Disability Resources for the Educator
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Arts and Special Education Exemplary Programs and Approaches Introduction
2013 VSA Intersections: Arts and Special Education A Jean Kennedy Smith Arts and Disability Program Exemplary Programs and Approaches Acknowledgments and Credits The John F. Kennedy Center Authors for the Performing Arts Sally Bailey, MFA David M. Rubenstein Chairman Jean B. Crockett, PhD Michael M. Kaiser Rhonda Vieth Fuelberth, PhD President Kim Gavin, MA Darrell M. Ayers Beverly Levett Gerber, EdD Vice President, Education and Jazz Donalyn Heise, EdD Betty R. Siegel Director, VSA and Accessibility Veronica Hicks, MA Lynne Horoschak, MA Editor Sophie Lucido Johnson Sharon M. Malley, EdD Karen T. Keifer-Boyd, PhD Editorial reviewers L. Michelle Kraft, PhD Beverly Levett Gerber, EdD Linda Krakaur, MSt Karen T. Keifer-Boyd, PhD Lynda Ewell Laird, MM Laurie MacGillivray, PhD Alice Hammel, PhD Tim McCarty, MA Barbara Pape, EdM Mark Tomasic, MFA You are welcome to copy and distribute this publication with the following credit: Produced by The John F. Kennedy Center for the Performing Arts, © 2014. The content of this publication, developed under a grant from the U.S. Department of Education, does not necessarily represent the policy of the U.S. Department of Education. You should not as- sume endorsement by the federal government. Contents Introduction 5 Sharon M. Malley, Editor Next Steps: New Research and Teaching Journals 10 at the Intersection of the Arts and Special Education Beverly Levett Gerber, Karen T. Keifer-Boyd, and Jean B. Crockett Exemplary Theatre Practices: Creating Barrier-Free Theatre 25 Sally Bailey Visual Theatre: Building -
Make Your Marketing More Accessible June 20, 2019 Cuyahoga Falls, Ohio
Make Your Marketing More Accessible June 20, 2019 Cuyahoga Falls, Ohio 6/20/2019 VSA Ohio Welcome & Thanks • You • ArtsNow • City of Cuyahoga Falls • Ohio Arts Council 6/20/2019 VSA Ohio Agenda • Tip #1 – get to know your audience • Tip #2 – write an access statement • Tip #3 – audit your outlets • Tip #4 – use images • Tip #5 – adapt your designs • Tip #6 – the digital age • Tip #7 – spread the word • Your Marketing Materials *Ask Questions Any Time 6/20/2019 VSA Ohio Tip #1 Get to Know your Audience 6/20/2019 VSA Ohio Common Disabilities • Vision Loss • Hearing Loss • Mobility disability • Intellectual disability • Developmental disability • Learning disability • Speech / Language disability • Psychological / Emotional • Chronic health issues • Multiple disabilities 6/20/2019 VSA Ohio Vision 6/20/2019 VSA Ohio Mobility 6/20/2019 VSA Ohio Hidden 6/20/2019 VSA Ohio Market Power • Disposable income for working‐age people with disabilities is about $490 Billion. • Discretionary income for working‐age people with disabilities is about $21 Billion. ‐ African Americans ($3 billion); Hispanics ($16 billion) • 66% of consumers will purchase good and services from a business that features people with disability in their advertising. • 78% of consumers will purchase goods and services from a business that takes steps to ensure easy access for people with disabilities. • The market potential is even larger when one considers the friends, family members, caregivers, colleagues, and others who are connected to consumers with disabilities. American Institutes for Research (April 2018) 6/20/2019 VSA Ohio Examples Microsoft – new game control Swiffer – everyday cleaning 6/20/2019 VSA Ohio Partners + People • Involve people with disabilities! • Word of Mouth is Very important • Service Organizations / Providers • Advocacy Groups • County Boards of Disabilities • Get to know your regional partners 6/20/2019 VSA Ohio Tip #2 Write an Access Statement 6/20/2019 VSA Ohio Access Statement • Tell your audiences what / who you stand for. -
Press Release for RELEASE: August 5, 2019
Press Release FOR RELEASE: August 5, 2019 The John F. Kennedy Center for the Performing Arts announces the Leadership Exchange in Arts and Disability (LEAD®) Awards Presented during the 19th Annual Kennedy Center Leadership Exchange in Arts and Disability Conference August 3–7, 2019 in Denver, Colorado Six Emerging Leaders, Four Community Asset Award Recipients, and Two Awards for Excellence in Accessibility Leadership in the Field of Arts and Disability to be Recognized at Awards Ceremony during Conference (WASHINGTON)— The John F. Kennedy Center for the Performing Arts today announced its Leadership Exchange in Arts and Disability (LEAD®) Awards during the 19th annual Kennedy Center LEAD® Conference, August 3-7, 2019, at the History Colorado Center in Denver, Colorado. The LEAD® Awards, presented during the conference, recognize outstanding arts administrators and cultural arts organizations whose leadership and work furthers the field of accessibility. The LEAD® Award for Emerging Leaders was created in 2008 to acknowledge arts administrators who are motivated by the LEAD® conference to become an advocate for accessibility within their own organizations and communities. These individuals have successfully applied what they learned at previous LEAD® conferences to shape opportunities that are inclusive of people with disabilities and older adults in the cultural arts. The 2019 awardees include: Sara Birkofer, Manager of Accessibility and Gallery Programs, Cincinnati Art Museum in Cincinnati, Ohio Kayle Rieger Patton, Education & Accessibility -
