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The Concept of Self and the Other
Tel Aviv University The Yolanda and David Katz Faculty of the Arts Department of Theatre Studies The Realm of the Other: Jesters, Gods, and Aliens in Shadowplay Thesis Submitted for the Degree of “Doctor of Philosophy” by Chu Fa Ching Ebert Submitted to the Senate of Tel Aviv University April 2004 This thesis was supervised by Prof. Jacob Raz TABLE OF CONTENTS TABLE OF ILLUSTRATIONS................................................................................................vi INTRODUCTION...................................................................................................................... 1 ACKNOWLEDGEMENTS ....................................................................................................... 7 I. THE CONCEPT OF SELF AND THE OTHER.................................................................... 10 Introduction ............................................................................................................................ 11 The Multiple Self .................................................................................................................... 12 Reversal Theory...................................................................................................................... 13 Contextual Theory ................................................................................................................. 14 Self in Cross‐Cultural Perspective ‐ The Concept of Jen................................................... 17 Self .......................................................................................................................................... -
Hedwignites 2019 Consultant
Hedwig Dances Board of Directors Jan Bartoszek, Founder & Artistic Director Amanda Zinn, President Julie Volkmann, Director of Operations and Kay Burnett, Chair Development Daniel Weathersby, Treasurer Maray Gutierrez Ramis, Artistic Associate Karen Yan, Secretary Victor Alexander, Resident Choreographer Ken Bowen, Director Jacob Buerger, Dancer Jeffery Mau, Director Rigoberto Fernandez Saura, Dancer Marla Philpot, Director Olivia Gonzalez, Dancer Michael Reed, Director Crystal Gurrola, Dancer Mary Lass Stewart, Director Jessie Gutierrez, Dancer Jan Bartoszek, (ExOfficio) Oksana Kuzma, Dancer Taimy Ramos, Dancer Sharon Eiseman, Emeritus 2019 Frank Fishella, Emeritus Jan Patterson, Emeritus Staff Advisory Board Chris Frerichs, Development Consultant Janet Carl Smith, Former Deputy Commis- Vin Reed, Graphic Design sioner of Cultural Affairs, Chicago (Retired) Nike Whitcomb Associates, Inc., Jeffrey Usow, Attorney, MayerBrown LLP Fundraising Consultant Karen VanderLinde, Consultant, Michael Anestor, Volunteer PricewaterhouseCoopers (Retired) Kathrene Wales, Arts Management Hedwignites 2019 Consultant Our Funders Support Us nites Hedwig Dances is funded in part by The Arts Your support is critical to Hedwig Dances ability Work Fund for Organizational Development, a to continue its mission of creating, cultivating and donor advised fund of the Chicago Community performing contemporary dances that provoke Foundation; The MacArthur Fund for Arts and emotion, connection and wonder. Culture at the Richard H. Driehaus Foundation; You may make your checks payable to The Chicago Community Foundation; The Hedwig Dances or you may donate online now at National Performance Network (NPN bit.ly/HedwigNites2019 Performance Residency Program, Creation Fund and Forth Fund); The John D. and Catherine T. Hedwig Dances is a 501 (c) 3 not for profit organization MacArthur International Connections Fund; in good standing. -
Imagining Disability Futurities
This is a repository copy of Imagining Disability Futurities. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/106691/ Version: Accepted Version Article: Liddiard, K. orcid.org/0000-0002-1220-3740 (2016) Imagining Disability Futurities. Hypatia. ISSN 0887-5367 "This is the peer reviewed version of the following article: Liddiard, K (2016) Imagining Disabilities Futurities. Hypatia, which has been published in final form at [Link to final article using the DOI]. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Self-Archiving." Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Title: Imagining Disability Futurities Keywords: temporality; disability futurity; disability arts; activist art; dis-topia Word Count: 7987 To watch the stories presented in our paper, go to https://vimeo.com/album/3853805. Following the prompts, type in the password “futurities.” Please note: these videos are intended for readers only and are not for public screening. -
Memory Rings
