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PROMPT PACK VCE Theatre Studies Unit 3, Outcome 3 PART B TITLE GOES HERE 02——DIRECTOR & CREATOR'S NOTE MALTHOUSE THEATRE 04——INTRODUCTION 06—— A NEW PIECE OF THEATRE FOR A NEW ACKNOWLEDGES WORLD OF THEATRE 08——CAST & CREATIVE BIOGRAPHIES THE LAND AND 18——PART B—UNIT 3, OUTCOME 3 SONGLINES OF THE 19——THEATRE STUDIES—PAST EXAMINATIONS 20——VIDEO INTERVIEWS BOON WURRUNG 24——LIGHTING DESIGN 26——CONTEXT AND WURUNDJERI 28——ELEMENTS OF THEATRE COMPOSITION 32——THEATRE STYLES PEOPLES OF THE 33——ACTING 35——THEATRE TECHNOLOGIES KULIN NATION. 36——MAJOR THEME & IDEAS Malthouse Theatre presents Because The Night. © Copyright: Malthouse Theatre, the artists, designers, photographers, collaborators and contributors. ICON KEY All rights reserved, 2021. PROMPT PACK CREATED FOR MALTHOUSE PROMPT—MALTHOUSE THEATRE’S YOUTH AND EDUCATION PROGRAM. Cover Image / Kristian Gehradte Photographer / Pia Johnson, Ray of Melbourne Design / Hours After Theatre Studies Prompt Pack written by / Robyn Kay Editor / Jacqui Bathman LINKS ACTIVITY VIDEO MORE INFO DISCUSS FROM DIRECTOR & CREATOR ‘BECAUSE THE NIGHT IS UNIQUE. MATTHEW LUTTON I’VE NEVER DIRECTED ANYTHING LIKE THIS BEFORE’ It is thrilling to witness an audience experience — Matthew Lutton (Concept, Direction & Text) Because The Night. Masked audience members follow actors through a maze of rooms, listening in as they reveal the stories of the Elsinore ‘AT THE END OF THE DAY WE ARE MAKING ART family. Other groups read letters hidden away in drawers or go through files in the security room to uncover deeper secrets of FOR THE AUDIENCE… IT’S SHARED the country itself. It is exhilarating to see theatre alive again and an audience empowered to follow their own curiosities. STORYTELLING’ — Tahlee Fereday (Ophelia) For Because The Night, we have built a ‘world’ for everyone to explore. The death of a King. A royal family torn between radical change and self-preservation. Timber workers planning violent protests as a last resort. A ransacked forest seeking revenge, and buried past reclaiming its prominence and ‘THERE’S NO RIGHT OR WRONG WAY TO centrality. History is in the making in Elsinore, but there is no single truth—many narratives and point of views are EXPERIENCE THIS SHOW’ intertwining and colliding with each other. — Ras-Samuel Welda'abzgi (Laertes) To stage a production of this nature requires the level of detail you expect from a grand narrative—an intricacy that makes the fictional world feel both vivid and fantastical. The actors never leave the space, laying every private moment bare. ‘IT’S VERY INTIMATE’ With six protagonists spread across the space, it’s impossible to see everything at once. But the characters are just one layer to — Artemis Ioannides (Ophelia) this story. The narrative and history is also woven into every room, every sound, every element of the design. And you as the audience have the freedom to carve your own path, build your own story, encounter Elsinore’s secrets in your own time. ‘WE’VE GIVEN [THE AUDIENCE] THE Malthouse Theatre has never created a work like Because POWER OF CHOICE. SO, THEY GET NOT TO The Night before. We didn’t think it would be possible. But the world of Elsinore is ready and the adventure is yours to make. JUST BE PASSIVE AND WATCH A SHOW’ — Khisraw Jones-Shukoor (Hamlet) ‘EVERY TIME THEY [THE AUDIENCE] WALK INTO A ROOM, THEY’RE AMAZED’ — Amelia Lever-Davidson (Lighting Design) ‘OVERALL, THE FEELING SHOULD BE THAT YOU ARE IN A DAVID LYNCH DYSTOPIAN WORLD’ — J. David Franzke (Composition & Sound Design) MATTHEW LUTTON / Concept, Direction & Text Page 2—3 #becausethenight INTRODUCTION Welcome to Malthouse Theatre’s post show Prompt Pack (Part B). The following notes and activities are intended to support VCE Theatre Studies students and their teachers in further exploration and study of the VCAA Playlisted production, Because The Night, following attendance at the play in performance. The contents of the Pack relate to Unit 3, Area of Study 3, Outcome 3— Analysing and evaluating theatre. The Because The Night Prompt Pack (Part B) works most effectively when used in conjunction with the preshow Prompt Pack (Part A). Post show Prompt Pack (Part C) designed for Unit 4, Outcome 3, may also provide further interesting support materials to consider. Take the time to cross reference—it will be helpful to refer back to Part A to support deeper study and learning following your experience of Because The Night as an audience member. Remember that the Prompt Pack information does not provide definitive answers. Rather, the purpose is to provide inroads, insights, and information about the production. You will need to engage in your own broader research, study, and discussion. Make sure you also watch the video interviews about the creation of the production. They will assist your analysis and evaluation of the play by providing some wonderful insights into the way the creative team and the actors engaged with the play and each other to develop this incredible piece of bespoke theatre for Malthouse Theatre and its audiences. ROBYN KAY / Prompt Pack Author Page 4—5 #becausethenight A NEW PIECE OF THEATRE FOR A NEW WORLD OF THEATRE Because The Night is a bespoke piece of theatre specifically created for and by Malthouse Theatre. An expert and dedicated team of theatre practitioners collaborated under the leadership of Malthouse Theatre’s Artistic Director, Matthew Lutton, to carefully and lovingly bring his original concept for the show to life. 