Cavalleria Rusticana & Pagliacci

Total Page:16

File Type:pdf, Size:1020Kb

Cavalleria Rusticana & Pagliacci MEDIA RELEASE Mascagni | Leoncavallo | Directed by Damiano Michieletto | Conducted by Andrea Licata Cavalleria Rusticana & Pagliacci 10 – 20 May | State Theatre, Arts Centre Melbourne Starring | Diego Torre | Dragana Radakovic | José Carbó | Anna Princeva Opera Australia is giving audiences a rare opportunity to experience a classic operatic double- bill when they present celebrated director Damiano Michieletto’s new Olivier Award-winning production of Cavalleria Rusticana and Pagliacci at the Arts Centre Melbourne this autumn. This co-production with the Royal Opera House is a classic of the ‘verismo movement’ and presents a slice of life from the small villages of Southern Italy, laying bare the raw heart of each story – ordinary people, driven by betrayal, passion, jealousy and revenge, emotions stretched to the limits. Although a different composer wrote each opera, it has been a long-standing tradition that they are performed together. In this production, Michieletto implies that both happen in the same town on the same night and are inextricably linked. Opera Australia Artistic Director Lyndon Terracini has wanted to do Cavalleria Rusticana / Pagliacci for some time. “I think audiences are going to love this new production. These two operas are tremendously powerful and the cast is simply brilliant. “In particular, it is a treat to see Diego Torre perform the two challenging roles on the one night and we’re thrilled that Dragana Radakovic has returned to Australia after her fantastic performance in Handa Opera on the Harbour - Turandot. She’s the perfect choice for the intensity of Santuzza. I saw Russian singer Anna Princeva perform Così fan tutte in Switzerland and knew she’d be fabulous as Nedda in Pagliacci,” he said. The all-star cast also includes Opera Australia Principal Artists José Carbó, Dominica Matthews, Sian Pendry, Samuel Dundas and John Longmuir. This is the first time acclaimed Italian director Damiano Michieletto has directed for Opera Australia, and Andrea Licata (Luisa Miller, Don Carlos) will return to conduct. Winning the Olivier Award for Best New Opera in 2016, Michieletto’s production garnered high critical acclaim, with The Independent calling it “A triumphant evening” and Harper’s Bazaar (UK) describing it as “Genuinely clever”. This will be a highlight of Melbourne’s autumn season. 1 Creatives Performance information Conductor Andrea Licata Evenings at 7.30pm Director Damiano Michieletto May 10, 13, 15, 17, 20 Revival Director Andy Morton Running time Three hours including one interval. Set Designer Paolo Fantin Performed in Italian with English surtitles. Costume Designer Carla Teti Lighting Designer Alessandro Carletti Bookings Adult tickets from $65 (fees may apply) Group and concession prices available Cast for most performances. Cavalleria Rusticana Student Rush available for most Turiddu Diego Torre performances: $50 (fees may apply) Santuzza Dragana Radakovic Opera Australia Box Office Alfio José Carbó (03) 9685 3700 www.opera.org.au Mamma Lucia Dominica Matthews Lola Sian Pendry State Theatre, Arts Centre Melbourne Pagliacci Co-production with the Royal Opera Canio Diego Torre House, Göteborg Opera Sweden and La Nedda Anna Princeva Monnaie Brussels. Tonio José Carbó Silvio Samuel Dundas Beppe John Longmuir Media enquiries With Orchestra Victoria and the Opera Janet Glover | PR Manager Australia Chorus 02 9318 8246 | 0412 601 816 [email protected] .
