Ulla Remmer Schomerus and His Field Research on Tamil Recitation Introduction
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The Dravidian Languages
THE DRAVIDIAN LANGUAGES BHADRIRAJU KRISHNAMURTI The Pitt Building, Trumpington Street, Cambridge, United Kingdom The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011–4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarc´on 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Bhadriraju Krishnamurti 2003 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Times New Roman 9/13 pt System LATEX2ε [TB] A catalogue record for this book is available from the British Library ISBN 0521 77111 0hardback CONTENTS List of illustrations page xi List of tables xii Preface xv Acknowledgements xviii Note on transliteration and symbols xx List of abbreviations xxiii 1 Introduction 1.1 The name Dravidian 1 1.2 Dravidians: prehistory and culture 2 1.3 The Dravidian languages as a family 16 1.4 Names of languages, geographical distribution and demographic details 19 1.5 Typological features of the Dravidian languages 27 1.6 Dravidian studies, past and present 30 1.7 Dravidian and Indo-Aryan 35 1.8 Affinity between Dravidian and languages outside India 43 2 Phonology: descriptive 2.1 Introduction 48 2.2 Vowels 49 2.3 Consonants 52 2.4 Suprasegmental features 58 2.5 Sandhi or morphophonemics 60 Appendix. Phonemic inventories of individual languages 61 3 The writing systems of the major literary languages 3.1 Origins 78 3.2 Telugu–Kannada. -
GRAMMAR of OLD TAMIL for STUDENTS 1 St Edition Eva Wilden
GRAMMAR OF OLD TAMIL FOR STUDENTS 1 st Edition Eva Wilden To cite this version: Eva Wilden. GRAMMAR OF OLD TAMIL FOR STUDENTS 1 st Edition. Eva Wilden. Institut français de Pondichéry; École française d’Extrême-Orient, 137, 2018, Collection Indologie. halshs- 01892342v2 HAL Id: halshs-01892342 https://halshs.archives-ouvertes.fr/halshs-01892342v2 Submitted on 24 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. GRAMMAR OF OLD TAMIL FOR STUDENTS 1st Edition L’Institut Français de Pondichéry (IFP), UMIFRE 21 CNRS-MAE, est un établissement à autonomie financière sous la double tutelle du Ministère des Affaires Etrangères (MAE) et du Centre National de la Recherche Scientifique (CNRS). Il est partie intégrante du réseau des 27 centres de recherche de ce Ministère. Avec le Centre de Sciences Humaines (CSH) à New Delhi, il forme l’USR 3330 du CNRS « Savoirs et Mondes Indiens ». Il remplit des missions de recherche, d’expertise et de formation en Sciences Humaines et Sociales et en Écologie dans le Sud et le Sud- est asiatiques. Il s’intéresse particulièrement aux savoirs et patrimoines culturels indiens (langue et littérature sanskrites, histoire des religions, études tamoules…), aux dynamiques sociales contemporaines, et aux ecosystèmes naturels de l’Inde du Sud. -
Unit 1 Sangam Literature: an Introduction
UNIT 1 SANGAM LITERATURE: AN INTRODUCTION Structure 1.0 Objectives 1.1 Introduction 1.2 Early Sangam Literature 1.3 Tamil Poetics & Sanskrit Poetics 1.4 Themes in Tamil Poetry as per Sangam Poetics 1.5 Jainism and the Self in Cilappatikaran 1.6 Locating the Cilappatikaran 1.7 Let Us Sum Up 1.8 Questions 1.0 OBJECTIVES In this unit we will look at what Sangam Literature is as most of us would not really be aware of it. We may know about the Ramayana and the Mahabharata but may not be aware of the Literature from the South of our country. We also need to have some understanding of this classical literary tradition from the south as the epic under consideration is an ancient Tamil epic belonging to the Sangam Period. We will trace the growth and development of Sangam Literature and then locate the epic under consideration Cilappatikaran. 1.1 INTRODUCTION Indian Literature is a vast area comprising numerous diverse traditions which resulted in a vast and a complex literature in the last 3500 years. Every part of India has produced classical literature in various Indian languages. The literature produced in ancient India includes the Vedic corpus along with the Puranas, the Jain agamas and traditions and the vast literature produced during the Buddhist period which incorporates writings across Asia. The south of India has 4 major languages namely Tamil, Kannada, Malayalam and Telugu. All of them are classical languages with a robust literary tradition and Tamil literary history is of nearly two millennia. Sangam Literature also spelled cankam/ chankam/shangam according to the Encyclopaedia Britannica, refers to a body of ancient Tamil writings probably produced during the “chankams/ literary academies located in Maturai, Tamil Nadu from the 4th to the 1st Century”. -
List of Participants
