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St Paul's Cathedral Melbourne
T AUL S ATHEDRAL Dean: The Very Revd Dr Andreas Loewe S P ’ C Precentor: The Revd Canon Heather Patacca MELBOURNE Director of Music: Mr Philip Nicholls CONVERSION OF ST PAUL TO EPIPHANY 5: 29 JANUARY TO 5 FEBRUARY, WEEK 5, 2017 Canon in Residence: The Dean Sunday 29 January CONVERSION OF PAUL THE APOSTLE W Thursday 2 February THE PRESENTATION OF CHRIST IN THE TEMPLE W 8am BCP Holy Communion 12.15pm Eucharist 9am Sung Eucharist: Gloria: TiS757b; Grad: Christ is our cornerstone 5.10pm Choral Evensong: Lay Clerks Off: We know God’s love; Dis: Thy hand, O God, has guided (vv.1-2&5) Responses: Ferial 10.30am Choral Eucharist: Boys’ and Men’s Voices Psalm: 48 Chant: William Russell (1777–1813) Setting: ‘Collegium Magdalenae Oxoniense’ – Kenneth Leighton (1929-88) Hymns: Proc: All who walk; Grad: Christ is our cornerstone (GA: G); Anthem: Hail, gladdening light – Charles Wood (1866-1926) Off: We know God’s love; Dis: Thy hand, O God, has guided Hymn: Sing how the age-long promise of a Saviour Setting: Mass, Op. 36 – Charles-Marie Widor (1844-1937) Psalm: 117 Chant: Pelham Humphrey (1647-74) Friday 3 February FIRST ANGLICAN SERVICE AT SYDNEY COVE (1788) W Motet: Te Deum from the Morning Service in B Flat – 12.15pm Eucharist Charles Villiers Stanford (1852-1924) 5.10pm Choral Evensong: Boys’ and Men’s Voices Postlude: Toccata from the Symphony No. 5, Op. 42 – Responses: Ferial Charles-Marie Widor (1844-1937): Mr Lachlan Redd, Sub–Organist Psalm: 14 Chant: John Goss (1800-80) 6pm Choral Evensong: Boys’ and Men’s Voices Setting: Evening Service -
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A KNIGHT’S PROGRESS A KNIGHT’S PROGRESS According to the rubric in the service book for the 1953 Coronation, the Queen, as soon as 1 I was glad Hubert Parry (1848-1918) [4.57] Born in the seaside town of Bournemouth, Sir she entered at the west door of the Church, 2 The Twelve William Walton (1902-1983) [11.49] Charles Hubert Hastings Parry went on to study was to be received with this anthem and, while Soloists: Oscar Simms treble at Eton and then at Oxford University where it was being sung, she was to pass through Benedict Davies treble Tom Williams alto he subsequently became Professor of Music. the body of the Church, into and through the Thomas Guthrie tenor From 1895 until his death he was also Director Choir, and up to her Chair of Estate beside Christopher Dixon bass of the Royal College of Music in London. He the Altar. On that occasion the Queen’s Our present charter * Nico Muhly (b.1981) wrote music of all kinds, including an opera, Scholars of Westminster School led the choir 3 I. First [4.02] symphonies, chamber and instrumental music, in singing the central section of this anthem – 4 II. Thy Kingdome Come, O God [4.21] oratorios and church music. However, he is ‘Vivat Regina Elizabetha!’ – a section that 5 III. The Beatitudes [4.22] perhaps best known nowadays for his famous nowadays is ususally omitted in concert 6 IV. Nullus Liber Homo Capiatur [4.45] setting of William Blake’s poem, Jerusalem. performances, as it is on this recording. -
CHOIR MUSIC ANDREW NUNN (Dean)
PETER WRIGHT (Organist) STEPHEN DISLEY (Assistant Organist) FEBRUARY 2019 SOUTHWARK CATHEDRAL RACHEL YOUNG (Succentor) GILLY MYERS (Canon Precentor) CHOIR MUSIC ANDREW NUNN (Dean) DAY SERVICE RESPONSES PSALMS HYMNS SETTINGS ANTHEMS 1 Friday 5.30pm Evensong Smith 62 157 Stanford in B flat Look up, sweet babe (Lennox Berkeley) 3 SUNDAY 11.00am Eucharist 24 (7-end) 336; 44; SP 13 Missa Aeterna Christi munera O thou, the central orb (Charles Wood) CANDLEMAS (Palestrina) O nata lux (Thomas Tallis) Nunc dimittis (Dyson in F) 3.00pm Evensong Smith 132 (1-10) 156 (t. 288); CP 65 (t. 33) Stanford in A When to the temple Mary went (Johannes Eccard) 6.00pm Eucharist (Trad Rite) (men’s voices) 157; 