Press Release Visual Art Exhibition Featuring 15 Emerging Artists With
Press Release FOR RELEASE: October 10, 2019 Images Located here. presents Visual Art Exhibition featuring 15 Emerging Artists with Disabilities to Tour Nationally, November 2019–September 2020 (WASHINGTON)—VSA, the Kennedy Center’s international organization on arts and disability, will present artwork by 15 emerging young artists with disabilities in a traveling exhibition. Titled Connected, this year-long national tour kicks off in Washington, D.C. at the Rayburn House Office Building on October 22, 2019, and is presented through generous support from Volkswagen Group of America. The 2019 VSA Emerging Young Artists Competition, a Jean Kennedy Smith Arts and Disability Program of the Kennedy Center, drew submissions from talented young artists with disabilities, ages 16-25, from around the U.S. This year’s theme, around which the artists were challenged to create work, asks artists to connect, to span new distances, and to see unexpected relationships. The winners, selected from a pool of hundreds of applicants, were chosen based on the quality of their work, artistic proficiency, and enlightening or compelling interpretations of the theme. “What was the last connection, or disconnection, you made? Was it via a story, idea, or commonality? The ties we experience, whether positive or negative, spark a greater understanding of our connected lives. It can overwhelm or it can create important new discoveries.” said Betty Siegel, Director of VSA and Accessibility of the Kennedy Center. “These young artists have delved into connections in their lives that resonate deeply with their work. It also makes visible what is often overlooked and challenges us to see the world from a different point of view, and through their personal lens. -
Imagining Disability Futurities
This is a repository copy of Imagining Disability Futurities. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/106691/ Version: Accepted Version Article: Liddiard, K. orcid.org/0000-0002-1220-3740 (2016) Imagining Disability Futurities. Hypatia. ISSN 0887-5367 "This is the peer reviewed version of the following article: Liddiard, K (2016) Imagining Disabilities Futurities. Hypatia, which has been published in final form at [Link to final article using the DOI]. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Self-Archiving." Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Title: Imagining Disability Futurities Keywords: temporality; disability futurity; disability arts; activist art; dis-topia Word Count: 7987 To watch the stories presented in our paper, go to https://vimeo.com/album/3853805. Following the prompts, type in the password “futurities.” Please note: these videos are intended for readers only and are not for public screening. -
The Kennedy Center
California State University, San Bernardino CSUSB ScholarWorks Art Education Case Studies Art 11-2016 The Kennedy Center Sylvia Quast Follow this and additional works at: https://scholarworks.lib.csusb.edu/art-edu-study Recommended Citation Quast, Sylvia, "The Kennedy Center" (2016). Art Education Case Studies. 2. https://scholarworks.lib.csusb.edu/art-edu-study/2 This Presentation is brought to you for free and open access by the Art at CSUSB ScholarWorks. It has been accepted for inclusion in Art Education Case Studies by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE KENNEDY CENTER THE INTERNATIONAL ORGANIZATION ON ARTS AND DISABILITY Sylvia Quast https://www.youtube.com/watch?v=fcuh2MH7Jew WHAT IS THE VSA? • VSA- Very Special Arts, an affiliate of the Kennedy Center • The VSA is an international organization with the goal of providing art accessibility to children and adults with disabilities • Founded in 1974, more then 7 million people participate in the program every year • Today there are 36 affiliates in the United States, and 52 international affiliates that provide art education JEAN KENNEDY SMITH “Art is not a luxury, art is central to what makes us fully human” • Founder of VSA • Sister of President F. Kennedy and former U.S. Ambassador to Ireland • Has first-hand knowledge of difficulties that people with disabilities face as her older sister, Rosemary, had an intellectual disability • Believes that every person has the right to artistic pursuit and that -
Early Childhood Building Blocks – Universal Design for Learning
