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MANON LESCAUT De Giacomo Puccini
T5 - MANON LESCAUT de Giacomo Puccini EL OTOÑO DE LA ÓPERA ITALIANA - 2020 operanostracursos.blog RICARDO MOLINA OLTRA Manon Lescaut de Giacomo Puccini ÍNDICE 1. La ópera y sus autores: Giacomo Puccini sobre un libretto de varios autores, basado en la proto-novela del Abée Prévost 2. Contexto histórico: La proto-novela “Histoire du Chevalier des Grieux et de Manon Lescaut” de Antoine François Prévost 3. Personajes principales 4. Sinopsis argumental 5. Momentos musicales destacables 6. Los grandes intérpretes de esta ópera 7. Valoración de Manon Lescaut, en si misma y en el conjunto de la obra de Giacomo Puccini Manon Lescaut de Giacomo Puccini 1.- La ópera y sus autores: Giacomo Puccini sobre un libretto de varios autores, basado en la proto-novela del Abée Prévost GIACOMO PUCCINI Manon Lescaut - Composición y estreno (1) Dramma lirico en 4 Actos, basado en la proto-novela francesa Histoire du Chevalier des Grieux et de Manon Lescaut, y según un libreto, de redacción más que complicada, en la que intervinieron hasta 6 libretistas. • Puccini pensaba que el fracaso de Edgar se debía a la debilidad del libreto, por ello en Manon Lescaut decide cuidarlo especialmente. Va a nacer la leyenda de los problemas de Puccini con sus libretistas: Riccordi le entrega un libreto de Ruggero Leoncavallo, que no le gusta nada; a continuación contratan a Marco Praga y Domenico Oliva, que discuten con Puccini y Praga abandona el proyecto; interviene en el libreto el propio Riccordi y también Puccini, y por fin lo acaba Luigi Illica, que con Giuseppe Giacosa serán los libretistas en sus tres óperas principales. -
Yusif Eyvazov I Maria Guleghina 10.4.2018
MARIA GULEGHINA, sopran YUSIF EYVAZOV, tenor Orkestar Opere HNK-a Ivana pl. Zajca u Rijeci MARCO BOEMI, dirigent Utorak, 10. travnja 2018. u 19.30 sati Koncertna dvorana Vatroslava Lisinskog Giacomo Puccini Mario! Mario! Mario!, duet Tosce i Cavaradossija iz 1. čina opere Tosca Maria Guleghina, sopran Yusif Eyvazov, tenor Vissi d’arte, arija Tosce iz 2. čina opere Tosca Maria Guleghina, sopran 3 E lucevan le stelle, arija Cavaradossija iz 3. čina opere Tosca Yusif Eyvazov, tenor Giuseppe Verdi Uvertira operi Moć sudbine Ecco l’ orrido campo… Ma dall’arido stelo divulsa, recitativ i arija Amelije iz 2. čina opere Krabuljni ples Maria Guleghina, sopran Ah sì, ben mio, coll’essere… Di quella pira, arija Manrica iz 3. čina opere Trubadur Yusif Eyvazov, tenor *** Giuseppe Verdi Uvertira operi Macbeth Nel dì della vittoria… Vieni t’affretta!…. Or tutti sorgete, arija Lady Macbeth iz 1. čina opere Macbeth Maria Guleghina, sopran O figli, o figli miei!.... Ah, la paterna mano, recitativ i arija Macduffa iz 4. čina opere Macbeth Yusif Eyvazov, tenor Pace, pace, mio Dio! arija Leonore iz 4. čina opere Moć sudbine Maria Guleghina, sopran Giacomo Puccini Intermezzo 3. činu opere Manon Lescaut Umberto Giordano Nakladnik: Koncertna dvorana Vatroslava Lisinskog Za nakladnika: Dražen Siriščević, ravnatelj Colpito qui m’avete… Un dì all’azzurro spazio, Producentica programa: Lana Merkaš recitativ i arija Andree Chéniera iz 1. čina opere Andrea Chénier Urednica: Jelena Vuković Yusif Eyvazov, tenor Autorica teksta: Zrinka Matić Lektorica: Rosanda Tometić Vicino a te s’acqueta, Prevoditeljica: Morana Čale duet Maddalene i Andree Chéniera iz 4. čina opere Andrea Chénier Oblikovanje i grafička priprema: Daniel Ille Maria Guleghina, sopran Tisak: Intergrafika TTŽ d. -
Samuel Ramey
