Wuthering Heights Artist Biographies Jesse Blumberg (Mr
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AROUND BRITTEN AROUND BRITTEN As a tribute to a great Russian musician and MATTHEW BARLEY patriot I based this suite on Russian themes: To celebrate the centenary of the greatest English the first three tunes were taken from Tchaikovsky’s Third Suite for Cello, Op 87 (1971) Benjamin Britten (1913–1976) composer of the twentieth century I wanted to volumes of folk-song arrangements; the fourth, focus on, and expand from, a very specific part the ‘Kontakion’ (Hymn for the departed), from 1 I Introduzione: Lento [2.10] 8 VIII Moto perpetuo: Presto [0.57] 2 II Marcia: Allegro [1.49] 9 IX Passacaglia: Lento solenne [4.25] of his music for cello: the last minute of his the English Hymnal.” 3 III Canto: Con moto [1.19] 0 Mournful Song [0.33] Third Suite for Cello. This ending is Britten’s 4 IV Barcarola: Lento [1.33] q Autumn [0.19] rendition of the Kontakion – the Hymn for the Based on these four melodies the suite is a set 5 V Dialogo: Allegretto [1.42] w Street Song [0.26] Dead from the Russian Orthodox Church, and is of variations with the themes only heard in their 6 VI Fuga: Andante espressivo [2.55] e Depart in peace, with the Saints [2.42] peaceful, mysterious and profound. At the time complete versions at the end of the journey. 7 VII Recitativo: Fantastico [1.07] (Kontakion) of composing Britten had five years to live One or more of them are present in every one of r Greensleeves (1941) Trad, arr. -
Boston Symphony Orchestra Concert Programs, Season 118, 1998-1999
BOSTON SYMPHONY ORCHESTRA 1 I O Z AWA ' T W E N T Y- F I F 1 H ANNIVERSARY SEASO N 1 1 8th Season • 1 998-99 Bring your Steinway: < With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,100,000. its absolutefinest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR at Jisner Jiill BROOKLINE Seiji Ozawa, Music Director 25TH ANNIVERSARY SEASON Bernard Haitink, Principal Guest Conductor One Hundred and Eighteenth Season, 1998-99 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Deborah B. Davis Edna S. Kalman Vincent M. O'Reilly Gabriella Beranek Nina L. Doggett George Krupp Peter C. Read James E Cleary Nancy J. Fitzpatrick Mrs. August R. Meyer Hannah H. Schneider John F. Cogan, Jr. Charles K. Gifford, Richard P. Morse Thomas G. Sternberg Julian Cohen ex-ojficio Mrs. Robert B. Stephen R. Weiner William F. Connell Avram J. Goldberg Newman Margaret Williams- William M. Crozier, Jr. Thelma E. Goldberg Robert P. O'Block, DeCelles, ex-qfficio Nader F Darehshori Julian T. Houston ex-ojficio Life Trustees Vernon R. -
A History of Slavery in Virginia
The Basic Afro-American Reprint Library IMKIllfN LIBRARY UNIVERSITY Of CALIFORNIA^/ A HISTORY OF SLAVERY IN VIRGINIA BY JAMES CURTIS BALLAGH Associate in History, Johns Hopkins University BALTIMORE THE JOHNS HOPKINS PRESS 1902 JOHNSON REPRINT CORPORATION JOHNSON REPRINT COMPANY LTD. 1 1 1 Fifth Avenue, New York, N.Y. 10003 Berkeley Square House, London, W. 1 #31 ]/, J y THE BASIC AFRO-AMERICAN REPRINT LIBRARY Books on the history, culture, and social environment of Afro-Americans Selected by Clarence L. Holte COPYRIGHT, 1902, BY THE JOHNS HOPKINS PRESS. First reprinting, 1968, Johnson Reprint Corporation Printed in the United States of America //* TO THE MEMORY OF MY AUNTS SUSAN CATHERINE WITHROW AND PHOEBE CAROLINE PATTERSON CONTENTS. PAGE PREFACE vii CHAPTER I. SLAVE TRADE AND SLAVE POPULATION. - Slavery as a Stage in Social Progress 1 Origin and Progress of the Modern Slave Trade 3 Importation of the Subjects of Slavery 6 Restrictive Duties and Petitions to the Crown 11 Prohibition Attempted and Realized 19 -Slave Population and the Domestic Slave Trade 24 CHAPTER II. DEVELOPMENT OF SLAVERY. Legal Status of the Slave. Origin of Status , 27 Status of the Early Negroes and Indians 28 Relation of Servitude to Slavery 31 Subjects and Principles of Enslavement 45 Mulattoes, Mestizos and Persons of Color 56 Incidents of Slavery; Rights and Duties , 62 Penal Legislation concerning Slaves 82 Social Status of the Slave. Regulation by Custom 96 Personality of the Slave and Customary Rights 97 Maintenance, Guardianship, Education and Liberty 102 Negro Preachers 110 CHAPTER III. MANUMISSION, EMANCIPATION AND THE FREE MAN. Withdrawal of Restrictions to Liberty 116 Public and Private Manumission 119 Suits for Freedom 123 - Transportation of Freedmen 125 Anti-Slavery Sentiment 127 Plans for Emancipation &lt; 130 Slavery Polemics and Apologetics 142 Status of the Free Negro 145 BIBLIOGRAPHY 149 V PREFACE. -
