DOCSLIB.ORG

January 11, 2021 in Accordance with Section 2Ofthe Confirmation Act

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
January 11, 2021 in Accordance with Section 2Ofthe Confirmation Act MURIEL BOWSER MAYOR January 11, 2021 The Honorable Phil Mendelson Chairman Council of the District of Columbia John A. Wilson Building 1350 Pennsylvania Avenue, NW, Suite 504 Washington, DC 20004 Dear Chairman Mendelson: In accordance with section 2 of the Confirmation Act of 1978, effective March 3, 1979 (D.C. Law 2-142; D.C. Official Code § 1-523.01), and pursuant to section 305 of the Fiscal Year 2002 Budget Support Act of 2001, effective October 3, 2001 (D.C. Law 14-28; D.C. Official Code § 2-1374), which established the Commission on Asian and Pacific Islander Community Development (“Commission”), I am pleased to nominate the following person: Mr. John Tinpe 7th Street, NW Washington, DC 20001 (Ward 2) for reappointment as a public voting member of the Commission, fora term to end April 17, 2022. Enclosed, you will find biographical information detailing the experience of the above-mentioned nominee, together with a proposed resolution to assist the Council during the confirmation process. 1 would appreciate the Council’s earliest consideration of this nomination for confirmation. Please do not hesitate to contact me, or Steven Walker, Director, Mayor's Office of Talent and Appointments, should the Council require additional information. Sincerely, Mutiel Bolyser fle Hreee— Chairman Phil Mendelson at the request of the Mayor A PROPOSED RESOLUTION IN THE COUNCIL OF THE DISTRICT OF COLUMBIA To confirm the reappointment of Mr. John Tinpe to the Commission on Asian and Pacific Islander Community Development. RESOLVED, BY THE COUNCIL OF THE DISTRICT OF COLUMBIA, That this resolution may be cited as the “Commission on Asian and Pacific Islander Community Development John Tinpe Confirmation Resolution of 2021”. Sec. 2. The Council of the District of Columbia confirms the reappointment of: Mr. John Tinpe 7th Street, NW Washington, DC 20001 (Ward 2) as a public voting member of the Commission on Asian and Pacific Islander Community Development, established by section 305 of the Fiscal Year 2002 Budget Support Act of 2001, 30 effective October 3, 2001 (D.C. Law 14-28; D.C. Official Code § 2-1374), and in accordance 31 with section 2 of the Confirmation Act of 1978, effective March 3, 1979 (D.C. Law 2-142; D.C. 32 Official Code § 1- $23.01), for a term to end April 17, 2022. 33 Sec. 3. The Council of the District of Columbia shall transmit a copy of this resolution, 34 upon its adoption, to the nominee and to the Office of the Mayor. 35 Sec. 4. This resolution shall take effect immediately. John Tinpe- BA,, Bucknell University, Pennsylvania American Dance Institute, Maryland Opera Aida Soldier Washington National Opera, Dir: Francesca Zambelloan Tosca Police Man Wolftrap Opera, Dir: Louisa Muller Madame Butterfly Rickshaw Driver Washington National Opera, Dir: Lelie Swackhamer Dead Man Walking Guard Washington National Opera, Dir: Francesca Zambello La Boheme M.Momus Wolftrap Opera, Dir: Paul Curran The Ring Cycle Soldier/Hunter Washington National Opera, Dir: Francesca Zambello Carmen Gypsy Dancer Washington National Opera, Choreographer: Sara Erde ‘The Force of Destiny Soldier/Priest Washington National Opera, Dir: Francesca Zambello Tristan und Isolde Soldier/Fighter Washington National Opera, Dir: Neil Armfield Norma Soldier Washington National Opera, Dir: Ann Meade ‘Anna Bolena Soldier/Wrestler Washington National Opera, Dir: Stephen Lawless Nabucco Soldier Washington National Opera, Dir: Thaddeus Strassberger Lucia di Lammermoor Gentleman Washington National Opera, Dir: David Alden Tosca Soldier Washington National Opera, Dir: David Kneuss Iphigenie en Tauride Dancer/Wrestler Washington National Opera, Dir: Emilio Sagi Hamlet Soldier Washington National Opera, Dir: Thaddeus Strassberger Ariadne auf Naxos Waiter Washington National Opera, Dir: Chris Alexander Turandot Martial Artist Washington National Opera, Dir: Andrei Serban Carmen Soldier/Toreador Washington National Opera, Dir: David Gately Pearl Fisher Fisher/Soldier Washington National Opera, Dir: Andrew Sinclair Elektra Soldier Washington National Opera, Dir: David Kneuss War and Peace Soldier Mariinsky Opera Ballet Nutcracker Gingerbread Man Cincinnati Ballet Romeo and Juliet Guard/Page/Monk ‘American Ballet Theatre Sleeping Beauty Courtier ‘American Ballet Theatre Raymonda Saracen Mariinsky Ballet La Bayadere Water Bearer/Priest American Ballet Theatre Cinderella Dance Party Classical Ballet Theatre Romeo and Juliet Soldier/Fighter American Ballet Theatre War and Peace Soldier Mariinsky Opera Sleeping Beauty Soldier Mariinsky Ballet Le Corsaire Dancer/Courtier Bolshoi Ballet Giselle Hunter San Francisco Ballet wv House of Cards UN Delegate/Official Netflix, Dir: Tucker Gates Special Skills: Martial Arts, Body Building, Classical Ballet, Ball Room, and Burmese Classical Dance, Fire Arm Handling, Rock Climbing, Yoga, Horseback Riding, Motorcycling, Cycling, Swimming, Sailing, Scuba Diving, Wind Surfing, Painting, Photography and Writing, Languages (fluent): English, French and Burmese. Executive Office of the Mayor - Office of Talent and Appointments John A. Wilson Building | 1350 Pennsylvania Avenue, Suite 600 | Washington, DC 20004 John Tinpe John Tinpe is a business leader and currently serves as the Chair of the Commission on Asian and Pacific Islander Community Development. Mr. Tinpe is committed to developing programs for the community. In the past, he has held Board member positions as Director of Chinatown Cultural Center, President of Chi-Am Lions Club, Board member of | AQUA, and Board member of the Miss DC/American Pageant. Mr. Tinpe previously served as an Advisory Neighborhood Commissioner for Ward 2. He was responsible for a wide range of policies and programs affecting the neighborhood. Mr. Tinpe also owned and operated Burma restaurant, which was located in DC's Chinatown neighborhood. A Ward 2 resident, Mr. Tinpe received a Bachelor of Arts in International Relations from Bucknell University. GOVERNMENT OF THE DISTRICT OF COLUMBIA Executive Office of Mayor Muriel Bowser x Ok Ok WE ARE WASHINGTON Office of the General Counsel to the Mayor | To: Ronan Gulstone, Steve Walker From: Betsy Cavendish Date: November 2, 2020 Subject: Legal sufficiency review of resolutions nominating Ronak Desai, Jennifer Hara, Benjamin Takai, John Tinpe, Dana Tai Soon Burgess, Tiffany Hsieh, Karen Kwok, Elena Son, and Sina Uipi to the Commission on Asian and Pacific Islander Community Development This is to Certify that tis oftice has reviewed the above-referenced legislation and found it to be legally unobjectionable. If you have any questions in this regard, please do not hesitate Dg to call me at 202-724-7681. ies Elizabeth Cavendish ‘Theloha A. Wilson Building» 1580 Pennsyhania Avenue, NW > Sule 300” > Washingion, DC 20008 > Oise (BOD) 724-7681.
