Melbourne Arts Precinct Blueprint 4 March 2014
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RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA in ONE ACT
RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA IN ONE ACT Composer Richard Strauss Librettist Hedwig Lachmann Based on Oscar Wilde’s play Salomé Conductor Richard Mills AM Director Cameron Menzies Set Designer Christina Smith Costume Designer Anna Cordingley Lighting Designer Gavan Swift Choreographer Elizabeth Hill-Cooper CAST Salome Vida Miknevičiūtė Herod Ian Storey Jochanaan Daniel Sumegi Herodias Liane Keegan Narraboth James Egglestone Page of Herodias Dimity Shepherd Jews Paul Biencourt, Daniel Todd, Soldiers Alex Pokryshevsky, Timothy Reynolds, Carlos E. Bárcenas, Jerzy Kozlowski Raphael Wong Cappadocian Kiran Rajasingam Nazarenes Simon Meadows, Slave Kathryn Radcliffe Douglas Kelly with Orchestra Victoria Concertmaster Yi Wang 22, 25, 27 FEBRUARY 2020 Palais Theatre Original premiere 9 December 1905, Semperoper Dresden Duration 90 minutes, no interval Sung in German with English surtitles PRODUCTION PRODUCTION TEAM Production Manager Eduard Inglés Stage Manager Whitney McNamara Deputy Stage Manager Marina Milankovic Assistant Stage Manager Geetanjali Mishra MUSIC STAFF Repetiteurs Phoebe Briggs, Phillipa Safey ACKNOWLEDGEMENTS Surtitles courtesy of Opera Australia ResolutionX, BAACLight Theatre, Lilydale Theatre Company © Anna Cordingley, Costume Designer P. 4 VICTORIAN OPERA 2020 SALOME ORCHESTRA CONCERTMASTER Sarah Cuming HORN Yi Wang * Philippa Gardner Section Principal Jasen Moulton VIOLIN Tania Hardy-Smith Chair supported by Mr Robert Albert Principal -
98Th ISPA Congress Melbourne Australia May 30 – June 4, 2016 Reimagining Contents
98th ISPA Congress MELBOURNE AUSTRALIA MAY 30 – JUNE 4, 2016 REIMAGINING CONTENTS ACKNOWLEDGEMENT OF PEOPLE & COUNTRY 2 MESSAGE FROM THE MINISTER FOR CREATIVE INDUSTRIES, 3 STATE GOVERNMENT OF VICTORIA MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, ARTS CENTRE MELBOURNE 4 MESSAGE FROM THE DIRECTOR OF PROGRAMMING, ARTS CENTRE MELBOURNE 5 MESSAGE FROM THE CHAIR, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 6 MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 7 LET THE COUNTDOWN BEGIN: A SHORT HISTORY OF ISPA 8 MELBOURNE, AUSTRALIA 10 CONGRESS VENUES 11 TRANSPORT 12 PRACTICAL INFORMATION 13 ISPA UP LATE 14 WHERE TO EAT & DRINK 15 ARTS CENTRE MELBOURNE 16 THE ANTHONY FIELD ACADEMY SCHEDULE OF EVENTS 18 THE ANTHONY FIELD ACADEMY SPEAKERS 22 CONGRESS SCHEDULE OF EVENTS 28 CONGRESS PERFORMANCES 37 CONGRESS AWARD WINNERS 42 CONGRESS SESSION SPEAKERS & MODERATORS 44 THE ISPA FELLOWSHIP CHALLENGE 56 2016 FELLOWSHIP PROGRAMS 57 ISPA FELLOWSHIP RECIPIENTS 58 ISPA STAR MEMBERS 59 ISPA OUT ON THE TOWN SCHEDULE 60 SPONSOR ACKNOWLEDGEMENTS 66 ISPA CREDITS 67 ARTS CENTRE MELBOURNE CREDITS 68 We are committed to ensuring that everyone has the opportunity to become immersed in ISPA Melbourne. To help us make the most of your experience, please ask us about Access during the Congress. Cover image and all REIMAGINING images from Chunky Move’s AORTA (2013) / Photo: Jeff Busby ACKNOWLEDGEMENT OF PEOPLE MESSAGE FROM THE MINISTER FOR & COUNTRY CREATIVE INDUSTRIES, Arts Centre Melbourne respectfully acknowledges STATE GOVERNMENT OF VICTORIA the traditional owners and custodians of the land on Whether you’ve come from near or far, I welcome all which the 98th International Society for the Performing delegates to the 2016 ISPA Congress, to Australia’s Arts (ISPA) Congress is held, the Wurundjeri and creative state and to the world’s most liveable city. -
PO, Canberra, AX.T. 2601, Australia