'Initial inspiration? [for the play] COVID' — Matthew Lutton (Concept, Direction & Text) 'What type of experiences do we want to offer audiences when they come back? And, that led us to a form of theatre that we have never made before. And, we’ve never had the opportunity to make before' — Matthew Lutton (Concept, Direction & Text) 'I wanted to make this a multi-strand narrative' — Matthew Lutton (Concept, Direction & Text) Page 6—7 #becausethenight CAST & CREATIVE BIOGRAPHIES CAST & CREATIVE BIOGRAPHIES NICOLE NABOUT MARIA THEODORAKIS BELINDA MCCLORY JENNIFER VULETIC KHISRAW JONES-SHUKOOR KEEGAN JOYCE Claudia Claudia Gertrude Gertrude Hamlet Hamlet Having just finished filming Maria is an award-winning Belinda is a VCA graduate and Jennifer has worked Since graduating at 16th Street Keegan’s credits for Malthouse Season 3 of Jack Irish, Nicole actor, writer, and director. an award-winning actor and writer with Australia’s most innovative in 2015 Khisraw has performed Theatre include Solaris and is excited to be back at The Theatre credits include The Spook who has worked professionally directors in all aspects of in several productions across Cloudstreet. Other theatre credits Malthouse. Theatre credits (Malthouse Theatre), Top Girls, across all mediums. Recent credits the industry. Theatre credits Melbourne including Oil (Red include Rules for Living (Sydney include Good Muslim Boy Birthrights, Measure for Measure for Malthouse Theatre include include My Dearworthy Darling Stitch Actors’ Theatre), Them (La Theatre Company), Vivid White (Malthouse Theatre/Queensland (Melbourne Theatre Company), Revolt. She Said. Revolt Again., (Malthouse Theatre/THE Mama Theatre), Romeo and Juliet (Melbourne Theatre Company), Theatre), Oil, Wakey Wakey (Red and Who’s Afraid of the Working Class Edward ll, Dance of Death, Pompeii, RABBLE), The Women of Troy, The (The Australian Shakespeare Evie May (Hayes Theatre Stitch Actors’ Theatre), Secret (Melbourne Workers Theatre). L.A., and The Trial. Other recent Histrionic (Malthouse Theatre/ Company), The Way Out (Red Company), Once (Gordon Frost Bridesmaids’ Business (Playbox Screen credits include Seven Types theatre credits include Così, Di Sydney Theatre Company), Stitch Actors’ Theatre), and Organisation), Edges: The Musical Theatre), Much Ado About Nothing, of Ambiguity and Newton’s Law and Viv and Rose, The Waiting Room, Arbus & West (Melbourne Theatre Macbeth (Melbourne Theatre (James Anthony Productions), and A Midsummer Night’s Dream (ABC). Maria won an AACTA Queen Lear (Melbourne Theatre Company), Merciless Gods (Little Company). and Oliver! (Cameron Mackintosh/ (The Australian Shakespeare (AFI) and FCC Best Actress in a Company), Gross und Klein, The Ones Theatre/Griffin Theatre IMG). Film credits include Greg’s Company). Nicole has worked Feature Film Award for Walking on City, Holy Day, Concussion (Sydney Company), Suddenly Last Summer First Day, Wall Boy, and Superman extensively in TV including Jack Water. She is also a multiple Theatre Company), Feather in the (Red Stitch Actors’ Theatre/ Returns. Television credits include Irish, Mustangs FC, Newton’s Law, Green Room Award nominee. Web, Splendour, Hir (Red Stitch Little Ones Theatre), MORAL Rake (Season 1 – 5), Please Like Nowhere Boys, The Librarians, Upper As a writer and director, she co- Actors’ Theatre), and My Sister PANIC (Darebin Arts), Chitty Me (Season 2 – 4), Rescue: Special Middle Bogan, The Time of Our Lives created the hit online series, Little Feather (VIMH/La Mama Theatre). Chitty Bang Bang, and Mamma Mia. Ops, and K9. Keegan released his (ABC), Offspring (Channel 10), Acorns, which has won and been Recent TV work includes The Screen credits include Mandy the debut album Snow on Higher Ground and in film includingThree Dollars nominated for film festival awards Doctor Blake Mysteries. In film she Mullet in Wentworth (Foxtel). in 2016. Keegan has a degree (Arena Films), and Angel of Mine in Australia and internationally has appeared in The Matrix, Redball, Jennifer has received a Sydney in Musicology from the Sydney (Garlin Pictures). including Best Web Series, Best Mullet, darklovestory, and Acolytes. Theatre Award for Chitty Chitty Conservatorium of Music. Writing, Best Directing, Best She co-wrote and performed in Bang Bang, for which she also Comedy, and Best Ensemble. the features X and Turkey Shoot. received Helpmann and Green She also was nominated for Belinda has received a Green Room Award nominations, a Best Director at the Australian Room Award and a Helpmann Green Room Award for Merciless Directors’ Guild. Award for her theatre work.

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