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RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA in ONE ACT
RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA IN ONE ACT Composer Richard Strauss Librettist Hedwig Lachmann Based on Oscar Wilde’s play Salomé Conductor Richard Mills AM Director Cameron Menzies Set Designer Christina Smith Costume Designer Anna Cordingley Lighting Designer Gavan Swift Choreographer Elizabeth Hill-Cooper CAST Salome Vida Miknevičiūtė Herod Ian Storey Jochanaan Daniel Sumegi Herodias Liane Keegan Narraboth James Egglestone Page of Herodias Dimity Shepherd Jews Paul Biencourt, Daniel Todd, Soldiers Alex Pokryshevsky, Timothy Reynolds, Carlos E. Bárcenas, Jerzy Kozlowski Raphael Wong Cappadocian Kiran Rajasingam Nazarenes Simon Meadows, Slave Kathryn Radcliffe Douglas Kelly with Orchestra Victoria Concertmaster Yi Wang 22, 25, 27 FEBRUARY 2020 Palais Theatre Original premiere 9 December 1905, Semperoper Dresden Duration 90 minutes, no interval Sung in German with English surtitles PRODUCTION PRODUCTION TEAM Production Manager Eduard Inglés Stage Manager Whitney McNamara Deputy Stage Manager Marina Milankovic Assistant Stage Manager Geetanjali Mishra MUSIC STAFF Repetiteurs Phoebe Briggs, Phillipa Safey ACKNOWLEDGEMENTS Surtitles courtesy of Opera Australia ResolutionX, BAACLight Theatre, Lilydale Theatre Company © Anna Cordingley, Costume Designer P. 4 VICTORIAN OPERA 2020 SALOME ORCHESTRA CONCERTMASTER Sarah Cuming HORN Yi Wang * Philippa Gardner Section Principal Jasen Moulton VIOLIN Tania Hardy-Smith Chair supported by Mr Robert Albert Principal -
Crewes Martin.Pdf
sue barnett & associates MARTIN CREWES TRAINING 1990 Graduate, Bachelor of Arts at Western Australian Academy of Performing Arts (WAAPA) FILM 2021 EVERYTHING INBETWEEN David Knight Sha Pictures Dir: Nadi Sha 2013 PROJECT 25 The Learner Macquarie University Dir: Kathryn Millard 2012 PATRICK Dr. Wright F.G. Film Productions Dir: Mark Hartley 2006 DOA: DEAD OR ALIVE Butler Impact Pictures/Constantin Films Dir: Corey Yuen 2004 SANTA RITA Paolo Mancini S & R Productions Dir: Giorgio Capitani 2001 RESIDENT EVIL Kaplan Impact Pictures/Constantin Films Dir: Paul Anderson TELEVISION 2015 A PLACE TO CALL HOME Lewis Bligh Seven Network/Foxtel (Series 3) 2011 CROWNIES Jimmy Butcher Screentime Dir: Various 2010 TOUGH NUTS Mick Sayers The Full Box Dir: Laurance Coy 2008 CASUALTY Bob Forrester BBC Dir: Ed Bennett 2007 HEARTBEAT Skip Granada Dir: Jude Dine 2006 SCARLETT Luke Martell Lionsgate Dir; Steve Miner 2001 BAD GIRLS Guy Cullen Shed Productions Dir: Lawrence Moody 1999 DAYLIGHT ROBBERY Anthony Sullivan Hewland Int./ITV Dir: David Innes Edwards DREAM TEAM (Series 2 & 3) Luis Rodriguez Hewland International Dir: Various 1998 THE GRAND Australian Cricketer Granada Dir: Sarah Harding 1994 NEIGHBOURS Chip Kelly Grundy Television Dir: Various 1993 RFDS Injured Miner Grundy Television Dir: Various MUSIC THEATRE 2018 DREAM LOVER Steve Blauner Dream Lover Australia Dir: Simon Phillips 2017 ASSASSINS Giuseppe Zangara Luckiest Productions Dir: Dean Bryant 2016 DREAM LOVER Steve Blauner Dream Lover Australia Dir: Simon Phillips sue barnett & associates 1/96 -
Mahler's Klagende Lied
Mahler’s Klagende Lied SIMONE YOUNG’S VISIONS OF VIENNA 4 – 7 DECEMBER SYDNEY OPERA HOUSE CONCERT DIARY FEBRUARY 2020 The 1950s Latin Lounge Wed 5 Feb, 7pm Thu 6 Feb, 7pm Program includes: Sat 8 Feb, 7pm GERSHWIN Cuban Overture Sydney Town Hall MARQUEZ Danzón No.2 BERNSTEIN West Side Story – Mambo Guy Noble conductor Imogen Kelly dancer Ali McGregor soprano The Rite of Spring Symphony Hour Wed 19 Feb, 7pm RIOT AT THE BALLET Thu 20 Feb, 7pm WAGNER Die Meistersinger – Prelude Sydney Town Hall STRAVINSKY The Rite of Spring Pietari Inkinen conductor Abercrombie & Kent Debussy and Ravel Masters Series THE GREAT IMPRESSIONISTS Wed 26 Feb, 8pm RAVEL Piano Concerto in G Fri 28 Feb, 8pm MENDELSSOHN The Hebrides Sat 29 Feb, 8pm DEBUSSY La mer Thursday Afternoon Symphony Jun Märkl conductor Thu 27 Feb, 1.30pm Alexandra Dariescu piano Great Classics Sat 29 Feb, 2pm Sydney Town Hall MARCH 2020 Ben Folds Sydney Symphony Presents Fri 6 Mar, 8pm THE SYMPHONIC TOUR Sat 7 Mar, 8pm Pop icon and music innovator Ben Folds Sydney Town Hall returns to Sydney following his last sold- out shows with the Sydney Symphony. Ben Folds Nicholas Buc conductor Scheherazade Symphony Hour Wed 11 Mar, 7pm HYPNOTIC AND SUBLIME Thu 12 Mar, 7pm DEBUSSY Prelude to the Afternoon of a Faun Tea & Symphony RIMSKY-KORSAKOV Scheherazade Fri 13 Mar, 11am Alexander Shelley conductor Sydney Town Hall Debussy, Mozart and Rimsky-Korsakov Emirates Metro Series Fri 13 Mar, 8pm SENSE AND SENSUALITY Sydney Town Hall DEBUSSY Prelude to the Afternoon of a Faun MOZART Sinfonia Concertante, K.364 RIMSKY-KORSAKOV Scheherazade Alexander Shelley conductor Harry Bennetts violin Tobias Breider viola Abercrombie & Kent Beethoven Missa Solemnis Masters Series MUSIC OF INSPIRATION Wed 18 Mar, 8pm BEETHOVEN Missa Solemnis Fri 20 Mar, 8pm Sat 21 Mar, 8pm Donald Runnicles conductor Siobhan Stagg soprano Sydney Town Hall Vasilisa Berzhanskaya mezzo-soprano Samuel Sakker tenor Derek Welton bass Sydney Philharmonia Choirs Cats 240x150.indd 1 2/9/19 16:40 WELCOME Welcome to the Abercrombie & Kent Masters Series. -
