Institutul Limbii Române 20Deanidetradiție
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Die Zeitgenössischen Literaturen Südosteuropas
Südosteuropa - Jahrbuch ∙ Band 11 (eBook - Digi20-Retro) Hans Hartl (Hrsg.) Die zeitgenössischen Literaturen Südosteuropas Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. Hans Hartl - 978-3-95479-722-6 Downloaded from PubFactory at 01/11/2019 10:04:40AM via free access 00063162 SÜDOSTEUROPA-JAHRBUCH Im Namen defSüdosteuropa-Gesellschaft herausgegeben von WALTER ALTHAMMER 11. Band Die zeitgenössischen Literaturen Südosteuropas 18. Internationale Hochschulwoche der Südosteuropa-Gesellschaft 3.—7. Oktober 1977 in Tutzing Selbstverlag der Südosteuropa-Gesellschaft München 1978 Hans Hartl - 978-3-95479-722-6 Downloaded from PubFactory at 01/11/2019 10:04:40AM via free access REDAKTION: Hans Hartl, München Bayerische Staatsbibliothek München Druck: Josef Jägerhuber, Starnberg Hans Hartl - 978-3-95479-722-6 Downloaded from PubFactory at 01/11/2019 10:04:40AM via free access INHALT Walter Althammer: Vorwort III EINFÜHRUNG Reinhard Lauer: Typologische Aspekte der Literaturen Südosteuropas........................................1 JUGOSLAWIEN Jože Pogačnik: Die Literaturen Jugoslawiens -
Vatra Veche 8, 2019
8 Români din toate ţă rile, uni ţi-vă! Lunar de cultur ă * Serie veche nou ă* Anul XI, nr. 8 (128) august 2019 *ISSN 2066-0952 VATRA, Foaie ilustrat ă pentru familie (1894) *Fondatori I. Slavici, I. L. Caragiale, G. Co şbuc VATRA, 1971 *Redactor-şef fondator Romulus Guga* VATRA VECHE, 2009, Redactor-şef Nicolae B ăciu ţ _____________________________________________________________________________________________ _______________________________________________________________________________ INSCRIP ȚIE Tot ce se poate-nțelege E f ără speran ță și lege Și cre ște dospind din eres Tot ce e f ără-nțeles. ANA BLANDIANA Marcel Lup șe, Buzduganul florilor de in _____________________________________________________________________________________________________________________ Inscrip ție, de Ana Blandiana/1 Vatra veche dialog cu Ana Blandiana, de Nicolae B ăciu ț/3 Cununa de Aur a Serilor de Poezie de la Struga, de Nicolae Băciu ț/4 Cuvântul de acceptare al laureatului, de Ana Blandiana,/5 Cununa de Aur, 2019, de Nicolae Băciu ț/5 Eseu. Staulul Miori ței, de A.I. Brumaru/6 Mai altfel, despre Veronica Micle, de Dumitru Hurubă/ 9 Eminescum, de Răzvan Ducan/10 Remember -30. N. Steinhardt, de Veronica Pavel Lerner/11 Poeme de Dumitru Ichim/12 Ognean Stamboliev, Premiul pentru traducerea lui Eminescu/12 Elisabeta Bo țan, Premiul European Clemente Rebora 2018- 2019/12 Să ne reamintim de… Valentin Silvestru, de Dumitru Hurub ă/13 Coresponden ţa lui Dimitrie Stelaru, de Gheorghe Sar ău/14 Inedit. Blestemul chinezesc, de Francisc P ăcurariu/15 Vremea întreb ărilor (Octavian Paler), de Nicolae Postolache/17 Text și context în diarismul românesc (Eugen Simion), de Florian Copcea/20 Poeme de Tania Nicolescu/23 Scrisori deschise, de Constantin Stancu/24 Ochean întors. -
Adamescu Gh. Dicționar Istoric-Geografic. Vol. I