DOCUMENT RESUME ED 056 303 AC 012 071 TITLE Handbook o Australian h'ult Educatial. INSTITUTION Australian Association of AdultEducati. PUB DATE 71 NOTE 147p. 3rd edition AVAILABLE FROMAustralian Association ofAdult Education, Box 1346, P.O., Canberra, AX.T. 2601,Australia (no price quoted) EDRS PRICE Mr-$0.65 HC-$6.58 DEsCRIPTORS *Adult Education; Day Programs;*Directories; *Educational Facilities; EveningPrograms; *Professional Associations;*University Extension IDENTIFIERS Asia; Australia; New Zealand;South Pacific ABSTRACT The aim of this handbookis to provide a quick reference source for a number ofdifferent publics. It should be of regular assistance to adult andother educators, personnelofficers and social workers, whoseadvice and help is constantlybeing sought about the availability ofadult education facilities intheir own, or in other states. The aim incompiling the Handbook has been tobring together at the National and Statelevels all the major agencies--university, statutory body,government departments and voluntary bodies--that provide programsof teaching for adults open to members of thepublic. There are listed also thelarge number of goverrmental or voluntary bodi_eswhich undertake educationalwork in special areas. The Handbook alsolists all the major public institutions--State Libraries, Museums,and Art Galleriesthat serve importantly to supplement thedirect teaching of adults bytheir collections. New entries includebrief accounts of adult educationin the Northern Territory andin the Territory of Papua-NewGuinea, and the -
1X 86Min Feature Documentary Press Kit
ELLA 1x 86min Feature Documentary Press Kit INDEX ! CONTACT DETAILS AND TECHNICAL INFORMATION………………………… P3 ! PROGRAM DESCRIPTIONS.…………………………………..…………………… P4-6 ! KEY CAST BIOGRAPHIES………………………………………..………………… P7-9 ! DIRECTOR’S STATEMENT………………………………………..………………… P10 ! PRODUCER’S STATEMENT………………………………………..………………. P11 ! KEY CREATIVES CREDITS………………………………..………………………… P12 ! DIRECTOR AND PRODUCER BIOGRAPHIES……………………………………. P13 ! PRODUCTION CREDITS…………….……………………..……………………….. P14-22 2 CONTACT DETAILS AND TECHNICAL INFORMATION Production Company WildBear Entertainment Pty Ltd Address PO Box 6160, Woolloongabba, QLD 4102 AUSTRALIA Phone: +61 (0)7 3891 7779 Email [email protected] Distributors and Sales Agents Ronin Films Address: Unit 8/29 Buckland Street, Mitchell ACT 2911 AUSTRALIA Phone: + 61 (0)2 6248 0851 Web: http://www.roninfilms.com.au Technical Information Production Format: 2K DCI Scope Frame Rate: 24fps Release Format: DCP Sound Configuration: 5.1 Audio and Stereo Mix Duration: 86’ Production Format: 2K DCI Scope Frame Rate: 25fps Release Formats: ProResQT Sound Configuration: 5.1 Audio and Stereo Mix Duration: 83’ Date of Production: 2015 Release Date: 2016 ISAN: ISAN 0000-0004-34BF-0000-L-0000-0000-B 3 PROGRAM DESCRIPTIONS Logline: An intimate and inspirational journey of the first Indigenous dancer to be invited into The Australian Ballet in its 50 year history Short Synopsis: In October 2012, Ella Havelka became the first Indigenous dancer to be invited into The Australian Ballet in its 50 year history. It was an announcement that made news headlines nationwide. A descendant of the Wiradjuri people, we follow Ella’s inspirational journey from the regional town of Dubbo and onto the world stage of The Australian Ballet. Featuring intimate interviews, dynamic dance sequences, and a stunning array of archival material, this moving documentary follows Ella as she explores her cultural identity and gives us a rare glimpse into life as an elite ballet dancer within the largest company in the southern hemisphere. -
Auditor-General's Report on the Annual Financial Report of The
Auditor-General’s Report on the Annual Financial Report of the State of Victoria: 2017–18 Auditor-General’s Report on the Annual Financial October 2018 Report of the State of Victoria: 2017–18 October 2018 2018–19: 13 Independent assurance report to Parliament 2018–19: 13 18924 Vago_PB_Cover 6.2mm.pdf | Page 1 of 1 18924 Vago_PB_Cover 6.2mm.pdf | Page 1 of 1 Auditor-General’s Report on the Annual Financial Report of the State of Victoria: 2017–18 Ordered to be published VICTORIAN GOVERNMENT PRINTER October 2018 PP no 464, Session 2014–18 This report is printed on Monza Recycled paper. Monza Recycled is certified Carbon Neutral by The Carbon Reduction Institute (CRI) in accordance with the global Greenhouse Gas Protocol and ISO 14040 framework. The Lifecycle Analysis for Monza Recycled is cradle to grave including Scopes 1, 2 and 3. It has FSC Mix Certification combined with 99% recycled content. ISBN 978 1 925678 37 6 The Hon Bruce Atkinson MLC The Hon Colin Brooks MP President Speaker Legislative Council Legislative Assembly Parliament House Parliament House Melbourne Melbourne Dear Presiding Officers Under the provisions of section 16AB of the Audit Act 1994, I transmit my report Auditor-General’s Report on the Annual Financial Report of the State of Victoria: 2017–18. Yours faithfully Andrew Greaves Auditor-General 24 October 2018 Contents Overview ...................................................................................................................... 7 Conclusion ..................................................................................................................................... -