Recommended publications
  • 98Th ISPA Congress Melbourne Australia May 30 – June 4, 2016 Reimagining Contents
    98th ISPA Congress MELBOURNE AUSTRALIA MAY 30 – JUNE 4, 2016 REIMAGINING CONTENTS ACKNOWLEDGEMENT OF PEOPLE & COUNTRY 2 MESSAGE FROM THE MINISTER FOR CREATIVE INDUSTRIES, 3 STATE GOVERNMENT OF VICTORIA MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, ARTS CENTRE MELBOURNE 4 MESSAGE FROM THE DIRECTOR OF PROGRAMMING, ARTS CENTRE MELBOURNE 5 MESSAGE FROM THE CHAIR, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 6 MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 7 LET THE COUNTDOWN BEGIN: A SHORT HISTORY OF ISPA 8 MELBOURNE, AUSTRALIA 10 CONGRESS VENUES 11 TRANSPORT 12 PRACTICAL INFORMATION 13 ISPA UP LATE 14 WHERE TO EAT & DRINK 15 ARTS CENTRE MELBOURNE 16 THE ANTHONY FIELD ACADEMY SCHEDULE OF EVENTS 18 THE ANTHONY FIELD ACADEMY SPEAKERS 22 CONGRESS SCHEDULE OF EVENTS 28 CONGRESS PERFORMANCES 37 CONGRESS AWARD WINNERS 42 CONGRESS SESSION SPEAKERS & MODERATORS 44 THE ISPA FELLOWSHIP CHALLENGE 56 2016 FELLOWSHIP PROGRAMS 57 ISPA FELLOWSHIP RECIPIENTS 58 ISPA STAR MEMBERS 59 ISPA OUT ON THE TOWN SCHEDULE 60 SPONSOR ACKNOWLEDGEMENTS 66 ISPA CREDITS 67 ARTS CENTRE MELBOURNE CREDITS 68 We are committed to ensuring that everyone has the opportunity to become immersed in ISPA Melbourne. To help us make the most of your experience, please ask us about Access during the Congress. Cover image and all REIMAGINING images from Chunky Move’s AORTA (2013) / Photo: Jeff Busby ACKNOWLEDGEMENT OF PEOPLE MESSAGE FROM THE MINISTER FOR & COUNTRY CREATIVE INDUSTRIES, Arts Centre Melbourne respectfully acknowledges STATE GOVERNMENT OF VICTORIA the traditional owners and custodians of the land on Whether you’ve come from near or far, I welcome all which the 98th International Society for the Performing delegates to the 2016 ISPA Congress, to Australia’s Arts (ISPA) Congress is held, the Wurundjeri and creative state and to the world’s most liveable city.
    [Show full text]
  • Festival Verdi
    INTERNO ALETTA TESTO GUTTUSO Personalità e genio ritratti con pochi segni di matita. Decisi. Sicuri. Delineano il volto inconfondibile, lo sguardo penetrante, l’espressione severa. Il ritratto di Giuseppe Verdi realizzato da Renato Guttuso negli anni ‘60, donato al Teatro Regio di Parma dall’Archivio storico Bocchi, in ricordo di Mario Bocchi, diviene, nell’anno del Bicentenario, icona originale, esclusiva, del Festival Verdi. FONDAZIONE Presidente Sindaco di Parma Federico Pizzarotti Membri del Consiglio di Amministrazione Giuseppe Albenzio Laura Maria Ferraris Silvio Grimaldeschi Marco Alberto Valenti Amministratore esecutivo Carlo Fontana Direttore artistico Paolo Arcà Presidente del Collegio dei Revisori Giuseppe Ferrazza Revisori Andrea Frattini Alessandro Picinini Comitato promotore delle celebrazioni verdiane Presidente Paolo Peluffo Comitato di consulenza musicologica per il Festival Verdi Marcello Conati Gerardo Guccini Emilio Sala Il Festival Verdi è realizzato grazie al contributo di Major partner Partner eventi speciali Partner Main partner Sponsor Sponsor tecnici Tour operator partner Partner celebrazioni Il Teatro Regio di Parma ringrazia inoltre gli imprenditori che hanno voluto personalmente sostenere il Festival Verdi 2013 Teatro Regio di Parma 30 settembre 2013 FILARMONICA DELLA SCALA Direttore RICCARDO CHAILLY Musiche Giuseppe Verdi 1, 4, 6, 8, 11 ottobre 2013 SIMON BOCCANEGRA Musica Giuseppe Verdi 10 ottobre 2013 FILARMONICA ARTURO TOSCANINI CORO DEL TEATRO REGIO DI PARMA Direttore YURI TEMIRKANOV Musiche Giuseppe