International Richard Wagner Congress – Bonn 23Rd to 27Th September 2020
International Richard Wagner Congress – Bonn 23rd to 27th September 2020 Imprint The Richard Wagner Congress 2020 Richard-Wagner-Verband Bonn e.V. programme Andreas Loesch (Vorsitzender) John Peter (stellv. Vorsitzender) was created in collaboration with Zanderstraße 47, 53177 Bonn Tel. +49-(0)178-8539559 [email protected] Organiser / booking details ARS MUSICA Musik- und Kulturreisen GmbH Bachemer Straße 209, 50935 Köln Tel: +49-(0)221-16 86 53 00 Fax: +49-(0)221-16 86 53 01 [email protected] RICHARD-WAGNER-VERBAND BONN E.V. and is sponsored by Image sources frontpage from left to right, from top to bottom - Richard-Wagner-Verband Bonn - Michael Sondermann/Bundesstadt Bonn - Deutsche Post / Richard-Wagner-Verband Bonn - StadtMuseum Bonn - Michael Sondermann/Bundesstadt Bonn - Beethovenhaus Bonn - Stadt Königswinter - Michael Sondermann/Bundesstadt Bonn - Stadtmuseum Siegburg - Michael Sondermann/Bundesstadt Bonn - Michael Sondermann/Bundesstadt Bonn Current information about the program backpage - Michael Sondermann/Bundesstadt Bonn rwv-bonn.de/kongress-2020 Congress Programme for all Congress days 2 p.m. | Gustav-Stresemann-Institut Dear Members of the Richard Wagner Societies, dear Friends of Richard Wagner’s Music, Conference Hotel Hilton Richard Wagner – en miniature Symposium: »Beethoven, Wagner and the political “Welcome” to the Congress of the International Association of Richard Wagner Societies in 2020, commemorating Ludwig “Der Meister” depicted on stamps movements of their time « (simultaneous translation) van Beethoven’s 250th birthday worldwide. Richard Wagner appreciated him more than any other composer in his life, which Prof. Dr. Dieter Borchmeyer, PD Dr. Ulrike Kienzle, is why the Congress in Bonn, Beethoven’s hometown, is going to centre on “Beethoven and Wagner”. -
A Midsummer Night's Dream
9 TEATRO MASSIMO BRITTEN BENJAMIN B enjamin B ritten A MIDSUMMER NIGHT’S DREAM | MIDSUMMER NIGHT’S DREAM NIGHT’S MIDSUMMER Membro di seguici su: teatromassimo.it Piazza Verdi - 90138 Palermo ISBN: 978-88-98389-61-2 euro 10,00 SOCI FONDATORI PARTNER PRIVATI REGIONE SICILIANA ASSESSORATO AL TURISMO SPORT E SPETTACOLI ALBO DEI DONATORI Fondazione ART BONUS Teatro Massimo Tasca d’Almerita Francesco Giambrone Sovrintendente Angelo Morettino srl CONSIGLIO DI INDIRIZZO Leoluca Orlando (sindaco di Palermo) Presidente Giovanni Alongi Leonardo Di Franco Vicepresidente Daniele Ficola Sais Autolinee Francesco Giambrone Sovrintendente Enrico Maccarone Agostino Randazzo Anna Sica Marco Di Marco COLLEGIO DEI REVISORI Maurizio Graffeo Presidente Filippone Assicurazione Marco Piepoli Gianpiero Tulelli Giuseppe Di Pasquale Alessandra Giurintano Di Marco TURNI A MIDSUMMER NIGHT’S DREAM (Sogno di una notte di mezza estate) Opera in tre atti Libretto di Benjamin Britten e Peter Pears da A Midsummer Night’s Dream di William Shakespeare Data Turno Ora Musica di Benjamin Britten Martedì 19 settembre Prime 20.30 C Giovedì 21 settembre 18.30 Prima rappresentazione: F Venerdì 22 settembre 20.30 Aldeburgh Festival, 11 giugno 1960 Domenica 24 settembre D 17.30 Martedì 26 settembre B 18.30 S1 Mercoledì 27 settembre 18.30 Prima rappresentazione a Palermo Lo spettacolo sarà trasmesso in diretta da RAI Radio3 e in differita da RAI5 Allestimento del Palau de les Arts Reina Sofia di Valencia INDICE 1 ARGOMENTO 13 SYNOPSIS 17 ARGUMENT 21 HANDLUNG 25 2 ALESSANDRA SCIORTINO INTRODUZIONE ALL’OPERA 31 DARIO OLIVERI «SIGNORE, CHE PAZZI QUESTI MORTALI!» UN PERCORSO INTORNO AL MIDSUMMER NIGHT’S DREAM DI BENJAMIN BRITTEN 39 3 IL LIBRETTO 65 ATTO I 66 ATTO II 96 ATTO III 140 4 BENJAMIN BRITTEN 179 LE PRIME DI BRITTEN AL TEATRO MASSIMO 183 BIBLIOGRAFIA ESSENZIALE 191 NOTE BIOGRAFICHE 193 1 ARGOMENTO 13 SYNOPSIS 17 ARGUMENT 21 HANDLUNG 25 ARGOMENTO Sogno di una notte di mezza estate ATTO I Nel bosco Puck annuncia l’arrivo di Oberon e Titania. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Ottorino Respighi, Musicista Geniale Ed Estroverso a 130 Anni Dalla Nascita