' , DICTIONARUL ENCICLOPEDIC ILUSTRAT CARTEA ROMANEASCA" 4,1 PARTEA I -. DICTIONARUL LIMBII ROMANE DIN TRECUT SI DE ASTAZI DE 2 LAUREL CANDREA PROFESOR LA FACULTATEA DE LITERE DIN BUCURESTI .r` 1 PARTEA II . DICTIONARUL ISTORIC SI GEOGRAFIC UNIVERSAL DE GH. ADAMESCU PROFESOR, MEMBRU CORESPONDENT AL ACADEMIEI ROMANE EDITURA CARTEA ROMANEASCA" S. A.- BLICURESTI BULEVARDLIL REGELE CAROL I,No. 3-5 (lost Academies) V www.dacoromanica.ro DICTIONAR 1STORIC-GEOGRAFIC DE GH. ADAMESCU MEMBRU CORESPONDENT AL ACADEMIEI ROMANE. Gh. Adamescu.Diclionar Enciclopedic Ilustrat. 1.473 93 www.dacoromanica.ro ABREVIATIU NI all. = altitudine. pros. = provincie. a. Chr. = lnainte de Hristos. presc. = prescurtare. bis. = biserica. p. Chr. = dupo. Hristos. baln. = balneara. reg. = regiune. cam. = comuna. resed. = resedintd. corn. urb. = comund urbanti. rom. = romand, romaneste, romanesc. corn. rur. = comund rurala. st. c.f. = statie de cale ferata. corn. r. = idem. supr. = suprafatii. c. r. = idem. f. a. = si altele. cap. = capital.. sec. = secolul. cap. = capital (la ba.nci.). st. baln. = statiune balneard. col. = colectie. S. = Sud. ca. (pus inaintea unui numkr) = circa = aproape suburb. = suburban. (and nu avem siguranta). S.-E. = Sud-Est. circ. corn. = circurnscriptie comunala. urb. = urban. urbanii. c.I. = cale ferata. urm. = urmd.tor. col. = colonel. V. = Vest. ed. = editie. Semnele 0 0 arad localitatile diferite cari E. --- Est. poarta acelasi nume $i se glisesc In acelasi all- fluviu. neat. Uneori se Intrebuinteaze si pentru mai ft. = frantmzeste, francez, francezd. multe persoane cu acelas nume. jud. = judet. pus inaintea unei date arata ce e anul nas- jd. = judet. km. = kilometru. terii unei persoane. km. p. = kilometru patrat. t pus asemenea area ca e anul mortis. -
Costin Petrescu La New York: În Slujba Patriei Şi a Artei (Ii)∗
COSTIN PETRESCU LA NEW YORK: ÎN SLUJBA PATRIEI ŞI A ARTEI (II)∗ de EDUARD ANDREI Abstract. This article focuses on an yet unknown chapter of the life and work of the Romanian painter Costin Petrescu (1872–1954); based on unpublished documents from Romanian and American archives, very little, or not at all researched by specialists, it analyses the time spent by the Romanian painter in the U.S. He traveled to New York (November 1919–March 1920), on the official mission of supervising the printing of the new Romanian paper currency, designed by himself, at the American Bank Note Company. After the 1918 Union, monetary unification became a priority of the new Romanian Government. During his stay in New York, Costin Petrescu met a number of outstanding personalities of the Romanian diaspora of the time, such as the professor, writer and journalist Leon Feraru, as well as remarkable members of the New York intellectual and art scene, among which the poet Edwin Markham and the writer and art connoisseur Jeanne Robert Foster, whose portraits he painted, or William Henry Fox, then Director of the Brooklyn Museum, with whom he planned an ample exhibition of Romanian art in the U.S. After his return to Bucharest, Costin Petrescu continued to work on this project, proven by his meeting with Stewart Culin, the curator of the Brooklyn Museum, who traveled to Bucharest. Although, eventually, the exhibition did not materialize, all of these emphasize Costin Petrescu’s profound commitment and loyalty to his country and his engagement with promoting Romanian art, and Romania, in the U.S., at the highest levels. -
Post-Communist Romania
Political Science • Eastern Europe Carey Edited by Henry F. Carey Foreword by Norman Manea “Henry Carey’s collection captures with great precision the complex, contradic- tory reality of contemporary Romania. Bringing together Romanian, West European, and American authors from fields as diverse as anthropology, politi- Romania cal science, economics, law, print and broadcast journalism, social work, and lit- ROMANIA SINCE 1989 erature, the volume covers vast ground, but with striking detail and scholarship and a common core approach. Romania since 1989 