The Choir of Men and Boys · the Parish of All Saints, Ashmont ASH

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The Choir of Men and Boys · the Parish of All Saints, Ashmont ASH

The Choir of Men and Boys · The Parish of All Saints, Ashmont 209 Ashmont Street, Dorchester Boston, Massachusetts 02124 Telephone 617-436-3520 [email protected] FAX 617-436-7320 FREDERICK BACKHAUS, Organist & Master of Choristers ASH WEDNESDAY TO EASTER, YEAR A, 2008 Ash Wednesday (7:00 pm) The Gentlemen of the Choir February 6, 2008 Missa Penitentialis (Plainsong) Psalm 103:8-14 (Tone V) Psalm 51 (Imposition of Ashes) Have mercy upon me, O Lord – Thomas Tomkins Lent I The Choir of Men & Boys February 10, 2008 The Great Litany in Procession Communion Service in F – Herbert Sumsion Psalm 51:1-13 (Tone IV) Hide not thou thy face – Richard Farrant Lent II The Gentlemen of the Choir February 17, 2008 Missa brevis – Denis Bédard Psalm 33:12-22 (Tone I) Have mercy upon me, O Lord – Thomas Tomkins (Men) Solemn Evensong (4:00 pm) The Choir of Men & Boys For the Mid-winter Conference of the Association of Anglican Musicians (Region II) Preces & Responses – John Barnard Psalm 6 (Carter) Magnificat & Nunc dimittis in D – A. Herbert Brewer Morning glory, star-lit sky – Barry Rose Lent III The Choir of Men & Boys February 24, 2008 The Great Litany in Procession Psalm 95:6-11 (Tone II) Short Communion Service – Adrian Batten Morning glory, star-lit sky – Barry Rose Lent IV The Choir of Men & Boys March 2, 2008 Communion Service in F – William H. Harris Psalm 23 (Goss) Burial Sentences – William Croft Lent V The Boys of the Choir March 9, 2008 Communion Service in E-flat – Herbert Howells Psalm 130 (Tone III) Bist du bei mir – J.S. Bach Palm Sunday The Choir of Men & Boys March 16, 2008 Hosanna to the Son of David – Tomás Luis de Victoria Missa Penitentialis (Plainsong) Psalm 22:1-11 (Wesley) My song is Love unknown – John Ireland Lamentations – William Byrd (Men) Maundy Thursday The Choir of Men & Boys March 20, 2008 Communion Service in E – Harold Darke Psalm 78:14-20, 23-25 (Tone I) Antiphons at the Foot-Washing (Plainsong) Missa Penitentialis (Plainsong) Ubi caritas – Maurice Duruflé Ave verum Corpus – William Byrd Psalm 22 (Tone II) Good Friday The Gentlemen of the Choir March 21, 2008 Psalm 22:1-11 (Tone II) The St. John Passion (Plainsong) The Reproaches – Tomás Luis de Victoria Lamentations – William Byrd (Men) The Great Vigil of Easter The Choir of Men & Boys March 22, 2008 Communion Service in F – Herbert Sumsion Psalms Litany of the Saints Angelus autem Domini – Felice Anerio Easter Day The Choir of Men & Boys March 23, 2008 Communion Service in E – Harold Darke Psalm 118:14-17, 22-24 (Parratt) Ye choirs of new Jerusalem – Charles V. Stanford Easter 2 The Choir of Men & Boys March 30, 2008 Short Communion Service in F – William H. Harris Psalm 111 (Randall) This joyful Eastertide – Charles Wood .

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Choral Evensong
CHORAL EVENSONG 5:00 P.M. SUNDAY, FEBRUARY 5, 2017 THE FIFTH SUNDAY AFTER EPIPHANY CHRIST CHURCH 118 N. Washington St. Alexandria, VA 22314 www.HistoricChristChurch.org CHORAL EVENSONG is the service of Evening Prayer with choral music. It is sung in cathedrals with choral foundations on a more or less daily basis, and in many parish churches around the world. The Prayer Book of 1662 established the pattern for Choral Evensong which remains in common usage throughout the worldwide Anglican Communion. Since the earliest Christian times, the need to mark the passing of time with prayer has been recognized. The monastic cycle of prayer began in the desert with Anthony in the fourth century and continues to this day. By the Reformation, Vespers had become an elaborate musical celebration in the evening. The English Reformation demanded that the vernacular be the language of worship and resulted in the liturgical simplicity of Thomas Cranmer’s services of Morning and Evening Prayer. The provision of music for this structure and these words was the task of men like Tallis, Byrd, Gibbons, and Tomkins, whose creativity laid the foundations of Anglican choral worship. Choral Evensong is the quintessence of such worship. The canon of music for Evensong continues to grow, with composers from around the world contributing to it. Unlike the Eucharist, which follows the movement of the Church calendar, and unlike private prayer, which follows the events of our lives, the daily office follows its own rhythm. The readings are done “in course,” and are not specifically chosen to make a particular point, and the canticles (Magnificat and Nunc dimittis) are the same each day.
