Champions of Change

Total Page:16

File Type:pdf, Size:1020Kb

Champions of Change 11AM – 6.30PM BECKETT THEATRE TUESDAY 17 NOVEMBER THE COOPERS MALTHOUSE 2015 VICTORIAN THEATRE FORUM CHAMPIONS OF CHANGE TWEET #VTF2015 TNV.NET.AU FORUM SCHEDULE 11:00am Registration and Networking (Foyer) 11:15am SESSION 1 Welcome and Introductions (The Beckett) Keynote - Paying The Piper: There Has To Be A Better Way (The Beckett) 12:30pm Lunch (Foyer) 1:00pm SESSION 2 It Had To Be You (The Beckett) Sector Updates: Part 1 (The Beckett) Group breakout sessions (Bagging Room, Shell Room, Mezzanine, The Beckett, Courtyard) Report back (The Beckett) 3:10pm Afternoon Tea (Foyer) 3:25pm SESSION 3 Sector Updates: Part 2 (The Beckett) Industry Panel: All Together Now (The Beckett) 5:00 – 6.30pm Networking Drinks (Malthouse Bar) 2 WELCOME TO TNV’S SIXTH ANNUAL VICTORIAN THEATRE FORUM – CHAMPIONS OF CHANGE. We in the arts know that our outstanding achievements have only been possible because Australia has been so successful at recognising that development, experimentation, and nurturing of talent is fundamental to achieving ‘excellence’. But, in the last six months, we have learned that we have not been successful enough advocates for ourselves. What do we need to do now to ensure that we have a united vision for the arts, and that we will not have the rug pulled out from under us again? Gathering our members together enables us to continue strengthening the sector, so thank you for joining us as we have this important conversation. As always, delegates are encouraged to talk to strangers in the breaks, as we continue building on the ideas sparked by the discussions. Be sure to flick through the delegate list and introduce yourself to new people. Finally, it is your financial membership that allows us to continue connecting, leading and advocating for the theatre sector – thank you! 3 KEYNOTE SECTOR Launch of Currency House Platform UPDATES Paper #45, ‘Paying the Piper: There has to be a better way’. Keynote address from NORM HORTON [FERAL ARTS] author Cathy Hunt, interviewed by AND TAMARA WINIKOFF Julian Meyrick. [NAVA/ARTSPEAK] FREE THE ARTS/SENATE Cathy Hunt is a cultural strategist based INQUIRY UPDATE in Brisbane. Her previous professional Following six months of relentless experience was in the management of art advocacy on behalf of the Australian centres, touring performing companies arts sector, two of the #FreeTheArts and festivals. Cathy has worked extensively campaign leaders provide a brief recap. on cultural policy development. Julian Meyrick is a theatre historian, DAVID EVERIST – [AUSTRALIA cultural policy analyst, award-winning COUNCIL FOR THE ARTS] theatre director and Strategic Professor WHAT’S HAPPENING AT AUSCO? of Creative Arts at Flinders University. It’s been a tumultuous year for the Australia Council. A new program launch, funding cuts, and now rumours of returned money. Relationships Manager, IT HAD TO Arts Infrastructure, David Everist, reports BE YOU on what we might expect next. TNV research update and icebreaker TAM NGUYEN activity with the TNV team: [INTERNATIONAL SOCIETY Nicole Beyer (Director), Kath Fyffe FOR THE PERFORMING ARTS] (Business Manager) and Bethany Simons 2016 ISPA CONGRESS (Program Producer). Tam Nguyen is a producer who has worked in the UK, USA and Australia. She is currently producing the 98th ISPA Congress to be held in Australia for the first time in 15 years. The congress will be hosted by Arts Centre Melbourne from May 30 – June 4, 2016. ISPA is a global network of 400 arts leaders. 4 TANIA CANAS AND NATASHA FELIX CHING CHING HO PHILLIPS [ECL ALUMNI] [INDEPENDENT THEATRE MAKER] EMERGING CULTURAL LEADERS LINGUISTIC DIVERSITY ON STAGE: APPROXIMATE TRANSLATION ECL is Footscray Community Arts Centre’s five-month skills development In 2016, Felix will curate ‘Approximate and mentoring program for emerging Translation’ for Malthouse. A guided artists and cultural facilitators from performance exchange in translation, Melbourne’s west. Tania is a Melbourne- bilingualism/multilingualism and surtitling based arts professional with experience informed by Felix’s personal encounters in performance, cultural development, in cultural translation and intercultural events, communication and research. projects, ‘Approximate Translation’ will Natasha is a creative producer, look at linguistic diversity on stage and theatre-maker and 