Early Childhood Building Blocks Universal Design for Learning in Early Childhood Inclusive Classrooms Julie Bertling, Merrie Darrah, Diana Lyon, and Sarah Jackson InTroDUCTIon Picture This: Universal Design for Learning in an Inclusive Preschool Today Teresa Parker is planning to talk with the children in her class about different types of vehicles and their uses as a way to introduce new vocabulary and help the children make observations about and comparisons between objects. It is circle time, and the preschool children in Ms. Teresa’s classroom are excited. Children begin to gather on the rug, pull out a pillow to sit on, or sit on their chairs to sing familiar songs together. During “Wheels on the Bus,” they use their homemade plastic egg shakers. They shake down low, up high, side to side, and around in a circle, responding to Ms. Teresa’s instructions and following her cues (moving her shaker in a circle and saying “wheels go round and round” before the verse begins). They read the story Away We Go! by Rebecca Kai Dotlich about different kinds of transportation vehicles. 2 3 4 7 What’s Inside Rationale oRigin of udl UDL Basics challenges udl elements Two children—Jason and Mylee—are seated on inflatable also work in the writing area and the art area to write disc cushions. They use these cushions to help with stories and make pictures of their cars and trucks. They stabilization, muscle control, and balance. The extra can use markers, finger paints, glitter glue, or a computer support helps them participate successfully in the group program to make their picture. -
Fair Housing and Land Use Planning & Regulation in Chittenden County
Fair Housing and Land Use Planning & Regulation in Chittenden County, Vermont A summary of municipal fair housing responsibilities. A review of municipal plans & land-use ordinances and the 2006 Chittenden County Regional Plan. A set of fair housing checklists for municipal officials to use when revising plans & bylaws and when considering taking other actions. December 2008 Developed for: CVOEO Fair Housing Project with a grant from HUD Developed by: Chittenden County Regional Planning Commission (CCRPC) Staff Fair Housing and Land Use Planning & Regulation in Chittenden County, Vermont December 2008 Developed for: CVOEO Fair Housing Project with a grant from HUD Developed by: Chittenden County Regional Planning Commission (CCRPC) Staff A summary of municipal fair housing responsibilities. A review of municipal plans & land-use ordinances and the 2006 Chittenden County Regional Plan. A set of fair housing checklists for municipal officials to use when revising plans & bylaws and when considering taking other actions. The Concept of Fair Housing Fair housing laws are intended to ensure that people have equal access to housing that meets their needs. These laws prevent housing discrimination and enable the people who experience it to seek redress for the wrong done to them. Fair housing laws also protect all property owners and residents from being victimized by destructive discriminatory practices (such as steering potential residents to certain neighborhoods) that all-too-often diminish property values and destroy communities. The federal Fair Housing Act 1 prohibits discrimination based upon race, color, religion, gender, familial status, national origin, or disability in the sale, rental, appraisal, financing, or advertising of housing. -
A National Juried Exhibition of 15 Emerging Young Artists
A NATIONAL JURIED EXHIBITION OF 15 EMERGING YOUNG ARTISTS WITH DISABILITIES COVER IMAGE: Monica Chulewicz I’m Not Here For You To Taunt, 2016 Cyanotype prints on vintage dress (90 in x 35 in) Contents About VSA Emerging Young Arts Program .. 4 Nicholas Fagan ................... 18 Introduction ...................... 5 Benjamin Gibbs .................. 21 Harrison Halker Heinks ............. 22 Artist Biographies Zàira Lee ....................... 25 Monica Chulewicz .................. 6 Jeremie Austin Miller .............. 26 Victoria Dugger .................... 9 Abigail Nash ..................... 29 Kate Pincus-Whitney ............... 10 Alexandra Novess ................. 30 Mara Clawson ................... 13 Alice Shockey ................... 33 Courtney Wynn Cooper ............. 14 Darryl Terrell .................... 34 Christine Driscoll ................. 17 Jury Panel ...................... 36 About VSA Emerging Young Arts Program Since 2002, the Kennedy Center and Volkswagen Group of America have teamed up for the VSA Emerging Young Artists Program, a Jean Kennedy Smith Arts and Disability Program, to recognize and showcase the work of emerging young artists living with disabilities, ages 16-25, who are currently residing in the United States. This collaboration creates opportunities for these artists at a critical time when many are making the life-defining choice to pursue arts-based careers. VSA and Volkswagen are committed to investing in the future of young artists living with disabilities. Every year, hundreds of emerging young artists living with disabilities compete to be included in a curated exhibition, formed around a unique theme. After a rigorous adjudication process, 15 artists are selected to showcase their work and receive: 1) a $20,000 grand prize, a $10,000 first prize award, a $6,000 second prize award, and 12 $2,000 awards of excellence; 2) 3 days of all-expenses paid professional development workshops in Washington, D.C.; and 3) the opportunity to have their work displayed in an exhibition that opens in Washington, D.C. -
From Constitutional Rights to Further Legal Claims