provides perhaps the most comprehensive view of the continuing, murky, contested reality that is Romania today and is a must read for any scholar of modern Romania, of East-Central Europe, and of the uncertain, troubled, post-socialist era.” since 1989 —David A. Kideckel, Central Connecticut State University Sorin Antohi “The wealth of detail and quality of insights will make this an excellent source- Wally Bacon book for students of political change after the Cold War. It should be taken seri- Gabriel Ba˘ descu ously by policy practitioners increasingly involved with Romania’s problems.” Zoltan Barany —Tom Gallagher, Professor of Peace Studies, Bradford University, U.K. Politics, Jóhanna Kristín Birnir Larry S. Bush Those who study Romania must confront the theoretical challenges posed by a Economics, Pavel Câmpeanu country that is undergoing a profound transformation from a repressive totali- Henry F. Carey tarian regime to a hazy and as yet unrealized democratic government. The most and Society Daniel Da˘ ianu comprehensive survey of Romanian politics and society ever published abroad, Dennis Deletant this volume represents an effort to collect and analyze data on the complex prob- Christopher Eisterhold lems of Romania’s past and its transition into an uncertain future. -
TURCUȘ, VERONICA 400088, Cluj-Napoca Institutul De Istorie „George Barițiu” Din Email: [email protected] Cluj-Napoca Al Academiei Române
Str. M. Kogălniceanu nr. 12-14 TURCUȘ, VERONICA 400088, Cluj-Napoca Institutul de Istorie „George Barițiu” din email: [email protected] Cluj-Napoca al Academiei Române STUDII Studii primare (1980-1984), la Şcoala de Aplicaţie a Liceului Pedagogic şi la Şcoala Generală nr. 18 din Cluj-Napoca și gimnaziale (1984-1988), la aceeași Şcoală Generală nr. 18. Studiile liceale urmate în perioada 1988-1992 la Liceul de Matematică-Fizică nr. 1 (astăzi Liceul Teoretic "Lucian Blaga") din Cluj-Napoca. Examenul de Bacalaureat susţinut în iunie 1992 la Liceul "Lucian Blaga" din Cluj-Napoca. Şefă de promoţie pe liceu (1992). Studii universitare în Istorie la Facultatea de Istorie şi Filosofie a Universităţii "Babeş- Bolyai" Cluj-Napoca (1992-1997). Examenul de Licenţă susţinut în iunie 1997 cu lucrarea Bibliografia istorică româno-italiană (Bibliografie selectivă). Evoluţia publicaţiilor româno- italiene până în 1996 (publicată în acelaşi an la Presa Universitară Clujeană, Cluj-Napoca, I-II, 806 p.). Şefă de promoţie a Secţiei de Istorie a Universităţii “Babeş-Bolyai” din Cluj-Napoca (1997). Studii doctorale la Scuola Normale Superiore di Pisa (Italia), Classe di Lettere e Filosofia (1 ianuarie 1999 – 31 decembrie 2001). În perioada respectivă a susţinut la Scuola Normale Superiore di Pisa seminariile L’abbazia cistercense transilvana di Cârţa: descrizione architettonica e problemi di cronologia (24 noiembrie 1999), Il monastero cistercense di Cârţa e il suo influsso sull’architettura duecentesca transilvana. Identità degli “ateliers” oppure il ripetersi del modello ad opera di maestranze locali (15 noiembrie 2000) şi L’interpretazione della lettura architettonica dell’abbazia cistercense transilvana di Cârţa: carattere renano, formule centro-europee oppure influsso francese o borgognone diretto? (27 martie 2001), iar la Università degli Studi di Pisa, Facoltà di Lettere e Filosofia, Dipartimento di Medievistica a susţinut conferinţa ştiinţifică Architettura cistercense in Transilvania medievale (Pisa, 15 martie 2000). -
Henry Marcus