List of participants T.V. Gopal Iyer (Ti. V¹. Kºpàlaiyar) (b. 1925) has qualified himself for the Panditam title of the Madurai Tamil Sangam, Vidwan title, B.O.L. degree and B.O.L. (Hon.) degree of the University of Madras, has served as professor of Tamil in oriental Colleges for a period of 15 years, has edited Ilakkaõa Viëakkam (eight volumes, 1971-1973), Ilakkaõak Kottu (1973) and Prayºka Viv¹kam (1973), with elaborate self-sufficient notes for the research students, has been serving as a research scholar in EFEO Pondicherry since November 1978, has brought a (pre-)critical1 edition of T¹vàram (1984-1985), has prepared a grammatical lexicon of Tamil dealing with all the branches of Tamil Grammar, has prepared the press copy of MàŸa− Akapporuë and Tiruppatikkºvai with the new commentary written by him and with all the necessary notes, has prepared for a new edition of MàŸa− Alaïkàram and Vãracº×iyam in the same way, has prepared a Tamil version of the old maõipravàëam commentary of the six books by Tirumaïkai â×vàr, and now is preparing the two books Tolkàppiyam, E×uttatikàram—Nacci−àrkki−iyam, and Tolkàppiyam, Collatikàram—Nacci−àrkki−iyam, removing all sorts of mistakes found in the previous editions and supplying them with all the necessary notes for understanding them easily. R. E. Asher (b. 1926) is Professor Emeritus of Linguistics at the University of Edinburgh, where he also served as Vice-Principal. He holds the degrees of B.A. and Ph.D. in French of the University of London and a D.Litt. -
Poetics of Place in Early Tamil Literature by Vangal N Muthukumar
Poetics of place in early Tamil literature by Vangal N Muthukumar A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in South and Southeast Asian Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor George L. Hart, Chair Professor Munis D. Faruqui Professor Robert P. Goldman Professor Bonnie C. Wade Fall 2011 Poetics of place in early Tamil literature Copyright 2011 by Vangal N Muthukumar 1 Abstract Poetics of place in early Tamil literature by Vangal N Muthukumar Doctor of Philosophy in South and Southeast Asian Studies University of California, Berkeley Professor George L. Hart, Chair In this dissertation, I discuss some representations of place in early (ca. 100 CE - 300 CE) Tamil poetry collectively called caṅkam literature. While previous research has emphasized the im- portance of place as landscape imagery in these poems, it has seldom gone beyond treating landscape / place as symbolic of human emotionality. I argue that this approach does not ad- dress the variety in the representation of place seen in this literature. To address this the- oretical deficiency, I study place in caṅkam poetry as having definite ontological value and something which is immediately cognized by the senses of human perception. Drawing from a range of texts, I will argue that in these poems, the experience of place emerges in a di- alogic between the human self and place - a dialogic which brings together sensory experi- ence, perception, memory, and various socio-cultural patterns; place, in these poems, is not as much an objective geographical entity as it is the process of perception itself. -
The Deviant Loves of Classical Tamil Love Poetry
Int.J.Eng.Lang.Lit&Trans.StudiesINTERNATIONAL JOURNAL OF ENGLISH LANGUAGE, Vol.3.Issue. LITERATURE 2.2016 (Apr-Jun) AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in KY PUBLICATIONS RESEARCH ARTICLE ARTICLE Vol. 3. Issue.2.,2016 (April-June ) THE DEVIANT LOVES OF CLASSICAL TAMIL LOVE POETRY Dr M NAZIR ALI Associate Professor of English, Kanchi Mamunivar Centre for PG Studies, Puducherry ABSTRACT The Tamil concept of love is broadly divided into three categories: kaikkilai, aintinai and peruntinai. This division has been done by Tolkappiar, author of Tolkappiam, considered to be the founding text for the whole of classical Tamil literature, popularly known as Sangam Literature. This article focuses on kaikkilai, the one-sided love and peruntinai, the mismatched love. It ponders over the marginality of these two aspects of love and explores whether any ulterior motive lurks behind the marginalisation of these akam aspects and the canonisation of the aintinai aspects Dr M NAZIR ALI and reaches the conclusion that there is a measure of politics at play in this hierarchisation. It supports this conclusion not only from evidence borrowed from studies carried out in the past but also the findings from contemporary research. It tries to envision the kind of Tamil literature which would have evolved had these impulses been allowed to take their natural course. Key words: kaikkilai, peruntinai, akam, matal, tinai, carnivalesque ©KY PUBLICATIONS INTRODUCTION There are five aspects of love in Classical Tamil Love Poetry, which, for the sake of brevity, we shall call “akam” poetry. -
The Carving of Kṛṣṇa's Legend