Ottorino Respighi, musicista geniale ed estroverso a 130 anni dalla nascita. di Giuseppe Testa Ottorino Respighi è, tra i compositori italiani del secolo scorso, quello che trovò diffusione e fama internazionale sin dall’inizio della sua carriera. E’ ricordato soprattutto per i tre poemi sinfonici romani, capolavori della letteratura sinfonica del ‘900 italiano, ma è anche stato un apprezzato musicologo. Respighi nasce a Bologna il 9 luglio 1879, inizia gli studi del pianoforte e del violino con il padre Giuseppe, studi che continua al liceo musicale di Bologna, dove è allievo di F. Sarti per il violino e la viola, C. Dall’Olio per il contrappunto e la fuga, L. Torchi e di G. Martucci per la composizione. E’ proprio Martucci che lo interessa alle forme sinfoniche e cameristiche dei romantici tedeschi, sino ad allora poco praticate in Italia. Si Diploma in violino nel 1899 e in composizione nel 1901 al liceo musicale di Bologna. Subito dopo si trasferisce in Russia dove ricopre il posto di prima viola dell’orchestra del Teatro Imperiale a San Pietroburgo, studiando per cinque mesi con Nikolaj Rimskij-Korsakov con cui può approfondire lo studio della sinfonia e del poema sinfonico, evidenziando la tendenza al descrittivismo e l’abilità nel trattamento dell’orchestra. Nel 1902 è accompagnatore in una scuola di canto a Berlino, dove conosce Ferruccio Busoni ed ha modo di studiare con Max Bruch. Ma la sua attività principale fino al 1908 è quella di violista, solo dopo si dedica alla composizione. Nel 1911 torna in Italia per sostituire il suo maestro L. -
La Donna Del Lago , the Met's First Production of the Bel Canto Showcase, on Great Performances at the Met
Press Contacts: Harry Forbes, WNET 212-560-8027 or [email protected] Eva Chien 212-870-4589 or [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom Website: http://www.pbs.org/wnet/gperf Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS Joyce DiDonato and Juan Diego Flórez Star In Rossini's La Donna del Lago , the Met's First Production of the Bel Canto Showcase, on Great Performances at the Met Sunday, August 2 at 12 p.m. on PBS Joyce DiDonato and Juan Diego Flórez headline Rossini's bel canto tour-de-force La Donna del Lago on THIRTEEN’S Great Performances at the Met Sunday, August 2 at 12 p.m. on PBS. (Check local listings.) In this Rossini classic based on the work by Sir Walter Scott, DiDonato sings the title role of Elena, the lady of the lake pursued by two men, with Flórez in the role of Giacomo, the benevolent king of Scotland. Michele Mariotti , last featured in the Great Performance at the Met broadcast of Rigoletto , conducts debuting Scottish director Paul Curran's staging, a co-production with Santa Fe Opera. The cast also includes Daniela Barcellona in the trouser role of Malcolm, John Osborn as Rodrigo, and Oren Gradus as Duglas. "The wondrous Ms. DiDonato and Mr. Mariotti, the fast-rising young Italian conductor, seemed almost in competition to see who could make music with more delicacy,” noted The New York Times earlier this year, and “Mr. Mariotti drew hushed gentle and transparent playing from the inspired Met orchestra.” And NY Classical Review raved, "Joyce DiDonato…was beyond perfect.. -
Exploration and Conductor's Analyses of Morten Lauridsen's Madrigali: Six "Fire-Songs" on Italian Renaissance Poems C