Load more

Recommended publications
  • A Midsummer Night's Dream
    9 TEATRO MASSIMO BRITTEN BENJAMIN B enjamin B ritten A MIDSUMMER NIGHT’S DREAM | MIDSUMMER NIGHT’S DREAM NIGHT’S MIDSUMMER Membro di seguici su: teatromassimo.it Piazza Verdi - 90138 Palermo ISBN: 978-88-98389-61-2 euro 10,00 SOCI FONDATORI PARTNER PRIVATI REGIONE SICILIANA ASSESSORATO AL TURISMO SPORT E SPETTACOLI ALBO DEI DONATORI Fondazione ART BONUS Teatro Massimo Tasca d’Almerita Francesco Giambrone Sovrintendente Angelo Morettino srl CONSIGLIO DI INDIRIZZO Leoluca Orlando (sindaco di Palermo) Presidente Giovanni Alongi Leonardo Di Franco Vicepresidente Daniele Ficola Sais Autolinee Francesco Giambrone Sovrintendente Enrico Maccarone Agostino Randazzo Anna Sica Marco Di Marco COLLEGIO DEI REVISORI Maurizio Graffeo Presidente Filippone Assicurazione Marco Piepoli Gianpiero Tulelli Giuseppe Di Pasquale Alessandra Giurintano Di Marco TURNI A MIDSUMMER NIGHT’S DREAM (Sogno di una notte di mezza estate) Opera in tre atti Libretto di Benjamin Britten e Peter Pears da A Midsummer Night’s Dream di William Shakespeare Data Turno Ora Musica di Benjamin Britten Martedì 19 settembre Prime 20.30 C Giovedì 21 settembre 18.30 Prima rappresentazione: F Venerdì 22 settembre 20.30 Aldeburgh Festival, 11 giugno 1960 Domenica 24 settembre D 17.30 Martedì 26 settembre B 18.30 S1 Mercoledì 27 settembre 18.30 Prima rappresentazione a Palermo Lo spettacolo sarà trasmesso in diretta da RAI Radio3 e in differita da RAI5 Allestimento del Palau de les Arts Reina Sofia di Valencia INDICE 1 ARGOMENTO 13 SYNOPSIS 17 ARGUMENT 21 HANDLUNG 25 2 ALESSANDRA SCIORTINO INTRODUZIONE ALL’OPERA 31 DARIO OLIVERI «SIGNORE, CHE PAZZI QUESTI MORTALI!» UN PERCORSO INTORNO AL MIDSUMMER NIGHT’S DREAM DI BENJAMIN BRITTEN 39 3 IL LIBRETTO 65 ATTO I 66 ATTO II 96 ATTO III 140 4 BENJAMIN BRITTEN 179 LE PRIME DI BRITTEN AL TEATRO MASSIMO 183 BIBLIOGRAFIA ESSENZIALE 191 NOTE BIOGRAFICHE 193 1 ARGOMENTO 13 SYNOPSIS 17 ARGUMENT 21 HANDLUNG 25 ARGOMENTO Sogno di una notte di mezza estate ATTO I Nel bosco Puck annuncia l’arrivo di Oberon e Titania.
    [Show full text]
  • La Donna Del Lago , the Met's First Production of the Bel Canto Showcase, on Great Performances at the Met
    Press Contacts: Harry Forbes, WNET 212-560-8027 or [email protected] Eva Chien 212-870-4589 or [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom Website: http://www.pbs.org/wnet/gperf Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS Joyce DiDonato and Juan Diego Flórez Star In Rossini's La Donna del Lago , the Met's First Production of the Bel Canto Showcase, on Great Performances at the Met Sunday, August 2 at 12 p.m. on PBS Joyce DiDonato and Juan Diego Flórez headline Rossini's bel canto tour-de-force La Donna del Lago on THIRTEEN’S Great Performances at the Met Sunday, August 2 at 12 p.m. on PBS. (Check local listings.) In this Rossini classic based on the work by Sir Walter Scott, DiDonato sings the title role of Elena, the lady of the lake pursued by two men, with Flórez in the role of Giacomo, the benevolent king of Scotland. Michele Mariotti , last featured in the Great Performance at the Met broadcast of Rigoletto , conducts debuting Scottish director Paul Curran's staging, a co-production with Santa Fe Opera. The cast also includes Daniela Barcellona in the trouser role of Malcolm, John Osborn as Rodrigo, and Oren Gradus as Duglas. "The wondrous Ms. DiDonato and Mr. Mariotti, the fast-rising young Italian conductor, seemed almost in competition to see who could make music with more delicacy,” noted The New York Times earlier this year, and “Mr. Mariotti drew hushed gentle and transparent playing from the inspired Met orchestra.” And NY Classical Review raved, "Joyce DiDonato…was beyond perfect..
    [Show full text]
  • Spotlight on Joel Ivany, Assistant Director
    Spotlight on Joel Ivany, Assistant Director The Canadian Opera Company has hired a new assistant director to work on La Bohème. This is a prestigious BIOGRAPHY: Stage position for a young Canadian director. Joel Ivany has Director Joel Ivany trained and prepared and is ready for the challenge. He recently apprenticed spoke with us about how his life experiences have shaped under Tim Albery his work today. at the Canadian Opera Company Q: What is something from your early memories that for their acclaimed informs how you work as a director today? production of War and Peace. Directing Joel: There were four of us growing up; an older sister, credits this past summer and a younger sister and brother. I was brought up on included a new work, Sound of Music, Oliver, Mary Poppins and Babes in Knotty Together in Toyland. We’d watch them over and over and over again. Dublin, Ireland, Hänsel I think I get a lot of my ideas and theatricality from those und Gretel in Edmonton, Alberta and Haydn’s La early experiences. Canterina in Sulmona, Italy. His directing credits include such productions as: Copland’s The Tender Q: You have directed operas in Ireland and Italy for Land, Kander and Ebb’s Cabaret, Mozart’s Die different companies. Is the COC any different? More Zauberflöte and associate stage director for the exciting? More nerve wracking? University of Toronto Opera School’s production of Handel’s Ariodante. This past January he Joel: To be an assistant director at the Canadian Opera was involved in collaborating and staging three Company is definitely exciting.