welcome to LOS i\Ilgeles upera http://www.losangelesopera.comlproduction/index.asp?... •• PURCHASE TICKETS • 2003/2004 SEASON LA AMNATION DE FAD T La damnation de Faust The damnation of Faust / Hector Berlioz Nicholas and In French with English Supertitles Ticket Information Alexandra Lucia di Samuel Ramey, Synopsis Lammermoor r-----------.., Program Notes Denyce Graves and Photo Gallery Orfeo ed Euridice Paul Groves star in a spectacular new Recital: production by Achim Ask an Expert Hei-Kyung Hong Forward to a Freyer with Kent Friend Recital: Cecilia Nagano conducting. Bartoli Generously Madama Europe's master Underwritten by: Butterfly theatre artist Achim Freyer matches his New production Die Frau ohne made possible by a Schatten painterly visual imagery with Hector generous gift from Mr. and Mrs. Recital: Dmitri Berlioz's vivid musical imagination in the premiere of Hvorostovsky Milan Panic this new production featuring a cast of more than Le nozze di 100 singers and dancers. The legend of Faust, which Figaro tells the story of the man who sold his soul to the II trovatol'"e Devil, has captivated great imaginations for centuries. Marlowe, Goethe, Gounod, Schumann, Liszt, Mahler and Stravinsky all found inspiration in SEASON G!J1]) the Faust tale, which continues to reverberate in SPONSOR Audt today's modern world. Originally conceived as an oratoriO, Hector Berlioz's dramatic La damnation de Faust is now a mainstay of opera houses around the world. Haunting melodies and startling orchestrations flood the score and illustrate the beWitching tale of Faust's desperate struggle for power, riches, youth and, ultimately, redemption. PRODUCTION DATES: Wednesday September 10, 20036:30 p.m. -
Prince Igor Knyaz Igor Page 1 of 3 Opera Assn
San Francisco Civic 1996-1997 Prince Igor Knyaz Igor Page 1 of 3 Opera Assn. Auditorium Prince Igor (in Russian) Opera in five acts by Alexander Borodin Libretto by Alexander Borodin, after a scenario by Stasov Based on a 12th-century Russian epic "Song of the Army of Prince Igor" (See Notes) Conductor CAST Alexander Anissimov Igor Svyatoslavich, Prince of Seversk Sergei Leiferkus Production Galitsky, Prince of Galich, brother of Princess Yaroslavna Jeffrey Wells Francesca Zambello Vladimir Igorevich, Igor's son by his first marriage Mark Baker Designer Musicians: Skula Vladimir Ognovenko Zack Brown Musicians: Yeroshka Konstantin Pluzhnikov Lighting Designer Gary Rideout (9/10,13,15,21) Thomas J. Munn Yaroslavna, Igor's second wife Lauren Flanigan Sound Designer Yaroslavna's Nurse Catherine Cook Roger Gans Konchakovna, daughter of Khan Konchak Elena Zaremba Chorus Director Ovlur, a Christian Polovtsian Dennis Petersen Ian Robertson Konchak, Polovtsian Khan Paata Burchuladze Choreographer Solo dancers Teimuraz Koridze Alphonse Poulin Badri Esatia Musical Preparation Susanna Lemberskaya Bryndon Hassman *Role debut †U.S. opera debut Peter Grunberg PLACE AND TIME: The Russian city of Putivl; a Polovtsian Ian Robertson encampment on the Russian Steppes Svetlana Gorzhevskaya Supertitles Christopher Bergen Prompter Jonathan Khuner Assistant Stage Director Paula Williams Assistant Stage Director Yefim Maizel Stage Manager Jerry Sherk Fight Consultant Larry Henderson Friday, September 6 1996, at 6:30 PM PART I Tuesday, September 10 1996, at 8:00 -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Festival Verdi
INTERNO ALETTA TESTO GUTTUSO Personalità e genio ritratti con pochi segni di matita. Decisi. Sicuri. Delineano il volto inconfondibile, lo sguardo penetrante, l’espressione severa. Il ritratto di Giuseppe Verdi realizzato da Renato Guttuso negli anni ‘60, donato al Teatro Regio di Parma dall’Archivio storico Bocchi, in ricordo di Mario Bocchi, diviene, nell’anno del Bicentenario, icona originale, esclusiva, del Festival Verdi. FONDAZIONE Presidente Sindaco di Parma Federico Pizzarotti Membri del Consiglio di Amministrazione Giuseppe Albenzio Laura Maria Ferraris Silvio Grimaldeschi Marco Alberto Valenti Amministratore esecutivo Carlo Fontana Direttore artistico Paolo Arcà Presidente del Collegio dei Revisori Giuseppe Ferrazza Revisori Andrea Frattini Alessandro Picinini Comitato promotore delle celebrazioni