ONCE the 2021 REMOUNT by Arrangement with Music Theatre International (Australasia)
CASTING BRIEF ONCE THE 2021 REMOUNT By arrangement with Music Theatre International (Australasia). THE PLAY Once is a tender story about two musicians, an Irish Guy and a Czech Girl, who turn each others’ lives on their heads and remind each other how to dream. In 2019 Darlinghurst Theatre Company produced Once, directed by Richard Carroll to huge acclaim and a sold out season. We are now recasting a small number of roles to remount this production for a Sydney Season and five week regional tour. Featuring an outstanding ensemble of performers playing instruments live on stage. Once is a modern-day musical that reminds us of the power of music to connect us all. With songs from the critically-acclaimed film, including the Oscar-winning song Falling Slowly, this spell-binding score will have you holding your breath from beginning to end. "When the violins begin to play – and the accordion and the mandolin and the guitars and the cello – the instruments swell into a collection of distinctive voices melded into a single, universal feeling… Once massages that feeling until it hurts quite exquisitely. - The New York Times Original and unforgettable, Once draws you in from the very first note, grabs you by the heart strings and never lets go. ★★★★★ – New York Daily News 8 Tony Awards including Best Musical 4 Drama Desk Awards including Outstanding Musical Grammy Award for Best Musical Theatre Album Academy Award for Best Original Song THE DATES (See schedule below) REHEARSALS: 10 May - 29 May 2021 TECH WEEK: 31 May - 6 June 2021 DTC SEASON: 7 June - 6 August 2021 REGIONAL TOUR: 7 August - 11 September THE PAY All cast will be employed under the Performer’s Collective Agreement, on $1,119.20 per week, plus superannuation and holiday pay. -
Melbourne Suburb of Northcote
ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers. -
ABC2 Program Schedule
1 | P a g e ABC2 Program Guide: National: Week 6 Index Index Program Guide .............................................................................................................................................................. 3 Sunday, 5 February 2017 ...................................................................................................................................... 3 Monday, 6 February 2017 ..................................................................................................................................... 8 Tuesday, 7 February 2017 ................................................................................................................................... 13 Wednesday, 8 February 2017 ............................................................................................................................. 18 Thursday, 9 February 2017 ................................................................................................................................. 23 Friday, 10 February 2017 .................................................................................................................................... 28 Saturday, 11 February 2017 ................................................................................................................................ 33 Marketing Contacts ..................................................................................................................................................... 38 2 | P a g e ABC2 Program Guide: National: -
Strange Interlude