Letter from Melbourne Is a Monthly Public Affairs Bulletin, a Simple Précis, Distilling and Interpreting Mother Nature
SavingLETTER you time. A monthly newsletter distilling FROM public policy and government decisionsMELBOURNE which affect business opportunities in Australia and beyond. Saving you time. A monthly newsletter distilling public policy and government decisions which affect business opportunities in Australia and beyond. p11-14: Special Melbourne Opera insert Issue 161 Our New Year Edition 16 December 2010 to 13 January 2011 INSIDE Auditing the state’s affairs Auditor (VAGO) also busy Child care and mental health focus Human rights changes Labor leader no socialist. Myki musings. Decision imminent. Comrie leads Victorian floods Federal health challenge/changes And other big (regional) rail inquiry HealthSmart also in the news challenge Baillieu team appointments New water minister busy Windsor still in the news 16 DECEMBER 2010 to 13 JANUARY 2011 14 Collins Street EDITORIAL Melbourne, 3000 Victoria, Australia Our government warming up. P 03 9654 1300 Even some supporters of the Baillieu government have commented that it is getting off to a slow F 03 9654 1165 start. The fact is that all ministers need a chief of staff and specialist and other advisers in order to [email protected] properly interface with the civil service, as they apply their new policies and different administration www.letterfromcanberra.com.au emphases. These folk have to come from somewhere and the better they are, the longer it can take for them to leave their current employment wherever that might be and settle down into a government office in Melbourne. Editor Alistair Urquhart Some stakeholders in various industries are becoming frustrated, finding it difficult to get the Associate Editor Gabriel Phipps Subscription Manager Camilla Orr-Thomson interaction they need with a relevant minister. -
Jesus, Queen of Heaven by Jo Clifford
Theatre works And BEN ANDERSON present THE GOSPEL ACCORDING TO JESUS, QUEEN OF HEAVEN BY JO CLIFFORD 30 APR - 8 may THEATRE WORKS 14 ACLAND STREET, ST KILDA THE GOSPEL ACCORDING TO WRITER’S NOTE | JO CLIFFORD When I first wrote and performed Queen Jesus in Glasgow, back in 2009, I was afraid people JESUS, QUEEN might find her dull. I was wrong about that. OF HEAVEN I was very frightened and distressed by all the hatred she inspired back then. Hatred that came in from all over the world. 30 APR - 8 mAY But the hate taught me her words mattered and I should work to keep her alive. THEATRE WORKS So I did. And I discovered that performing her was a powerful act of resistance against the 14 ACLAND STREET, ST KILDA shame and fear that had possessed me since the time I was a child and knew that I wasn’t a boy. A shame that touches everybody. Because none of us quite measure up to the gender we’re supposed to be. And since then she’s helped many others resist in so many places in the world. All over the UK, all over Brazil, Argentina, Uruguay, Cabo Verde, Belfast, Brussels and Berlin. And here she is incarnate in the magnificent Kristen Smyth and opening in Melbourne. That is so wonderful. And opening to the same hatred, expressed in the same words, as in Glasgow. Because hatred cannot change. But love… love is creative. Love changes everything… DIRECTOR’S NOTE | KITAN PETKOVSKI I can still recall the emotional mess that I was upon reading Jo Clifford’s The Gospel According to Jesus, Queen of Heaven. -
Prompt Pack Pa R