verdiane Presidente Paolo Peluffo Comitato di consulenza musicologica per il Festival Verdi Marcello Conati Gerardo Guccini Emilio Sala Il Festival Verdi è realizzato grazie al contributo di Major partner Partner eventi speciali Partner Main partner Sponsor Sponsor tecnici Tour operator partner Partner celebrazioni Il Teatro Regio di Parma ringrazia inoltre gli imprenditori che hanno voluto personalmente sostenere il Festival Verdi 2013 Teatro Regio di Parma 30 settembre 2013 FILARMONICA DELLA SCALA Direttore RICCARDO CHAILLY Musiche Giuseppe Verdi 1, 4, 6, 8, 11 ottobre 2013 SIMON BOCCANEGRA Musica Giuseppe Verdi 10 ottobre 2013 FILARMONICA ARTURO TOSCANINI CORO DEL TEATRO REGIO DI PARMA Direttore YURI TEMIRKANOV Musiche Giuseppe -
Download PDF Resume
Elena Flores SOPRANO STAGE EXPERIENCE Frasquita¹ Greensboro Opera Carmen — Bizet The Foreign Woman UNC Greensboro The Consul — Menotti Dancer UNC Greensboro Speed Dating Tonight! — Michael Ching Sister Constance UNC Greensboro The Dialogues of the Carmelites — Poulenc Laetitia UNC Greensboro The Old Maid and the Thief — Menotti Soprano Soloist Saint Mary's Episcopal Church, High Point NC Mozart Coronation Mass in C, K. 317 CONTACT Adele Shenandoah University Die Fledermaus — Johann Strauss II address Cendrillon Shenandoah University 1901 San Fernando Drive Cendrillon — Massenet High Point, NC 27265 First Lady, Queen of the Night Bethesda Summer Music Festival email Die Zauberflöte — Mozart [email protected] Judy Shenandoah University online portfolio This is the Rill Speaking — Lee Hoiby elenafloressoprano.com Donna Anna¹, Chorus Shenandoah University Don Giovanni — Mozart phone 540-645-1745 Soloist Maryland Symphony Orchestra Opera Cat (2013-14) Mother Duck, Igor UNC Greensboro AWARDS The Ugly Duckling Grand Prize Winner 2016 Mrs. Lovett Bethesda Summer Music Festival UNC Greensboro Student Artist Sweeney Todd Competition Goldilocks Riverside Dinner Theater Cecilia Award for Vocal 2015 Goldilocks and the Christmas Bears Excellence Shenandoah University EDUCATION Forest-Parker Excellence 2015 Masters in Music UNC Greensboro in Voice Award Vocal Performance 2015 - 2017 Shenandoah University Bachelors of Music Shenandoah University Vocal Performance 2011 - 2015 RELATED SKILLS German Opera Experience James Madison University Brahms Lieder -
Ernani Program
VERDI PATRON-IN-CHIEF DR HARUHISA HANDA Celebrating the return of World Class Opera HSBC, as proud partner of Opera Australia, supports the many returns of 2021. Together we thrive Issued by HSBC Bank Australia Limited ABN 48 006 434 162 AFSL No. 232595. Ernani Composer Ernani State Theatre, Giuseppe Verdi (1813-1901) Diego Torre Arts Centre Melbourne Librettist Don Carlo, King of Spain Performance dates Francesco Maria Piave Vladimir Stoyanov 13, 15, 18, 22 May 2021 (1810-1876) Don Ruy Gomez de Silva Alexander Vinogradov Running time: approximately 2 hours and 30 Conductor Elvira minutes, including one interval. Carlo Montanaro Natalie Aroyan Director Giovanna Co-production by Teatro alla Scala Sven-Eric Bechtolf Jennifer Black and Opera Australia Rehearsal Director Don Riccardo Liesel Badorrek Simon Kim Scenic Designer Jago Thank you to our Donors Julian Crouch Luke Gabbedy Natalie Aroyan is supported by Costume Designer Roy and Gay Woodward Kevin Pollard Opera Australia Chorus Lighting Designer Chorus Master Diego Torre is supported by Marco Filibeck Paul Fitzsimon Christine Yip and Paul Brady Video Designer Assistant Chorus Master Paul Fitzsimon is supported by Filippo Marta Michael Curtain Ina Bornkessel-Schlesewsky and Matthias Schlesewsky Opera Australia Actors The costumes for the role of Ernani in this production have been Orchestra Victoria supported by the Concertmaster Mostyn Family Foundation Sulki Yu You are welcome to take photos of yourself in the theatre at interval, but you may not photograph, film or record the performance. -