Media Release April 2012 Belvoir presents Strange Interlude Written by SIMON STONE after EUGENE O’NEILL Director SIMON STONE Set Designer ROBERT COUSINS Costume Designer MEL PAGE Lighting Designer DAMIEN COOPER Composer & Sound Designer STEFAN GREGORY With AKOS ARMONT NICHOLAS BAKOPOULIS-COOKE EMILY BARCLAY MITCHELL BUTEL CALLUM McMANIS KRIS McQUADE ELOISE MIGNON ANTHONY PHELAN TOBY SCHMITZ TOBY TRUSLOVE BELVOIR ST THEATRE | UPSTAIRS 5 MAY – 17 JUNE An experimental play from the 1920s may not be the most obvious choice for inclusion in Belvoir’s strikingly contemporary season, but in the hands of Simon Stone theatre-goers will know to expect a radical interpretation of Eugene O’Neill’s Pulitzer Prize-winning play. In the vein of Stone’s The Wild Duck, a sell-out at both Belvoir and Melbourne’s Malthouse Theatre, Strange Interlude will be completely rewritten. Strange Interlude is one of the few modern plays to use soliloquy interwoven with the dialogue, revealing the characters’ inner thoughts; this technique will be maintained in the rewrite. Twenty-year-old Nina Leeds (Emily Barclay) has lost the love of her life in the war. Overcome with grief, she quits university, falls out with her father and moves away from home. What follows is an epic and compelling narrative that spans 25 years in Nina’s life, but the story is compressed into a series of heightened, life altering moments. The significance of each of these moments is revealed as the page-turning story unravels. The cast assembled for this production is truly stellar, with the luminous Emily Barclay as Nina and Mitchell Butel, Toby Schmitz and Toby Truslove as three men in her life, each vying for her attention and affection in his own way. -
ABC Comedy Nov 8
1 | P a g e ABC KIDS/Comedy Program Guide: Week 46 Index Index Program Guide .............................................................................................................................................................. 3 Sunday, 8 November 2020 .................................................................................................................................... 3 Monday, 9 November 2020 .................................................................................................................................. 9 Tuesday, 10 November 2020 .............................................................................................................................. 15 Wednesday, 11 November 2020......................................................................................................................... 21 Thursday, 12 November 2020 ............................................................................................................................. 27 Friday, 13 November 2020 .................................................................................................................................. 33 Saturday, 14 November 2020 ............................................................................................................................. 39 NOTE: Program times may differ in some states if viewing on VAST or Foxtel. More information can be found at ABC Help. 2 | P a g e ABC KIDS/Comedy Program Guide: Week 46 Sunday 8 November 2020 Program Guide Sunday, 8 November 2020 -
Contents Price Code an Introduction to Chandos
CONTENTS AN INTRODUCTION TO CHANDOS RECORDS An Introduction to Chandos Records ... ...2 Harpsichord ... ......................................................... .269 A-Z CD listing by composer ... .5 Guitar ... ..........................................................................271 Chandos Records was founded in 1979 and quickly established itself as one of the world’s leading independent classical labels. The company records all over Collections: Woodwind ... ............................................................ .273 the world and markets its recordings from offices and studios in Colchester, Military ... ...208 Violin ... ...........................................................................277 England. It is distributed worldwide to over forty countries as well as online from Brass ... ..212 Christmas... ........................................................ ..279 its own website and other online suppliers. Concert Band... ..229 Light Music... ..................................................... ...281 Opera in English ... ...231 Various Popular Light... ......................................... ..283 The company has championed rare and neglected repertoire, filling in many Orchestral ... .239 Compilations ... ...................................................... ...287 gaps in the record catalogues. Initially focussing on British composers (Alwyn, Bax, Bliss, Dyson, Moeran, Rubbra et al.), it subsequently embraced a much Chamber ... ...245 Conductor Index ... ............................................... .296 -
THE MIKADO Gilbert & Sullivan
