SAINT PAUL's PARISH Washington, D.C. Liturgical Music For

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SAINT PAUL's PARISH Washington, D.C. Liturgical Music For SAINT PAUL’S PARISH Washington, D.C. Liturgical Music for Epiphanytide 2020 The Reverend Richard Wall, Rector ​ ​ Jeffrey Smith, Director of Music ​ Music at the 9:00 am Sung Mass is selected from among the repertoire of the day ------------------------------------------------------------------------------------------------------------------------------- January 19 The Solemnity of the Conversion of Saint Paul ------------------------------------------------------------------------------------------------------------------------------- Procession and Solemn High Mass at 10:30 am Setting Communion Service in E Harold Darke (1888--1976) Psalm 84 Chant: C. Hubert H. Parry Anthem Give us the wings of faith Ernest Bullock (1890-1979) Voluntary Petite Suite Marc-Antoine Charpentier (1634-1704) Solemn Evensong and Benediction of the Blessed Sacrament at 4:00 pm Psalm 150 Charles Villiers Stanford (1852-1924) Setting Evening Service in C Charles Villiers Stanford ​ ​ Anthem Blessed City, Heavenly Salem Edward C. Bairstow (1874-1946) Voluntary Imperial March Edward Elgar (1857-1934) ------------------------------------------------------------------------------------------------------------------------------- January 26 The Third Sunday after the Epiphany ------------------------------------------------------------------------------------------------------------------------------- Choral Matins at 10:30 am (followed by Holy Eucharist) Setting Morning Service: Collegium Regale Herbert Howells (1982-2003) ​ ​ Psalm 27: 1, 5-13 Chant: Thomas Atwood Walmisley Anthem Arise, shine for thy light is come Ned Rorem (b. 1923) Voluntary Psalm Prelude Set II, No. 3 Herbert Howells Hymns 537, 530, 321, 381 Solemn Evensong and Benediction of the Blessed Sacrament at 4:00 pm Psalm 103 Chant: H. Walford Davies Hym 31 Dunedin Setting Evening Service in B minor Hugh Blair (1864-1932) Anthem How beautiful upon the mountains John Stainer(1840-1901) Voluntary March from “The Birds of Aristophanes” C. Hubert H. Parry (1848-1918) ------------------------------------------------------------------------------------------------------------------------------- February 2 Candlemas ------------------------------------------------------------------------------------------------------------------------------- Blessing of the Candles, Procession and Solemn High Mass at 10:30 am Voluntary Andante sostenuto (from Symphonie Gothique) Charles-Marie Widor(1844-1937) ​ ​ Setting Cantus Missae in E-flat Josef Gabriel Rheinberger Psalm 84: 1-7 Chant: C. Hubert H. Parry Canticle Nunc dimittis servum tuum Charles Wood (1886-1924) Motet Quam dilecta tabernacula tua Charles-Marie Widor Voluntary Gloria Patri, Op. 18 Marcel Dupré (1886-1971) Solemn Evensong, Investiture of Choristers and Benediction of the Blessed Sacrament at 4:00 pm Voluntary Liturgical Improvisation No. 1 George Oldroyd (1887-1956) “My soul hath a desire and longing to enter the courts of the Lord.” Responses Stephen Caracciolo (b. 1962) Psalm 8 Chant: Henry G. Ley Hymn Sometimes a light surprises (from file) Offertorio Setting Evening Service in D George Dyson Anthem Evening Hymn H. Balfour Gardiner (1877-1950) Voluntary Allegro giocoso Camille Saint-Saens (1835-1921) ------------------------------------------------------------------------------------------------------------------------------- February 9 The Fifth Sunday after the Epiphany ------------------------------------------------------------------------------------------------------------------------------- Solemn High Mass at 11:15 am Voluntary Andante con moto (St. Columba) Charles Villiers Stanford (1852-1924) Setting Communion Service in F Herbert Sumsion (1899-1995) Psalm 112: 1-10 Chant: Ivor Atkins Anthem Beati quorum via Charles Villiers Stanford Anthem O for a closer walk Charles Villiers Stanford Voluntary Grand Choeur in G minor Alexandre Guilmant (1837-1911) Hymns 616, 415, 488, 542 Solemn Evensong and Benediction of the Blessed Sacrament at 4:00 pm Voluntary Adagio (from Symphony No. 3) Louis Vierne (1870-1937) ​ ​ Psalm 34 Chant: George C. Martin Hymn 29 Bromley Setting Evening Service in A Herbert Sumsion (1899-1995) Anthem When rooks fly homeward Arthur Baynon (1889-1954) Voluntary Choral Joseph Jongen (1873-1953) ------------------------------------------------------------------------------------------------------------------------------- February 16 The Sixth Sunday after the Epiphany ------------------------------------------------------------------------------------------------------------------------------- Solemn High Mass at 11:15 am Setting Missa O quam gloriosum Tomás Luis da Victoria (1548-1611) Psalm 119: 1-8 Chant: Edgar Priest Motet Teach me, O Lord William Byrd (1542-1623) Hymns 372, 674, 593, 347 Solemn Evensong and Benediction of the Blessed Sacrament at 4:00 pm Psalms 46 Chant: Plainsong tone V.3 Hymn 43 Tallis’s Canon Setting Evening Service in G for men’s voices Herbert Sumsion (1899-1995) Anthem I will lift up mine eyes Ernest Walker (1870-1949) ------------------------------------------------------------------------------------------------------------------------------- February 23 The Last Sunday after the Epiphany ------------------------------------------------------------------------------------------------------------------------------- Solemn High Mass at 11:15 am Setting Messe, Op. 36 Charles-Marie Widor (1844-1937) Psalm 99 Chant: David Hurd Anthem Let all the world in every corner sing Ralph Vaughan Williams (1872-1958) Voluntary Alleluyas Simon Preston (b. 1938) Hymns 137, Guiting Power, 129, Dulce Carmen Solemn Evensong and Benediction of the Blessed Sacrament at 4:00 pm Setting Evening Service in G minor Henry Purcell (1659-1695) Psalm 115 Chant: Gerald H. Knight Hymn 7 Ratisbon Motet Jauchzet dem Herren, alle Welt, BWV Anhang 160 J. S. Bach Voluntary Prelude and Fugue in G Major, BWV 541 J. S. Bach ------------------------------------------------------------------------------------------------------------------------------- February 26 Ash Wednesday ------------------------------------------------------------------------------------------------------------------------------- Solemn Mass with Imposition of Ashes at 6:45 pm Setting Missa super Mille Regretz Cristóbal de Morales (1500-1553) Psalm 103: 8-14 Plainsong Tone VIII.ii Motet Miserere mei, Deus Gregorio Allegri (1582-1652) Do you know a child who likes to sing? Exceptional Music • High standard of repertoire • Emphasis on vocal training and music-reading skills using Kodaly concepts • History of touring, CD recordings; have appeared at the Kennedy Center • Musical program modeled on the British college chapel and cathedral tradition Teamwork, Leadership, and Skills for Life • Each boy and girl receives significant individual attention in a challenging yet fun environment. • The wide range of ages (7-14 for boys, 7-18 for girls) encourages teamwork: the younger children learn from older choristers. • Field trips, choir parties, and tours foster bonding and strong friendships. • No prior training or experience is expected or required. • There are no expenses or tuition fees, unlike many comparable programs; the strong commitment parents and children make is all that is required. • Children of any religious affiliation, or no affiliation, are warmly welcomed. Contact the Director of Music, Jeffrey Smith at 202.337.2020 extension 14 [email protected] .
Recommended publications
  • Choral Evensong
    CHORAL EVENSONG 5:00 P.M. SUNDAY, FEBRUARY 5, 2017 THE FIFTH SUNDAY AFTER EPIPHANY CHRIST CHURCH 118 N. Washington St. Alexandria, VA 22314 www.HistoricChristChurch.org CHORAL EVENSONG is the service of Evening Prayer with choral music. It is sung in cathedrals with choral foundations on a more or less daily basis, and in many parish churches around the world. The Prayer Book of 1662 established the pattern for Choral Evensong which remains in common usage throughout the worldwide Anglican Communion. Since the earliest Christian times, the need to mark the passing of time with prayer has been recognized. The monastic cycle of prayer began in the desert with Anthony in the fourth century and continues to this day. By the Reformation, Vespers had become an elaborate musical celebration in the evening. The English Reformation demanded that the vernacular be the language of worship and resulted in the liturgical simplicity of Thomas Cranmer’s services of Morning and Evening Prayer. The provision of music for this structure and these words was the task of men like Tallis, Byrd, Gibbons, and Tomkins, whose creativity laid the foundations of Anglican choral worship. Choral Evensong is the quintessence of such worship. The canon of music for Evensong continues to grow, with composers from around the world contributing to it. Unlike the Eucharist, which follows the movement of the Church calendar, and unlike private prayer, which follows the events of our lives, the daily office follows its own rhythm. The readings are done “in course,” and are not specifically chosen to make a particular point, and the canticles (Magnificat and Nunc dimittis) are the same each day.
