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For the Oak Ridge Boys, It's Only Natural and It's Only at Cracker Barrel
September 19, 2011 For the Oak Ridge Boys, It's Only Natural and It's Only at Cracker Barrel New CD Released with Five New Songs and Seven Rerecorded Hits Including "Elvira" LEBANON, Tenn.--(BUSINESS WIRE)-- The Oak Ridge Boys' latest CD, It's Only Natural, pays homage to their history while making some more history as it debuts exclusively at all Cracker Barrel Old Country Store® locations today. The CD features fresh cuts of their biggest hits and five new songs, including "Sacrifice …For Me" which was written by Joe Bonsall and is dedicated to America's fallen heroes. Newly inducted into the Grand Ole Opry®, these members of the Oak Ridge Boys came together in 1973. Richard Sterban, Duane Allen, William Lee Golden and Joe Bonsall began as gospel singers, became a top act in country music and then crossed over to pop with the monster hit "Elvira" in 1981. The song became their fourth No. 1 country hit, reached No. 5 on the pop charts, won the group a Grammy® award and went on to become one of only a handful of singles ever to go double platinum. In honor of "Elvira's" thirtieth anniversary, the group rerecorded the song, along with former Top Ten Billboard hits "Lucky Moon," "No Matter How High," "Gonna Take a Lot of River," "Beyond Those Years" and "True Heart" on It's Only Natural. New songs on the CD are "What'cha Gonna Do," "Wish You Could Have Been There," "Before I Die," "The Shade" and "Sacrifice…for Me." "We think it's pretty special to have The Oak Ridge Boys' thirtieth anniversary rerecording of ‘Elvira' on a CD in our exclusive music program," said Cracker Barrel Marketing Manager Julie Craig. -
Hall of Fame Takes Five
Friday, July 24, 2009 Volume 81, Number 1 Daily Bulletin Washington, DC 81st Summer North American Bridge Championships Editors: Brent Manley and Paul Linxwiler Hall of Fame takes five Hall of Fame inductee Mark Lair, center, with Mike Passell, left, and Eddie Wold. Sportsman of the Year Peter Boyd with longtime (right) Aileen Osofsky and her son, Alan. partner Steve Robinson. If standing ovations could be converted to masterpoints, three of the five inductees at the Defenders out in top GNT flight Bridge Hall of Fame dinner on Thursday evening The District 14 team captained by Bob sixth, Bill Kent, is from Iowa. would be instant contenders for the Barry Crane Top Balderson, holding a 1-IMP lead against the They knocked out the District 9 squad 500. defending champions with 16 deals to play, won captained by Warren Spector (David Berkowitz, Time after time, members of the audience were the fourth quarter 50-9 to advance to the round of Larry Cohen, Mike Becker, Jeff Meckstroth and on their feet, applauding a sterling new class for the eight in the Grand National Teams Championship Eric Rodwell). The team was seeking a third ACBL Hall of Fame. Enjoying the accolades were: Flight. straight win in the event. • Mark Lair, many-time North American champion Five of the six team members are from All four flights of the GNT – including Flights and one of ACBL’s top players. Minnesota – Bob and Cynthia Balderson, Peggy A, B and C – will play the round of eight today. • Aileen Osofsky, ACBL Goodwill chair for nearly Kaplan, Carol Miner and Paul Meerschaert. -
Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
Finding Aid to the Historymakers ® Video Oral History with Randy Duncan
Finding Aid to The HistoryMakers ® Video Oral History with Randy Duncan Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Duncan, Randy Title: The HistoryMakers® Video Oral History Interview with Randy Duncan, Dates: November 15, 2006 Bulk Dates: 2006 Physical 6 Betacame SP videocasettes (2:45:36). Description: Abstract: Choreographer and dancer Randy Duncan (1958 - ) was a three- time recipient of Chicago's prestigious Ruth Page Award for Outstanding Choreographer of the Year (1988, 1990, and 1992), among numerous other awards and his works were performed internationally. Duncan was interviewed by The HistoryMakers® on November 15, 2006, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2006_142 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Renowned choreographer and dancer Randy Louis Duncan was born on December 14, 1958 in Chicago, Illinois. Growing up and attending public schools on Chicago’s west side, Duncan’s career began at age fifteen with the Joseph Holmes Chicago Dance Theatre. Duncan later began formal dance studies with Geraldine Johnson, followed by classes at the Sammy Dyer School of Theater, Alvin Ailey American Dance Theater, and Illinois State University. Duncan credits Harriet Ross and Joseph Holmes with much of his inspiration. Drawing upon ballet, jazz dance, and modern dance for his choreography, Duncan created works that have been performed by numerous dance companies including the Joffrey Ballet of Chicago, River North Dance Company and Gus Giordano Jazz Dance Chicago as well as companies in Seattle and Tel Aviv. -