2015 participant why it is important. of the ECL Program at FCAC. STEPHEN ARMSTRONG [ARTS CENTRE MELBOURNE] BREAKOUT ASIA TOPA SESSIONS Stephen Armstrong, Creative Producer for Asian Performing Arts at Arts Centre Delegates are invited to select ONE Melbourne, reports on the recently breakout session. Facilitated by industry announced $2.25 million triennial festival experts, each topic is designed to launch that is set to make Melbourne the a discussion inspired by our 2015 theme performing arts hub of the Asia Pacific. of arts advocacy. DR JANE KREIS RICHARD WATTS [THEATRE NETWORK NSW] EXTRA, EXTRA! - WHAT’S HAPPENING IN THE NSW ADVOCACY IN THE MEDIA THEATRE SECTOR? Richard Watts is ArtsHub’s national Theatre Network NSW (TNN) was performing arts writer; he also presents formally established in late 2014 and the weekly program SmartArts on currently has over 400 Associates and community radio station Three Triple R. Peers. Director, Jane Kreis has over Richard is the founder of the Emerging 20 years experience in the Australian Writers’ Festival, and a life member of arts & cultural industry. She lives in the Melbourne Queer Film Festival. He Grafton, Northern NSW, travelling currently serves on the boards of La Mama extensively in her role as Director and the journal Going Down Swinging, and of TNN. is a member of the Green Room Awards Independent Theatre panel. 5 NORM HORTON an immersive game for children as part of AND TAMARA WINIKOFF ArtPlay’s New Ideas Lab and is also the YES, MINISTER: THE ART OF WAR Producer for Make Mend & Do, a UK theatre company. Simon was previously Norm Horton is one half of Feral Arts - Executive Producer for Hoipolloi Theatre one of Australia’s leading community arts and Associate Producer (Digital) at and cultural development companies. Warwick Arts Centre. Committed to helping communities make the most of their stories in a digital age, Dan Koop is a Producer and Artist Feral Arts are innovators in the field of working in public and unusual spaces. digital storytelling, community mapping and Professionally, he has worked for database development. Norm specialises contemporary multi artform venues and in partnerships in the arts, community, festivals and is currently the Creative education, environment and health sectors, Program Producer for Melbourne Fringe. creating new ways to communicate and Creatively, he makes performance works collaborate through stories. in unusual and public spaces that engage audiences to become participants. Tamara Winikoff OAM is the Executive At the 2012 Next Wave Festival Dan and Director of the National Association for collaborators premiered The Stream / the Visual Arts (NAVA) - the peak body The Boat / The Shore / The Bridge, which representing the professional interests of was awarded a Melbourne Green Room the Australian visual and media arts, craft Award for Outstanding Production. and design sector. It has been extremely effective in securing policy and legislative change, providing leadership to the sector ALICE NASH and professional and career development POLICY AND POLITICS: BUILDING training and resources for practitioners. STRATEGIC RELATIONSHIPS Involved in the arts industry for thirty Alice Nash has been the Executive years, Tamara is well known in Australia Producer & Co-CEO of Back to as a cultural commentator, advocate Back Theatre since 2003. Under her and senior arts manager. She is the co- stewardship, the company has toured to convenor of Arts Peak with Nicole Beyer. 92 destinations worldwide and become one of Australia’s leading cultural exports. SIMON BEDFORD AND DAN KOOP Previously, she was Acting General ALL IN THE MIX: INDIES Manager and Associate Producer of WORKING WITH MAJORS Theatre at the Next Wave Festival and General Manager of the Big West Simon Bedford is an independent Festival. Alice hails from Canada where producer, developing projects that she has worked with Edmonton’s First encourage a sense of wonder and play. Night Festival, Catalyst Theatre and He is currently working with Roslyn Northern Light Theatre. Oades to create In A Deep, Dark Forest, 6 DAVID EVERIST at conferences both nationally and AUSTRALIA COUNCIL: internationally. She worked in prisons WHERE DO WE FIT IN? and with a youth group in Northern Ireland, developed a Forum Theatre play David Everist is Relationship Manager, with women in the Solomon Islands and Arts Infrastructure