CORESPONDENȚA Enric Furtună ‐ Henry Marcus Transcriere, editare, note şi introducere de Mihaela Gligor Presa Universitară Clujeană 2020 Coperta: plicul unei scrisori destinate lui Henry Marcus, păstrat în Dosarul P 78, The Central Archives for the History of the Jewish People, Jerusalem, Israel Copyright © The Central Archives for the History of the Jewish People, Jerusalem, Israel ISBN 978‐606‐37‐0769‐8 © 2020 Editorul volumului. Toate drepturile rezervate. Reproducerea integrală sau parţială a textului, prin orice mijloace, fără acordul editorului, este interzisă şi se pedep‐ seşte conform legii. Universitatea Babeş‐Bolyai Presa Universitară Clujeană Director: Codruţa Săcelean Str. Hasdeu nr. 51 400371 Cluj‐Napoca, România Tel./fax: (+40)‐264‐597.401 E‐mail: [email protected] http://www.editura.ubbcluj.ro/ Să-ți mai spun că literatura românească de după 23 august 1944 cunoaște o înflorire remarcabilă în ceea ce privește mai cu seamă poezia și nuvela, dar că nici drama și nici critica literară nu au a se plânge... În toate aceste domenii literare, evreii dau o contribuție ce trece de procentajul de 50%, cu deosebire în poezie și teatru. Enric Furtună către Henry Marcus, București, 25.I.1954 Numele de „evreu român“, atât de compromis de afaceriștii care au precedat ultima imigrație, este reabilitat în Israel. Henry Marcus către Enric Furtună, Ierusalim, 22 mai 1956 Introducere Enric Furtună, pe numele său adevărat Henric Pekelman, s-a născut în 1881 la Botoșani, din părinți veniți de la Cernăuți. La vârsta de cinci ani se mută la Iași, unde termină gimnaziul și se înscrie la Liceul Național. Acolo îl cunoaște și se împrietenește cu Mihail Sadoveanu, care îi va rămâne un prieten devotat toată viața. -
Prose, Poetry & Essay
Prose, Poetry & Essay New Romanian Titles Translation Alistair Ian Blyth Freeze‑frame COSMIN CIOTLOȘ This catalogue contains a sample of Romanian literature from the last two years. More than a collection of books or, even less so, authors, it is an assemblage of sensibilities. Selecting from a large number of published works, I asked myself whether it would pro‑ vide a representative image. In other words, whether it would pro‑ vide an interested (non‑Romanian) audience a conclusive outline of an organic and highly active intellectual medium. I therefore tried to forget that I myself was part of that same system and that in writ‑ ing literary criticism I myself possessed a clear picture of the topog‑ raphy of Romanian literature today, with all my natural likes and dislikes. I ignored predetermined strategic calculations and only at the very end, when the whole map was ready, did I subject it to anal‑ ysis. I was thereby able to conclude that an equitable distribution had been made. There are authors here whose names internation‑ ally well known, having been translated by major publishers and won high‑profile awards, and there are authors who are more unfa‑ miliar, at the beginning of their careers, but who hold out the prom‑ ise of solid bodies of work. Likewise, the selection includes authors of widely varying biological and literary ages. Some of them, who emerged in the 1960s, are true living classics, who lay down stylistic laws and act as masters to their younger apprentices. The majority, of course, sprouted in the nursery of the so‑called “eighties generation,” which represented a turning point in Romanian literary awareness. -
Archive 2012