2016 BAM Next Wave Festival #MemoryRings Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Memory Rings BAM Harvey Theater Nov 17—19 at 7:30pm; Nov 20 at 3pm Running time: approx. one hour & 20 minutes, no intermission Phantom Limb Company Conceived by Jessica Grindstaff and Erik Sanko Choreography by Ryan Heffington Direction and design by Jessica Grindstaff Original music and puppet design by Erik Sanko Costume design by Henrik Vibskov Lighting design by Brian H Scott Sound design by Darron L West Projection design by Keith Skretch Dramaturgy by Janice Paran Creative producer Mara Isaacs/Octopus Theatricals Season Sponsor: Major support for theater at BAM provided by: The Francena T. Harrison Foundation Trust Donald R. Mullen Jr. The SHS Foundation The Shubert Foundation, Inc. Additional support provided by The Jim Henson Foundation. Memory Rings CAST Toby Billowitz Rowan Magee Marissa Brown Aaron Mattocks Emeri Fetzer Daniel Selon Takemi Kitamura Carlton Cyrus Ward ADDITIONAL CREDITS Stage manager Randi Rivera Production manager Corps Liminis Design architect Gia Wolff Fragrance design Douglas Little Rehearsal director Aaron Mattocks Cello recording Jeffrey Ziegler Producing associate/Company manager Bryan Hunt Bramble costumes designed by Jessica Grindstaff Costumes fabricated by Henrik Vibskov Studio Bramble costumes fabricated by Daniel Selon and Kaitlyn Horpedahl, Sarah -
From Constitutional Rights to Further Legal Claims
PROTECTION AND LEGAL RIGHTS FOR DISABLED PEOPLE HYPERTEXT FROM CONSTITUTIONAL RIGHTS TO FURTHER LEGAL CLAIMS Edited by Ernesto Stasi Associazione Crescere – Bologna Domenico Posterino Associazione Prader-Willi – Calabria Domenica Taruscio Director of the National Centre for Rare Diseases, Istituto Superiore di Sanità (ISS), Rome With a contribution by: Marta De Santis National Centre for Rare Diseases, Istituto Superiore di Sanità (ISS), Rome Translated by: Mariavittoria Spina Year 11 - Rev. 2019/02 CONTENTS Preface Introductory Note Italian Constitution Health Rights Learning and Education Rights Determining Disability Rights in Work Workers' Rights Mobility Tourism Sport Further Legal Claims and Other Benefits Legal Protection Tax Relief and Benefits Exemptions from Payment Link List to Legislative Provisions Annexes 2 PREFACE In June 2009, the National Centre for Rare Diseases directed by Dr Domenica Taruscio within the ISS (Istituto Superiore di Sanità, the Italian NHS), cooperated with the Associazione Crescere in Bologna (J.D. Ernesto Stasi) and with the Associazione Prader Willi in Calabria (Dr Domenico Posterino) in order to update and enhance the Guide “From Constitutional Rights to Further Legal Claims”, which is edited by Associazione Prader Willi and available for free download in PDF format on the website of the National Centre for Rare Diseases (CNMR): the Associazione Crescere and the Associazione Prader Willi are both non-profit organizations. This starting project led to the issue of a summary guide, which provides hypertext links to legislative provisions and other related documents: is a challenging project which requires constant updating. The hypertext “From Constitutional Rights to Further Legal Claims” is the result of this project in collaboration with the CNMR. -
December 2012 Table of Contents
NEWSLETTER DECEMBER 2012 TABLE OF CONTENTS Table is hyperlinked to each article! WELCOME – by Martyn Sibley ...............................................................................................................................................................................................3 Differently abled through digital art .....................................................................................................................................................................................4 Viewing disability and difference through the eye of a lens ................................................................................................................................................7 Disability art and Turning Points ...........................................................................................................................................................................................9 Accessibility with style .........................................................................................................................................................................................................11 The British Paraorchestra: recruiting new talents ..............................................................................................................................................................13 Q&A with one-handed pianist Nicholas McCarthy .............................................................................................................................................................14 -
DIS STD 187: the Politics of Disability Aesthetics in Visual Culture