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Oursaviournyc.Org 2 February 2020
T HE P ARISH OF O UR S AVIOUR S AINT S TEPHEN AND O UR L ADY OF THE S CAPULAR C HAPEL OF THE S ACRED H EARTS OF J ESUS AND M ARY in the City of New York oursaviournyc.org CHURCH OF OUR SAVIOUR CHAPEL OF THE Fifty-nine Park Avenue SACRED HEARTS OF JESUS AND MARY (at East Thirty-eighth Street) 325 East Thirty-third Street New York, NY 10016 (between First and Second Avenues) Parish Office: (212) 679–8166 New York, NY 10016 Chapel Office: (212) 213–6027 Our Saviour and Sacred Hearts are both handicapped accessible. v Rev. Robert J. Robbins, K.C.H.S., Pastor Parish Trustees: Rev. Andrew E. Kurzyna, Parochial Vicar Leilani Siri, M.D. Rev. Msgr. Kevin Sullivan, In Residence Mr. Thomas J. Travers, K.C.H.S. Rev. Msgr. Hilary C. Franco, Honorary Associate Mr. Paul J. Murray, K.C.H.S., Director of Music & Organist MASS FOR THE LORD’S DAY OUR SAVIOUR SACRED HEARTS Saturday Vigil: 5:00 p.m. (Sung) Sunday: 12:45 p.m. (Sung), Sunday: 9:00 a.m., 11:00 a.m. (Choral), 5:00 p.m. 3:00 p.m. (Korean-English bilingual), 5:30 p.m. (Sung) DAILY MASS OUR SAVIOUR SACRED HEARTS 7:45 a.m. (Monday–Friday) 5:15 p.m. (Monday–Friday) 12:05 p.m. (Monday–Saturday) SACRAMENT OF PENANCE (CONFESSION) OUR SAVIOUR SACRED HEARTS Sunday: 10:30–10:50 a.m. Sunday: 5:00–5:15 p.m. Monday– Friday: 7:20–7:40 a.m.
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Chamber-Singers-Repertoire
Chamber Singers Allegri Miserere 2006 Alleoti Al Turbar de bei lumi 2012 Applebaum Shall I Compare Thee 2010 (small ensemble), 2012 (Quartet) Arlen (arr. Whalen) Somewhere Over the Rainbow 2010 Barber Let Down the Bars, O Death 2003 Sure on this Shining Night 1999, 2012 Bennet Let Go, Why do You Stay Me 2002 Beethoven 5th Symphony arrangement 2007, 2012 Elegischer Gesang 2005 Kyrie from Mass in C 2012 Mass in C 2013 At MA and with WCS David Bednall 1914 IV: The Dead 2015 from “Three Songs of Remembrance” Berger Alleluia from Brazilian Psalm 2008 My True Love Hath My Heart 1997 (Quartet), 2002, 2012 Billings Consonance 2012 David’s Lamentation 1997, 2012 Modern Musick 2010 Brahms The Hunter 1997 In Stiller Nacht 2003 Liebeslieder Walzer 2001 O Bone Jesu 2012 Britten Hymn to St. Cecelia 2001, 2014 Concord 2014 Burleigh My Lord What a Morning 2010 Byrd Ave Verum Corpus 1996, 2001 Ego sum panis vivus 2000 Haec Dies 2002 Sacerdotes Domini 1998, 2000, 2002 Sweet and Merry Month of May 2010 Carey The Lake Isle of Innisfree 2002 Carissimi Agnus Dei 2006 (Mass for Three Voices) Cantate Domino (S, S, A) 2015 Chatman Song of Remembrance 2004, 2006 Clemens Adoramus Te 2008 Coleman The Rhythm of Life 2005 Coleridge-Taylor The Lee Shore 2012 Copland Long Time Ago 1999 Croce O vos omnes 2013 Crueger Cantate Domino 2006 Dawson Ain’t a that Good News 1996, 2000 There is a Balm in Gilead 2000 Di Lasso Ich Weiss mir ein Meidlein 2001 I Know a Young Maiden 2003 Jubilate Deo 2007 Matona mia cara 1995, 2000 Mon coeur 2004 Dvorak Songs of Nature (#1) 2007 Napadly Pisnĕ (SON #1 in Czech) 2015 Farmer Fair Phyllis I Saw 2008 Fauré Ave Verum Corpus 2002, 2010 (Small ensemble) Cantique de Jean Racine 2002, 2016 Gibbons The Silver Swan 1995, 2003 Gjeilo Ubi Caritas 2013, 2016 Haydn Gloria from Lord Nelson 2005 Haydn, Michael Tenebrae Factae Sunt 2006 Universi qui te expectant 2007 Hensel Schöne Fremde 2008, 2014 Janáček Kačena Divoká 2015 Janequin Le Rossignol 2015 Joplin (arr.