religions Article The Carving of Kr.s.n. a’s Legend: North and South, Back and Forth Charlotte Schmid French School of the Far East (École Française d’Extrême-Orient), 75116 Paris, France; [email protected] Received: 26 June 2020; Accepted: 11 August 2020; Published: 25 August 2020 Abstract: This paper emphasizes the role played by the sculptural tradition in the elaboration of religious narratives that today are mostly studied through texts. It aims to demonstrate that according to the documents we know, the legend of Kr.s.n. a has been built through one continuous dialogue between different media, namely texts and carvings, and different linguistic areas, Indo-Aryan and Dravidian. Taking the motif of the butter theft as a basis, we stress the role played by the sculptural tradition and Tamil poetry, two elements less studied than others, at the foundation of a pan-Indian Kr.s.n. a-oriented heritage. We posit that the iconographic formula of the cowherds’ station as the significant background of the infancy of Kr.s.n. a led to the motif of the young god stealing butter in the texts, through the isolation of one significant element of the early sculpted images. The survey of the available documents leads to the conclusion that, in the southern part of the peninsula, patterns according to which stone carvings were done have been a source of inspiration in Tamil literature. Poets writing in Tamil authors knew texts transmitted in Sanskrit, Prakrit,¯ and Pali,¯ and they certainly had listened to some others to which we have no access today. -
There Are Literary, Archaeological, Epigraphic and Numismatic Sources of Ancient Tamil History
HISTORY OF KONGUNADU UPTO 1800 AD UNIT1: SOURCES: There are literary, archaeological, epigraphic and numismatic sources of ancient Tamil history. The foremost among these sources is the Sangam literature, generally dated to 5th century BCE to 3rd century CE. The poems in Sangam literature contain vivid descriptions of the different aspects of life and society in Tamilakam during this age; scholars agree that, for the most part, these are reliable accounts. Greek and Roman literature, around the dawn of the Christian era, give details of the maritime trade between Tamilakam and the Roman empire, including the names and locations of many ports on both coasts of the Tamil country. Archaeological excavations of several sites in Tamil Nadu and Kerala have yielded remnants from the Sangam era, such as different kinds of pottery, pottery with inscriptions, imported ceramic ware, industrial objects, brick structures and spinning whorls. Techniques such as stratigraphy and paleography have helped establish the date of these items to the Sangam era. The excavated artifacts have provided evidence for existence of different economic activities mentioned in Sangam literature such as agriculture, weaving, smithy, gem cutting, building construction, pearl fishing and painting. Inscriptions found on caves and pottery are another source for studying the history of Tamilakam. Writings in Tamil-Brahmi script have been found in many locations in Kerala, Tamil Nadu, Sri Lanka and also in Egypt and Thailand.[1] mostly recording grants made by the kings and chieftains. References are also made to other aspects of the Sangam society. Coins issued by the Tamil kings of this age have been recovered from river beds and urban centers of their kingdoms. -
Some Thoughts on Dravidian-Turkic-Sanskrit Lexical Comparisons *
Türkbilig, 2012/24: 41-76. SOME THOUGHTS ON DRAVIDIAN-TURKIC-SANSKRIT LEXICAL COMPARISONS * José Andrés ALONSO DE LA FUENTE* Abstract: The main goal of this paper is to analyze a specific group of Turkic lexical items whose historical destiny has been recently tied to the Dravidian languages. Overall, it is unclear how these lexical items should be dealt with, since authors supporting this borrowing route offer no clear picture of the exact nature of the historical setting. In this paper I hope to demonstrate that there is no such thing as Dravidian-Turkic direct contacts. Instead, more conventional borrowing routes, well-known in the specialized literature, might account for the majority of examples brought into discussion. Several other instances, however, must be regarded as cases that arise due to chance similarity. The bulk of evidence relies on both (pre)history and (historical) linguistics. Keywords: historical & comparative linguistics, language contact, historical populations, etymology, Dravidian & Turkic languages. Dravid Dilleri, Türkçe Ve Sanskritçe Sözlüksel KarúÕlaútÕrmalar Üzerine Düúünceler Özet: Bu yazÕnÕn temel amacÕ yakÕn zamanda Dravidçe ile iliúkilendirilmiú olan bir grup Türkçe sözcü÷ü çözümlemektir. Böyle bir ödünçleme yolunu savunan araútÕrmacÕlar tarihi ortamÕn gerçek yapÕsÕ ile ilgili yeterince açÕklayÕcÕ olmadÕklarÕ için bu ba÷lantÕlarÕn nasÕl kuruldu÷u belirli de÷ildir. Bu makalede Dravidçe ve Türkçe arasÕnda do÷rudan temasÕn / etkileúimin olmadÕ÷ÕnÕ göstermeyi umut ediyorum. Bunun yerine, ilgili yazÕnda iyi bilinen daha geleneksel ödünçleme yollarÕ tartÕúÕlan örnekleri açÕklayabilir. Ancak di÷er örnekler rastlantÕsal benzerli÷e dayalÕ olarak ortaya çÕkan durumlar olarak görülebilir. KanÕtlarÕn yada bulgularÕn ço÷u hem tarihe (tarih- öncesine) hem de dilbilime (tarihsel dilbilime) dayanmaktadÕr. -
Eva Maria Wilden Manuscript, Print and Memory Studies in Manuscript Cultures