57; 373 (t. CP 466); Missa Aeterna Christi munera Tout puissant (Francis Poulenc) 338 (Palestrina) Seigneur, je vous en prie (Francis Poulenc) 4 Monday 5.30pm Evensong Rawsthorne 4 457 (ii) Rubbra in A flat Mother of God, here I stand (John Tavener) 5 Tuesday 5.30pm Evensong Smith 9 (1-12) 346 Wise in F Hail, gladdening light (Charles Wood) 6 Wednesday 5.30pm Evensong (Cranleigh Voices) Byrd 34 373 (t. Coe Fen) Stanford in G And I saw a new heaven (Edgar Bainton) 7 Thursday 5.30pm Evensong (treble voices) Plainsong 118 (19-end) 338 (omit *) Rawsthorne in F Auf meinen lieben Gott (J. S. Bach) 8 Friday 5.30pm Evensong (men’s voices) Moore 22 245 Tonus peregrinus (Plainsong) Laudem dicite Deo (John Sheppard) 10 SUNDAY 11.00am Eucharist 138 377; CP 390; Darke in F Let all mortal flesh keep silence (Edward Bairstow) IV BEFORE 353 (omit v.3); CP 470 Ave verum corpus (William Byrd) LENT 3.00pm Evensong Shephard 2 254 (t. -
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OUT OF DARKNESS q Litany to the Holy Spirit Peter Hurford (b. 1930) [2.36] Choristers Music from Lent to Trinity Bertie Baigent organ w If ye love me Thomas Tallis (1505-1585) [2.00] Chapel Choir 1 Cunctis diebus William Byrd (1540-1623) [6.31] College Choir e Listen sweet dove Grayston Ives (b. 1948) [2.40] Chapel Choir 2 Remember not, Lord, our offences. Z 50 Henry Purcell (1659-1695) [2.57] Bertie Baigent organ Combined Choirs r Breathe on me, breath of God Ned Rorem (b. 1923) [2.17] 3 The Lamentation Edward Bairstow (1874-1946) [9.03] College Choir College Choir Benjamin Morris organ t The Spirit of the Lord is upon me Edward Elgar (1857-1934) [7.21] from The Apostles, Op. 49 4 Tantum ergo Fernand Laloux (1901-1970) [2.01] Combined Choirs College Choir Benjamin Morris organ 5 O vos omnes Pablo Casals (1876-1973) [3.36] y Libera nos John Sheppard (c. 1515-1559) [3.21] College Choir College Choir 6 Ye Choirs of New Jerusalem Charles Villiers Stanford (1852-1924) [4.44] u I Saw the Lord John Stainer (1840-1901) [7.19] Combined Choirs Combined Choirs Bertie Baigent organ Benjamin Morris organ Harry Shapiro & Jamie Wilkinson trebles 7 Surrexit pastor bonus Jean L’Heritier (1480-1551) [3.31] Louisa Dawes soprano, Sophie Nairac contralto College Choir Jaliya Senanayake tenor, Peter Lidbetter bass 8 Festival Te Deum, Op. 32 Benjamin Britten (1913-1976) [6.11] Total timings: [75.45] College Choir Julia Sinclair soprano Benjamin Morris organ 9 Incantation pour un jour Saint Jean Langlais (1907-1991) [5.20] Benjamin Morris organ THE CHOIR OF JESUS COLLEGE CAMBRIDGE 0 Sedebit dominus rex James MacMillan (b. -
The Evening Hour
THE EVENING HOUR 0 Behold thou hast made my days Orlando Gibbons (1583-1625) [5.30] th th British Choral Music from the 16 and 20 Centuries Chapel Choir Jaliya Senanayake tenor solo, Benjamin Morris chamber organ q Evening Watch Gustav Holst (1874-1934) [4.39] 1 God be in my head Philip Radcliffe (1905-1986) [1.29] College Choir College Choir Jake Dyble tenor solo, Elizabeth Edwards alto solo 2 Save us, O Lord Edward Bairstow (1874-1946) [4.56] w The Lord’s Prayer John Tavener (1944-2013) [3.08] Chapel Choir Chapel Choir Benjamin Morris organ e Bring us O Lord God William Harris (1883-1973) [4.09] 3 In manus tuas John Sheppard (c. 1515-1558) [4.02] College Choir College Choir r In Pace John Blitheman (c. 1525-1591) [4.14] 4 Song at Evening Richard Rodney Bennett (1936-2012) [3.25] Chapel Choir Choristers t Bertie Baigent organ Evening Prayers Philip Moore (b. 1943) [6.03] College Choir 5 Miserere mihi Domine William Byrd (1540-1623) [2.49] Max Cockerill baritone solo, Sapphire Armitage soprano solo College Choir y Miserere nostri Thomas Tallis (c. 1505-1585) [3.22] 6 Creator of the stars of night Gabriel Jackson (b. 1962) [3.52] College Choir College Choir u Hannah Woodhouse soprano solo, Benjamin Morris organ Blessèd city, heav’nly Salem Edward Bairstow (1874-1946) [9.10] Combined Choirs 7 The Lord is my Shepherd Lennox Berkeley (1903-1989) [4.43] Theo Amies, Kieran Hazell-Luttman, James Patterson, Gus Richards, Combined Choirs Jamie Wilkinson, Eleanor Hussey, Julia Sinclair solo group, Benjamin Morris organ Bertie Baigent organ Total timings: [77.58] 8 Christe qui lux es et dies IV Robert Whyte (c. -