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Dec 31 2017 January 2018
St. Mary’s Catholic Church 111 Hampton Ave. Greenville, South Carolina 29601 Fr. Jay Scott Newman, Pastor Arlen Clarke Choirmaster 864-901-1250 Dr. David Rhyne Organist Philip Paluszak, Organ Scholar Music Schedule December 31, 2017 - January 2018 Mass Settings for Saturday 5:00 PM Vigil Mass and Sunday Mass 9:00 AM Kyrie Simplex Gloria in excelsis Lee, ed 2011 Sanctus Vat. Ed. XVIII Agnus Dei Vat. Ed. XVIII Mass Setting for the 11:00 AM Mass Kyrie Missa de Angelis VIII Gloria in excelsis Missa de Angelis VIII Sanctus Missa de Angelis VIII Agnus Dei Missa de Angelis VIII Propers Introit, Offertory and Communion from the Roman Missal – English 31 December Holy Family of Jesus, Mary and Joseph Entrance Hymn Once in Royal David’s City Irby Offertory Hymn Of the Father’s Love Begotten Divinium Mysterium Post Communion Hymn Angels from the Realms of Glory Regent’s Square Mass 0900 Communion Motet In the Bleak Mid Winter Gustav Holst Mass 1100 Offertory Anthem Lo, How a Rose E’er Blooming Praetorius Communion Motets Coventry Carl Traditional In the Bleak Midwinter Gustav Holst Propers Introit, Offertory and Communion verse from the Roman Missal - English 1 January 2017 Mary, the Holy Mother of God Entrance Hymn Of the Father’s Love Begotten Divinum Mysterium W III 398 Offertory Hymn Immaculate Mary Lourdes Hymn W III 708 Post Communion What Child is this Greensleeeves W III 411 0900 Communion Motet In the Bleak Midwinter Gustav Holst 1100 Offertory Anthem Ave Maria Arlen Clarke Communion Ave verum corpus WA Mozart In the Bleak Midwinter Gustav
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The Choir of Men and Boys ∙ the Parish of All Saints, Ashmont
The Choir of Men and Boys ∙ The Parish of All Saints, Ashmont 209 Ashmont Street, Dorchester Boston, Massachusetts 02124 Telephone 617–436–3520 [email protected] FAX 617–436–7320 FREDERICK BACKHAUS, Organist & Master of Choristers CHORAL MUSIC – Advent to Last Epiphany, 2008-09 (Year B) YEAR B Advent I The Gentlemen of the Choir November 25, 2008 The Great Litany in Procession (Thanksgiving weekend) Missa brevis (TTBB) – Denis Bedárd Psalm 122 (Tone I) Ecce advenit – William Byrd Remember me, O Lord – Thomas Tomkins Advent II The Choir of Men & Boys December 7, 2008 Matin Responsory and ‘Come, thou Redeemer of the earth’ Communion Service in F – William H. Harris Psalm 72:1-8 (Tone I) There is no rose – Joel Martinson O come, O come, Emmanuel – Andrew Carter Advent III The Choir of Men & Boys December 14, 2008 The Great Litany in Procession Communion Service in F – Herbert Sumsion Psalm 146:4-9 (Tone VII) This is the record of John – Orlando Gibbons Lessons & Carols (7:00 pm - Saturday) The Choir of Men & Boys December 20. 2008 St. John the Evangelist R.C. Church, Winthrop Advent IV Chamber Choir December 21, 2008 Missa brevis – Leslie Betteridge (SSA) Psalm 24:1-7 (Tone I) Ave Maria – Claudio Monteverdi (SSA) Lessons & Carols (4:00 pm - Sunday) The Choir of Men & Boys December 21, 2008 The Parish of All Saints, Ashmont Hymn: Once in royal David’s city (Irby) – David Willcocks This is the truth sent from above – Philip Moore Jesus Christ the apple tree – Anthony Piccolo There is no rose – Joel Martinson Up! good Christen folk, and listen – G.R.