    [Show full text]
  • Ernani Program
    VERDI PATRON-IN-CHIEF DR HARUHISA HANDA Celebrating the return of World Class Opera HSBC, as proud partner of Opera Australia, supports the many returns of 2021. Together we thrive Issued by HSBC Bank Australia Limited ABN 48 006 434 162 AFSL No. 232595. Ernani Composer Ernani State Theatre, Giuseppe Verdi (1813-1901) Diego Torre Arts Centre Melbourne Librettist Don Carlo, King of Spain Performance dates Francesco Maria Piave Vladimir Stoyanov 13, 15, 18, 22 May 2021 (1810-1876) Don Ruy Gomez de Silva Alexander Vinogradov Running time: approximately 2 hours and 30 Conductor Elvira minutes, including one interval. Carlo Montanaro Natalie Aroyan Director Giovanna Co-production by Teatro alla Scala Sven-Eric Bechtolf Jennifer Black and Opera Australia Rehearsal Director Don Riccardo Liesel Badorrek Simon Kim Scenic Designer Jago Thank you to our Donors Julian Crouch Luke Gabbedy Natalie Aroyan is supported by Costume Designer Roy and Gay Woodward Kevin Pollard Opera Australia Chorus Lighting Designer Chorus Master Diego Torre is supported by Marco Filibeck Paul Fitzsimon Christine Yip and Paul Brady Video Designer Assistant Chorus Master Paul Fitzsimon is supported by Filippo Marta Michael Curtain Ina Bornkessel-Schlesewsky and Matthias Schlesewsky Opera Australia Actors The costumes for the role of Ernani in this production have been Orchestra Victoria supported by the Concertmaster Mostyn Family Foundation Sulki Yu You are welcome to take photos of yourself in the theatre at interval, but you may not photograph, film or record the performance.
    [Show full text]
  • Biography: Fabio Armiliato
    Biography: Fabio Armiliato Internationally renewed tenor Fabio Armiliato is acclaimed by the public thanks to his unique vocal style, his impressive upper register and his dramatic abilities and charisma that infuses in his characters. He made his opera debut as Gabriele Adorno in Simon Boccanegra in his hometown Genoa, where he graduated at the Conservatory Niccolo Paganini, after which his career set off leading him to address many important roles for his register in the most prestigious theatres in the world. In 1993 debuted at the Metropolitan Opera House in New York with Il Trovatore, followed by Aida, Cavalleria Rusticana, Don Carlo, Simon Boccanegra, Tosca, Fedora, Madama Butterfly. Especially his performance of Andrea Chènier at the Met is considered one of his most iconic roles, receiving the proclamation from the critics of “best Chénier of our times”. Equally importance Fabio Armiliato gave to the role of Pinkerton in Madama Butterfly, sung amongst others at La Scala in Milan, at the Gran Teatre del Liceu and the New National Theatre in Tokyo. During the period from 1990 to 1996, he performed in the Opera of Antwerp on a cycle dedicated to Giacomo Puccini, in production directed by Robert Carsen interpreting Tosca, Don Carlo and Manon Lescaut. Armiliato is a refined interpreter of Mario Cavaradossi in Tosca with more than 150 performances of the title, he has been acclaimed in this role in the most prestigious Opera Houses including La Scala in Milan, conducted by Lorin Maazel, and the Royal Opera House at Covent Garden in London under the baton of Antonio Pappano in 2006.