at Australia Council. conducted Theatre of the Oppressed He works with Major Performing Arts Dramaturgy Masterclasses at Rhodes Theatre Companies and Multi-Year funded University, South Africa. Her monologue, theatre organisations and Aboriginal and ‘Untouchable’, was published with Torres Strait Islander Arts organisations. Currency Press 2013 and she has since David was involved in developing the toured the piece in the US. Artistic Vibrancy e-Book. Prior to this he was Senior Arts Officer, Programming Gabriela Georges is an inclusive and Innovation, Arts Victoria. He has also performing arts practitioner and worked at Arena Theatre and Footscray performer who works with community Community Arts Centre. He trained in groups through a collaborative process, theatre at Victorian College of the Arts. integrating the ideas
Recommended publications
  • RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA in ONE ACT
    RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA IN ONE ACT Composer Richard Strauss Librettist Hedwig Lachmann Based on Oscar Wilde’s play Salomé Conductor Richard Mills AM Director Cameron Menzies Set Designer Christina Smith Costume Designer Anna Cordingley Lighting Designer Gavan Swift Choreographer Elizabeth Hill-Cooper CAST Salome Vida Miknevičiūtė Herod Ian Storey Jochanaan Daniel Sumegi Herodias Liane Keegan Narraboth James Egglestone Page of Herodias Dimity Shepherd Jews Paul Biencourt, Daniel Todd, Soldiers Alex Pokryshevsky, Timothy Reynolds, Carlos E. Bárcenas, Jerzy Kozlowski Raphael Wong Cappadocian Kiran Rajasingam Nazarenes Simon Meadows, Slave Kathryn Radcliffe Douglas Kelly with Orchestra Victoria Concertmaster Yi Wang 22, 25, 27 FEBRUARY 2020 Palais Theatre Original premiere 9 December 1905, Semperoper Dresden Duration 90 minutes, no interval Sung in German with English surtitles PRODUCTION PRODUCTION TEAM Production Manager Eduard Inglés Stage Manager Whitney McNamara Deputy Stage Manager Marina Milankovic Assistant Stage Manager Geetanjali Mishra MUSIC STAFF Repetiteurs Phoebe Briggs, Phillipa Safey ACKNOWLEDGEMENTS Surtitles courtesy of Opera Australia ResolutionX, BAACLight Theatre, Lilydale Theatre Company © Anna Cordingley, Costume Designer P. 4 VICTORIAN OPERA 2020 SALOME ORCHESTRA CONCERTMASTER Sarah Cuming HORN Yi Wang * Philippa Gardner Section Principal Jasen Moulton VIOLIN Tania Hardy-Smith Chair supported by Mr Robert Albert Principal
    [Show full text]
  • 98Th ISPA Congress Melbourne Australia May 30 – June 4, 2016 Reimagining Contents
    98th ISPA Congress MELBOURNE AUSTRALIA MAY 30 – JUNE 4, 2016 REIMAGINING CONTENTS ACKNOWLEDGEMENT OF PEOPLE & COUNTRY 2 MESSAGE FROM THE MINISTER FOR CREATIVE INDUSTRIES, 3 STATE GOVERNMENT OF VICTORIA MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, ARTS CENTRE MELBOURNE 4 MESSAGE FROM THE DIRECTOR OF PROGRAMMING, ARTS CENTRE MELBOURNE 5 MESSAGE FROM THE CHAIR, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 6 MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 7 LET THE COUNTDOWN BEGIN: A SHORT HISTORY OF ISPA 8 MELBOURNE, AUSTRALIA 10 CONGRESS VENUES 11 TRANSPORT 12 PRACTICAL INFORMATION 13 ISPA UP LATE 14 WHERE TO EAT & DRINK 15 ARTS CENTRE MELBOURNE 16 THE ANTHONY FIELD ACADEMY SCHEDULE OF EVENTS 18 THE ANTHONY FIELD ACADEMY SPEAKERS 22 CONGRESS SCHEDULE OF EVENTS 28 CONGRESS PERFORMANCES 37 CONGRESS AWARD WINNERS 42 CONGRESS SESSION SPEAKERS & MODERATORS 44 THE ISPA FELLOWSHIP CHALLENGE 56 2016 FELLOWSHIP PROGRAMS 57 ISPA FELLOWSHIP RECIPIENTS 58 ISPA STAR MEMBERS 59 ISPA OUT ON THE TOWN SCHEDULE 60 SPONSOR ACKNOWLEDGEMENTS 66 ISPA CREDITS 67 ARTS CENTRE MELBOURNE CREDITS 68 We are committed to ensuring that everyone has the opportunity to become immersed in ISPA Melbourne. To help us make the most of your experience, please ask us about Access during the Congress. Cover image and all REIMAGINING images from Chunky Move’s AORTA (2013) / Photo: Jeff Busby ACKNOWLEDGEMENT OF PEOPLE MESSAGE FROM THE MINISTER FOR & COUNTRY CREATIVE INDUSTRIES, Arts Centre Melbourne respectfully acknowledges STATE GOVERNMENT OF VICTORIA the traditional owners and custodians of the land on Whether you’ve come from near or far, I welcome all which the 98th International Society for the Performing delegates to the 2016 ISPA Congress, to Australia’s Arts (ISPA) Congress is held, the Wurundjeri and creative state and to the world’s most liveable city.