Eva Maria Wilden Manuscript, Print and Memory Studies in Manuscript Cultures Edited by Michael Friedrich Harunaga Isaacson Jörg B. Quenzer Volume 3 Eva Maria Wilden Manuscript, Print and Memory Relics of the Caṅkam in Tamilnadu ISBN 978-3-11-034089-1 e-ISBN 978-3-11-035276-4 e-ISBN (EPUB) 978-3-11-038779-7 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2014 Walter de Gruyter GmbH, Berlin/München/Boston Typesetting: Dörlemann Satz, Lemförde Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com To the memory of T. V. Gopal Iyer and T. S. Gangadharan, men of deep learning and dedication, two in the long line of Tamil Brahmin scholars and teachers Preface After more than ten years of searching, digitising and editing manuscripts the series of critical editions published by the Caṅkam project of the École Fran- çaise d’Extrême Orient in Pondicherry is now complemented by an introductory volume of historical studies into the transmission of the texts and their witnesses. A three-years stay, from July 2008 to June 2011, in the Hamburg Research Group entitled “Textual Variance in Dependence on the Medium”, graciously funded by the German Research Association, enabled me to win the necessary distance from my ongoing labour in the jungle of actual textual variation to try to give an outline of the larger picture for one instance of a phenomenon known in cultural history, namely the formation, deformation and reformation of a literary canon over a period of almost two thousand years. -
Aryan and Non-Aryan Names in Vedic India. Data for the Linguistic Situation, C
Michael Witzel, Harvard University Aryan and non-Aryan Names in Vedic India. Data for the linguistic situation, c. 1900-500 B.C.. § 1. Introduction To describe and interpret the linguistic situation in Northern India1 in the second and the early first millennium B.C. is a difficult undertaking. We cannot yet read and interpret the Indus script with any degree of certainty, and we do not even know the language(s) underlying these inscriptions. Consequently, we can use only data from * archaeology, which provides, by now, a host of data; however, they are often ambiguous as to the social and, by their very nature, as to the linguistic nature of their bearers; * testimony of the Vedic texts , which are restricted, for the most part, to just one of the several groups of people that inhabited Northern India. But it is precisely the linguistic facts which often provide the only independent measure to localize and date the texts; * the testimony of the languages that have been spoken in South Asia for the past four thousand years and have left traces in the older texts. Apart from Vedic Skt., such sources are scarce for the older periods, i.e. the 2 millennia B.C. However, scholarly attention is too much focused on the early Vedic texts and on archaeology. Early Buddhist sources from the end of the first millennium B.C., as well as early Jaina sources and the Epics (with still undetermined dates of their various strata) must be compared as well, though with caution. The amount of attention paid to Vedic Skt. -
Cankam Time Article
Asian Literature and Translation ISSN 2051-5863 https://doi.org/10.18573/alt.32 Vol 5, No. 1, 2018, 104-126 The Phenomenology of Time in Classical Tamil Poetry Gardner Harris Date Accepted: 01/03/18 This work is licensed under a Creative Commons Attribution 4.0 International License (CC-BY). https://creativecommons.org/licenses/by/4.0/©Gardner Harris Asian Literature and Translation Vol 5, No. 1, 2018 104-126 The Phenomenology of Time in Classical Tamil Poetry Abstract This essay explores the ways in which the human experience of time is articulated in the akam or love genre of caṅkam or classical Tamil poetry (ca. 100 BCE-450 CE). In particular, it focuses on the use of images from five landscapes (tiṇai) of the Tamil countryside to convey the impact emotion has on the phenomenological experience of time. I argue that the images used in the poems of this highly conventionalized genre express an experience of time that is either protracted, compressed, or somewhere in between depending on the emotional wellbeing of the heroine. The translations and discussion of six poems posit the notion that akam poetry is as much about the experience of time as it is about the experience of emotion, as they are not entirely distinct. Scholarship on the akam (“inside”) or love genre of caṅkam or classical Tamil poetry (ca. 100 BCE- 450 CE) has focused primarily on a scene’s spatial organization. The poets used images of flora and fauna from five Tamil regions or landscapes (tiṇai) as a “comparison by means of a hidden meaning” (uḷḷuṟai-y-uvamam) to convey different emotional contexts (tiṇai).1 The analyses of this important and unique poetic system have highlighted the subtle, indirect ways in which early Tamil poets conveyed meaning.2 What is largely absent from these studies, however, is an analysis of a scene’s temporal organization.