THE MIKADO Gilbert & Sullivan FESTIVAL THEATRE STATE OPERA SOUTH AUSTRALIA THE MIKADO A Comedic Opera in two acts Gilbert & Sullivan by Gilbert & Sullivan Orchestration by Eric Wetherell A Comedic Opera in two acts Orchestration by Eric Wetherell CREATIVES CAST Conductor - Simon Kenway Mikado - Pelham Andrews Director - Stuart Maunder Nanki Poo- Dominic J. Walsh Design - Simone Romaniuk Ko-Ko - Byron Coll Lighting Designer - Donn Byrnes Pooh-Bah - Andrew Collis Choreography - Siobhan Ginty Pish-Tush - Nicholas Cannon Associate Choreographer - Penny Martin Yum-Yum - Amelia Berry Repetiteur - Andrew George Pitti-Sing - Bethany Hill Peep-Bo - Charlotte Kelso Katisha - Elizabeth Campbell 9-23 NOVEMBER ADELAIDE FESTIVAL THEATRE STATE OPERA CHORUS The Mikado is an original ADELAIDE SYMPHONY ORCHESTRA production by Opera Queensland. Director’s Note There is no theatrical phenomenon in the Antipodes The G&S operetta’s durability is extraordinary but with the staying power of Gilbert and Sullivan. not unexplainable. After all, Gilbert’s dramatic situations are still funny, and Sullivan’s music Our love affair with G&S (and let’s face it, how succeeds in providing a kind of romantic foil to many creators are instantly recognised by their Gilbert’s pervasive drollery and cynicism. This kind initials alone?) is almost as enduring as the works of friction was very much at the heart of Gilbert themselves. In the 1870s, when policing copyright and Sullivan’s creative relationship and the gentle was much trickier than it is now, two rival “pirate” satire alternating with genuine heartfelt emotion is productions of H.M.S. Pinafore were playing across a combination that never ages – indeed, perhaps it’s the street from one another in Melbourne. -
Champions of Change
11AM – 6.30PM BECKETT THEATRE TUESDAY 17 NOVEMBER THE COOPERS MALTHOUSE 2015 VICTORIAN THEATRE FORUM CHAMPIONS OF CHANGE TWEET #VTF2015 TNV.NET.AU FORUM SCHEDULE 11:00am Registration and Networking (Foyer) 11:15am SESSION 1 Welcome and Introductions (The Beckett) Keynote - Paying The Piper: There Has To Be A Better Way (The Beckett) 12:30pm Lunch (Foyer) 1:00pm SESSION 2 It Had To Be You (The Beckett) Sector Updates: Part 1 (The Beckett) Group breakout sessions (Bagging Room, Shell Room, Mezzanine, The Beckett, Courtyard) Report back (The Beckett) 3:10pm Afternoon Tea (Foyer) 3:25pm SESSION 3 Sector Updates: Part 2 (The Beckett) Industry Panel: All Together Now (The Beckett) 5:00 – 6.30pm Networking Drinks (Malthouse Bar) 2 WELCOME TO TNV’S SIXTH ANNUAL VICTORIAN THEATRE FORUM – CHAMPIONS OF CHANGE. We in the arts know that our outstanding achievements have only been possible because Australia has been so successful at recognising that development, experimentation, and nurturing of talent is fundamental to achieving ‘excellence’. But, in the last six months, we have learned that we have not been successful enough advocates for ourselves. What do we need to do now to ensure that we have a united vision for the arts, and that we will not have the rug pulled out from under us again? Gathering our members together enables us to continue strengthening the sector, so thank you for joining us as we have this important conversation. As always, delegates are encouraged to talk to strangers in the breaks, as we continue building on the ideas sparked by the discussions. -
2013 Annual Review
Edinburgh Festival Fringe 2014 01 – 25 August edfringe.com ‘The excitement of the Edinburgh Fringe is infectious and empowering, a blast of rude energy ... there’s a heady sense that anything is possible.’ The Independent ‘It’s the biggest and best arts festival on the planet, and the comedy hub for acts from across the globe.’ Time Out London Sponsors CALEDONIAN ‘It is, quite simply, the greatest show on earth.’ The Scotsman ‘What an opportunity the Fringe offers – it’s nourishing art in every form.’ Miriam Margolyes Supporters ‘As an accredited producer at the Edinburgh Fringe for the past 13 years, it is very easy for me to sum up both the Edinburgh Fringe Society and its Arts Industry Office: essential.’ Richard Jordan, Producer Partners ‘Being at the Fringe changed my life in about a million TM ways... Never underestimate what your efforts have meant T S to thousands of performers, writers, directors and technical C R At The National Gallery Of Scotland artists and designers.’ Elaine Liner, Fringe Participant Copyright Edinburgh Festival Fringe Society Ltd 2013 All rights reserved. No part of this publication may be reproduced in any form without the written prior permission of the Edinburgh Festival Fringe Society. The Edinburgh Festival Fringe Society Ltd is a company limited by guarantee and incorporated in Scotland (No SC046605). Registered Charity No SC002995. Registered office:180 High Street, Edinburgh, EH1 1QS Telephone: 0131 226 0026 Fax: 0131 226 0016 Email: [email protected] Foreword Welcome‘The excitement to the Edinburgh Festival of the Fringe Edinburgh Society’s partners. Fringe It is not is only infectious their financial and contributions 2013 review.