    [Show full text]
  • Crewes Martin.Pdf
    sue barnett & associates MARTIN CREWES TRAINING 1990 Graduate, Bachelor of Arts at Western Australian Academy of Performing Arts (WAAPA) FILM 2021 EVERYTHING INBETWEEN David Knight Sha Pictures Dir: Nadi Sha 2013 PROJECT 25 The Learner Macquarie University Dir: Kathryn Millard 2012 PATRICK Dr. Wright F.G. Film Productions Dir: Mark Hartley 2006 DOA: DEAD OR ALIVE Butler Impact Pictures/Constantin Films Dir: Corey Yuen 2004 SANTA RITA Paolo Mancini S & R Productions Dir: Giorgio Capitani 2001 RESIDENT EVIL Kaplan Impact Pictures/Constantin Films Dir: Paul Anderson TELEVISION 2015 A PLACE TO CALL HOME Lewis Bligh Seven Network/Foxtel (Series 3) 2011 CROWNIES Jimmy Butcher Screentime Dir: Various 2010 TOUGH NUTS Mick Sayers The Full Box Dir: Laurance Coy 2008 CASUALTY Bob Forrester BBC Dir: Ed Bennett 2007 HEARTBEAT Skip Granada Dir: Jude Dine 2006 SCARLETT Luke Martell Lionsgate Dir; Steve Miner 2001 BAD GIRLS Guy Cullen Shed Productions Dir: Lawrence Moody 1999 DAYLIGHT ROBBERY Anthony Sullivan Hewland Int./ITV Dir: David Innes Edwards DREAM TEAM (Series 2 & 3) Luis Rodriguez Hewland International Dir: Various 1998 THE GRAND Australian Cricketer Granada Dir: Sarah Harding 1994 NEIGHBOURS Chip Kelly Grundy Television Dir: Various 1993 RFDS Injured Miner Grundy Television Dir: Various MUSIC THEATRE 2018 DREAM LOVER Steve Blauner Dream Lover Australia Dir: Simon Phillips 2017 ASSASSINS Giuseppe Zangara Luckiest Productions Dir: Dean Bryant 2016 DREAM LOVER Steve Blauner Dream Lover Australia Dir: Simon Phillips sue barnett & associates 1/96
    [Show full text]
  • View Walk D'albora Marinas Departure Points Ground Registry of Boathouse Drive Shed 2 Cumberland St No
    Melbourne City Map Accessible toilet ARDEN ST BBQ Bike path offroad/onroad Cinema Parking Places of interest City circle tram route with QUEENSBERRY ST DRYBURGH ST stops Places of worship BAILLIE ST Educational facility Melbourne city tourist Playground ABBOTSFORDPROVOST ST ST ARDEN SIDING RAILWAY shuttle bus stop MUNSTER TCE Hospital Post Office STAWELL ST LAURENS ST Tram route with platform Marina Taxi rank stops WRECKYNARTS HOUSE ST VICTORIA ST MARKETMEAT Police Theatre LOTHIAN STTrain station ELM ST Train Toilet MILLER ST BLACKWOOD ST COURTNEY ST To Sydney Road under construction/ ANDERSON ST NORTH via MELBOURNE Sydney Rd RAILWAY PL future development site TOWN HALL & LIBRARY MELBOURNE GOODS RAILWAY CURZON ST PELHAMBERKELEY ST ST Visitor information centre BEDFORD ST BARRY ST QUEENSBERRY ST ELIZABETH ST SPENCER ST ERROL ST No TO ZOO DRYBURGH ST r KING ST M t To LEVESON ST e h BERKELEY ST Melb. Uni., lbo Melb. Cemetery u STBARRY & Dental NORTH MELBOURNE RAILWAY PL EADES rn IRELAND ST e Hosp. GRATTAN ST ADDERLEY ST ABBOTSFORD ST To Airport, PELHAM ST CARLTON ST Bendigo, COSTCO O'CONNELL ST Daylesford via HAWKE ST COBDEN ST PEEL ST Calder Fwy PIAZZA ITALIA CHETWYND ST WILLIAM ST FOOTSCRAY RD VICTORIA ST WESTERN LINK (CITYLINK) RODEN ST HOWARD ST PELHAM ST ICEHOUSE CAPEL ST MOOR ST PEEL ST MILTON ST MILTON PEARL RIVER RD WATERFRONTWAY STANLEY ST Carl LEICESTER ST to KING WILLIAM ST WALSH ST QUEEN n WATERFRONT ROSSLYN ST 8 VICTORIA IMAX k MARKET BOUVERIE ST e CITY W re QUEENSBERRY ST ST DAVID ST C e M To Eastern s s THERRY ST d LITTLE
    [Show full text]
  • Jesus, Queen of Heaven by Jo Clifford