PROTECTION AND LEGAL RIGHTS FOR DISABLED PEOPLE HYPERTEXT FROM CONSTITUTIONAL RIGHTS TO FURTHER LEGAL CLAIMS Edited by Ernesto Stasi Associazione Crescere – Bologna Domenico Posterino Associazione Prader-Willi – Calabria Domenica Taruscio Director of the National Centre for Rare Diseases, Istituto Superiore di Sanità (ISS), Rome With a contribution by: Marta De Santis National Centre for Rare Diseases, Istituto Superiore di Sanità (ISS), Rome Translated by: Mariavittoria Spina Year 11 - Rev. 2019/02 CONTENTS Preface Introductory Note Italian Constitution Health Rights Learning and Education Rights Determining Disability Rights in Work Workers' Rights Mobility Tourism Sport Further Legal Claims and Other Benefits Legal Protection Tax Relief and Benefits Exemptions from Payment Link List to Legislative Provisions Annexes 2 PREFACE In June 2009, the National Centre for Rare Diseases directed by Dr Domenica Taruscio within the ISS (Istituto Superiore di Sanità, the Italian NHS), cooperated with the Associazione Crescere in Bologna (J.D. Ernesto Stasi) and with the Associazione Prader Willi in Calabria (Dr Domenico Posterino) in order to update and enhance the Guide “From Constitutional Rights to Further Legal Claims”, which is edited by Associazione Prader Willi and available for free download in PDF format on the website of the National Centre for Rare Diseases (CNMR): the Associazione Crescere and the Associazione Prader Willi are both non-profit organizations. This starting project led to the issue of a summary guide, which provides hypertext links to legislative provisions and other related documents: is a challenging project which requires constant updating. The hypertext “From Constitutional Rights to Further Legal Claims” is the result of this project in collaboration with the CNMR. -
December 2012 Table of Contents
NEWSLETTER DECEMBER 2012 TABLE OF CONTENTS Table is hyperlinked to each article! WELCOME – by Martyn Sibley ...............................................................................................................................................................................................3 Differently abled through digital art .....................................................................................................................................................................................4 Viewing disability and difference through the eye of a lens ................................................................................................................................................7 Disability art and Turning Points ...........................................................................................................................................................................................9 Accessibility with style .........................................................................................................................................................................................................11 The British Paraorchestra: recruiting new talents ..............................................................................................................................................................13 Q&A with one-handed pianist Nicholas McCarthy .............................................................................................................................................................14 -
DIS STD 187: the Politics of Disability Aesthetics in Visual Culture
DIS STD 187: The Politics of Disability Aesthetics in Visual Culture Disability Studies Minor, Undergraduate Education Initiatives University of California Los Angeles Fall 2016: Wednesdays, 3pm – 5:50pm, MS 5200 COURSE SYLLABUS Instructor: Amanda Cachia E-mail: [email protected] www.amandacachia.com Office hour: Wednesdays, 1:30-2:30pm, Kaufman Room 185 Course website: https://ccle.ucla.edu Course Overview: Inscribed surface, political object, sign, flesh, boundary, matter, cultural product, artistic work—these are some of the many ways that the disabled body has been theorized and imagined in a wide cross-section of critical scholarship and cultural production. This interdisciplinary course seeks to provide a broad overview of the presence of disability and its various manifestations throughout modern day visual culture, with a special emphasis on how disabled artists have offered a revision to the existing negative constructs typically associated with the disabled form. Conventional art history has not typically accounted for intellectually and physically disabled subjects and their accompanying atypical bodies through the art museum and their curated exhibitions, through commercial art galleries and biennials, or the entire exhibition complex structure. A small number of patronizing and demeaning representations have appeared in art genre presentations such as ‘outsider art’ but these derogatory constructs have generally failed to be challenged by art historians, critics, curators and artists. It is important to build a new vocabulary and methodology around disability and access in challenging and stimulating ways, and this class will attempt to find the language to build this framework around how disability might fit into the discourse of visual culture.