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Order for the Public Worship Of
ORDER FOR THE PUBLIC WORSHIP OF GOD SENTENCES OF SCRIPTURE from Psalm 98, Common English Bible THE WORD Sing to the Lord a new song PRAYER FOR ILLUMINATION Sixth Sunday of Easter - Communion because he has done wonderful things! May 5, 2019 The Lord be with you. His own strong hand and his own holy arm And also with you. have won the victory! Let us pray together. The congregation speaks the bold and italicized words. The Lord has made his salvation widely known; Speak to us of your truth, O God. Open us to your love. *The congregation is invited to stand in body or in spirit. he has revealed his righteousness Help us to hear what we need to hear, that we may walk in your in the eyes of all the nations. light and joy. Amen. THE GATHERING God has remembered his loyal love THE GOSPEL LESSON John 21:1-19 N. T. Page 115 and faithfulness to the house of Israel; Response: Large Print Page 141 PRELUDE Christe eleison and Kyrie II J.S. Bach every corner of the earth has seen our God’s salvation. The Gospel of the Lord. (1685-1750) Praise to you, Lord Christ. *HYMN #667 When Morning Guilds the Sky LAUDES DOMINI Qui tollis J.S. Bach Jackie Stevens, soprano *PRAYER OF CONFESSION SERMON Looking Back to Look Forward Rev. Adam Fronczek Almighty God, we confess how hard we find it to be your people. THE RESPONSE Qui tollis peccata mundi, You have called us to be the church, You who take away the sin of the world, to continue the mission of Jesus Christ to our lonely and *HYMN #517 Here, O Our Lord, We See You MORECAMBE Miserere nobis.
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Joy and Pineapples
Joy and Pineapples Since the Chili Cook Off was such a favorite Weeping may linger for the night, but joy with everyone, we will be having a cooking contest at comes with the morning. Psalm 30:5 this event also. The rules for this one are that you One of the things that I wish we would talk can make whatever type of dish that you want to more about at church is Joy! After all it is one of the cook; the most important rule is that the dish you gifts of the Spirit that we read about in Galatians prepare must contain Pineapple!. It 5:22. can be a main course, a side dish or a dessert. The most creative use of I love the verse (above) from Psalm 30. Pineapple will win a special prize. As in Every one of us goes through difficult times in life. It the past, the identity of the cook will be is just a part of being human. Many times in my life I kept a secret until all of the voting is have held on to this verse to remind myself that hard completed. times never last forever. We are always under God’s care. When we cry or hurt, God cries and Pineapples were first discovered by hurts with us. I truly believe this with all of my heart. Columbus in his sailings and exploration. He took them back to Europe where they were Now, we at Living Faith do a pretty good job enthusiastically received. Europeans soon of having fun and laughter together.
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CHOIR MUSIC ANDREW NUNN (Dean)
PETER WRIGHT (Organist) STEPHEN DISLEY (Assistant Organist) FEBRUARY 2019 SOUTHWARK CATHEDRAL RACHEL YOUNG (Succentor) GILLY MYERS (Canon Precentor) CHOIR MUSIC ANDREW NUNN (Dean) DAY SERVICE RESPONSES PSALMS HYMNS SETTINGS ANTHEMS 1 Friday 5.30pm Evensong Smith 62 157 Stanford in B flat Look up, sweet babe (Lennox Berkeley) 3 SUNDAY 11.00am Eucharist 24 (7-end) 336; 44; SP 13 Missa Aeterna Christi munera O thou, the central orb (Charles Wood) CANDLEMAS (Palestrina) O nata lux (Thomas Tallis) Nunc dimittis (Dyson in F) 3.00pm Evensong Smith 132 (1-10) 156 (t. 288); CP 65 (t. 33) Stanford in A When to the temple Mary went (Johannes Eccard) 6.00pm Eucharist (Trad Rite) (men’s voices) 157; 57; 373 (t. CP 466); Missa Aeterna Christi munera Tout puissant (Francis Poulenc) 338 (Palestrina) Seigneur, je vous en prie (Francis Poulenc) 4 Monday 5.30pm Evensong Rawsthorne 4 457 (ii) Rubbra in A flat Mother of God, here I stand (John Tavener) 5 Tuesday 5.30pm Evensong Smith 9 (1-12) 346 Wise in F Hail, gladdening light (Charles Wood) 6 Wednesday 5.30pm Evensong (Cranleigh Voices) Byrd 34 373 (t. Coe Fen) Stanford in G And I saw a new heaven (Edgar Bainton) 7 Thursday 5.30pm Evensong (treble voices) Plainsong 118 (19-end) 338 (omit *) Rawsthorne in F Auf meinen lieben Gott (J. S. Bach) 8 Friday 5.30pm Evensong (men’s voices) Moore 22 245 Tonus peregrinus (Plainsong) Laudem dicite Deo (John Sheppard) 10 SUNDAY 11.00am Eucharist 138 377; CP 390; Darke in F Let all mortal flesh keep silence (Edward Bairstow) IV BEFORE 353 (omit v.3); CP 470 Ave verum corpus (William Byrd) LENT 3.00pm Evensong Shephard 2 254 (t.
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Gloucester Cathedral Lay Clerks
GLOUCESTER CATHEDRAL ORGAN SCHOLARSHIP The Dean & Chapter of Gloucester Cathedral annually seek to appoint an organ scholar for each academic year. He/She will play a key role in the Cathedral music department, working closely with Adrian Partington (Director of Music), Jonathan Hope (Assistant Director of Music), Nia Llewelyn Jones (Singing Development Leader) and Helen Sims (Music Department Manager). The organ scholarship is open to recent graduates or to gap-year applicants of exceptional ability. Duties The organ scholar plays for Evensong every Tuesday, and in addition plays the organ or directs the choirs as necessary when the DoM or the ADoM is away. He/She will also play for many of the special services which take place in the Cathedral, for which additional fees are paid (see remuneration details below). The organ scholar is fully involved with the training of choristers and probationers and the teaching of theory and general musicianship. They will also be expected to help with the general administration of the music department, attending a weekly meeting and assisting other members of the department in the music office. Gloucester Cathedral Choir Today’s choir is the successor to the boys and monks of the Benedictine Abbey of St Peter, who sang for daily worship nine centuries ago. The choir of today stems from that established by Henry VIII in 1539, consisting of 18 choristers (who receive generous scholarships to attend the neighbouring King’s School), 12 lay clerks and choral scholars. The choir plays a major part in the internationally renowned Three Choirs Festival, the world’s oldest Music Festival, which dates back to 1715.
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Summer Chorale
J Ave maris stella University of Washington tic, THE SCHOOL OF MUSIC C Hail, Star of the Sea, o incomparable Virgin, {'iq1 Loving Mother of God, Meek above all others, presents and Virgin Immortal, Make us, freed from our faults, g-l( Heaven's blissful portal! Meek and chaste. Receiving that "Ave" Keep our life pure, From the mouth of Gabriel, make our journey safe, AN EVENING OF Reversing the name of "Eva," So that, seeing Jesus, Establish us in peace. We may rejoice together forever. MARIAN AND FOLK Break the chains of sinners, Let there be praise to God the Bring light to the blind, Father, SONGS Drive away our evils, and glory to Christ the most High. and ask for all good things. and to the Holy Spirit, and to the Three be one Honor. Show thyself to be a mother, with the That, through thee, Amen. He may accept our prayers, He who, born for us, Chose to be your Son. Summer Chorale TRANSLATIONS BY RON JEFFERS Steven G. McCollum* conductor PERSONNEL SOPRANO ALTO Juliana Brandon Elizabeth Angell Sara Hanson & Mindy Patras Chelsea Case Aubrey Bruneau Maia Dunsini Katherine Klang accompanists Patricia Petrisor Schmidt Molly Melbye Julia H. Tracy Ji Yeon Nam Kimberly Pangilinan Mindy Patras Cristin Schmitt Rohini Wadhwani 7:00 PM, August 11, 1999 Brechemin Auditorium TENOR BASS Mark Feldhaus Nicholas Bone Dong-Soo Suh Kevin M. Gausepohl *in partial fulfillment of the requirements for the Nathan Kang David A. White degree of Doctor of Musical Arts in Jin Yagasaki John Williams choral conducting. 7:>4-=1 I;) J f;?;; 1 (!J) 1"3, 'Silo ~ PROGRAM t"'" <!D Magnificat My soul magnifies the Lord.