    Theatre works And BEN ANDERSON present THE GOSPEL ACCORDING TO JESUS, QUEEN OF HEAVEN BY JO CLIFFORD 30 APR - 8 may THEATRE WORKS 14 ACLAND STREET, ST KILDA THE GOSPEL ACCORDING TO WRITER’S NOTE | JO CLIFFORD When I first wrote and performed Queen Jesus in Glasgow, back in 2009, I was afraid people JESUS, QUEEN might find her dull. I was wrong about that. OF HEAVEN I was very frightened and distressed by all the hatred she inspired back then. Hatred that came in from all over the world. 30 APR - 8 mAY But the hate taught me her words mattered and I should work to keep her alive. THEATRE WORKS So I did. And I discovered that performing her was a powerful act of resistance against the 14 ACLAND STREET, ST KILDA shame and fear that had possessed me since the time I was a child and knew that I wasn’t a boy. A shame that touches everybody. Because none of us quite measure up to the gender we’re supposed to be. And since then she’s helped many others resist in so many places in the world. All over the UK, all over Brazil, Argentina, Uruguay, Cabo Verde, Belfast, Brussels and Berlin. And here she is incarnate in the magnificent Kristen Smyth and opening in Melbourne. That is so wonderful. And opening to the same hatred, expressed in the same words, as in Glasgow. Because hatred cannot change. But love… love is creative. Love changes everything… DIRECTOR’S NOTE | KITAN PETKOVSKI I can still recall the emotional mess that I was upon reading Jo Clifford’s The Gospel According to Jesus, Queen of Heaven.
    [Show full text]
  • Prompt Pack Pa R
    PART A PROMPT PACK VCE Theatre Studies MALTHOUSETITLE GOES HERE THEATRE ACKNOWLEDGES THE LAND AND SONGLINES OF THE BOON WURRUNG AND WURUNDJERI PEOPLES OF THE KULIN NATION. Malthouse Theatre presents Because The Night. © Copyright: Malthouse Theatre, the artists, designers, photographers, collaborators and contributors. All rights reserved, 2021. PROMPT PACK CREATED FOR MALTHOUSE PROMPT—MALTHOUSE THEATRE’S YOUTH AND EDUCATION PROGRAM. Cover Image / Giulia Giannini McGauran Photographer / Phoebe Powell Design / Hours After Theatre Studies Prompt Pack written by / Robyn Kay Consultant / Kamarra Bell-Wykes Contextual Information written by / Mark Pritchard Editor / Jacqui Bathman Page 2—2 04——INTRODUCTION 06——CURRICULUM FOCUS 07——KEY STUDY INFORMATION 08——BECAUSE THE NIGHT SCRIPT 09——CAST & CREATIVE BIOGRAPHIES 20——CONTEXTUAL INFORMATION 24——FACT SHEET 25——WHAT IS IMMERSIVE THEATRE? 26——VIDEO INTERVIEWS 28——INTERVIEW WITH THE DIRECTORS 32——THEATRE STUDIES UNIT 3 37——ATTENDING THE PLAY 38——THEATRE STUDIES UNIT 4 42——RESOURCES ICON KEY LINKS ACTIVITY VIDEO MORE INFO #becausethenight INTRODUCTION Malthouse Theatre’s Theatre Studies Prompt Pack (Part A) is a preshow resource that will provide you with initial information about the VCAA Playlisted production Because The Night. This Pack includes video interviews with Matthew Lutton (Concept, Direction & Text), Marg Horwell (Set Design, Interiors), Matilda Woodroofe (Associate Set Design, Interiors), Kat Chan (Costume Design). There are also some suggestions as to how you might prepare prior to seeing the play staged. Post show Theatre Studies Prompt Packs (Part B & C) will be available to help you make an analysis of the production in performance. The two-pronged approach is intended to break down the task for Unit 3, Outcome 3 and Unit 4, Outcome 3 into a study of the production before and then after seeing Malthouse Theatre’s Because The Night.