    [Show full text]
  • Opera Australia 2018 Annual Report
    2018 ANNUAL REPORT Cover image: Simon Lobelson as Gregor in Metamorphosis, which played at the Opera Australia Scenery Workshop in Enriching Australia’s Surry Hills and the Malthouse cultural life with Theatre in Melbourne. exceptional opera. One of Opera Australia’s new Vision productions, it was written by Australian Brian Howard, performed by an all Australian cast To present opera that excites and produced by an all Australian audiences and sustains and creative team. Photo: develops the art form. Prudence Upton Mission TABLE OF CONTENTS At a glance 3 Artistic Sydney Screens on stage 32 Director’s Report 12 Conservatorium Productions: of Music 2018 awards 34 performances and Regional Tour 13 Internships 23 attendances 4 China tour 36 Regional Student Professional and Artists 38 Season star ratings 5 Scholarships 16 Talent Development 24 Orchestra 39 Revenue and expenditure 6 Schools Tour 18 Evita 26 Philanthropy 40 Australia’s biggest Auslan Handa Opera arts employer 7 shadow-interpreting 20 on Sydney Harbour – Opera Australia Community reach 8 Community events 21 La Bohème 28 Capital Fund 43 Chairman’s Report 10 NSW Regional New works Staff 46 Conservatoriums in development 30 Partners 48 Chief Executive Project 22 Officer’s Report 11 opera.org.au 2 At a glance 77% Self-generated revenue $61mBox office 1351 jobs provided 543,500 58,000 attendees student attendees 7 637 productions new to Australia performances opera.org.au 3 Productions Productions Performances Attendance A Night at the Opera, Sydney 1 2,182 Performances and total attendances Aida, Sydney 19 26,266 By the Light of the Moon, Victorian Schools tour 85 17,706 Carmen, Sydney 13 18,536 Die Meistersinger von Nürnberg, Melbourne 4 6,175 Don Quichotte, Melbourne 4 5,269 Don Quichotte, Sydney 6 7,889 Great Opera Hits 2018 27 23,664 La Bohème, Handa Opera on Sydney Harbour 26 48,267 La Bohème, Melbourne 7 11,228 La Bohème, New Year 1 1,458 The chorus of Bizet’s Carmen, directed by John Bell.
    [Show full text]
  • 5 February 2010 Page 1 of 13
    Radio 3 Listings for 30 January – 5 February 2010 Page 1 of 13 SATURDAY 30 JANUARY 2010 05:52AM WILLIAM BYRD Browning a 5 Wolf, Hugo (1860-1903) Rose Consort of Viols SAT 01:00 Through the Night (b00q912d) Italian Serenade for string quartet (BBC recording) 01:01AM Ljubljana String Quartet Schubert, Franz (1797-1828) FERRABOSCO Four-note Pavan a 5 Die schöne Müllerin - song-cycle (D.795) 06:00AM Rose Consort of Viols Christoph Prégardien (tenor), Andreas Staier (fortepiano, after Fauré, Gabriel (1845-1924) (BBC recording) Johann Fritz, Vienna ca.1818, Imitation by Christopher Clarke, Piano Trio in D minor (Op.120) (1923) Paris 1981) Grumiaux Trio PURCELL Fantazia a 4 No.12 in D minor; Fantazia upon One Note a 5 02:01AM 06:22AM Rose Consort of Viols Brahms, Johannes (1833-1897) Enna, August (1859-1939) (BBC recording) Quartet for piano and strings No.3 (Op.60) "Werther" in C Skitsebogen (Sketch Book) minor Ida Cernecka (piano) GIBBONS In nomine Håvard Gimse (piano), Stig Nilsson (violin), Anders Nilsson Rose Consort of Viols (viola), Romain Garioud (cello) 06:38AM (BBC recording). Bach, Johann Sebastian (1685-1750) 02:37AM Suite for orchestra No.2 in B minor (BWV.1067) Liszt, Franz (1811-1886) La Petite Bande, Sigiswald Kuijken (conductor). SAT 14:00 Radio 3 Lunchtime Concert (b00q904p) Piano Concerto No.2 in A major (S. 125) Mark Padmore/Andrew West Sveinung Bjelland (piano), Norwegian Radio Orchestra, Stefan Asbury (conductor) SAT 07:00 Breakfast (b00qbz71) Mark Padmore pairs one of Henze's most colourful and exotic Saturday - Suzy Klein creations, "Six Songs from the Arabian", full of witches, 03:01AM monsters and shipwrecks, with Schumann's sensitive settings of Weber, Carl Maria von (1786-1826) Presented by Suzy Klein.