Hear My Prayer, O Lord
Night and Day including works by Brahms, Mahler, Schumann, Lauridsen and Whitacre Conductor: William Petter Accompanist: Paul Ayres St John the Divine Saturday 5th July 2014 at 7.30pm Registered Charity No 1112448 Programme Blessed City, Heavenly Salem Bairstow Abendlied Rheinberger O Thou the Central Orb Wood Sleep Whitacre “Musical Interlude” Hail Gladdening Light Wood Evening Hymn H. Balfour Gardiner Interval Sure on this Shining Night Lauridsen Mondnacht Schumann arr. Petter Urlicht Mahler arr.Gottwald 4 Songs Op 92 Brahms “Musical Interlude” All Alone Berlin arr. Petter The Very Thought of You Noble arr. Ayres Blessed City, Heavenly Salem Edward Bairstow (1874-1946) Sir Edward Cuthbert Bairstow was an English organist and composer in the Anglican Church music tradition. Born in Huddersfield, he studied the organ and went on to receive his Music Doctorate at Durham University in 1901. Bairstow held posts in London, Wigan and Leeds before being appointed organist at York Minster in 1913 where he served until his death. A composer of both instrumental and choral pieces, miniature and large-scale, Bairstow’s output includes twelve published organ works and chamber music. He is however best known for his sacred choral works. Bairstow was an admirer of Brahms and also of the polyphony of earlier English composers and these influences may be heard in the five, musically contrasting verses of Blessed City, Heavenly Salem. The melodic material of this anthem is based on plainsong, but is sung to an elaborate organ accompaniment. There is a remarkable instrumental interlude between the fourth and fifth verses in which the organ extends the triumphant feel of the fourth verse, and then gradually subsides into the mood of peace in the final phrases. -
The Parish of St. Vincent Ferrer and St. Catherine of Siena
THE PARISH OF ST. VINCENT FERRER AND T ATHERINE OF IENA S . C S The Very Reverend Walter C. Wagner, O.P., Pastor James D. Wetzel, Director of Music and Organist FEAST OF THE PRESENTATION OF THE LORD CANDLEMAS Sunday, February 2, 2020 12:00 Noon Procession and Solemn Mass The setting of the Mass Ordinary is Mass in F by Charles Wood (1866-1926). Almsgiving Sunday: A second collection is taken-up this weekend to help offset our Parish’s operating deficit. Donations are also taken up after Mass by members of the Social Concerns Committee to support the work of the New York Common Pantry. Parish Coffee follows the 12:00 Noon Solemn Mass in the Priory Parlors. PRELUDE Camille Saint-Saëns Fantasie in E Flat Major, No. 1 (1835-1921) PROCESSION AND BLESSING OF CANDLES Before the Procession begins, the following is sung: ANTIPHON Isaiah 35:4, 5 Chant, mode iii Ecce Dominus noster cum virtute veniet, Behold, our Lord will come with power, ut illuminet oculos servorum suorum, to enlighten the eyes of his servants, alleluia. alleluia. As the Procession advances through the Nave, the candles of the People are lighted with a flame shared from that of an Acolyte. During which time the following is sung: ANTIPHON Luke 2:32 Chant, mode viii Schola, then repeated by All: A light for the revelation of the nations, and the glory of your people Israel. 2 The Antiphon is repeated by all after each verse. CANTICLE OF SIMEON Luke 2:29-32 Chant, mode viii V. Nunc dimittis servum tuum, Domine, V. -
5000611-439114-635212047521.Pdf
