Audience Outlook Monitor 2021

Total Page：16

File Type：pdf, Size：1020Kb

AUDIENCE OUTLOOK MONITOR Audience Outlook Monitor 2021 Participating organisations ACMI (Bathurst Regional Circa Council) Adelaide Festival Circus Oz Centre Belconnen Arts Centre Colac Otway Adelaide Fringe Bell Shakespeare Performing Arts & Cultural Centre Adelaide Symphony Belvoir St Theatre (COPACC) Orchestra Bendigo Venues & Country Arts SA Art Gallery of Ballarat Events Dancehouse ART ON THE MOVE Black Swan State Theatre Co Darwin Aboriginal Art Arts Centre Melbourne Fair Foundation Ltd Brisbane Festival Artspace Design Tasmania Brisbane Multicultural Australian Arts Centre Dionysus / Art, Not Brandenburg Apart Orchestra Brown's Mart Theatre Drum Theatre Australian Centre for Campbelltown Arts Dandenong Contemporary Art Centre (ACCA) Electronic Music Canberra Theatre Conference Pty Ltd Australian Festival of Centre Chamber Music Empire Theatres Canberra Youth Australian Museum Theatre Feast Festival Australian Theatre for Carriageworks Footscray Community Young People (ATYP) Arts Centre Centre for Bangarra Dance Contemporary Forge Theatre and Arts Theatre Photography Hub (East Gippsland Shire Council) Bathurst Memorial Chunky Move Entertainment Centre Frankston Arts Centre 1 AUDIENCE OUTLOOK MONITOR Geelong Arts Centre Melbourne Theatre Powerhouse Museum Company Geelong Gallery Queensland Art Merrigong Theatre Gallery | Gallery of History Trust of South Company Modern Art Australia Mildura Arts Centre - Queensland Ballet HOTA, Home of the Mildura Rural City Arts Queensland Museum Council Network Information + Cultural Museums Victoria Exchange Queensland Music Music Victoria Festival Ipswich Civic Centre Musica Viva Queensland La Boite Theatre Performing Arts Company National Gallery of Centre Victoria (NGV) Lighthouse Theatre Queensland National Museum of Linden New Art Symphony Orchestra Australia Lismore Regional Queensland Theatre National Portrait Gallery Gallery Red Chair Pty Ltd Mackay Nexus Arts SALA Festival Entertainment and Convention Centre No Strings Attached Screenworks Theatre of Disability (Australia) Malthouse Theatre Opera Australia South Australian Melbourne Fringe Museum Opera Queensland Melbourne Spare Parts Puppet International Jazz Penrith Performing & Theatre Festival Visual Arts State Library of Melbourne Recital Perth Festival Queensland Centre Perth Theatre Trust State Library Victoria Melbourne Symphony Perth Theatre Trust — Orchestra State Opera South Albany Australia 2 AUDIENCE OUTLOOK MONITOR State Theatre The Australian Ballet Vitalstatistix Company South The Cube Wodonga Wangaratta Australia Performing Arts & The Events Centre, SWELL SCULPTURE Convention Centre Caloundra FESTIVAL West Australian Ballet The Street Theatre Sydney Dance West Australian Opera Company The Substation West Australian Sydney Living The Sydney Fringe Symphony Orchestra Museums The Unconformity Western Australian Sydney Opera House The Wheeler Centre Museum Sydney Philharmonia WOMADelaide Choirs Theatre Works Yirra Yaakin Theatre Sydney Theatre Townsville City Council Company Company Victorian Music Synergy & Taikoz Ltd Development Office Tasmanian Symphony Victorian Opera Orchestra Patternmakers acknowledges Aboriginal and Torres Strait Islander peoples as the traditional custodians of our land – Australia. We acknowledge the Gadigal of the Eora Nation as the traditional custodians of this place where Patternmakers is based, and pay our respects to their Elders past, present and emerging. 3 Web: www.thepatternmakers.com.au Email: [email protected] Phone: (02) 9188 7926 .