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • Carlo Guelfi Baritone
    Carlo Guelfi Baritone Born in Rome, Carlo Guelfi studies singing with his uncle on father side, Maestro Renato Guelfi. He wins Adriano Pertile Competition. Since then, his extraordinary and brilliant career begins. Indeed, he has been collaborating with the major theatres and music institutions across the globe, until he has become the greatest baritone of his generation. Thanks to the dark timbre of his voice, the noble manner in which he delivers the voice, his renowned diction, the infinite ease of his legato singing, the skilful use of the half-voice, combined with his remarkable stage presence, he has risen to international prominence as the interpreter of reference of Verdi’s and the verista repertoire. The series of the great Verdi roles has been OPERA SINGING enriched by his debut in "Nabucco" at La Fenice in Venezia and "Stiffelio" at Sao Carlos theatre in Lisbon and made even more special by his debut in "Don Carlos", conductor Maestro Mehta, at MASTERCLASS the Teatro Comunale in Florence. It is also worth mentioning the well-known "Rigoletto" and "Simon Boccanegra", whose precious recording can be found in the recently issued DVD of the famous Cultural Association edition of the Maggio Musicale Fiorentinom conducted by & School of Music Maestro Claudio Abbado, "Macbeth", "Othello", with which he 00169 Rome - Via Casilina, 1101 opened New York’s 2004/2005 season under the baton of CARLO GUELFI Maestro Levine, “A masked ball”, "Trovatore", also recorded for ph. + 39 06.2389732 DECCA, "Traviata", etc. In addition to his Verdi’s
    [Show full text]
  • Billy Budd Cast Biographies
    Billy Budd Cast Biographies William Burden sang George Bailey in San Francisco Opera’s West Coast premiere of Jake Heggie’s It’s a Wonderful Life in fall 2018. The American tenor made his San Francisco Opera debut in 1992 as Count Lerma in Don Carlo and has returned in roles including Laca in Jenůfa, Tom Rakewell in The Rake’s Progress and he created the roles of Dan Hill in Christopher Theofanidis’ Heart of a Soldier and Peter in Mark Adamo’s The Gospel of Mary Magdalene. An alumnus of the San Francisco Opera’s Merola Opera Program, Burden is a member of the voice faculty at The Juilliard School and the Mannes School of Music. Appearing in prestigious opera houses in the United States and Europe, his repertoire also includes the title roles of Les Contes d'Hoffmann, Faust, Pelléas et Mélisande, Roméo et Juliette, Béatrice and Bénédict, Candide, and Acis and Galatea; Loge in Das Rheingold, Aschenbach in Death in Venice, Florestan in Fidelio, Don José in Carmen, Pylade in Iphigénie en Tauride, Edgardo in Lucia di Lammermoor, Ferrando in Così fan tutte and Lensky in Eugene Onegin. A supporter of new works, he appeared in the U.S. premiere of Henze’s Phaedra at Opera Philadelphia and created the roles of George Bailey at Houston Grand Opera, Frank Harris in Theodore Morrison's Oscar at the Santa Fe Opera, Gilbert Griffiths in Tobias Picker’s An American Tragedy at the Metropolitan Opera, Dodge in Daron Hagen’s Amelia at Seattle Opera, Ruben Iglesias in Jimmy López's Bel Canto at Lyric Opera of Chicago, and Nikolaus Sprink in Kevin Puts’ Pulitzer Prize-winning Silent Night at Minnesota Opera.