    [Show full text]
  • Wuthering Heights Artist Biographies Jesse Blumberg (Mr
    Wuthering Heights Artist Biographies Jesse Blumberg (Mr. Lockwood) Baritone Jesse Blumberg is an artist equally at home on opera, concert, and recital stages. Last season, he performed the role of the Celebrant in Bernstein's Mass at London's Royal Festival Hall under the baton of Marin Alsop, debuted with Boston Lyric Opera as Harlekin in Ariadne auf Naxos, and performed recitals in Paris with the Mirror Visions Ensemble. In 2007, he created the role of Connie Rivers in The Grapes of Wrath (recorded by P.S. Classics) at the Minnesota Opera, and later made his Utah and Pittsburgh Opera debuts in the same production. Other recent appearances include leading and featured roles with Annapolis Opera, Opera Delaware, Opera Vivente and the Boston Early Music Festival. In concert, Jesse has been a featured soloist with American Bach Soloists, Los Angeles Master Chorale, Sacred Music in a Sacred Space and the Berkshire Choral Festival. He has also given the world premieres of two important chamber works: Ricky Ian Gordon's Green Sneakers (recorded by Blue Griffin Recording) and Lisa Bielawa's The Lay of the Love and Death, the former at the Vail Valley Music Festival, and the latter at Alice Tully Hall. He has toured with the Mark Morris Dance Group and the Waverly Consort, and given recitals for the Marilyn Horne Foundation. Last season, he and pianist Martin Katz performed Schubert's two monumental song cycles, Die schöne Müllerin and Winterreise, over one weekend in Ann Arbor, and will soon repeat this pairing in New York City. Jesse has been recognized in many song and opera competitions, and in 2008 was awarded Third Prize at the International Robert Schumann Competition in Zwickau, becoming its first American prizewinner in over thirty years.
    [Show full text]
  • Preliminaries: Saturday, March 6, 2021 Finals
    Preliminaries: Saturday, March 6, 2021 The Preliminaries will be held for competitors and judges only. Finals: Saturday, March 20, 2021 Live-Streamed Event - 1-5 p.m. The objective of the Denver Lyric Opera Guild is the encouragement and support of young singers and the continuing education of members in the appreciation and knowledge of opera. For more information on DLOG Membership and Member Events www.denverlyricoperaguild.org Denver Lyric Opera Guild Denver Lyric Opera Guild is a non-profit membership organization of over 180 members. DLOG was founded in 1965 to help support the Denver Lyric Opera Company. The opera company was forced to close in 1968, but the Guild pursued other programs in keeping with its purpose to encourage and support young singers and provide continuing education to the members in the appreciation and knowledge of opera. Competition for Colorado Singers In 1984, the Guild inaugurated its signature event, the Competition for Colorado Singers, to support singers ages 23-32 in pursuing their operatic careers. Since then, the Guild has awarded over $850,000 to Competition winners. Hundreds of young singers have successfully launched their operatic and musical careers since winning the Competition. Grants The Guild provides grants to Colorado’s colleges and universities for vocal scholarships, and to apprentice opera programs. Over the years, these grants have totaled over $812,000 from the earnings on our endowment. Grants are given to the voice performance programs at Colorado State University, Metro State University of Denver, University of Colorado, University of Denver, University of Northern Colorado, and young artist apprentice programs of Central City Opera, Opera Colorado, Opera Fort Collins, and Opera Theatre of the Rockies in Colorado Springs.