Copy Link

Recommended publications

Particpant Bios
CAAP Artist Lab Participants BIOGRAPHIES LENA CRUZ Lena is a graduate of the Western Australian Academy of Performing Arts. Theatre highlights include her debut as Jenny in The Threepenny Opera for Western Australian Opera, Lady Macbeth in Macbeth for Bell Shakespeare, Mother Courage for Belvoir, Monkey- Journey to the West for Theatre of Image, Miss Bell in Fame, Hair, and creating the role of Cynthia in the original production of Priscilla, Queen of the Desert the Musical. Most recently, she has appeared in STC’s The Wharf Revue. Film and television highlights include starring as Rory Van Dyke in The Wannabes, Margarita in The Night We Called it A Day, Cassandra in Upskirt, Sofia Martinez in Shortland Street, Pet in Bargain Coast, Jody Lim in Dirt Game, Comedy Inc, Watch With Mother, All Saints, The Very Trevor Ashley Show, and Kiki and Kitty. She has co- written and co-starred in the cabarets The Singer’s Guide To The Universe, About Face, and one-woman shows I’m A Stranger Here Myself directed by Tony Sheldon and Bitter Sweet, for which she was nominated for the Sydney Fringe Festival Drum Media Show-Stopping Individual Performance Award and the Best Of People’s Choice Award. HAPPY FERAREN Happy Feraren is a Filipino actor and improviser based in Sydney with 11 years experience. She has performed in over 500 shows in a wide range of improvisational theatre formats both locally and internationally (including Manila, Sydney, Hong Kong, Amsterdam, Chicago and New York). In the Philippines, she began as a presenter for national radio and television as well as live events and was a supporting actor in the feature film ‘My Candidate’.
[Show full text]
Arts and Culture Unnumbered Sparks: Janet Echelman, TED Sculpture Foreword
Arts and Culture Unnumbered Sparks: Janet Echelman, TED Sculpture Foreword Imagine a world without performing or visual arts. Imagine – no opera houses, no theatres or concert halls, no galleries or museums, no dance, music, theatre, collaborative arts or circus – and in an instant we appreciate the essential, colourful, emotive and inspiring place that creative pursuits hold in our daily life. Creating opportunities for arts to flourish is vital, and this includes realising inspiring venues which are cutting edge, beautiful, functional, sustainable, have the right balance of architecture, acoustics, theatrical and visual functionality and most importantly are magnets for artists and audiences, are enjoyable spaces and places, and allow the shows and exhibitions to go on. 4 Performing Arts Bendigo Art Gallery 5 Performing Arts Arts and Culture Performing and Visual Arts 03 08 – 87 88 – 105 Foreword Performing Musicians, Arts Artists, Sculptors and Festivals 106 – 139 140 – 143 144 Visual Arup Services Photography Arts Clients and Credits Collaborators Contents Foreword 3 Victoria Theatre and Concert Hall 46 Singapore South Bank Studio, Queensland Symphony Orchestra 50 Australia Performing Marina Bay Sands Theatres 52 Arts 8 Singapore Elisabeth Murdoch Hall Federation Concert Hall 56 Melbourne Recital Centre 10 Australia Australia Chatswood Civic Place 58 Sydney Opera House 14 Australia Australia Carriageworks 60 Glasshouse Arts, Conference and Australia Entertainment Centre 16 Australia Greening the Arts Portfolio 64 Australia Melbourne
[Show full text]
Issue 1, 2013
Issue 1, 2013 Welcomehe lifestyle guide is an informative As many residents will agree, there are many publication for inner-city residents things they have yet to discover about their who are surrounded by so many beautiful city. We would like to help you find Tfabulous lifestyle choices. out more about your charming community, introducing you to quality local businesses and Having specialised in the inner city for almost services that our international guests sample on 20 years, we are excited to share our a daily basis. knowledge and passion for this precinct, ensuring you are kept up to date with the If you would like to contribute to the guide or let property market, local businesses in the us know what content you’d like to read about, community, helpful information for residents please email [email protected] and articles relevant to living the high life. In our second issue, you will find articles on the Enjoy! Barangaroo development, a City of Sydney update, opportunities to invest, the inner city’s hidden bars, outdoor training and what to do Carlie Ziri and where to eat as well as property-related Director, articles and results. lifestyle property agency 2 lifestyle guide contents 4 City of Sydney plans 20 Restaurant review: Mr Wong 6 lifestyle property agency launch 22 Food & bar guide 8 Update on overseas executive rentals 23 Small bars 10 Developments at Barangaroo 27 DIY super 12 Business profile: BarCycle 29 Online guide 14 Getting fit 30 Local charity: City of Sydney PCYC 16 Development profile: Walsh Bay 32 What’s on guide 18 Executive leasing 34 Services guide 20 29 32 16 23 Team Publisher Carlie Ziri lifestyle guide Editor Jane-Anne Lee 140 Cathedral St, East Sydney NSW 2011 Designer FLUXX • fluxx.com.au Tel 9380 2255 [email protected] Advertising Michelle Seale thelifestyleguide.com.au Tel 0498 647 459 • Fax 9876 8558 [email protected] lifestyle guide is registered with Australia Post.