    [Show full text]
  • Herald Sun Entertainment Herald Sun
    4/30/2015 Melbourne Theatre Company dominates Green Room Awards — but not for theatre | Herald Sun Entertainment Herald Sun Entertainment Melbourne Theatre Company dominates Green Room Awards — but not for theatre by: Sally Bennett arts editor From: Herald Sun April 20, 2015 10:30PM Share × Share this story Facebook Twitter LinkedIn Google Email 0 0 Madeleine Jones and Tom Parsons both won best actor awards for their roles in the musical “Once”. Picture: Eugene Hyland Source: News Corp Australia THE Melbourne Theatre Company has dominated this year’s Green Room Awards, announced http://www.heraldsun.com.au/entertainment/arts/melbourne-theatre-company-dominates-green-room-awards-but-not-for-theatre/story-fni0fcgk-1227312347021 1/10 4/30/2015 Melbourne Theatre Company dominates Green Room Awards — but not for theatre | Herald Sun tonight, but in an unexpected category. Instead of cleaning up the awards for theatre — where it was virtually snubbed — the company won eight awards in the musical category for its co­production of Once with John Frost, including best production, director and male and female leads. The MTC, which also won a dance award for its co­production with Chunky Move, tied with Opera Australia to be the two most successful companies with 10 gongs each. But our flagship theatre company came a distant fourth in the theatre category — behind the Malthouse Theatre, Bell Shakespeare and Red Stitch Actors Theatre — picking up only one award for sound design. It’s highly touted Neon Festival of Independent Theatre also managed only one award in the independent theatre category. Opera Australia’s “Eugene Onegin” won seven awards, including female lead for Nicole Car.
    [Show full text]
  • ONCE the 2021 REMOUNT by Arrangement with Music Theatre International (Australasia)
    CASTING BRIEF ONCE THE 2021 REMOUNT By arrangement with Music Theatre International (Australasia). THE PLAY Once is a tender story about two musicians, an Irish Guy and a Czech Girl, who turn each others’ lives on their heads and remind each other how to dream. In 2019 Darlinghurst Theatre Company produced Once, directed by Richard Carroll to huge acclaim and a sold out season. We are now recasting a small number of roles to remount this production for a Sydney Season and five week regional tour. Featuring an outstanding ensemble of performers playing instruments live on stage. Once is a modern-day musical that reminds us of the power of music to connect us all. With songs from the critically-acclaimed film, including the Oscar-winning song Falling Slowly, this spell-binding score will have you holding your breath from beginning to end. "When the violins begin to play – and the accordion and the mandolin and the guitars and the cello – the instruments swell into a collection of distinctive voices melded into a single, universal feeling… Once massages that feeling until it hurts quite exquisitely. - The New York Times Original and unforgettable, Once draws you in from the very first note, grabs you by the heart strings and never lets go. ★★★★★ – New York Daily News 8 Tony Awards including Best Musical 4 Drama Desk Awards including Outstanding Musical Grammy Award for Best Musical Theatre Album Academy Award for Best Original Song THE DATES (See schedule below) REHEARSALS: 10 May - 29 May 2021 TECH WEEK: 31 May - 6 June 2021 DTC SEASON: 7 June - 6 August 2021 REGIONAL TOUR: 7 August - 11 September THE PAY All cast will be employed under the Performer’s Collective Agreement, on $1,119.20 per week, plus superannuation and holiday pay.