    [Show full text]
  • Jahresbericht 2014 Richard Wagner Verband Regensburg E.V
    Richard Wagner Verband Regensburg e.V. ************************************************************************* Emil Kerzdörfer, 1. Vorsitzender Kaiser - Friedrich - Allee 46 D - 93051 Regensburg Tel: (+49)-941-95582 Fax: (+49)-941-92655 www.Richard-Wagner-Verband -Regensburg.de **************************************************************************************** Motto: „… der Komponist offenbart das innerste Wesen der Welt und spricht die tiefste Weisheit aus, in einer Sprache, die seine Vernunft nicht versteht“. Artur Schopenhauer (1788 -1860) ****************************************************************************************** Jahresbericht 2014 gewidmet unserem Ehrenmitglied Frau Verena Lafferentz-Wagner 1. Vorsitzender: Emil Kerzdörfer Mitgliederzahl: 463 01. Januar: Opernbesuch im Theater Regensburg Richard Wagner: Die Feen, Premiere Romantische Oper in drei Akten Regensburger Erstaufführung Inszenierung: Florian Lutz Dirigent: Tetsuro Ban 05. Februar: Jour Fixe im Kolpinghaus Multimediavortrag: Emil Kerzdörfer: „Giuseppe Verdis Requiem“ 07. Februar: Konzertfahrt nach München in die Philharmonie Giuseppe Verdi: „Messa da Requiem“ Solisten: Anja Harteros (Sopran) Daniela Barcellona (Alt ) Woukyung Kim (Tenor) Georg Zeppenfeld (Bass) Münchner Philharmoniker Philharmonischer Chor München Dirigent: Lorin Maazel 26. Februar: Konzertfahrt nach München in die Philharmonie Jean Sibelius: Valse Triste, op. 44 Sergej Prokofieff: Konzert für Klavier und Orchester, Nr. 3, C-Dur, op. 26 Robert Schumann: Symphonie Nr. 4, d-moll, op.
    [Show full text]
  • Philharmonia Orchestra Ducted by Valery Gergiev
    CAL PERFORMANCES PRESENTS PROGRAM NOTES Friday, November 9, 2012, 8pm Esa-Pekka Salonen (b. 1958) Zellerbach Hall Helix Composed in 2005. Premiered on August 29, 2005, in London by the World Orchestra for Peace con- Philharmonia Orchestra ducted by Valery Gergiev. Esa-Pekka Salonen, Principal Conductor & Artistic Advisor Conducting is tough, composing probably even harder, but some of the most brilliant musi- PROGRAM cians—Busoni, Mahler, Bernstein, Boulez, Previn—have pursued parallel careers in both fields that enriched all the facets of their creative Esa-Pekka Salonen (b. 1958) Helix (2005) personalities. To this select company must now be added the Finnish composer-conductor Esa- Pekka Salonen. Born in Helsinki on June 30, 1958, Salonen majored in horn at the Sibelius Ludwig van Beethoven (1770–1827) Symphony No. 7 in A major, Op. 92 Conservatory, where he founded a “collective” (1811–1812) called Ears Open for promoting and perform- I. Poco sostenuto — Vivace ing new music with Jouni Kaipainen, Magnus II. Allegretto Lindberg, and Kaija Saariaho, now all major Esa-Pekka Salonen III. Presto — Assai meno presto musical figures in Finland. After graduating IV. Allegro con brio in 1977, Salonen studied composition privately Illustration by Tom Bachtell with Einojuhani Rautavaara and conducting with Jorma Panula, and attended conducting He also continues to guest conduct concerts and INTERMISSION courses in Siena and Darmstadt; he also stud- opera throughout the world and to serve as ar- ied composition with Niccolò Castiglioni and tistic director of the Baltic Sea Festival, which Franco Donatoni in Italy. In 1979, Salonen he co-founded in 2003.
    [Show full text]
  • S I N G L E T I C K E T B R O C H U
    2013-2014 SEASON SINGLE TICKET BROCHURE MOURNING BECOMES ELECTRA NABUCCO TOSCA THAÏS Mourning Becomes Electra Nabucco Welcome! You don’t want to miss our upcoming season. Where else can you travel from Ancient Babylon to post Civil War New England without leaving South Florida, while enjoying some of the finest singers and exciting productions from around the world. If you are new to opera, the themes of these pieces will resonate with you Tosca regardless of which of the many diverse communities of South Florida you call home. This season has something for everyone. See You at the Opera, Susan T. Danis Ramón Tebar General Director and CEO Music Director Thaïs NOV 07/ NOV 23 NABUCCO JAN 25/ FEB 08 MOURNING BECOMES NABUCCO ELECTRA BY GIUSEPPE VERDI BY MARVIN DAVID LEVY “It’s got everything you’d want from an opera…and more. “…When I am alone with my notes, my heart pounds and the The music knocks you out with its ferocity.” -- Marvin David Levy tears stream from my eyes, and my emotion and my joys are too much to bear.” -- Giuseppe Verdi Nabucco © Scott Suchman for Washington National Opera. BasedMourning on Becomes the play Electra cycle © Rozarii by Eugene Lynch for Seattle O’Neill, Opera. this mythic tale is set in Massachusetts shortly This opera captures the voice of the ancient Hebrews and their struggle as exiles. In fact, it speaks after the Civil War. Beneath the veneer of the prim and proper Mannon family are seething with the voice of all exiles. Experience the anguish as Nebuchadnezzar, King of Babylonia, destroys passions of bitterness, infidelity, incest, and even murder.