Volume 19 CUPRINS / TABLE OF CONTENTS 2012 ALLRO TIME AND LITERATURE Openings /8 MARCEL CORNIS-POPE – AUTHOR-READER INTERACTIONS IN THE AGE OF HYPERTEXTUAL AND MULTIMEDIA COMMUNICATION / 9 Time and Literature- Visions and Alienations /23 IULIAN BOLDEA - MIHAI EMINESCU: TIMP, POEZIE, VIS/MIHAI EMINESCU: TIME, POETRY, DREAM / 24 ION SIMUŢ – SENTIMENTUL TIMPULUI ÎN PROZA NATURISTĂ A LUI MIHAIL SADOVEANU /TIME PERCEPTION IN MIHAIL SADOVEANU’S WRITINGS ABOUT NATURE /34 MARIUS MIHEŢ- BACOVIA- A POET’S LATE TIME / 45 MAGDALENA INDRIEȘ - LE JEU DES TEMPS DANS « NAISSANCE DE L’ODYSSEE » /GAME OF TIMES IN « NAISSANCE DE L’ODYSSEE » / 48 IOANA ALEXANDRESCU - EN LA PENUMBRA DE JUAN BENET : RETRATO TEMPORAL / EN LA PENUMBRA by BENET : A PORTRAYAL OF TENSES/56 ADINA BANDICI- TIME AND NARRATIVE IN VIRGINIA WOOLF’S MRS. DALLOWAY / 68 LIDIA GHIULAI - OCTAVIAN PALER – INNER JOURNEYS, TRAVELING IN TIME / 81 DANA SALA – THE EBBS OF WATER-TIME INTERACTIONS IN ALEXANDRU VLAD ’S NOVEL “PLOILE AMARE” (BITTER RAINS) / 88 Times and Taste(s) in Fiction /92 MAGDA DANCIU & DELIA RADU - WAYS OF READING FOOD TODAY: THE SCOTTISH WHODUNITS / 93 ANEMONA ALB - GASTRONOMY AND POWER IN JEANETTE WINTERSON’S “THE PASSION / 102 Classics and moderns/111 NAGY LEVENTE- LE „TRIPLEX CONFINIUM.” LE ROLE DE LUIGI FERDINANDO MARSILI DANS L'ETABLISSEMENT DE LA FRONTIERE ENTRE LA MOLDAVIE, LA VALACHIE ET LA TRANSYLVANIE APRES LA PAIX DE KARLOWITZ / THE "TRIPLEX CONFINIUM". MARSILI’S ROLE IN REMAPPING AFTER THE PEACE OF KARLOWITZ/ 112 IOAN DERŞIDAN - THE SCHOOLMASTER DELIVERED TO HIS -
Praga KATALOG.Indd
en stěží by si bylo možné představit Slovo úvodem vhodnější prostředí pro dosud největší slovinskou literární prezentaci v zahraničí, než které nabízí rok od roku lepší a ži- vější pražský knižní veletrh: literární a kulturní styky mezi Slovinskem a Českem jsou silné již po staletí. Největší slovinský básník France Prešeren (1800-1849) ve své poeziiJ popisuje krásu děvčete z Brna; básník, prozaik a průkopník slovinské literární vědy Fran Levstik (1831–1887) navštěvoval seminář v Olomouci až do té doby, kdy ho musel opustit kvůli označení jeho první básnické sbírky z nemorálnosti. Drama nejvýznamnějšího slovinského prozaika a dramatika Ivana Cankara (1876-1918) Za narodov blagor (Pro blaho národa), knižně vydáno roku 1901, bylo hráno nejprve v Praze, roku 2005 uplyne od zinscenování přesně 100 let. Nejpřekládanější slovinský román, roku 1938 vydaný Alamut Vladimira Bartola (1903-1967), byl krátce po slovinském vydání přeložen do češtiny, téměř o padesát let později, v osmdesátých letech, se díky francouzskému a španělskému překladu začal tento příběh o náboženském fanatismu šířit po celém světě. Literární historik Oton Ber- kopec (1906-1988), jenž většinu svého života prožil v Praze, se ve čtyřicátých letech postaral o dvě antologie slovinské poezie v češtině, které jsou prvními obsáhlejšími prezentacemi slovinské literatury v cizím jazyce. Slovinsko-české literární styky pokračují až do dnešní doby. Nejvíce titulů slovinské literatury je (kromě chorvatštiny) přeloženo do češtiny: v posledním desetiletí vychází průměrně pět knih slovin- ských autorů ročně. Od vyhlášení samostatnosti roku 1991 se slovinská literatura stále více uplatňuje ve světě; v různých překladech vyšly knihy více než šedesáti současných autorů. Tomaž Šalamun, Drago Jančar a Aleš Debeljak mají každý přes třicet přeložených knih; všichni také přijedou do Prahy, kromě nich i brilantní básnířka a protagonistka své poezie Svetlana Makarovič a Dane Zajc, který značně ovlivnil všechny mladší básnické generace, a přes dvacet jiných, doma i v zahraničí uznávaných spiso- vatelů. -
Overview Partners of the Project Read Me I Am Yours