A NEW HEAVEN writer of the Book of Revelation, describing the A NEW HEAVEN ravaging of the world through divine judgement, The theme of this recording is ‘relevation’, both the battles between good and evil, and the divine revelation (particularly the apocalyptic world’s eventual remaking as ‘a new heaven visions of the Book of Revelation) and revelatory and a new earth’ in which death and suffering visions of earth and heaven. The inspiration are no more. Two of these works are also new 1 Alpha and Omega James MacMillan (b. 1959) [7.22] for the recording came from the extraordinarily commissions, by Toby Young and Marco Galvani, 2 Bring us, O Lord God William Harris (1883-1973) [3.33] moving and powerful funeral service for a dear who was a final-year student at Queen’s at 3 Stetit angelus Rihards Dubra (b. 1964) [4.40] colleague of mine, Dr Jackie Stedall, a service the time of recording. 4 And I saw a new heaven Edgar Bainton (1880-1956) [5.20] devised by Jackie herself shortly before her 5 Ecce venio cito Gabriel Jackson (b. 1962) [5.58] death, and for which she chose both readings The disc presents two pairs of works which 6 I know that my Redeemer liveth Cecilia McDowall (b. 1951) [5.29] and music. Among the readings were words exemplify composers’ contrasting responses 7 Seven Trumpets Toby Young (b. 1990) [6.33] from Revelation, and ‘Jottings’ made during to a single text. The first such pair – James 8 Bring us, O Lord God James MacMillan [5.38] her final illness, when the imminence of MacMillan’s Alpha and Omega and Edgar 9 Et vidi angelum Marco Galvani (b. -
August 1923) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1923 Volume 41, Number 08 (August 1923) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 41, Number 08 (August 1923)." , (1923). https://digitalcommons.gardner-webb.edu/etude/704 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ■MeiJi, Theo. Presser Co.. Publishers, Philadelphia, Pa. PRESSER’S MUSICAL MAGAZINE NEWMAN ALBUM BRAHMS ALBUM OF OF CLASSICAL DANCES PIANOFORTE COMPOSITIONS fourteen beautiful dances with music Edited by Louis Oesterle Price, $2.50 By Albert W. Newman Pr,C*’. * • A superb compilation of all the most ;fm«ently An attractive volume of terpsichorean novelties for played piano compositions of this master comPoser' dancers and teachers seeking new material to enrich This album has been edited by the well-known author¬ their repertoire. It is also of considerable value to ity, Louis Oesterle, with a view to study use as well those desiring material of this kind for use in Play-* as for the library of the virtuos9 pianist grounds Schools, May D'ay Festivals, Carnivals, Particular attention has been given to the rhythmic grouping, articulating and phrasing, all dynamic FFuli descriptions of each dance are given by illus¬ markings and tempo indications being given care trations of all the movements, diagrams of all the fully. -
500 Evensong
THE FOURTH SUNDAY IN LENT March 14, 2021 1 5:00 p.m. – CHORAL EVENSONG Welcome! We are delighted to have you join us for worship today! Everything you need to follow along with the service is contained in this bulletin. For a complete list of safety protocols for worship, please see page 7 of this bulletin. VOLUNTARY Evening Song Edward C. Bairstow INTROIT A Prayer of King Henry VI Henry G. Ley Lord Jesus Christ, who created, redeemed, and preordained me to be this that I am, you know what you wish to do with me; do with me in accordance with your will, with mercy. Amen. – Text: Eton College founder’s prayer, attributed to Henry VI, sung in Latin Please stand OPENING HYMN Dear Lord and Father of mankind (Repton) Dear Lord and Father of mankind, forgive our foolish ways! Re-clothe us in our rightful mind, in purer lives thy service find, in deeper reverence, praise; in deeper reverence, praise. In simple trust like theirs who heard, beside the Syrian sea, the gracious calling of the Lord, let us, like them, without a word, rise up and follow thee; rise up and follow thee. O Sabbath rest by Galilee! O calm of hills above, where Jesus knelt to share with thee the silence of eternity interpreted by love; interpreted by love! Drop thy still dews of quietness, till all our strivings cease; take from our souls the strain and stress, and let our ordered lives confess the beauty of thy peace; the beauty of thy peace. Breathe through the heats of our desire thy coolness and thy balm; let sense be dumb, let flesh retire; speak through the earthquake, wind, and fire, O still, small voice of calm; O still, small voice of calm. -