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About the Christmas Eve Music
About the Christmas Eve Music – 5:30 Service By Caitlin & Trystan Bennett Hodie Christus Natus Est This Gregorian chant is the antiphon for the Magnificat, when sung at the close of Vespers on Christmas Day. The text translates to: ‘Today Christ is born, today the Savior has appeared, today on earth sing the Angels, the Archangels rejoice: today the just exult, singing “Glory to God in the highest, alleluia.’ On This Day Earth Shall Ring ‘Personent Hodie’ is a Christmas carol originally published in the 1582 Finnish song book ‘Piae Cantiones’, a volume of 74 Medieval songs with Latin texts collected by Jaakko Suomalainen, a Swedish Lutheran cleric. A similar melody was published in 1360 in Moosburg, Germany, and it is from this manuscript that the tune is usually dated. The English translation was done by Jane A. Joseph, a pupil and later associate of Gustav Holst, who assisted him in transcriptions, arrangements and translations. Holst arranged this carol for unison voices and orchestra in 1916 and its organ reduction is often used as a processional hymn, as found in the 1982 Hymnal. Chorale Prelude on ‘Vom Himmel hoch, da komm ich her’ This choral prelude to Martin Luther’s Christmas carol ‘Vom Himmel hoch’, was composed by Johann Pachelbel, who is primarily known today for his ‘Cannon in D.’ Originally published in Erster Theil etlicher Choräle, a collection of liturgical organ music. Johann Christoph Bach (1671–1721), Johann Sebastian's eldest brother and one of Pachelbel's most important pupils, may have assisted with the publication of the first edition of this work, for the engraving closely resembles his handwriting.
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On Christmas Night
On Christmas Night Eleanor Farjeon (1881 –1965) / Christopher Steel (1938 –1991) Phillips Brooks (1835 –1893) / Henry Walford Davies (1869 –1941) 1 People, look east 3.13 10 O Little Town of Bethlehem 4.33 Johannes Brahms (1833 –1897) Anon. ( c.1300) / Benjamin Britten (1913 –1976) 2 Chorale Prelude for organ ‘Es ist ein Ros entsprungen’ 2.47 11 A Hymn to the Virgin 3.05 Op.122 No.8 Traditional French carol (arr. Stephen Jackson) Anon. 15th century / Robin Nelson (b.1943) 12 Noël nouvelet 4.30 3 Out of your sleep 2.44 Christina Rossetti (1830 –1894) / Harold Darke (1888 –1976) Thomas Campion (1567 –1620) / Richard H. Lloyd (b.1933) 13 In the bleak midwinter 4.29 4 View me, Lord 2.41 Herbert Sumsion (1899 –1995 ) Johann Sebastian Bach (1685 –1750) 14 Prelude for organ on ‘The holly and the ivy’ 4.33 5 Chorale prelude for organ ‘Wachet auf, ruft uns die Stimme’ 4.02 BWV 645 Bruce Blunt (1899 –1957) / Peter Warlock (1894 –1930) 15 Bethlehem Down 4.23 Anon. 15th century / William Mathias (1934 –1992) 6 A babe is born 3.21 John Rutter (b.1945) 16 Shepherd’s Pipe Carol 3.08 Traditional Czech carol ‘Hajej, nynjej’ (trans. Percy Dearmer) / Traditional Czech melody (collected Martin Shaw, Traditional English folk carols (collected Cecil Sharp & arr. Edward Higginbottom) Ralph Vaughan Williams) / Ralph Vaughan Williams (1872 –1958) 7 Rocking 2.16 17 Fantasia on Christmas Carols 12.45 Marcel Dupré (1886 –1971) 69.02 8 Variations on ‘Il est né le divin enfant’, offertory for organ 4.02 Choir of Magdalen College, Oxford Anon.
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