Call for Applications for the EMERGING WRITER ON TOUR for the year 2019 and 2020 organized by the Vilenica International Literary Festival in co- operation with the Festival of World Literature and Cúirt International Festival of Literature within the project Read Me I am Yours Overview The project Read Me I am Yours is an joint endeavour of 3 eminent literary manifestations with an aim of promoting European literature, coming from lesser known and used linguistic areas. The partners in the project are organisations that run renowned literary festivals from different parts of Europe representing the lesser-spoken European languages: Mednarodni literarni festival Vilenica / Vilenica International Literary Festival organized by the Slovene Writers’ Association from Slovenia, Cúirt International Festival of Literature / Cúirt Idirnáisiúnta Litríochta organized by the Galway Arts Centre from Ireland, and Festival svjetske književnosti / Festival of World Literature organized by the Fraktura publishing house from Croatia. Due to the location, all 3 partners share a certain common historical, social and political experience that make them unique at the European level. Feeling that we, the countries of the so called European periphery, have much to offer to the centre, we want to turn the European focus towards its different edges, where the literatures of smaller nations, regions and minorities coexist, and so do the larger groups that, despite the high quality of their writing, are under-represented in the body of literary and cultural field. The overall aim of the project Read Me I am Yours is to promote cross-cultural understanding and encourage intercultural dialogue - both among literary cultures that come from lesser-used European languages and larger linguistic areas, as well as with the countries outside Europe - and exchange by stimulating the mobility of authors, publishers, translators, literary agents, and other cultural mediators as well as workers in the cultural industry. -
The Roulette
GABRIEL ANDREESCU THE ROULETTE ROMANIANS AND HUNGARIANS, 1991-2000 1 IN PLACE OF A PREFACE, OR “THE RUSSIAN ROULETTE” October 2, 1998: I was in Budapest for an international seminar organized as a part of the Royaumont process1 under the auspices of the Lambrakis Foundation and the Council of Europe. The seminar would eventually turn out to be a site of tough debates between the few of us who thought that in order to achieve stability in the Balkans the states in the region had to openly acknowledge the errors of their past policies on national and religious minorities, and the representatives of international organizations, safe in their cushy jobs and supported by an army of opportunists (some of which had penetrated even the NGOs). Nevertheless, I remember the elaboration of resolutions, the battle for their adoption, the statements and discourses pouring out from one side or the other as a passionate confrontation in a world governed by interests but fortunately also by rules. On that day of October 2, 1998, I was roaming the streets of the Hungarian capital together with Anna Nagy, assistant to the Romanian head of the Department for the Protection of National Minorities. We were waiting for a fax. We had learned the day before of the dramatic government session held during the night between September 30 and October 1. In a moment of inspiration, minister Gyorgy Tokay had proposed, at about 2 o’clock in the morning, the establishment of a bilingual university (later known as the Petöffi-Schiller University). Imaginative and possessed of a great sense of crisis-management, Tokay had found a compromise solution.