    [Show full text]
  • Best Performing Arts in Melbourne"
    "Best Performing Arts in Melbourne" Créé par: Cityseeker 10 Emplacements marqués Malthouse Theatre "Focus on Australian Theatre" The C.U.B. Malthouse was donated to the Playbox Theater Company in 1986 by Carlton United Breweries. It consists of two theaters - the Merlyn and the Beckett. Neither is large, with the Merlyn holding 500 and the Beckett 200. The connection to the Playbox means there is a strong accent on Australian theater, but music, dance and events associated with by Donaldytong Melbourne's festivals are held here, too. There is a coffee shop open from breakfast until after the shows. +61 3 9685 5111 www.malthousetheatre.co [email protected] 113 Sturt Street, The CUB m.au om.au Malthouse, Melbourne VIC Melbourne Recital Centre "Popular Host of Events" Melbourne Recital Centre is a stunning edifice admired by many for its unique architecture and decor. The center is buzzing with a platter of events from concerts, exhibitions, events in performing arts and many more. Many renowned personalities from the fields of art, literature, music and theater are known to perform here. Various events are also organized by Codex for children. +61 3 9699 2228 www.melbournerecital.co [email protected] Corner Southbank Boulevard m.au m.au and Sturt Street, Melbourne VIC Arts Centre Melbourne "Experience Melbourne's Cultural Heart" Melbourne is proud of its landmark Eiffel Tower, a sight to be seen, especially at night as birds attracted by the light circle the spire. The spire sits atop the Theaters Building, comprising a series of gallery and theater spaces. You can wander through and visit the State Theatre, the George Adams Gallery and the Performing Arts Museum.
    [Show full text]
  • Melbourne Arts Precinct Blueprint 4 March 2014
    Report to the Future Melbourne (Planning) Committee Agenda item 6.2 Melbourne Arts Precinct Blueprint 4 March 2014 Presenter: Rob Adams, Director City Design Purpose and background 1. The purpose of this report is to provide an update on the recent public release of the Melbourne Arts Precinct Blueprint (Blueprint) and advise on the implications for Council. 2. The preparation of a Blueprint to guide the future development of the Melbourne’s Arts Precinct was initiated in May 2011 by the Victorian Government and presents a shared vision for the future of the area as determined by a working group, chaired by architect Yvonne von Hartel AM and comprising key precinct stakeholders including Arts Victoria, City of Melbourne, University of Melbourne and major arts institutions. Key issues 3. The principles underpinning the Blueprint were informed by a community consultation process that involved representatives of arts organisations, residents, arts students and visitors to the precinct. 4. The Blueprint identifies that the precinct has the potential to be a vibrant and active destination and proposes that this will only be fully realised when all levels of government agree to cooperate in the facilitation of this special place. Council’s ongoing participation in the implementation of projects in the public realm is one way by which this overall vision can be achieved (refer Attachment 2). 5. The Blueprint is consistent with Council’s adopted Southbank Structure Plan and includes actions such as the streetscape improvements to City Road, open space along Southbank Boulevard and the integration of Dodds Street with the VCA campus.
    [Show full text]
  • Appendix 1 Citations for Proposed New Precinct Heritage Overlays
    Southbank and Fishermans Bend Heritage Review Appendix 1 Citations for proposed new precinct heritage overlays © Biosis 2017 – Leaders in Ecology and Heritage Consulting 183 Southbank and Fishermans Bend Heritage Review A1.1 City Road industrial and warehouse precinct Place Name: City Road industrial and warehouse Heritage Overlay: HO precinct Address: City Road, Queens Bridge Street, Southbank Constructed: 1880s-1930s Heritage precinct overlay: Proposed Integrity: Good Heritage overlay(s): Proposed Condition: Good Proposed grading: Significant precinct Significance: Historic, Aesthetic, Social Thematic Victoria’s framework of historical 5.3 – Marketing and retailing, 5.2 – Developing a Context: themes manufacturing capacity City of Melbourne thematic 5.3 – Developing a large, city-based economy, 5.5 – Building a environmental history manufacturing industry History The south bank of the Yarra River developed as a shipping and commercial area from the 1840s, although only scattered buildings existed prior to the later 19th century. Queens Bridge Street (originally called Moray Street North, along with City Road, provided the main access into South and Port Melbourne from the city when the only bridges available for foot and wheel traffic were the Princes the Falls bridges. The Kearney map of 1855 shows land north of City Road (then Sandridge Road) as poorly-drained and avoided on account of its flood-prone nature. To the immediate south was Emerald Hill. The Port Melbourne railway crossed the river at The Falls and ran north of City Road. By the time of Commander Cox’s 1866 map, some industrial premises were located on the Yarra River bank and walking tracks connected them with the Sandridge Road and Emerald Hill.
    [Show full text]