PART A PROMPT PACK VCE Theatre Studies MALTHOUSETITLE GOES HERE THEATRE ACKNOWLEDGES THE LAND AND SONGLINES OF THE BOON WURRUNG AND WURUNDJERI PEOPLES OF THE KULIN NATION. Malthouse Theatre presents Because The Night. © Copyright: Malthouse Theatre, the artists, designers, photographers, collaborators and contributors. All rights reserved, 2021. PROMPT PACK CREATED FOR MALTHOUSE PROMPT—MALTHOUSE THEATRE’S YOUTH AND EDUCATION PROGRAM. Cover Image / Giulia Giannini McGauran Photographer / Phoebe Powell Design / Hours After Theatre Studies Prompt Pack written by / Robyn Kay Consultant / Kamarra Bell-Wykes Contextual Information written by / Mark Pritchard Editor / Jacqui Bathman Page 2—2 04——INTRODUCTION 06——CURRICULUM FOCUS 07——KEY STUDY INFORMATION 08——BECAUSE THE NIGHT SCRIPT 09——CAST & CREATIVE BIOGRAPHIES 20——CONTEXTUAL INFORMATION 24——FACT SHEET 25——WHAT IS IMMERSIVE THEATRE? 26——VIDEO INTERVIEWS 28——INTERVIEW WITH THE DIRECTORS 32——THEATRE STUDIES UNIT 3 37——ATTENDING THE PLAY 38——THEATRE STUDIES UNIT 4 42——RESOURCES ICON KEY LINKS ACTIVITY VIDEO MORE INFO #becausethenight INTRODUCTION Malthouse Theatre’s Theatre Studies Prompt Pack (Part A) is a preshow resource that will provide you with initial information about the VCAA Playlisted production Because The Night. This Pack includes video interviews with Matthew Lutton (Concept, Direction & Text), Marg Horwell (Set Design, Interiors), Matilda Woodroofe (Associate Set Design, Interiors), Kat Chan (Costume Design). There are also some suggestions as to how you might prepare prior to seeing the play staged. Post show Theatre Studies Prompt Packs (Part B & C) will be available to help you make an analysis of the production in performance. The two-pronged approach is intended to break down the task for Unit 3, Outcome 3 and Unit 4, Outcome 3 into a study of the production before and then after seeing Malthouse Theatre’s Because The Night. -
THE ARCHITECT by AIDAN FENNESSY Welcome
THE ARCHITECT BY AIDAN FENNESSY Welcome The Architect is an example of the profound role theatre plays in helping us make sense of life and the emotional challenges we encounter as human beings. Night after night in theatres around the world, audiences come together to experience, be moved by, discuss, and contemplate the stories playing out on stage. More often than not, these stories reflect the goings on of the world around us and leave us with greater understanding and perspective. In this world premiere, Australian work, Aidan Fennessy details the complexity of relationships with empathy and honesty through a story that resonates with us all. In the hands of Director Peter Houghton, it has come to life beautifully. Australian plays and new commissions are essential to the work we do at MTC and it is incredibly pleasing to see more and more of them on our stages, and to see them met with resounding enthusiasm from our audiences. Our recently announced 2019 Season features six brilliant Australian plays that range from beloved classics like Storm Boy to recent hit shows such as Black is the New White and brand new works including the first NEXT STAGE commission to be produced, Golden Shield. The full season is now available for subscription so if you haven’t yet had a look, head online to mtc.com.au/2019 and get your booking in. Brett Sheehy ao Virginia Lovett Artistic Director & CEO Executive Director & Co-CEO Melbourne Theatre Company acknowledges the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which Southbank Theatre and MTC HQ stand, and we pay our respects to Melbourne’s First Peoples, to their ancestors and Elders, and to our shared future. -
To Download a List of Locations That Have the Mr Moto Digital Screens
Mr Moto Digital Screen Event Advertising Network 273 Wellington St, Collingwood VIC 3066 +61 3 9417 7008 www.mrmoto.com.au EST.1985 Mr Moto Digital Screen Event Advertising Network 2019 Venue List Tourist Hub Venues All Nations Hotel 2 Spencer Street, Melbourne Athenaeum Theatre 188 Collins Street, Melbourne | Venue features 2 Digital Screens Base St Kilda 17 Carlisle Street, St Kilda Bird’s Basement Singers Lane, Melbourne Blondie Bar Melbourne Recital Centre - 31 Sturt Street, Southbank Bluetrain Southgate Shopping Centre - Level 2, Southgate Campari House 23 - 25 Hardware Lane, Melbourne Cosmopolitan Hotel 2 - 8 Carlisle Street, St Kilda Halftix Melbourne Town Hall, Collins & Swanston Streets, Melbourne Hairy