Shoosh 800-900 Series Master Tracklist 800-977
SHOOSH CDs -- 800 and 900 Series www.opalnations.com CD # Track Title Artist Label / # Date 801 1 I need someone to stand by me Johnny Nash & Group ABC-Paramount 10212 1961 801 2 A thousand miles away Johnny Nash & Group ABC-Paramount 10212 1961 801 3 You don't own your love Nat Wright & Singers ABC-Paramount 10045 1959 801 4 Please come back Gary Warren & Group ABC-Paramount 9861 1957 801 5 Into each life some rain must fall Zilla & Jay ABC-Paramount 10558 1964 801 6 (I'm gonna) cry some time Hoagy Lands & Singers ABC-Paramount 10171 1961 801 7 Jealous love Bobby Lewis & Group ABC-Paramount 10592 1964 801 8 Nice guy Martha Jean Love & Group ABC-Paramount 10689 1965 801 9 Little by little Micki Marlo & Group ABC-Paramount 9762 1956 801 10 Why don't you fall in love Cozy Morley & Group ABC-Paramount 9811 1957 801 11 Forgive me, my love Sabby Lewis & the Vibra-Tones ABC-Paramount 9697 1956 801 12 Never love again Little Tommy & The Elgins ABC-Paramount 10358 1962 801 13 Confession of love Del-Vikings ABC-Paramount 10341 1962 801 14 My heart V-Eights ABC-Paramount 10629 1965 801 15 Uptown - Downtown Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 16 Bring back your heart Del-Vikings ABC-Paramount 10208 1961 801 17 Don't restrain me Joe Corvets ABC-Paramount 9891 1958 801 18 Traveler of love Ronnie Haig & Group ABC-Paramount 9912 1958 801 19 High school romance Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 20 I walk on Little Tommy & The Elgins ABC-Paramount 10358 1962 801 21 I found a girl Scott Stevens & The Cavaliers ABC-Paramount -
PDF 03/13/18 NEW Dances, a New Generation!
For IMMEDIATE Release: March 13, 2018 Press contacts: Melissa Thodos, Thodos Dance Chicago [email protected] Julie Nakagawa, DanceWorks Chicago [email protected] THODOS DANCE CHICAGO AND DANCEWORKS CHICAGO ANNOUNCE PARTNERSHIP TO PRESENT NEW DANCES 2018 CHICAGO– For over 30 years, New Dances has fostered new dance creation as one of Chicago’s first and most extensive in-house choreography incubation programs. Founded by The Chicago Repertory Dance Ensemble in the 1980’s and continued since 2000 by Thodos Dance Chicago, New Dances offers opportunities for emerging choreographers to realize and share their creative vision with the community. Today, Thodos Dance Chicago (TDC) and DanceWorks Chicago (DWC) announce a unique partnership to present New Dances 2018, continuing the annual tradition of developing choreographic talent and bringing New Dances home to its birthplace in the newly-renovated Ruth Page Center for the Arts. Melissa Thodos, Founder and Artistic Director of Thodos Dance Chicago shares, “We are so excited to be partnering with DanceWorks this season. Julie Nakagawa (Co-founder and Artistic Director of DanceWorks) and I share such a deep passion for developing young artists, both as dancers and choreographers. DanceWorks has such an incredible record of developing early career artists to rise to the next level. They are a perfect partner for this endeavor, and I believe New Dances will offer a level of quality and innovation never seen before.” "DanceWorks Chicago is thrilled to partner with Thodos Dance Chicago on New Dances 2018,” says Julie Nakagawa. “DWC values around cultivating a diverse next generation of movers and makers, engaging in community collaboration, offering mentorship, and sharing performances which shine a light on dancers and dances which makes New Dances a natural fit. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Young Dancer's Training Program Parent and Student Handbook
Young Dancer’s Training Program Parent and Student Handbook Venetia Stifler, Executive and Artistic Director, Ruth Page Center for the Arts Victor Alexander, Director of the Ruth Page School of Dance Dolores Lipinski, Associate Director of the Ruth Page School of Dance Silvino da Silva, Director of Marketing and Communications Clintina Taylor, Finance and Program Coordinator Keith Elliott, Ruth Page Theater and Special Events Director Brandon Piekarski, Manager, Ruth Page Civic Ballet and Special Projects Coordinator Ruth Page Center for the Arts 1016. North Dearborn Chicago, IL 60610 Phone: 312-337-6543 Fax: 312-337-6542 Ruthpage.org Table of Contents RUTH PAGE CENTER FOR THE ARTS INFORMATION…………………….………….….………2 YOUNG DANCER’S TRAINING PROGRAM INTRODUCTION…………………………....……….2 TRAINING PROGRAM CATEGORIES, LEVELS AND CLASS ATTIRE…………………...…...…4 CLASS DESCRIPTIONS……………………..…………………………………………………….……5 STAGE AND PERFORMANCE OPPORTUNITIES……………………………………………….….9 Spring Show Nutcracker Informal Summer Workshop Parent and Student Handbook Page | 1 RUTH PAGE CENTER FOR THE ARTS The Ruth Page Foundation has for over forty years committed its resources to creating a dance destination in Chicago through our arts center, the Ruth Page Center for the Arts located at 1016 N. Dearborn Street. The Center serves the Chicago dance community by being an incubator, providing a home, office space, rehearsal space, performance opportunities, professional dance training, and marketing support for the up-and-coming companies and artists of Chicago’s vibrant dance scene. We have been training professional dancers, presenting and promoting the finest dance performances in the city, and mentoring small to mid-sized arts organizations that call The Center home. Founded by Chicago icon and internationally-renown performer and choreographer, Ruth Page, The Center reflects her vision of supporting dance excellence in Chicago. -
Belvoir Terrace Staff 2018
Belvoir Terrace Staff 2018 Belvoir Terrace Staff 2018 Diane Goldberg Marcus - Director Educational Background D.M.A. City University of New York M.M. The Juilliard School B.M. Oberlin Conservatory Teaching/Working Experience American Camping Association Accreditation Visitor Private Studio Teacher - New York, NY Piano Instructor - Hunter College, New York, NY Vocal Coach Assistant - Hunter College, New York, NY Chamber Music Coach - Idyllwild School of Music, CA Substitute Chamber Music Coach - Juilliard Pre-College Division Awards/Publications/Exhibitions/Performances/Affiliations Married to Michael Marcus, Owner/Director of Camp Greylock, boys camp Becket, MA Independent School Liaison - Parents In Action, NYC Health & Parenting Association Coordinator - Trinity School, NYC American Camping Association Accreditation Visitor D.M.A. Dissertation: Piano Pedagogy in New York: Interviews with Four Master Teachers (Interviews with Herbert Stessin, Martin Canin, Gilbert Kalish, and Arkady Aronov) Teaching Fellowship - The City University of New York Honorary Scholarship for the Masters of Music Program – The Juilliard School The John N. Stern Scholarship - Aspen Music Festival Various Performances at: Paul Hall - Juilliard - New York Alice Tully Hall - New York City College - New York Berkshire Performing Arts Center, National Music Center - Lenox, MA WGBH Radio - Boston Reading Musical Foundation Museum Concert Series - Reading, PA Cancer Care Benefit Concert - Princeton, NJ Nancy Goldberg - Director Educational Background M.A. Harvard University -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
A Rhetorical Analysis of Wicked's Elphaba
“IT’S JUST THAT FOR THE FIRST TIME, I FEEL… WICKED”: A RHETORICAL ANALYSIS OF WICKED’S ELPHABA USING KENNETH BURKE’S GUILT-PURIFICATION-REDEMPTION CYCLE by Patricia C. Foreman A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies at Liberty University May 2013 Foreman 2 Acknowledgements First and foremost, to “my Dearest, Darlingest Momsy and Popsicle,” and to my brother Gary, thank you so much for your constant support, encouragement, direction and love. I appreciate your words of wisdom and advice that always seem to be just what I need to hear. To each of my fellow graduate assistants, thank you for “dancing through life” with me. Thank you for becoming not only co-workers, but also some of my best friends. To my thesis committee – Dr. William Mullen, Dr. Faith Mullen, and Dr. Lynnda S. Beavers – thank you all so much for your help. This finished thesis is, without a doubt, the “proudliest sight” I’ve ever seen, and I thank you for your time, effort and input in making this finished product a success. Finally, to Mrs. Kim, and all of my fellow “Touch of Swing”-ers, who inspired my love of the Wicked production, and thus, this study. For the long days of rehearsals, even longer nights on tour buses, and endless hours of memories that I’ll not soon forget... “Who can say if I’ve been changed for the better? I do believe I have been changed for the better. And because I knew you, I have been changed for good.” Foreman 3 In Memory Of… Lauren Tuck May 14, 1990 – September 2, 2010 “It well may be that we will never meet again in this lifetime, so let me say before we part, so much of me is made of what I learned from you. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.