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  • Joy and Pineapples
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    Darienite News for Darien https://darienite.com Service of Choral Evensong with Darien, Greenwich Church Choirs Coming to St Luke's Author : David Gurliacci Categories : Churches, Music, Weekend Events Tagged as : Evensong 2017, St Luke's Choir 2017, St. Luke's Church 2017, St. Luke's Parish 2017 Date : October 22, 2017 The Choirs of Saint Luke’s Parish in Darien, and Christ Church in Greenwich will sing a service of Choral Evensong on Saturday, Nov. 18 at 5 p.m. at Saint Luke’s. The service will be the first joint effort between the two Episcopal parishes in recent memory. It is being conducted by Jamie Hitel (director of music at Christ Church) and David Pulliam, (director of music and organist at Saint Luke’s). ____________ — an announcement from St. Luke's Parish ____________ The service, held in the historic Saint Luke’s Parish church at 1864 Boston Post Road, is open to everyone. A wine and cheese reception will follow. Evensong, one of the great liturgical legacies of Henry VIII and most cherished of Episcopal services, has its origins in the ancient monastic (and before then, Jewish), tradition of marking the day with specific times of prayer. 1 / 2 Darienite News for Darien https://darienite.com When the Church of England severed its Roman ties, Archbishop Thomas Cranmer (1489—1556) condensed several traditional monastic services into Morning Prayer and Evening Prayer, called Matins and Evensong when sung. The choirs will perform works of composers Bernard Rose and Herbert Murrill and the monumental anthem “They that go down to the sea in ships” by English composer Herbert Sumsion, who served Gloucester Cathedral as organist for nearly forty years.
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  • NEWSLETTER FRIDAY 29TH MAY 2020 Welcome to Another Edition of Ramblings from the Organist! I Hope You’Re Continuing to Keep Well
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  • The Choir of Men and Boys · the Parish of All Saints, Ashmont ASH
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  • 21—27 June 2021
    21—27 June 2021 In residence: The Dean Verse: Decani 8.00am Holy Communion CW Order 1 8.00am Holy Communion CW Order 1 8.30am Mattins said 8.30am Mattins said 5.30pm EVENSONG unaccompanied 1.15pm Lunchtime Concert: Thomas Howell, Cathedral Organ Scholar Short Service William Byrd Responses John Reading They that put their trust in the Lord Robin Orr 5.30pm EVENSONG sung by the Lay Vicars Chichester Service Sam Leggett Responses Bernard Rose In God’s word will I rejoice Henry Purcell 8.00am Holy Communion CW Order 1 Alban, first martyr of Britain, c. 250 8.30am Mattins said 8.00am Holy Communion CW Order 1 3.00pm ORDINATION OF DEACONS 8.30am Mattins said Celebrant and Preacher: The Bishop of Chichester, The Rt Reverend Dr Martin Warner 5.30pm EVENSONG Magnificat and Nunc Dimittis in D Herbert Brewer Responses John Reading FOURTH SUNDAY AFTER TRINITY Through the day thy love has spared us Philip Moore In residence: The Chancellor Verse: Cantoris 8.00am Holy Communion BCP Etheldreda, abbess, c. 678 9.30am EUCHARIST 8.00am Holy Communion CW Order 1 Please book your place online at www.chichestercathedral.org.uk/services 8.30am Mattins said Communion Service in F Herbert Sumsion Adoramus te Claudio Monteverdi 4.00pm Evening Prayer said Psalm 71 11.00am EUCHARIST Please book your place online at www.chichestercathedral.org.uk/services Music as at 9.30am Birth of John the Baptist 8.00am Holy Communion CW Order 1 3.00pm EVENSONG Magnificat Johann Pachelbel Responses John Reading 8.30am Mattins said Psalms 50, 149 Bring us, O Lord God William Harris Psalm 53 5.30pm EVENSONG Magnificat and Nunc Dimittis in D minor Responses John Reading Thomas Attwood Walmisley Psalm 82 This is the record of John Orlando Gibbons The Cathedral Church of the Holy Trinity, Chichester Watch live-streamed services online at The Very Reverend Stephen Waine, Dean www.chichestercathedral.org.uk www.chichestercathedral.org.uk/worship/live-streamed-services Charles Harrison, Organist and Master of the Choristers 28 June—4 July 2021 Irenaeus, bishop, teacher of the faith, c.
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  • Download CD Booklet
    T B s r e i d g a g e m m I a n n a I m m e g a g d i e r s B Charles Villiers Stanford Herbert Howells 2 This recording is a choral tribute to the sacred music of two visionary composers who, among their other achievements, made distinctive, lasting and much-cherished contributions to the musical repertory of the English Church. There are many links between Charles Villiers Stanford (1852–1924) and Herbert Howells (1892–1983), the most obvious being that from 1912 to 1916 Howells was one of Stanford’s many composition students at the Royal College of Music in London, where Howells was himself later to teach composition for over fifty years. Both men were outstanding teachers, Stanford in particular being virtually father to a whole generation of British composers, including Vaughan Williams, Holst, Bridge, Moeran, Bliss, Ireland and Gurney. For a time, both held organist’s posts at Cambridge—Stanford at Trinity College and Howells as wartime replacement for Robin Orr at St John’s. Both were active in other areas of music, Stanford mainly as a conductor, Howells more as an adjudicator and examiner. Both were prolific and formidably accomplished composers in many genres, but are remembered chiefly for their vocal and choral music; and here perhaps lies the secret of their enduring appeal. In the best work of both composers there is an indefinable sense of poetry: the poetry of a text sensitively set to music, or simply the poetry of music itself, whether evoking the Irish landscape of Stanford’s youth, the gentle hills and soaring cathedral of Howells’s native Gloucestershire, or just the ‘other world’ of the imagination.
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