[Show full text]
Kelson Nor Mckernan
Vol. 5 No. 9 November 1995 $5.00 Fighting Memories Jack Waterford on strife at the Memorial Ken Inglis on rival shrines Great Escapes: Rachel Griffiths in London, Chris McGillion in America and Juliette Hughes in Canberra and the bush Volume 5 Number 9 EURE:-KA SJRE:i:T November 1995 A magazine of public affairs, the arts and th eology CoNTENTS 4 30 COMMENT POETRY Seven Sketches by Maslyn Williams. 9 CAPITAL LETTER 32 BOOKS 10 Andrew Hamilton reviews three recent LETTERS books on Australian immigration; Keith Campbell considers The Oxford 12 Companion to Philosophy (p36); IN GOD WE BUST J.J.C. Smart examines The Moral Chris McGillion looks at the implosion Pwblem (p38); Juliette Hughes reviews of America from the inside. The Letters of Hildegard of Bingen Vol I and Hildegard of Bingen and 14 Gendered Theology in Ju dea-Christian END OF THE GEORGIAN ERA Tradition (p40); Michael McGirr talks Michael McGirr marks the passing of a to Hugh Lunn, (p42); Bruce Williams Melbourne institution. reviews A Companion to Theatre in Australia (p44); Max T eichrnann looks 15 at Albert Speer: His Battle With Truth COUNTERPOINT (p46); James Griffin reviews To Solitude The m edia's responsibility to society is Consigned: The Journal of William m easured by the code of ethics, says Smith O'BTien (p48). Paul Chadwick. 49 17 THEATRE ARCHIMEDES Geoffrey Milne takes a look at quick changes in W A. 18 WAR AT THE MEMORIAL 51 Ja ck Waterford exarnines the internal C lea r-fe Jl ed forest area. Ph oto FLASH IN THE PAN graph, above left, by Bill T homas ructions at the Australian War Memorial.
[Show full text]
Cultural Policy Discussion Paper
Cultural Policy Discussion Paper Sydney2030/Green/Global/Connected CreativeCity Cultural Policy Discussion Paper March 2013 Sydney2030/Green/Global/Connected 1 Cover image: Forgotten Songs by Michael Thomas Hill for By George! Hidden Networks, 2009, Angel Place / Paul Patterson Above: Tsunami by Janet Echelman, George Street Sydney, Art & About Sydney 2011 / Paul Patterson Section Contents Lord Mayor’s Message 02 01 Executive summary 04 02 Our approach 06 03 Scope – ‘deﬁ ning’ culture 08 04 The value of culture 10 05 Demographic and social context 14 06 The role and limits of capital city government 27 07 Policy context – Sustainable Sydney 2030 28 08 Taking stock – Council’s current role in supporting Sydney’s cultural life 31 09 What does success look like? 34 10 Foundation principles 36 11 Eight directions 43 Direction 1: Improving Access, Creating Markets 44 Direction 2: New Avenues for Creative Participation 47 Direction 3: A Vibrant Creative Economy 51 Direction 4: Fostering Precinct Distinctiveness 54 Direction 5: A Partner for Big Ideas 57 Direction 6: Sector sustainability: Surviving and Thriving 60 Direction 7: Sharing Knowledge 63 Direction 8: Global Engagement 66 12 Next steps 68 13 References 70 1 Creative City Lord Mayor’s Message From museums, galleries, festivals and concert halls It’s a timely discussion as federal and state governments to street art, shops, hackers and hole-in-the-wall venues develop cultural policies and strategies. Local Government – some of the best things about our city are bound NSW reports 55 per cent of the state’s councils now have up in its cultural life.
[Show full text]
Jesus, Queen of Heaven by Jo Clifford
Theatre works And BEN ANDERSON present THE GOSPEL ACCORDING TO JESUS, QUEEN OF HEAVEN BY JO CLIFFORD 30 APR - 8 may THEATRE WORKS 14 ACLAND STREET, ST KILDA THE GOSPEL ACCORDING TO WRITER’S NOTE | JO CLIFFORD When I first wrote and performed Queen Jesus in Glasgow, back in 2009, I was afraid people JESUS, QUEEN might find her dull. I was wrong about that. OF HEAVEN I was very frightened and distressed by all the hatred she inspired back then. Hatred that came in from all over the world. 30 APR - 8 mAY But the hate taught me her words mattered and I should work to keep her alive. THEATRE WORKS So I did. And I discovered that performing her was a powerful act of resistance against the 14 ACLAND STREET, ST KILDA shame and fear that had possessed me since the time I was a child and knew that I wasn’t a boy. A shame that touches everybody. Because none of us quite measure up to the gender we’re supposed to be. And since then she’s helped many others resist in so many places in the world. All over the UK, all over Brazil, Argentina, Uruguay, Cabo Verde, Belfast, Brussels and Berlin. And here she is incarnate in the magnificent Kristen Smyth and opening in Melbourne. That is so wonderful. And opening to the same hatred, expressed in the same words, as in Glasgow. Because hatred cannot change. But love… love is creative. Love changes everything… DIRECTOR’S NOTE | KITAN PETKOVSKI I can still recall the emotional mess that I was upon reading Jo Clifford’s The Gospel According to Jesus, Queen of Heaven.
[Show full text]
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him.
[Show full text]
MINERVA THEATRE Feasibility Study – Executive Summary
MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition.
[Show full text]
SOH-Annual-Report-2016-2017.Pdf
Annual Report Sydney Opera House Financial Year 2016-17 Contents Sydney Opera House Annual Report 2016-17 01 About Us Our History 05 Who We Are 08 Vision, Mission and Values 12 Highlights 14 Awards 20 Chairman’s Message 22 CEO’s Message 26 02 The Year’s Activity Experiences 37 Performing Arts 37 Visitor Experience 64 Partners and Supporters 69 The Building 73 Building Renewal 73 Other Projects 76 Team and Culture 78 Renewal – Engagement with First Nations People, Arts and Culture 78 – Access 81 – Sustainability 82 People and Capability 85 – Staf and Brand 85 – Digital Transformation 88 – Digital Reach and Revenue 91 Safety, Security and Risk 92 – Safety, Health and Wellbeing 92 – Security and Risk 92 Organisation Chart 94 Executive Team 95 Corporate Governance 100 03 Financials and Reporting Financial Overview 111 Sydney Opera House Financial Statements 118 Sydney Opera House Trust Staf Agency Financial Statements 186 Government Reporting 221 04 Acknowledgements and Contact Our Donors 267 Contact Information 276 Trademarks 279 Index 280 Our Partners 282 03 About Us 01 Our History Stage 1 Renewal works begin in the Joan 2017 Sutherland Theatre, with $70 million of building projects to replace critical end-of-life theatre systems and improve conditions for audiences, artists and staf. Badu Gili, a daily celebration of First Nations culture and history, is launched, projecting the work of fve eminent First Nations artists from across Australia and the Torres Strait on to the Bennelong sail. Launch of fourth Reconciliation Action Plan and third Environmental Sustainability Plan. The Vehicle Access and Pedestrian Safety 2016 project, the biggest construction project undertaken since the Opera House opened, is completed; the new underground loading dock enables the Forecourt to become largely vehicle-free.
[Show full text]
Darkemu-Program.Pdf
1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers.
[Show full text]
19 May Southbank Theatre, the Lawler World Premiere
MELBOURNE THEATRE COMPANY PRESENTS HUNGRY GHOSTS BY JEAN TONG 3 — 19 MAY SOUTHBANK THEATRE, THE LAWLER WORLD PREMIERE — Cast — Emina Ashman Jing-Xuan Chan Bernard Sam — Production — Director Petra Kalive Set Designer Eugyeene Teh Costume Designer Sophie Woodward Lighting Designer Emma Valente Composer & Sound Designer Darius Kedros Movement Director Lyndall Grant Lighting Secondment Marty Shlansky Sound Secondment Rory Tyzack Directing Secondments Karla Livingston-Pardy, Ryan A. Murphy Stage Manager Lisette Drew Production Photographer Jeff Busby — About the play — When you’re a young queer Chinese-Malaysian Australian, how do you work out where you belong in the world? Criss-crossing between our unnamed protagonist, the disappearance of flight MH370 and an unsolved mystery, Hungry Ghosts offers an unconventional take on the complexities of contemporary life. Hungry Ghosts was commissioned with the support of the Joan & Peter Clemenger Trust. Developed with the support of The Cybec Foundation through MTC’s Cybec Electric Playreading Series as part of the 2017 AsiaTOPA Festival, directed by Mark Zhuang Yi and read by Emina Ashman, Jing-Xuan Chan and Gareth Yuen. Melbourne Theatre Company acknowledges the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which Southbank Theatre, MTC HQ and Arts Centre Melbourne stand, and we pay our respects to Melbourne’s First Peoples, to their ancestors past and present, and to our shared future. Jing-Xuan Chan (top), Bernard Sam and Emina Ashman From the playwright JEAN TONG Jing-Xuan Chan When did you first realise sense of loss, or an inability to speak do these labels fail, and what other that your three parallel stories in due to either the suppression or expectations come with those new Hungry Ghosts could work together lack of knowledge, or the wistful identities or categories? Language in a full-length play? melancholy for something missing.
[Show full text]
No. 398 the Sydney Fringe Festival
Submission No 398 SYDNEY'S NIGHT TIME ECONOMY Organisation: The Sydney Fringe Festival Date Received: 2 July 2019 Table of Contents TERMS OF REFERENCE: 2 EXECUTIVE SUMMARY 2 THE CURRENT LANDSCAPE 6 GOVERNMENT INVESTMENT IN SMALL-MEDIUM SIZED PERFORMANCE SPACES THAT ARE OPEN ACCESS AND AVAILABLE FOR ALL ARTISTS TO HIRE. 7 INCLUSION OF NEW CULTURAL INFRASTRUCTURE IN MAJOR STATE INFRASTRUCTURE PROJECTS 9 REGULATORY REFORM RECOMMENDATIONS 10 CASE STUDY: 469 KING STREET NEWTOWN – GLITTERBOX HAIR SALON 11 GROWING TRENDS FOR MULTI-PURPOSE SPACE 13 RESTRICTIONS ENCOUNTERED IN ACTIVATING BUILDINGS FOR MULTI-PURPOSE CREATIVE USE 14 PRIVATE SECTOR PARTNERSHIPS TO ACTIVATE SPACE 15 INDEPENDENT ANALYSIS OF SUBMISSIONS TO LICENSING APPLICATIONS 16 STATE GOVERNMENT LEGISLATION TO UNLOCK TEMPORARY AND PERMANENT CULTURAL INFRASTRUCTURE IN MAJOR PRIVATE SECTOR DEVELOPMENTS 16 LOCK OUT LAWS AND THE IMPACT ON INCOME STREAMS VITAL FOR SUSTAINABILITY OF CULTURAL BUSINESSES 17 CONCULSION ERROR! BOOKMARK NOT DEFINED. 1 PARLIAMENT OF NEW SOUTH WALES JOINT SELECT COMMITTEE ON SYDNEY'S NIGHT TIME ECONOMY Prepared by: Kerri Glasscock - Sydney Fringe Festival Director & CEO Terms of Reference: That the Committee inquire and report into Sydney’s night time economy, including any measures required to: 1. (a) maintain and enhance community safety; 2. (b) maintain and enhance individual and community health outcomes; 3. (c) ensure existing regulatory arrangements in relation to individuals, businesses and other stakeholders, including Sydney's lockout laws, remain appropriately balanced; 4. (d) enhance Sydney’s night time economy; and any other directly relevant matters. Executive Summary The Sydney Fringe Festival is now the largest independent arts festival in NSW. Each year we provide performance opportunities for over 2000 independent artists from all genres including performing arts, live music, visual arts, arts education, art making, multi-media and experimental arts.
[Show full text]