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 An old form newly clothed: exploration and conductor's analyses of Morten Lauridsen's Madrigali: Six "Fire-Songs" on Italian Renaissance Poems C. Leonard Raybon, Jr. Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Raybon, Jr., C. Leonard, "An old form newly clothed: exploration and conductor's analyses of Morten Lauridsen's Madrigali: Six "Fire- Songs" on Italian Renaissance Poems" (2003). LSU Doctoral Dissertations. 2919. https://digitalcommons.lsu.edu/gradschool_dissertations/2919 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AN OLD FORM NEWLY CLOTHED: EXPLORATION AND CONDUCTOR’S ANALYSES OF MORTEN LAURIDSEN’S MADRIGALI: SIX “FIRE-SONGS” ON ITALIAN RENAISSANCE POEMS A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by C. Leonard Raybon, Jr. B.M., William Carey College M.A., University of York December 2003 ACKNOWLEDGEMENTS For offering their great support during the doctoral and monograph process, I would sincerely like to thank my insightful professors, Drs. Sara Lynn Baird and Kenneth Fulton; my loving family, Curtis, Gloria, and Paul Benton Raybon; and my dear friends, Hugh Doran and Rhett Shepherd. -
Spotlight on Joel Ivany, Assistant Director
Spotlight on Joel Ivany, Assistant Director The Canadian Opera Company has hired a new assistant director to work on La Bohème. This is a prestigious BIOGRAPHY: Stage position for a young Canadian director. Joel Ivany has Director Joel Ivany trained and prepared and is ready for the challenge. He recently apprenticed spoke with us about how his life experiences have shaped under Tim Albery his work today. at the Canadian Opera Company Q: What is something from your early memories that for their acclaimed informs how you work as a director today? production of War and Peace. Directing Joel: There were four of us growing up; an older sister, credits this past summer and a younger sister and brother. I was brought up on included a new work, Sound of Music, Oliver, Mary Poppins and Babes in Knotty Together in Toyland. We’d watch them over and over and over again. Dublin, Ireland, Hänsel I think I get a lot of my ideas and theatricality from those und Gretel in Edmonton, Alberta and Haydn’s La early experiences. Canterina in Sulmona, Italy. His directing credits include such productions as: Copland’s The Tender Q: You have directed operas in Ireland and Italy for Land, Kander and Ebb’s Cabaret, Mozart’s Die different companies. Is the COC any different? More Zauberflöte and associate stage director for the exciting? More nerve wracking? University of Toronto Opera School’s production of Handel’s Ariodante. This past January he Joel: To be an assistant director at the Canadian Opera was involved in collaborating and staging three Company is definitely exciting. -
Roberto Devereux
GAETANO DONIZETTI roberto devereux conductor Opera in three acts Maurizio Benini Libretto by Salvadore Cammarano, production Sir David McVicar after François Ancelot’s tragedy Elisabeth d’Angleterre set designer Sir David McVicar Saturday, April 16, 2016 costume designer 1:00–3:50 PM Moritz Junge lighting designer New Production Paule Constable choreographer Leah Hausman The production of Roberto Devereux was made possible by a generous gift from The Sybil B. Harrington Endowment Fund The presentation of Donizetti’s three Tudor queen operas this season is made possible through a generous grant from Daisy Soros, general manager in memory of Paul Soros and Beverly Sills Peter Gelb music director James Levine Co-production of the Metropolitan Opera principal conductor Fabio Luisi and Théâtre des Champs-Élysées 2015–16 SEASON The seventh Metropolitan Opera performance of GAETANO DONIZETTI’S This performance roberto is being broadcast live over The Toll Brothers– devereux Metropolitan Opera International Radio Network, sponsored by Toll Brothers, conductor America’s luxury Maurizio Benini homebuilder®, with generous long-term in order of vocal appearance support from sar ah (sar a), duchess of not tingham The Annenberg Elīna Garanča Foundation, The Neubauer Family queen eliz abeth (elisabet ta) Foundation, the Sondra Radvanovsky* Vincent A. Stabile Endowment for lord cecil Broadcast Media, Brian Downen and contributions from listeners a page worldwide. Yohan Yi There is no sir walter (gualtiero) r aleigh Toll Brothers– Christopher Job Metropolitan Opera Quiz in List Hall robert (roberto) devereux, e arl of esse x today. Matthew Polenzani This performance is duke of not tingham also being broadcast Mariusz Kwiecien* live on Metropolitan Opera Radio on a servant of not tingham SiriusXM channel 74. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee.