DOCSLIB.ORG

Hedwignites 2019 Consultant

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Hedwig Dances Board of Directors Jan Bartoszek, Founder & Artistic Director Amanda Zinn, President Julie Volkmann, Director of Operations and Kay Burnett, Chair Development Daniel Weathersby, Treasurer Maray Gutierrez Ramis, Artistic Associate Karen Yan, Secretary Victor Alexander, Resident Choreographer Ken Bowen, Director Jacob Buerger, Dancer Jeffery Mau, Director Rigoberto Fernandez Saura, Dancer Marla Philpot, Director Olivia Gonzalez, Dancer Michael Reed, Director Crystal Gurrola, Dancer Mary Lass Stewart, Director Jessie Gutierrez, Dancer Jan Bartoszek, (ExOfficio) Oksana Kuzma, Dancer Taimy Ramos, Dancer Sharon Eiseman, Emeritus 2019 Frank Fishella, Emeritus Jan Patterson, Emeritus Staff Advisory Board Chris Frerichs, Development Consultant Janet Carl Smith, Former Deputy Commis- Vin Reed, Graphic Design sioner of Cultural Affairs, Chicago (Retired) Nike Whitcomb Associates, Inc., Jeffrey Usow, Attorney, MayerBrown LLP Fundraising Consultant Karen VanderLinde, Consultant, Michael Anestor, Volunteer PricewaterhouseCoopers (Retired) Kathrene Wales, Arts Management Hedwignites 2019 Consultant Our Funders Support Us nites Hedwig Dances is funded in part by The Arts Your support is critical to Hedwig Dances ability Work Fund for Organizational Development, a to continue its mission of creating, cultivating and donor advised fund of the Chicago Community performing contemporary dances that provoke Foundation; The MacArthur Fund for Arts and emotion, connection and wonder. Culture at the Richard H. Driehaus Foundation; You may make your checks payable to The Chicago Community Foundation; The Hedwig Dances or you may donate online now at National Performance Network (NPN bit.ly/HedwigNites2019 Performance Residency Program, Creation Fund and Forth Fund); The John D. and Catherine T. Hedwig Dances is a 501 (c) 3 not for profit organization MacArthur International Connections Fund; in good standing. Your donation is always tax deductible 3Arts and 3Arts Partners; The Illinois Arts to the full extent of the law. Council Agency; Gaylord and Dorothy Donnelley Foundation; The Albert Pick Jr. Fund; Bloomberg Philanthropies; Hyman and Shirley Hill Charitable Foundation, and many generous individuals. Additional support from Chicago Dancemakers Forum and High Concept Labs. Friday, March 8, 2019 6:00 pm – 10:00 pm Contact Us THE ARTS CLUB OF CHICAGO For more information about Hedwig Dances, including Hedwig Dances is in residence at upcoming events, please visit us online at The Ruth Page Center for the Arts HedwigDances.com 1016 North Dearborn Chicago, Illinois 60610 Hedwig Please join us for our Annual Benefit Gala and Performance FRIDAY, MARCH 8, 2019 6:00 pm – 10:00 pm THE ARTS CLUB OF CHICAGO 201 East Ontario Street | Chicago 6:00 PM Cocktail Reception with Globally-Inspired Delicacies in the elegant and sophisticated setting of The Arts Club of Chicago Raffle/Silent Auction Meet and Mingle with our Hedwig Dance 6:45 PM Award Recipients Dinner seatings begin plus Hedwig Dances’ Artistic and Administrative 7:45 PM Leadership, Dancers Opening remarks from honored guest and Designers. Henry Godinez Resident Artistic Associate at Goodman Theatre Be the first to learn about Hedwig Dance Awards Presentation to Hedwig Dances’ exciting plans for Vin Reed 2019 and beyond. Creative Director, Vin Design, LLC for Dance Advocacy Presented by Kevin McGirr Immediate Past Board President Dance for Life Ping Chong Director, Playwright, and Choreographer for Dance Heritage Presented by Peter Taub Curator Champagne Toast Live Auction and Paddle Raise Led by Jess Elfing 8:30 PM Hedwig Dances’ Performance Dessert & Coffee Festive Cocktail Attire Salsa Lesson from our Dancers Valet Parking Available HENRY GODINEZ - KEYNOTE SPEAKER Henry Godinez is a professor in the Department of Theatre at Northwestern University and the Resident Ar@s@c Associate at the Goodman Theatre, where he is the director of the La@no Theatre Fes@val. Significant among Henry’s long list of credits at the Goodman include fostering the co-produc@on of Pedro Paramo with Teatro Buendia of Cuba, direcng The Sins of Sor Juana, Boleros for the Disenchanted that had its world premiere at Yale Repertory Theatre. Godinez is the co-founder and former ar@s@c director of Teatro Vista and has directed produc@ons at Portland Center Stage, Signature Theatre Company in NYC, Kansas City We Celebrate Repertory Theatre, Indiana Repertory Theatre, and Colorado Shakespeare Fes@val. Contemporary Dance & Movement Makers Recipient of numerous awards, his ac@ng credits include Goodman Theatre, Chicago Shakespeare, Writers Theatre, and on Film/TV including The Fugi<ve, Above the Law, The Beast, Boss, Chicago Code, Chicago PD and Chicago Fire. PLAY + BAUHAUS HEDWIGNites 2019 marks another A long @me friend of Hedwig Dances, Henry was born in Havana, Cuba, and serves on significant event in the life of Hedwig Dances. Tonight we stand the Board of Directors of both the Illinois Arts Council Agency and Albany Park Theater Project on the threshold of the 35th anniversary year since I founded as well as the Editorial Board of Northwestern University Press. Hedwig Dances. We also joyfully con@nue the conferral of the Hedwig Dance Awards, a tradi@on that began at last year’s gala. ___________ As one of the longest standing dance companies in Hedwig Dances Upcoming Events Chicago we have a lot to be thankful for. Each day we are reminded that Hedwig’s ar@s@c successes are a direct result of the SEA LEVEL: Above and Below generous giHs from individuals and organiza@ons, the cri@cal Ruth Page Center for the Arts - 1016 N. Dearborn Ave. wri@ngs of journalists, reviewers and essayists, the expert advice March 21 & 23, 2019 | 7:30 pm and intercession of those in aligned industries, and the movement BAUHAUS SYMPOSIUM: Bauhaus Beyond Borders makers of every stripe who have emblazoned the path on which Exploring the Legacy in the 21st Century we dance. We must also acknowledge the kindred ar@sts who Northwestern University collaborate with us bringing their dis@nc@ve giHs to the works we April 6, 2019 make. In that spirit, we express thanks to Henry Godinez who serves as our keynote speaker this evening. FUTURA Tonight we call out and celebrate the names and efforts of Bauhaus Centennial Fes5val in Dessau Germany these individuals: Vin Reed and Ping Chong. Each in his own way September 12, 2019 has made a las@ng impact on Hedwig Dances, on me, and on the Look for details coming soon: dance community at large. Thank you for joining us in in this Hedwig Dances Touch Tour Germany Berlin - Weimar - Dessau - culmina@ng in Futura Dessau Performance celebra@on of contemporary dance & movement makers. September 5 - September 13, 2019 -Jan Bartoszek World Premiere of Jan Bartoszek’s SPACE PLAY At a historic landmark theatre in Chicago TBA spring 2019 February 26, 2020 VIN REED for DANCE ADVOCACY-Presented by Kevin McGirr PING CHONG for DANCE HERITAGE-Presented by Peter Taub Vin Reed’s curious commitment to the dance community has Ping Chong is a theater director, choreographer, and video involved everything but the dance. installa@on ar@st. Born in Toronto and raised in New York City’s Vin finds inspira@on everywhere. This has fueled his crea@vity that Chinatown, he is a seminal figure in the Asian American arts movement, has included marke@ng dance companies, designing sets, costuming, an interna@onally acclaimed ar@st and a pioneer in the use of media in choreography, and crea@ng rogue engagements to expand public awareness theater. His theatrical works bring his unique ar@s@c vision to bear on for dance. major historical issues of our @mes, and focus on bringing unheard voices An Ohio na@ve, aHer gradua@ng from University of Cincinna@'s and under-represented stories to the stage. Encompassing puppetry, renowned College of Design, Art, Architecture & Planning, Vin joined Eva dance, documentary theater, sound, media and other experimental Maddox Associates, a pioneer in branded environments. During his @me theater forms, his works have explored a wide variety of subjects from a there, he and the company received numerous na@onal and interna@onal hidden genocide in Africa to moderniza@on in China to the experiences of awards for innova@on. Muslim youth in post 9/11 America. Throughout, the common thread has Vin was introduced to the Windy City's vibrant dance community been a unifying commitment to ar@s@c innova@on and social when he was selected to design the iden@ty and user experience of responsibility. SeeChicago-Dance.com. Crea@ng las@ng impressions around dance, a most Since 1972, as founder and ar@s@c director of Ping Chong + ephemeral art form, was a match well-suited for Vin's mul@-disciplinary skill. Company, he has created over 100 produc@ons which have been He has worked @relessly to build audiences, and market performance presented at major theaters, fes@vals and museums worldwide. Major accessibility, to support the ar@s@c visions of the city’s excep@onal dance interdisciplinary works include Collidescope: Adventures in Pre and Post talent including Hedwig Dances, Giordano Dance Chicago, Chicago Human Racial America ( with Talvin Wilks, 2013 University of Maryland, 2015 Rhythm Project, Danceworks Chicago, Same Planet Performance Project, University of Massachusegs Amherst, 2017 Wake Forest University), Luna Negra and many more. Throne of Blood (2010 Brooklyn Academy of Music and Oregon In 2006 Lar Lubovitch invited Vin to be a part of the founding team of Shakespeare Fes@val), Cathay: Three Tales of China (2005 the john F. the Chicago Dancing Fes@val. His design and marke@ng talents exposed Kennedy Center for the Performing Arts), Kwaidan (1998 Center for thousands of people to the visceral power of dance and included crea@ng Puppetry Arts, jim Henson Fes@val), Deshima (1990 Tokyo Interna@onal "Signatures", a full-color program guide with 100% of the ad revenue going Theater Fes@val), Nosferatu (1985/1991 La MaMa), Angels of back into the dance community.
Recommended publications
  • Finding Aid to the Historymakers ® Video Oral History with Randy Duncan

    Finding Aid to the Historymakers ® Video Oral History with Randy Duncan

    Finding Aid to The HistoryMakers ® Video Oral History with Randy Duncan Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Duncan, Randy Title: The HistoryMakers® Video Oral History Interview with Randy Duncan, Dates: November 15, 2006 Bulk Dates: 2006 Physical 6 Betacame SP videocasettes (2:45:36). Description: Abstract: Choreographer and dancer Randy Duncan (1958 - ) was a three- time recipient of Chicago's prestigious Ruth Page Award for Outstanding Choreographer of the Year (1988, 1990, and 1992), among numerous other awards and his works were performed internationally. Duncan was interviewed by The HistoryMakers® on November 15, 2006, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2006_142 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Renowned choreographer and dancer Randy Louis Duncan was born on December 14, 1958 in Chicago, Illinois. Growing up and attending public schools on Chicago’s west side, Duncan’s career began at age fifteen with the Joseph Holmes Chicago Dance Theatre. Duncan later began formal dance studies with Geraldine Johnson, followed by classes at the Sammy Dyer School of Theater, Alvin Ailey American Dance Theater, and Illinois State University. Duncan credits Harriet Ross and Joseph Holmes with much of his inspiration. Drawing upon ballet, jazz dance, and modern dance for his choreography, Duncan created works that have been performed by numerous dance companies including the Joffrey Ballet of Chicago, River North Dance Company and Gus Giordano Jazz Dance Chicago as well as companies in Seattle and Tel Aviv.
  • PDF 03/13/18 NEW Dances, a New Generation!

    PDF 03/13/18 NEW Dances, a New Generation!

    For IMMEDIATE Release: March 13, 2018 Press contacts: Melissa Thodos, Thodos Dance Chicago [email protected] Julie Nakagawa, DanceWorks Chicago [email protected] THODOS DANCE CHICAGO AND DANCEWORKS CHICAGO ANNOUNCE PARTNERSHIP TO PRESENT NEW DANCES 2018 CHICAGO– For over 30 years, New Dances has fostered new dance creation as one of Chicago’s first and most extensive in-house choreography incubation programs. Founded by The Chicago Repertory Dance Ensemble in the 1980’s and continued since 2000 by Thodos Dance Chicago, New Dances offers opportunities for emerging choreographers to realize and share their creative vision with the community. Today, Thodos Dance Chicago (TDC) and DanceWorks Chicago (DWC) announce a unique partnership to present New Dances 2018, continuing the annual tradition of developing choreographic talent and bringing New Dances home to its birthplace in the newly-renovated Ruth Page Center for the Arts. Melissa Thodos, Founder and Artistic Director of Thodos Dance Chicago shares, “We are so excited to be partnering with DanceWorks this season. Julie Nakagawa (Co-founder and Artistic Director of DanceWorks) and I share such a deep passion for developing young artists, both as dancers and choreographers. DanceWorks has such an incredible record of developing early career artists to rise to the next level. They are a perfect partner for this endeavor, and I believe New Dances will offer a level of quality and innovation never seen before.” "DanceWorks Chicago is thrilled to partner with Thodos Dance Chicago on New Dances 2018,” says Julie Nakagawa. “DWC values around cultivating a diverse next generation of movers and makers, engaging in community collaboration, offering mentorship, and sharing performances which shine a light on dancers and dances which makes New Dances a natural fit.
  • The Concept of Self and the Other

    The Concept of Self and the Other

    Tel Aviv University The Yolanda and David Katz Faculty of the Arts Department of Theatre Studies The Realm of the Other: Jesters, Gods, and Aliens in Shadowplay Thesis Submitted for the Degree of “Doctor of Philosophy” by Chu Fa Ching Ebert Submitted to the Senate of Tel Aviv University April 2004 This thesis was supervised by Prof. Jacob Raz TABLE OF CONTENTS TABLE OF ILLUSTRATIONS................................................................................................vi INTRODUCTION...................................................................................................................... 1 ACKNOWLEDGEMENTS ....................................................................................................... 7 I. THE CONCEPT OF SELF AND THE OTHER.................................................................... 10 Introduction ............................................................................................................................ 11 The Multiple Self .................................................................................................................... 12 Reversal Theory...................................................................................................................... 13 Contextual Theory ................................................................................................................. 14 Self in Cross‐Cultural Perspective ‐ The Concept of Jen................................................... 17 Self ..........................................................................................................................................
  • Young Dancer's Training Program Parent and Student Handbook

    Young Dancer's Training Program Parent and Student Handbook

    Young Dancer’s Training Program Parent and Student Handbook Venetia Stifler, Executive and Artistic Director, Ruth Page Center for the Arts Victor Alexander, Director of the Ruth Page School of Dance Dolores Lipinski, Associate Director of the Ruth Page School of Dance Silvino da Silva, Director of Marketing and Communications Clintina Taylor, Finance and Program Coordinator Keith Elliott, Ruth Page Theater and Special Events Director Brandon Piekarski, Manager, Ruth Page Civic Ballet and Special Projects Coordinator Ruth Page Center for the Arts 1016. North Dearborn Chicago, IL 60610 Phone: 312-337-6543 Fax: 312-337-6542 Ruthpage.org Table of Contents RUTH PAGE CENTER FOR THE ARTS INFORMATION…………………….………….….………2 YOUNG DANCER’S TRAINING PROGRAM INTRODUCTION…………………………....……….2 TRAINING PROGRAM CATEGORIES, LEVELS AND CLASS ATTIRE…………………...…...…4 CLASS DESCRIPTIONS……………………..…………………………………………………….……5 STAGE AND PERFORMANCE OPPORTUNITIES……………………………………………….….9 Spring Show Nutcracker Informal Summer Workshop Parent and Student Handbook Page | 1 RUTH PAGE CENTER FOR THE ARTS The Ruth Page Foundation has for over forty years committed its resources to creating a dance destination in Chicago through our arts center, the Ruth Page Center for the Arts located at 1016 N. Dearborn Street. The Center serves the Chicago dance community by being an incubator, providing a home, office space, rehearsal space, performance opportunities, professional dance training, and marketing support for the up-and-coming companies and artists of Chicago’s vibrant dance scene. We have been training professional dancers, presenting and promoting the finest dance performances in the city, and mentoring small to mid-sized arts organizations that call The Center home. Founded by Chicago icon and internationally-renown performer and choreographer, Ruth Page, The Center reflects her vision of supporting dance excellence in Chicago.
  • 2008–2009 Season Sponsors

    2008–2009 Season Sponsors

    2008–2009 Season Sponsors The City of Cerritos gratefully thanks our 2008–2009 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. Season 08/09 YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Morris Bernstein Linda Dowell Ping Ho $50,001-$100,000 Norman Blanco Gloria Dumais Jon Howerton José Iturbi Foundation James Blevins Stanley Dzieminski Christina and Michael Hughes Michael Bley Lee Eakin Melvin Hughes Patron Kathleen Blomo Dee Eaton Marianne and Bob Hughlett, Ed.D. $20,001-$50,000 Marilyn Bogenschutz Susie Edber and Allen Grogan Mark Itzkowitz Linda and Sergio Bonetti Gary Edward Grace and Tom Izuhara National Endowment for the Arts Patricia Bongeorno Jill Edwards Sharon Jacoby Ilana and Allen Brackett Carla Ellis David Jaynes Partner Paula Briggs Robert Ellis Cathy and James Juliani $5,001-$20,000 Darrell Brooke Eric Eltinge Luanne Kamiya Bryan A. Stirrat & Associates Mary Brough Teri Esposito Roland Kerby Chamber Music Society of Detroit Dr.
  • Memory Rings

    Memory Rings

    2016 BAM Next Wave Festival #MemoryRings Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Memory Rings BAM Harvey Theater Nov 17—19 at 7:30pm; Nov 20 at 3pm Running time: approx. one hour & 20 minutes, no intermission Phantom Limb Company Conceived by Jessica Grindstaff and Erik Sanko Choreography by Ryan Heffington Direction and design by Jessica Grindstaff Original music and puppet design by Erik Sanko Costume design by Henrik Vibskov Lighting design by Brian H Scott Sound design by Darron L West Projection design by Keith Skretch Dramaturgy by Janice Paran Creative producer Mara Isaacs/Octopus Theatricals Season Sponsor: Major support for theater at BAM provided by: The Francena T. Harrison Foundation Trust Donald R. Mullen Jr. The SHS Foundation The Shubert Foundation, Inc. Additional support provided by The Jim Henson Foundation. Memory Rings CAST Toby Billowitz Rowan Magee Marissa Brown Aaron Mattocks Emeri Fetzer Daniel Selon Takemi Kitamura Carlton Cyrus Ward ADDITIONAL CREDITS Stage manager Randi Rivera Production manager Corps Liminis Design architect Gia Wolff Fragrance design Douglas Little Rehearsal director Aaron Mattocks Cello recording Jeffrey Ziegler Producing associate/Company manager Bryan Hunt Bramble costumes designed by Jessica Grindstaff Costumes fabricated by Henrik Vibskov Studio Bramble costumes fabricated by Daniel Selon and Kaitlyn Horpedahl, Sarah
  • Press Kit 2018-2019 Season

    Press Kit 2018-2019 Season

    PRESS KIT 2018-2019 SEASON Shelby Colona and Chris Bloom in CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival MISSION & HISTORY Ballet Hispánico, America’s leading Latino dance organization, has been bringing individuals and communities together to celebrate and explore Latino cultures through dance for nearly 50 years. Whether dancing on stage, in school, or in the street, Ballet Hispánico creates a space where few institutions are breaking ground. The organization’s founder, National Medal of Arts recipient Tina Ramirez, sought to give voice to the Hispanic experience and break through stereotypes. Today, Ballet Hispánico is led by Eduardo Vilaro, an acclaimed choreographer and former member of the Company, whose vision of social equity, cultural identity, and quality arts education for all drives its programs. Ballet Hispánico, a role model in and for the Latino community, is inspiring creativity and social awareness in our neighborhoods and across the country by providing access to arts education. CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival 2 ABOUT EDUARDO VILARO Artistic Director & CEO EDUARDO VILARO joined Ballet Hispánico as Artistic Director in August 2009, becoming only the second person to Photo by Paula Lobo Paula Photo by head the company since it was founded in 1970. In 2015, Mr. Vilaro took on the additional role of Chief Executive Officer of Ballet Hispánico. He has been part of the Ballet Hispánico family since 1985 as a dancer and educator, after which he began a ten-year record of achievement as founder and Artistic Director of Luna Negra Dance Theater in Chicago. Mr.
  • 2015 Cityarts Program Grant

    2015 Cityarts Program Grant

    2015 CityArts Program Grant Panelists Randy Adamsick Michael Takada Jen Zacarias Gail Ford Mike Reed Meg Leary Eva Silverman Emily Stein Frank Baiocci Claire Rice Dana Horst Kalena Dickerson Molly Feingold Kellee Edusei Maggie Koller Erica Mott Isaac Gomez Juan Dies Jordan Martins Paul Botts Grantees 3Arts, Inc. 6018North 826CHI INC NFP Aerial Dance Chicago Albany Park Theater Project American Indian Center American Theater Company Antibody Dance Archi-treasures ArtReach at Lillstreet Arts & Business Council of Chicago Asian Improv aRts: Midwest Audience Architects NFP Balzekas Museum of Lithuanian Culture Barrel of Monkeys Beverly Arts Center Blair Thomas & Company Cedille Chicago, NFP Cerqua Rivera Art Experience dba Cerqua Rivera Dance Theatre Changing Worlds Chicago a cappella Chicago Artists Coalition Chicago Arts Partnerships in Education Chicago Center for Music Education Chicago Children's Theatre Chicago Cultural Alliance Chicago Dance Crash, NFP Chicago Dance Institute Chicago Danztheatre Ensemble Chicago Dramatists Chicago Film Archives NFP Chicago Filmmakers Chicago Fringe Festival Chicago Gay Men's Chorus Chicago Human Rhythm Project Chicago Humanities Festival Chicago International Film Festival Inc, Cinema-Chicago Chicago Jazz Phiharmonic Chicago Moving Company Chicago Sinfonietta Chicago Slam Works Chicago West Community Music Center Chicago Youth Symphony Orchestras Clinard Dance Theatre Company of Folk Crossing Borders Music Collective Culture Shock Chicago, NFP Dusable Museum of African American History Ed Paschke Art Center Eighth Blackbird Performing Arts Association Elements Contemporary Ballet NFP ElevArte Community Studio (formerly Pros Arts Studio) Ensemble Dal Niente Ensemble Español Spanish Dance Theater Erasing the Distance Experimental Sound Studio Fifth House Ensemble Foundations of Musc Free Spirit Media Free Street Programs, Inc.
  • Explore Our Virtual Program

    Explore Our Virtual Program

    20|21 MICHAEL WEBER JEANNIE LUKOW Artistic Director Executive Director presents Featuring ANTHONY COURSER, PAM CHERMANSKY, CROSBY SANDOVAL, JAY TORRENCE, LEAH URZENDOWSKI & RYAN WALTERS Written by JAY TORRENCE Direction by HALENA KAYS This production was filmed during Porchlight Music Theatre’s premiere with The Ruffians at the Ruth Page Center for the Arts, December 13 - 27, 2019. Understudies for 2019 Production Nellie Reed: KAITLYN ANDREWS Henry Gilfoil/Eddie Foy: DAVE HONIGMAN Fancy Clown: JAY TORRENCE Faerie Queen/Robert Murray: RAWSON VINT Choreography by LEAH URZENDOWSKI Additional 2019 Choreography by ARIEL ETANA TRIUNFO Lighting Design MAGGIE FULLILOVE-NUGENT Original Scenic & Costume Design LIZZIE BRACKEN Scenic Design JEFF KMIEC Costume Design BILL MOREY Sound Design MIKE TUTAJ Associate Sound Design ROBERT HORNBOSTEL Original Properties Design MAGGIE FULLILOVE-NUGENT & LIZZIE BRACKEN Properties Master CAITLIN McCARTHY Original Associate Properties Design ARCHER CURRY Technical Direction BEK LAMBRECHT Production Stage Management JUSTINE B. PALMISANO Production Management SAM MORYOUSSEF & ALEX RHYAN Video Production MARTY HIGGENBOTHAM/THE STAGE CHANNEL The following artists significantly contributed to this performance and the play’s creation: Lizzie Bracken (set design, costume design, prop design), Dan Broberg (set design), Maggie Fullilove-Nugent (lighting design), Leah Urzendowski (choreography) & Mike Tutaj (sound design). The original 2011 cast included Anthony Courser, Dean Evans, Molly Plunk, Jay Torrence, Leah Urzendowski & Ryan Walters This performance runs 100 minutes without intermission. Please be aware this play contains flashing lights and some moments that may trigger an adverse reaction with sudden loud noises and sounds of violence. Porchlight Music Theatre acknowledges the generosity of Allstate, the Bayless Family Foundation, DCASE Chicago, the Gaylord and Dorothy Donnelley Foundation, James P.
  • INT 84AH: Special Relativity for Pedestrians ”

    INT 84AH: Special Relativity for Pedestrians ”

    Seminars are restricted to students currently enrolled in the College Honors Program through College of Letters and Science, or students in the College of Creative Studies. These two-unit courses provide an opportunity for research exploration in various disciplines and consider advanced studies beyond college. Honor seminars are 1st-2nd year students. To earn honors credit, seminars must be completed with a letter grade of B or higher. Eligible students may take 8 units maximum of INT 84 seminars and 8 units maximum. *Add codes are not required for most Honors Seminars, with a few exceptions (if you are prompted for an add code, please contact the instructor for more information) ***INT 84 Honors Seminars are lower-division and designed with first and second-year students in mind. First and second-year students in the Letters & Science Honors Program who have exceeded the "Senior" unit standing limitation for INT 84 may request an exception to bypass this restriction by emailing me at [email protected] – (Please include your PERM). Third and fourth-year students are not eligible to bypass the Senior unit standing restriction. Students who receive access to bypass the restriction must still enroll through GOLD during an active pass time while the course has space remaining. *Please note if your class is not a 10-week course the add/drop deadline may be earlier. INT 84AH - “INT 84AH: Special Relativity for Pedestrians ” • Seminar Type: Honors • Department: Physics • Instructor: Tengiz Bibilashvili • Instructor Email: [email protected] • Day - Time - Room: Wednesday 4:00-5:50 Online • Enroll Code: 52712 Course Description: The goal of the seminar is to teach Special Relativity (SR) using Einstein Notation (EN).
  • Academic Affairs Division Newsletter, October 2014

    Academic Affairs Division Newsletter, October 2014

    San Jose State University SJSU ScholarWorks Academic Affairs Division Newsletter Administration and Leadership Fall 10-1-2014 Academic Affairs Division Newsletter, October 2014 San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/acadaffairsdiv_newsletter Recommended Citation San Jose State University, "Academic Affairs Division Newsletter, October 2014" (2014). Academic Affairs Division Newsletter. Paper 13. https://scholarworks.sjsu.edu/acadaffairsdiv_newsletter/13 This Newsletter is brought to you for free and open access by the Administration and Leadership at SJSU ScholarWorks. It has been accepted for inclusion in Academic Affairs Division Newsletter by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. Click here to view the Academic Affairs Division Newsletter Archive View this email in your browser Powering Academic Success Appointment Upcoming Events Center for Faculty Development Workshops Wednesday, November 5, 3:00-4:00pm, IRC 101 - Tea and Talk. Featured speaker is Dr. Jennifer Dinalo, Namrata Shukla Named Senior Assistant Librarian at Associate Dean of the CIES our own MLK Library. Namrata or “Nami” Shukla has been Wednesday, November 12, named Associate Dean for the College 12:00-1:00pm, IRC 101 - of International and Extended Studies Understanding Our Students (CIES). She started her new position brown-bag series. This October 27 after being Interim session's topic: Veterans and Associate Dean since January of this their families. year. Thursday, November 13, 12:00-1:00pm, IRC 101 - As the Associate Dean, Nami provides Educated Person Dialogue leadership in the development and brown-bag series. This delivery of extended education session's topic: Recognizing programs and services.
  • River North Dance Chicago

    River North Dance Chicago

    Cheryl Mann River North Dance Chicago Frank Chaves, Artistic Director • Gail Kalver, Executive Director The Company: Levizadik Buckins, Taeler Cyrus, Michael Gross, Hank Hunter, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Michael McDonald*, Hayley Meier, Olivia Rehrman, Ahmad Simmons, Jessica Wolfrum *Performing apprentice Artistic & Production Sara Bibik, Assistant to the Artistic Director • Claire Bataille, Ballet Mistress Joshua Paul Weckesser, Production Stage Manager and Technical Director Mari Jo Irbe, Rehearsal Director • Laura Wade, Ballet Mistress Liz Rench, Wardrobe Supervisor Administration Alexis Jaworski, Director of Marketing • Salena Watkins, Business Manager Diana Anton, Education Manager • Paula Petrini Lynch, Development Manager Christopher W. Frerichs, Grant Writer Lisa Kudo, Development and Special Events Assistant PROGRAM The Good Goodbyes Beat Eva (World Premiere) -Intermission- Three Renatus Forbidden Boundaries Thursday, April 4 at 7:30 PM Friday, April 5 at 8 PM Saturday, April 6 at 2 PM & 8 PM Media support for these performances is provided by WHYY. 12/13 Season | 23 PROGRAM The Good Goodbyes Choreography: Frank Chaves Lighting Design: Todd Clark Music: Original composition by Josephine Lee Costume Design: Jordan Ross Dancers: Taeler Cyrus, Michael Gross, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Hayley Meier, Jessica Wolfrum Artistic Director Frank Chaves’ newest work, The Good Goodbyes, is an homage to the relationships forged and nurtured within the dance community. Set to an original piano suite by Josephine Lee, artistic director of the acclaimed Chicago Children’s Choir, this wistful and bittersweet work for seven dancers suggests “the beautiful memories and the wonderful relationships I’ve forged with dancers over the years. I want to celebrate the incredibly intimate, intense, fulfilling and—because of the nature of our profession—often short-lived connections we’ve made, and have bid goodbye along the way,” says Chaves.