi Hymn 333 6.00pm CHORAL EVENSONG Howells I heard a voice from heaven Weelkes Gloria in excelsis Deo SUNDAY 22 9.00am COLLEGE EUCHARIST (SAID) Te Deum Britten in E Responses Rose EASTER 5 Psalm 31: 1-4 (resp) Hymns 128, 443, 134 Psalm 118: 1-14 Hymns 337, 294, NEP 626 Jackson in G THURSDAY 9 6.45pm CHORAL EVENSONG 6.00pm ‘THE RISEN CHRIST: AN EASTER Stanford Ye Choirs of New Jerusalem ST COLUMBA, Responses Smith CANTATA WITH READINGS AND CAROLS’ Hymns 118, 119(omit 4, 5), 124 ABBOT Psalm 116 BY SIR PHILIP LEDGER.
    [Show full text]