Second Sunday of Lent – 8Th March 2020
1 Music Notes: Second Sunday of Lent – 8th March 2020 The mass setting at the Solemn Eucharist this week is the Missa Brevis by William Walton (1920–1983). This piece was the result of a commission from the Friends of Coventry Cathedral in 1965, and was first performed there in 1966. The commission came just three years after the Cathedral had first opened in May 1962, having been built alongside the ruins of the bombed-out 14th century church that was destroyed in the Second World War. At the end of May 1962, the War Requiem by Benjamin Britten (1913–1976) was premiered there. Its fruition was the result of another commission by the cathedral for a work to mark the consecration of the new building designed by the architect Basil Spence. Michael Tippett (1905–1998) had also been commissioned to provide a work for the arts festival associated with the consecration, and he provided the opera King Priam. So, there was commissioning fever in the air, and William Walton was certainly a key British composer who could rank alongside Britten and Tippett. In fact, he was really rather jealous of Britten’s success and resented his seemingly easy access to the upper echelons of the British establishment. He believed that this was the result of a gay cabal from which resolutely heterosexual composers such as he were unreasonably excluded, all the more unfair, he thought, as the members of his tribe were surely the ‘normal’ ones. (This is a reasonably accurate paraphrase of several comments he made.) Coventry Cathedral was, as a result of the War Requiem, inextricably connected with Britten, so one can just imagine what he felt when he was approached just three years later to provide a work of his own. -
The Choir of Men and Boys · the Parish of All Saints, Ashmont ASH
The Choir of Men and Boys · The Parish of All Saints, Ashmont 209 Ashmont Street, Dorchester Boston, Massachusetts 02124 Telephone 617-436-3520 [email protected] FAX 617-436-7320 FREDERICK BACKHAUS, Organist & Master of Choristers ASH WEDNESDAY TO EASTER, YEAR A, 2008 Ash Wednesday (7:00 pm) The Gentlemen of the Choir February 6, 2008 Missa Penitentialis (Plainsong) Psalm 103:8-14 (Tone V) Psalm 51 (Imposition of Ashes) Have mercy upon me, O Lord – Thomas Tomkins Lent I The Choir of Men & Boys February 10, 2008 The Great Litany in Procession Communion Service in F – Herbert Sumsion Psalm 51:1-13 (Tone IV) Hide not thou thy face – Richard Farrant Lent II The Gentlemen of the Choir February 17, 2008 Missa brevis – Denis Bédard Psalm 33:12-22 (Tone I) Have mercy upon me, O Lord – Thomas Tomkins (Men) Solemn Evensong (4:00 pm) The Choir of Men & Boys For the Mid-winter Conference of the Association of Anglican Musicians (Region II) Preces & Responses – John Barnard Psalm 6 (Carter) Magnificat & Nunc dimittis in D – A. Herbert Brewer Morning glory, star-lit sky – Barry Rose Lent III The Choir of Men & Boys February 24, 2008 The Great Litany in Procession Psalm 95:6-11 (Tone II) Short Communion Service – Adrian Batten Morning glory, star-lit sky – Barry Rose Lent IV The Choir of Men & Boys March 2, 2008 Communion Service in F – William H. Harris Psalm 23 (Goss) Burial Sentences – William Croft Lent V The Boys of the Choir March 9, 2008 Communion Service in E-flat – Herbert Howells Psalm 130 (Tone III) Bist du bei mir – J.S.