Liudmyla Monastyrska
PORTADA Liudmyla Monastyrska “Prefiero “Amo a Verdi porque me da la posibilidad de intepretar quedarme de manera tan rica y variada cada uno de sus personajes” con las óperas de Verdi” Foto: Kaupo Kikkas por Ingrid Haas ocas sopranos pueden cantar a la perfección y con un bello de Antonio Pappano, que el mundo operístico se dio cuenta del sonido roles tan difíciles como Abigaille en Nabucco, talento y la grandiosa voz de esta artista ucraniana. Ha cantado en Odabella en Attila, Lucrecia Contarini en I due Foscari, La Scala de Milán, el Metropolitan Opera House de Nueva York, PLady Macbeth en Macbeth, el rol titular de La Gioconda, la Royal Opera House de Londres, la Ópera Estatal de Viena, la Santuzza en Cavalleria rusticana o el rol titular de Aída. Deutsche Oper de Berlín, la Ópera Estatal de Berlín, el Festival de Salzburgo, la Ópera Nacional de Paris, la Ópera de Kiev, la Grand Las hay con voces líricas que tienen problemas con las partes Ópera de Houston y el Hollywood Bowl, entre otros. dramáticas de orquestación densa, y las hay con voces grandes y potentes pero que carecen de matices o de agilidades. Han Sus próximos compromisos incluyen Tosca en la Ópera Nacional sido contados los nombres de cantantes que hayan abordado este de París en septiembre-octubre de 2016, Aída y Nabucco en el Met repertorio con un dominio completo de todas las dificultades de en noviembre de 2016 y enero de 2017, Tosca en la Deutsche Oper algunos de estos roles: Maria Callas, Ghena Dimitrova o Elena de Berlín en febrero 2017, su debut en la Ópera Estatal de Múnich Suliotis son algunos de los nombres que nos vienen a la mente al como Abigaille en mayo 2017, y luego Elisabetta di Valois en Don hablar de las máximas intérpretes de estos papeles. -
2005 Next Wave Festival
November 2005 2005 Next Wave Festival Mary Heilmann, Last Chance for Gas Study (detail), 2005 BAM 2005 Next Wave Festival is sponsored by: The PerformingNCOREArts Magazine Altria 2005 ~ext Wave FeslliLaL Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents Symphony No.6 (Plutonian Ode) & Symphony No.8 by Philip Glass Bruckner Orchestra Linz Approximate BAM Howard Gilman Opera House running time: Nov 2,4 & 5, 2005 at 7:30pm 1 hour, 40 minutes, one intermission Conducted by Dennis Russell Davies Soprano Lauren Flanigan Symphony No.8 - World Premiere I II III -intermission- Symphony No. 6 (Plutonian Ode) I II III BAM 2005 Next Wave Festival is sponsored by Altria Group, Inc. Major support for Symphonies 6 & 8 is provided by The Robert W Wilson Foundation, with additional support from the Austrian Cultural Forum New York. Support for BAM Music is provided by The Aaron Copland Fund for Music, Inc. Yamaha is the official piano for BAM. Dennis Russell Davies, Thomas Koslowski Horns Executive Director conductor Gerda Fritzsche Robert Schnepps Dr. Thomas Konigstorfer Aniko Biro Peter KeserU First Violins Severi n Endelweber Thomas Fischer Artistic Director Dr. Heribert Schroder Heinz Haunold, Karlheinz Ertl Concertmaster Cellos Walter Pauzenberger General Secretary Mario Seriakov, Elisabeth Bauer Christian Pottinger Mag. Catharina JUrs Concertmaster Bernhard Walchshofer Erha rd Zehetner Piotr Glad ki Stefa n Tittgen Florian Madleitner Secretary Claudia Federspieler Mitsuaki Vorraber Leopold Ramerstorfer Elisabeth Winkler Vlasta Rappl Susanne Lissy Miklos Nagy Bernadett Valik Trumpets Stage Crew Peter Beer Malva Hatibi Ernst Leitner Herbert Hoglinger Jana Mooshammer Magdalena Eichmeyer Hannes Peer Andrew Wiering Reinhard Pirstinger Thomas Wall Regina Angerer- COLUMBIA ARTISTS Yuko Kana-Buchmann Philipp Preimesberger BrUndlinger MANAGEMENT LLC Gorda na Pi rsti nger Tour Direction: Gudrun Geyer Double Basses Trombones R. -
Ernesto Ramirez
ERNESTO RAMIREZ Tenor OPERA REPERTOIRE DATE ROLE (OPERA) COMPOSER COMPANY 2020 Bound Handel/Lau Against the Grain Theatre 2019 Duke (Rigoletto)* Verdi Edmonton Opera Don Jose (Carmen) Bizet Kitchener‐ Waterloo Symphony† 2018 Don Jose (Carmen) Bizet Opera Kelowna Rodolfo (La boheme) Puccini Pacific Northwest Opera, WA 2017 Stefano (Filumena) Estacio/Murrell Calgary Opera 2016 Almaviva (Il barbiere di Siviglia) Rossini Saskatoon Opera Pinkerton (Madama Butterfly) Puccini Opera de León, Mexico 2015 Ottavio (Don Giovanni) Mozart Opera de Bellas Artes, Mexico Edgardo (Lucia di Lammermoor) Donizetti Pacific Opera Victoria 2014 Bénédict (Béatrice et Bénédict) Berlioz Minería Symphony, Mexico Roberto (Roberto Devereux) Donizetti Canadian Opera Company Stiffelio (Stiffelio) Verdi Opera in Concert Tamino (Die Zauberflöte) Mozart Opera de Bellas Artes, Mexico 2013 Don Ramiro (Cenerentola) Rossini Teatro Bicentenario, Mexico Nadir (Pearl Fishers) Bizet Opera Hamilton 2012 Leicester (Maria Stuarda) Donizetti Pacific Opera Victoria Nemorino (L’elisir d’amore) Donizetti Opera Folies Lyriques, France Ruiz (Il Trovatore) Verdi Canadian Opera Company Alfred (Die Fledermaus) Strauss Canadian Opera Company* Rinaldo (Armida) Rossini Opera In Concert, Toronto 2011 Nemorino (L’elisir d’amore) Donizetti Opéra de Angers‐Nantes, France 2010 Don Ramiro (Cenerentola) Rossini Wildbad Rossini Festival, Germany Arturo (I Puritani) Bellini Opera in Concert, Toronto 2009 Alfredo (La Traviata) Verdi Sarasota Opera Nemorino (L’elisir d’amore) Donizetti Sarasota Opera Turridu (Cavalleria Rusticana) Mascagni Il Canto Opera Association, Montreal† 2008 Decio (La Vestale) Mercadante Opera in Concert, Toronto Tamino (Die Zauberflöte) Mozart Boston Opera Institute* Almaviva (Il barbiere di Siviglia) Rossini Boston Opera Institute 2007 Rodolfo (La bohème) Puccini Boston Opera Institute Orfeo (Hostage) Hedricks Boston Opera Institute Mr. -
Opera Australia 2018 Annual Report
2018 ANNUAL REPORT Cover image: Simon Lobelson as Gregor in Metamorphosis, which played at the Opera Australia Scenery Workshop in Enriching Australia’s Surry Hills and the Malthouse cultural life with Theatre in Melbourne. exceptional opera. One of Opera Australia’s new Vision productions, it was written by Australian Brian Howard, performed by an all Australian cast To present opera that excites and produced by an all Australian audiences and sustains and creative team. Photo: develops the art form. Prudence Upton Mission TABLE OF CONTENTS At a glance 3 Artistic Sydney Screens on stage 32 Director’s Report 12 Conservatorium Productions: of Music 2018 awards 34 performances and Regional Tour 13 Internships 23 attendances 4 China tour 36 Regional Student Professional and Artists 38 Season star ratings 5 Scholarships 16 Talent Development 24 Orchestra 39 Revenue and expenditure 6 Schools Tour 18 Evita 26 Philanthropy 40 Australia’s biggest Auslan Handa Opera arts employer 7 shadow-interpreting 20 on Sydney Harbour – Opera Australia Community reach 8 Community events 21 La Bohème 28 Capital Fund 43 Chairman’s Report 10 NSW Regional New works Staff 46 Conservatoriums in development 30 Partners 48 Chief Executive Project 22 Officer’s Report 11 opera.org.au 2 At a glance 77% Self-generated revenue $61mBox office 1351 jobs provided 543,500 58,000 attendees student attendees 7 637 productions new to Australia performances opera.org.au 3 Productions Productions Performances Attendance A Night at the Opera, Sydney 1 2,182 Performances and total attendances Aida, Sydney 19 26,266 By the Light of the Moon, Victorian Schools tour 85 17,706 Carmen, Sydney 13 18,536 Die Meistersinger von Nürnberg, Melbourne 4 6,175 Don Quichotte, Melbourne 4 5,269 Don Quichotte, Sydney 6 7,889 Great Opera Hits 2018 27 23,664 La Bohème, Handa Opera on Sydney Harbour 26 48,267 La Bohème, Melbourne 7 11,228 La Bohème, New Year 1 1,458 The chorus of Bizet’s Carmen, directed by John Bell.