    [Show full text]
  • Melbourne Suburb of Northcote
    ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers.
    [Show full text]
  • MINERVA THEATRE Feasibility Study – Executive Summary
    MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition.
    [Show full text]
  • VCE Theatre Studies
    PROMPT PACK VCE Theatre Studies Unit 4, Outcome 3 PART C TITLE GOES HERE 02——DIRECTOR & CREATOR'S NOTE MALTHOUSE THEATRE 04——INTRODUCTION 06—— A NEW PIECE OF THEATRE FOR A NEW ACKNOWLEDGES WORLD OF THEATRE 08——CAST & CREATIVE BIOGRAPHIES THE LAND AND 18——PART C—UNIT 4, OUTCOME 3 19——THEATRE STUDIES—PAST EXAMINATIONS SONGLINES OF THE 20——VIDEO INTERVIEWS 24——ACTOR-AUDIENCE RELATIONSHIP BOON WURRUNG 26——ACTING AND WURUNDJERI 30——ELEMENTS OF THEATRE COMPOSITION PEOPLES OF THE KULIN NATION. Malthouse Theatre presents Because The Night. © Copyright: Malthouse Theatre, the artists, designers, photographers, collaborators and contributors. ICON KEY All rights reserved, 2021. PROMPT PACK CREATED FOR MALTHOUSE PROMPT—MALTHOUSE THEATRE’S YOUTH AND EDUCATION PROGRAM. Cover Image / Kristian Gehradte Photographer / Pia Johnson Design / Hours After Theatre Studies Prompt Pack written by / Robyn Kay Editor / Jacqui Bathman LINKS ACTIVITY VIDEO MORE INFO DISCUSS FROM DIRECTOR & CREATOR ‘BECAUSE THE NIGHT IS UNIQUE. MATTHEW LUTTON I’VE NEVER DIRECTED ANYTHING LIKE THIS BEFORE’ It is thrilling to witness an audience experience — Matthew Lutton (Concept, Direction & Text) Because The Night. Masked audience members follow actors through a maze of rooms, listening in as they reveal the stories of the Elsinore ‘AT THE END OF THE DAY WE ARE MAKING ART family. Other groups read letters hidden away in drawers or go through files in the security room to uncover deeper secrets of FOR THE AUDIENCE… IT’S SHARED the country itself. It is exhilarating to see theatre alive again and an audience empowered to follow their own curiosities. STORYTELLING’ — Tahlee Fereday (Ophelia) For Because The Night, we have built a ‘world’ for everyone to explore.
    [Show full text]
  • Report to the Future Melbourne (Planning) Committee Agenda Item 6.2
    Page 1 of 49 Report to the Future Melbourne (Planning) Committee Agenda item 6.2 Ministerial Planning Referral: TPM-2013-31 6 May 2014 19-25 Russell Street and 150-162 Flinders Street, Melbourne Presenter: Angela Meinke, Manager Planning and Building Purpose and background 1. The purpose of this report is to advise the Future Melbourne Committee of a Ministerial Planning Application (reference 2013/009973) at 19-25 Russell Street and 150-162 Flinders Street, Melbourne. Notice of the planning application was given by the Department of Transport, Planning and Local Infrastructure (DTPLI) on 20 December 2013 (refer Attachment 2 – Locality plan and Attachment 3 – Proposed plans). 2. The applicant is Clement Stone Town Planners, the owner is Forum Theatre Holdings Pty Ltd and the architect is Bates Smart Pty Ltd. 3. The subject site is located within the Capital City Zone 1; Design and Development Overlays Schedule 1 –A2 (active street frontage), 2 A5 (40 metre discretionary height control), 4 (weather protection); Heritage Overlay Schedules 505 (Flinders Gate Precinct) and 653 (Forum Theatre) and Parking Overlay 1. 4. The application proposes the demolition of the MTC building at 25 Russell Street and the construction of a 32 level (107 metre) tower for a residential hotel, ground level retail, commercial and residential uses (refer Attachment 3 – Proposed plans). The application also proposes refurbishment of the Forum Theatre. 5. The Forum Theatre is on the Victorian Heritage Register (HO438) and an application has been lodged with Heritage Victoria for the refurbishment works and for a 3.5 metre projection of the tower over the rear of the Forum.
    [Show full text]