DIS STD 187: The Politics of Disability Aesthetics in Visual Culture Disability Studies Minor, Undergraduate Education Initiatives University of California Los Angeles Fall 2016: Wednesdays, 3pm – 5:50pm, MS 5200 COURSE SYLLABUS Instructor: Amanda Cachia E-mail: [email protected] www.amandacachia.com Office hour: Wednesdays, 1:30-2:30pm, Kaufman Room 185 Course website: https://ccle.ucla.edu Course Overview: Inscribed surface, political object, sign, flesh, boundary, matter, cultural product, artistic work—these are some of the many ways that the disabled body has been theorized and imagined in a wide cross-section of critical scholarship and cultural production. This interdisciplinary course seeks to provide a broad overview of the presence of disability and its various manifestations throughout modern day visual culture, with a special emphasis on how disabled artists have offered a revision to the existing negative constructs typically associated with the disabled form. Conventional art history has not typically accounted for intellectually and physically disabled subjects and their accompanying atypical bodies through the art museum and their curated exhibitions, through commercial art galleries and biennials, or the entire exhibition complex structure. A small number of patronizing and demeaning representations have appeared in art genre presentations such as ‘outsider art’ but these derogatory constructs have generally failed to be challenged by art historians, critics, curators and artists. It is important to build a new vocabulary and methodology around disability and access in challenging and stimulating ways, and this class will attempt to find the language to build this framework around how disability might fit into the discourse of visual culture. -
INT 84AH: Special Relativity for Pedestrians ”
Seminars are restricted to students currently enrolled in the College Honors Program through College of Letters and Science, or students in the College of Creative Studies. These two-unit courses provide an opportunity for research exploration in various disciplines and consider advanced studies beyond college. Honor seminars are 1st-2nd year students. To earn honors credit, seminars must be completed with a letter grade of B or higher. Eligible students may take 8 units maximum of INT 84 seminars and 8 units maximum. *Add codes are not required for most Honors Seminars, with a few exceptions (if you are prompted for an add code, please contact the instructor for more information) ***INT 84 Honors Seminars are lower-division and designed with first and second-year students in mind. First and second-year students in the Letters & Science Honors Program who have exceeded the "Senior" unit standing limitation for INT 84 may request an exception to bypass this restriction by emailing me at [email protected] – (Please include your PERM). Third and fourth-year students are not eligible to bypass the Senior unit standing restriction. Students who receive access to bypass the restriction must still enroll through GOLD during an active pass time while the course has space remaining. *Please note if your class is not a 10-week course the add/drop deadline may be earlier. INT 84AH - “INT 84AH: Special Relativity for Pedestrians ” • Seminar Type: Honors • Department: Physics • Instructor: Tengiz Bibilashvili • Instructor Email: [email protected] • Day - Time - Room: Wednesday 4:00-5:50 Online • Enroll Code: 52712 Course Description: The goal of the seminar is to teach Special Relativity (SR) using Einstein Notation (EN). -
Academic Affairs Division Newsletter, October 2014
San Jose State University SJSU ScholarWorks Academic Affairs Division Newsletter Administration and Leadership Fall 10-1-2014 Academic Affairs Division Newsletter, October 2014 San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/acadaffairsdiv_newsletter Recommended Citation San Jose State University, "Academic Affairs Division Newsletter, October 2014" (2014). Academic Affairs Division Newsletter. Paper 13. https://scholarworks.sjsu.edu/acadaffairsdiv_newsletter/13 This Newsletter is brought to you for free and open access by the Administration and Leadership at SJSU ScholarWorks. It has been accepted for inclusion in Academic Affairs Division Newsletter by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. Click here to view the Academic Affairs Division Newsletter Archive View this email in your browser Powering Academic Success Appointment Upcoming Events Center for Faculty Development Workshops Wednesday, November 5, 3:00-4:00pm, IRC 101 - Tea and Talk. Featured speaker is Dr. Jennifer Dinalo, Namrata Shukla Named Senior Assistant Librarian at Associate Dean of the CIES our own MLK Library. Namrata or “Nami” Shukla has been Wednesday, November 12, named Associate Dean for the College 12:00-1:00pm, IRC 101 - of International and Extended Studies Understanding Our Students (CIES). She started her new position brown-bag series. This October 27 after being Interim session's topic: Veterans and Associate Dean since January of this their families. year. Thursday, November 13, 12:00-1:00pm, IRC 101 - As the Associate Dean, Nami provides Educated Person Dialogue leadership in the development and brown-bag series. This delivery of extended education session's topic: Recognizing programs and services. -
