religions Article The Carving of Kr.s.n. a’s Legend: North and South, Back and Forth Charlotte Schmid French School of the Far East (École Française d’Extrême-Orient), 75116 Paris, France;
[email protected] Received: 26 June 2020; Accepted: 11 August 2020; Published: 25 August 2020 Abstract: This paper emphasizes the role played by the sculptural tradition in the elaboration of religious narratives that today are mostly studied through texts. It aims to demonstrate that according to the documents we know, the legend of Kr.s.n. a has been built through one continuous dialogue between different media, namely texts and carvings, and different linguistic areas, Indo-Aryan and Dravidian. Taking the motif of the butter theft as a basis, we stress the role played by the sculptural tradition and Tamil poetry, two elements less studied than others, at the foundation of a pan-Indian Kr.s.n. a-oriented heritage. We posit that the iconographic formula of the cowherds’ station as the significant background of the infancy of Kr.s.n. a led to the motif of the young god stealing butter in the texts, through the isolation of one significant element of the early sculpted images. The survey of the available documents leads to the conclusion that, in the southern part of the peninsula, patterns according to which stone carvings were done have been a source of inspiration in Tamil literature. Poets writing in Tamil authors knew texts transmitted in Sanskrit, Prakrit,¯ and Pali,¯ and they certainly had listened to some others to which we have no access today.