Little Sista** 240 Little Collins Street, Melbourne | **Location currently closed Hotel Discovery 167 Franklin Street, Melbourne Ibis Styles Kingsgate Hotel 131 King Street, Melbourne Melbourne Central Shopping Centre Melbourne Central - Ground Floor, Swanston Street, Melbourne Melbourne Visitor Booth Bourke Street Mall, Melbourne | Venue features 3 Digital Screens Nomads Hotel on A’Beckett 198 A’Beckett Street, Melbourne Nomads St Kilda 24 Grey Street, Saint Kilda Quest on Bourke 155 Bourke Street, Melbourne Quest Abbotsford 612 Victoria Sreet, Abbotsford * Quest Hawthorn 616 Glenferrie Road, Hawthorn | Venue features 2 Digital Screens Quest Kew 19-21 Walpole Street, Kew Quest Williamstown 1 Syme Street, Williamstown * EST.1985 Professional Lifestyle Venues Airstream Cafe Century City Walk - 287 Springvale Road, Glen Waverley -
Submission to the Creative Industries Strategy 2020-2024
ANZAC House Level 4,4 Collins Street Melbourne VIC 3000 melbourne.org.au T +61 (3) 9650 8800 E [email protected] ABN 56 203 402 373 Martin Foley MP Minister for Creative Industries Parliament House EAST MELBOURNE VIC 3002 Dear Mr Foley Submission to the Creative Industries Strategy 2020-2024 The Committee welcomes the opportunity to make a submission to the Victorian Government’s Creative Industries Strategy 2020-2024 (Creative Industries Strategy). Committee for Melbourne, (the Committee), is an apolitical, not-for-profit organisation that represents 150 members comprising Greater Melbourne’s business, academic, arts, and community sectors in advocating for the future of Greater Melbourne. The Committee has a passion for ensuring the liveability and economic and social sustainability of Melbourne as a leading global city in the world’s fastest-growing region. The Committee has a strong interest in the arts and culture sector and the strength and viability of creative industries in Greater Melbourne and across Victoria. The Committee has established an Arts and Culture Taskforce which works to create an integrated vision for Melbourne as a vibrant, global destination for arts, culture, and design. The Taskforce brings together leaders and individuals from Melbourne's diverse membership including business, academia, arts, not-for-profit, local councils and government to collaborate across issues facing the industry. As such, the Taskforce is well-placed to provide expertise and ideas for the future of the creative industries in Victoria. We attach our submission and look forward to keeping in touch on this key initiative for Melbourne, Victoria and Australia’s future creative industries. -
SOUTHBANK Urban Forest Precinct Plan 2015-2025
SOUTHBANK URban FOREst PRECINCT PLAN 2015-2025 Southbank Urban Forest Precinct Plan 2015 - 2025 City of Melbourne 1 CONTENTS A Message from Introduction to the precinct plans 4 the City of Melbourne How does Melbourne’s urban forest measure up? 8 The City of Melbourne’s urban What will the precinct plans achieve? 10 forest comprises around 70,000 trees in streets and parks as well Community priorities as approximately 20,000 trees 14 located in the private realm, in addition to a growing number of Southbank urban forest in 2015 green roofs and walls across the and its projected future 18 municipality. Prioritising tree planting in streets 20 The trees managed by the City of Melbourne in the public realm contribute significantly to the Map 1: Planting Priorities 22 character and identity of Melbourne. An increasing body of evidence Guiding principles and considerations and research informs us that urban for tree planting 28 Robert Doyle forests and green space are vital Lord Mayor to supporting a healthy community Map 2: Key planting constraints 30 as well as providing a means to adapting to climate change. Map 3: Natural and open space context 32 The Urban Forest Strategy completed Map 4: Strategic context 34 in 2012 identified the need to Map 5: Planting sub precincts 38 generate a new legacy for Melbourne and create a forest for future Map 6: Canopy cover and biodiversity outcomes 42 generations. This urban forest is to be diverse, robust and resilient in the Map 7: What should stay and what should change? 44 face of current and future challenges.