PRELUDE Disability Arts and Culture As Public Pedagogy Leslie G
International Journal of Inclusive Education Vol. 13, No. 7, November 2009, 667–675 PRELUDE Disability arts and culture as public pedagogy Leslie G. Roman* Faculty of Education, Department of Educational Studies, University of British Columbia, Vancouver, BC, Canada TaylorTIED_A_404364.sgm10.1080/13603110903041912International1360-3116Editorial20091370000002009LeslieRomanleslie.roman@ubc.ca and& Francis (print)/1464-5173Francis Journal of Inclusive (online) Education This article considers the implications of a disability arts, culture and scholarship series ‘The Unruly Salon’, undertaken at the University of British Columbia, Vancouver in Canada, which ran from January to March 2008. It asks how and whether the encounter of this Series with its diverse audiences makes a lasting contribution to the reshaping of education at the University of British Columbia in terms of curriculum, pedagogy, place, space and culture. It argues that The Unruly Salon Series is but a cornerstone in the groundwork for the ‘global citizenship’ to which the University’s Trek 2010 policy and mission statement aspire. The question is not only: what have the disabled and non-disabled participants of this timely and creative series learned from about working within the ‘fragile spaces between impairment and disability’?, but also the article asks: how will Canada’s third largest public university learn so as to transform its intellectual, social culture and built environment for prospective and existing students, faculty and staff with disabilities? The article concludes that such social change advantages the impaired and non-disabled alike. Keywords: disability arts and culture; politics; policy; inclusion A truth that’s deeper than the truth of dreams: the truth of the body. -
FOR IMMEDIATE RELEASE Aja Jones [email protected] 412-281-3973X224 Images: Press Room User: Pressroom Pswd: Pittstadium
FOR IMMEDIATE RELEASE Aja Jones [email protected] 412-281-3973x224 Images: Press Room User: pressroom Pswd: pittstadium An Evening with Michael Cerveris & Seth Rudetsky Monday, May 23 at 7:30pm Proceeds to Support Pittsburgh CLO’s New Musical Development Pittsburgh, PA • April 19, 2016 – Pittsburgh CLO is pleased to announce an exclusive evening with Tony Award®-winner Michael Cerveris (Fun Home) and co-creator and star of DISASTER! Seth Rudetsky at the CLO Cabaret on May 23. This exciting fundraiser will support Pittsburgh CLO’s continuing commitment to the fostering of new musicals for Pittsburgh and beyond. Seth, host of “Seth Speaks Broadway” on Sirius/XM Radio, will interview Michael about growing up in an artistic home, his experiences performing in his father's multimedia creations and his own professional life as an actor. The conversation will be framed with songs from Michael’s two time Tony Award®-winning, 30-year career including selections from Sweeney Todd, Assassins, Hedwig And The Angry Inch, Fun Home, Titanic, and many others. Pittsburgh CLO’s new musical endeavors include the development and investment in 20 Broadway shows (29 Tony Awards®) and the current productions of An American in Paris, On Your Feet, Kinky Boots and Matilda the Musical, as well as several National Tours and world premieres at the CLO Cabaret, including ‘S Wonderful: The New Gershwin Musical and Judge Jackie Justice, Trials of Love. Pittsburgh CLO is a member of the Independent Presenter’s Network, Elephant Eye Theatrical and partners with Carnegie Mellon University on the CLO/CMU New Works Project. -
“Disability Is an Art…”: Disability As Discourse/Counter-Discourse
University of South Carolina Scholar Commons Theses and Dissertations 2018 “Disability Is An Art…”: Disability As Discourse/ Counter-Discourse David Adelman University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Film and Media Studies Commons Recommended Citation Adelman, D.(2018). “Disability Is An Art…”: Disability As Discourse/Counter-Discourse. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/4750 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “DISABILITY IS AN ART…”: DISABILITY AS DISCOURSE/COUNTER-DISCOURSE by David Adelman Bachelor of Arts University of South Carolina, 2012 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts in Media Arts College of Arts and Sciences University of South Carolina 2018 Accepted by: Heidi Rae Cooley, Director of Thesis Evan Meaney, Reader Mark Cooper, Reader Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by David Adelman, 2018 All Rights Reserved. ii DEDICATION This work is dedicated to my mother, who said I could. And should. iii ACKNOWLEDGEMENTS A task as big as this requires a lot of people. To begin, my thesis committee: Dr. Heidi Rae Cooley, one of the most brilliant people I know and a fantastic mentor among mentors. Evan Meaney, who always indulged me, while also pushing me to be a better artist. No pun intended. A most brilliant “sous chef.” And of course, Dr.