    [Show full text]
  • The New Yorker Since 1993, and He Became the Magazine’S Music Critic in 1996
    two, three,” someone hollered. “You should go up there, Joyce,” Tami Swope McDonald, DiDonato’s old roommate, who is a pianist at a local church, said. “Give them a master class in karaoke technique,” Mike Folsom, a Web designer who plays in country bands, added. “Should I?” DiDonato asked. “I could do a killer ‘Desperado.’ ” She applied an operatic timbre: “Desss-pehr-ah-do.” Her friends urged her on. “Oh, no,” she said, putting a hand to her throat and assuming a fragile-diva air. “I must rest the voice.” The conversation meandered from Renaissance polyphony to the Wichita State basketball team, the Shockers, who had recently reached the Final Four. DiDonato said, authoritatively, “If the game had ended #ve minutes earlier, we would have won.” She had checked March Madness scores on the Internet after her “Drama Queens” performances. The concert ’s title plays with the stereotype of the diva as an affected, tempestuous creature. This does not describe DiDonato. The adjectives “cheery,” “upbeat,” and “down-to-earth” follow her around in the press; it’s often mentioned that she once dreamed of being a backup singer for Billy Joel. But there’s a sly, self-aware edge to her enthusiasm. Her conversation is mercurial, with personae "itting in and out: the Country Gal (“Ahm not soundin’ very erudite today”), the Airy Diva (“How glad I am that we had these few stolen moments”), the Young Person (“Um, oh, my God, Rossini is, like, amazing?”). She is ambitious, impatient with routine, and unintimidated by conductors and directors who condescend to her.
    [Show full text]
  • Euridice Opéra Calendrier Table Des Matières
    Hiver 2007 /2008 Supplément à la brochure automne 2007 séjours culturels séjours euridice opéra Calendrier Table des matières octobre décembre février Escapade à Prague et Dresde, Opéra d’Etat, Semperoper ..................... 4 du 18 au 21 Cagliari 1 du 6 au 9 Cologne 3 du 1er au 4 Carnaval Venise 2 Zurich 1 Venise 1 du 7 au 10 Cologne 4 du 24 au 28 Vienne & Budapest 1 du 6 au 10 Vienne & Budapest 5 Valencia 5 Lucerne, Lukaskirche, Konzertsaal ...................................................... 6 du 25 au 29 Dresde & Prague 1 du 12 au 16 Vienne & Budapest 6 du 14 au 17 Cologne 5 Zurich 2 du 13 au 16 Lisbonne 1 du 14 au 18 Dresde & Prague 6 du 26 au 29 Milan et Venise, Teatro alla Scala, Teatro La Fenice ............................... 8 du 31 au 4 novembre Toussaint Naples 1 du 19 au 22 Valencia 6 Dresde & Prague 2 Valencia 2 du 20 au 25 Chicago 2 Vienne & Budapest 2 Zurich 6 du 21 au 24 Lisbonne 2 Naples, Teatro di San Carlo ............................................................... 10 du 13 au 17 Milan & Venise 1 Stockholm 4 novembre du 19 au 23 Vienne & Budapest 7 Zurich 13 du 1er au 4 Toussaint Stockholm 1 du 20 au 23 Cagliari 2 du 21 au 25 Toronto 2 Valencia, Palau de les Arts Reina Sofia ............................................... 11 du 1er au 5 Toussaint Toronto 1 Valencia 3 du 22 au 26 Los Angeles 2 Zurich 3 du 20 au 24 Dresde & Prague 3 du 28 au 2 mars Florence 3 du 8 au 11 Armistice Cologne 1 du 21 au 24 Zurich 7 du 29 au 3 mars Zurich 14 Venise, Teatro La Fenice ..................................................................
    [Show full text]
  • 03 Sab Ore 21 Mahler Corr
    Torino Concerto inaugurale Auditorium Giovanni Agnelli Lingotto Gustav Mahler Sabato 03.IX.2011 Ottava Sinfonia ore 21 in mi bemolle maggiore Presenting Partner MITO SettembreMusica Quinta edizione Un progetto di Realizzato da Con il sostegno di I Partner del Festival Partner Istituzionale Partner Istituzionale Sponsor Media partner Sponsor tecnici Il Festival MITO SettembreMusica compensa le emissioni di CO2 tramite il rimboschimento di aree con la creazione e tutela verdi cittadine a Torino e attraverso di foreste in Costa Rica progetti di riduzione dei gas serra e la piantumazione lungo il Naviglio Grande realizzati in paesi in via di sviluppo. nel Comune di Milano. Gustav Mahler (1860-1911) Ottava Sinfonia in mi bemolle maggiore in due parti per otto soli, due cori misti, coro di fanciulli e grande orchestra Parte I Inno Veni, creator spiritus Parte II Scena finale dal Faust II di Johann Wolfgang von Goethe Magna Peccatrix Erika Sunnega°rdh, soprano Una poenitentium Elena Pankratova, soprano Mater gloriosa Julia Kleiter, soprano Mulier Samaritana Yvonne Naef, contralto Maria Aegyptiaca Maria Radner, contralto Doctor Marianus Stephen Gould, tenore Pater ecstaticus Detlef Roth, baritono Pater profundus Christof Fischesser, basso Gianandrea Noseda, direttore Orchestra Sinfonica Nazionale della Rai Orchestra del Teatro Regio Coro del Teatro Regio Coro di voci bianche del Teatro Regio e del Conservatorio “Giuseppe Verdi” di Torino Claudio Fenoglio, maestro dei cori Coro del Maggio Musicale Fiorentino Piero Monti, maestro del coro In collaborazione con Orchestra Sinfonica Nazionale della Rai Teatro Regio Maggio Musicale Fiorentino Si ringrazia per l’accoglienza degli artisti Guido Gobino Cioccolato Veni, creator spiritus Veni, creator spiritus, mentes tuorum visita, imple superna gratia quae tu creasti pectora.
    [Show full text]
  • Studio Buddies Newsletter
    Studio Buddies Newsletter Published tri-annually by the Houston Grand Opera Guild December 2009 Contents Welcome Summer/Fall 2009 1 The Houston Grand Opera Studio (HGOS) has continued its tradition of excellence and innovation as the 2009/10 season has begun. We welcomed seven new artists hailing from as far Studio Alumni News 2 a w a y as Washington state to as near as Humble! We have been fortunate to see these talented Congratulations 3 young artists perform on the main stage at the Wortham as well as in th e Recitals at Rienzi series and Opera Night Live, in addition to the amazing Studio Showcase performance. Read on! Profile 4 Summer/Fall 2009 in Review For 2009/10 season, the Houston Fall 2009 Stephen Hopkins also served as Grand Opera Studio welcomed coach for Elixir and played in the Kiri Dyan Deonarine, soprano, Fall 2009 began with the Buddies orchestra and will be coaching Rachel Willis-Sørensen, soprano, Welcome Lunch on August 31st for The Turn of the Screw and for the Studio Artists at Wortham Catherine Martin, mezzo- Xerxes this season. soprano, Nathaniel Peake, tenor, Center. The Studio Buddies Brendan Tuohy, tenor, Michael program provided lunch for the Following L’elisir d’amore w a s BUDDIES WELCOME Sumuel, baritone, and Stephanie Studio Artists as a way to Maestro Patrick Summers’ LUNCH▼ Rhodes, pianist/ coach and welcome them to their new triumphant production of positions with the Houston Grand Lohengrin in which we welcomed back second-year a r ti s ts Octavio Moreno, baritone, Opera. welcomed back Studio alumni Richard Paul Fink (HGOS ’84-’87) Adam Cioffari, bass-b a r i to n e , The official Studio Welcome Party David Hanlon, pianist/coach, as Frederick of Telramund and was held on September 12th at Ryan McKinny (HGOS ’05-’08) as and Stephen Hopkins, pianist/ the home of Sue Patrick.
    [Show full text]