Uchinaa-Yamatoguchi Yet Another Endangered Variety on Okinawa?
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On Translation a Short Introduction to the Japanese Language Will
On Translation A short introduction to the Japanese language will illustrate the kind of difficulties one encounters in translating Japanese into the European languages, and vice versa. Linguistically, Japanese is an isolated language. It has no relation to Chinese. It must have had some relation to Korean, another isolated language, but the two went into different directions thousands of years ago. Some linguists claim that the Japanese language, along with the Korean, belongs to the Ural-Altaic family, yet the claim remains hypothetical. The Japanese language features some characteristics that would seem most strange to those who are only familiar with the European languages. For example, a grammatical subject is unnecessary in Japanese to construct a grammatically complete sentence. “淋しい” (Sabishii) means (someone is) lonely. It is a complete sentence, but there is no subject. The sentence may mean ‘I’m lonely,’ ‘you are lonely,’ ‘he/she is lonely,’ ‘the rock is lonely,’ ‘all human beings are lonely,’ etc, depending on the context. It may furthermore refer to a vague sense of loneliness which needn’t be specified. It is true that in some European languages, such as Italian, a grammatically complete sentence is possible without a named subject. But the subject can always be determined by the inflection of the verb (and often also by the changes in the articles, adjectives and nouns): “Sono sola,” “Sei solo.” A Japanese sentence may be very long and still be without a subject. Tale of Genji , for instance, might contain a sequence of three long sentences without subjects, yet in each a different subject would be implied. -
Uhm Phd 9506222 R.Pdf
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UM! films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent UJWD the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adverselyaffect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-band comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms tnternauonat A Bell & Howell tntorrnatron Company 300 North Zeeb Road. Ann Arbor. M148106-1346 USA 313/761-4700 800:521·0600 Order Number 9506222 The linguistic and psycholinguistic nature of kanji: Do kanji represent and trigger only meanings? Matsunaga, Sachiko, Ph.D. University of Hawaii, 1994 Copyright @1994 by Matsunaga, Sachiko. -
=SAMPLE= U.S.A., Three Okinawan Karatedoka Moved to the Mainland
=SAMPLE= ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ TRACING KARATEDO’S NAME In its earliest stages, the martial art we know as Karate was called “Ti” ( 手 ---pronounced “Tea” in the Okinawan language, Japanese pronounce it “Te”).------------------------------------- -------------------------------- Now I must introduce one Karatedoka whose name is Kanga Sakugawa, also called “Tudi” (唐手) Sakugawa----------------------------------------- Its Kanji “ 唐手” which began to be pronounced as “Karate” later,-------------------- ------------------ KENTSU YABU (9/23/1866-8/27/1937) AND U.S.A. In 1921, Kentsu Yabu was the first person recognized as a Karatedoka in Okinawa to visit America. Yabu had another distinctive “first” in his life. Rikugun Kyododan (12/1871- 11/1899---Army Instructor Teams) educated non-commissioned officers for the Japanese military.------------------------------- ---------------- Ironically, his first son, Kenden Yabu (1888- 1939), was a person to become a conscientious objector. As a result, Kentsu and Kenden had a very difficult time communicating. Kenden had two younger brothers, Kenyu and Kenshin. Kenden’s solution was to go to America to find a better environment.------- ----------------------------------------When Yabu went to the U.S.A., three Okinawan Karatedoka moved to the mainland of Japan within a few years. It became important to Karatedo history later. They were Choki Motobu who moved to Osaka in 1921, Gichin Funakoshi to Tokyo in 1922, and Kanbun Uechi to Wakayama in 1924. THE HISTORY OF KARATEDO IN JAPAN Gichin Funakoshi gave a Karate demonstration (Kusanku-Dai) in Kyoto, Japan, in 1916 with Shinko Matayoshi (page 197), who demonstrated weapons (Tonfa and Kama).-------------------- Later, Kano invited Funakoshi, on behalf of “the Japanese government, to give a demonstration in the first Kobudo Taiiku Tenrankai” (Kobudo Physical Education Exhibition---May 4 - 6, 1922). -
Establishing Okinawan Heritage Language Education
Establishing Okinawan heritage language education ESTABLISHING OKINAWAN HERITAGE LANGUAGE EDUCATION Patrick HEINRICH (University of Duisburg-Essen) ABSTRACT In spite of Okinawan language endangerment, heritage language educa- tion for Okinawan has still to be established as a planned and purposeful endeavour. The present paper discusses the prerequisites and objectives of Okinawan Heritage Language (OHL) education.1 It examines language attitudes towards Okinawan, discusses possibilities and constraints un- derlying its curriculum design, and suggests research which is necessary for successfully establishing OHL education. The following results are presented. Language attitudes reveal broad support for establishing Ok- inawan heritage language education. A curriculum for OHL must consid- er the constraints arising from the present language situation, as well as language attitudes towards Okinawan. Research necessary for the estab- lishment of OHL can largely draw from existing approaches to foreign language education. The paper argues that establishment of OHL educa- tion should start with research and the creation of emancipative ideas on what Okinawan ought to be in the future – in particular which societal functions it ought to fulfil. A curriculum for OHL could be established by following the user profiles and levels of linguistic proficiency of the Common European Framework of Reference for Languages. 1 This paper specifically treats the language of Okinawa Island only. Other languages of the Ryukyuan language family such as the languages of Amami, Miyako, Yaeyama and Yonaguni are not considered here. The present paper draws on research conducted in 2005 in Okinawa. Research was supported by a Japanese Society for the Promotion of Science fellowship which is gratefully acknowledged here. -
NOT WRITING AS a KEY FACTOR in LANGUAGE ENDANGERMENT: the CASE of the RYUKYU ISLANDS Patrick Heinrich Dokkyo University, Tokyo
NOT WRITING AS A KEY FACTOR IN LANGUAGE ENDANGERMENT: THE CASE OF THE RYUKYU ISLANDS Patrick Heinrich Dokkyo University, Tokyo Abstract: Language shift differs from case to case. Yet, specifi c types of language shift can be identifi ed. Language shift in the Ryukyu Islands is caused by the socioeconomic changes resulting from the transition from the dynastic realms of the Ryukyu Kingdom and the Tokugawa Shogunate to the modern Meiji state. We call the scenario of shift after the transition from a dynastic realm to a modern state ‘type III’ language shift here. In type III, one language adopts specifi c new functions, which undermine the utility of other local or ethnic languages. The dominance of one language over others hinges, amongst other things, on the extent to which a written tradition existed or not. In the Ryukyu Kingdom, Chinese and Japanese were employed as the main languages of writing. The lack of a writing tradition paved the way for the Ryukyuan languages to be declared dialects of the written language, that is, of Japanese. Such assessment of Ryukyuan language status was fi rst put forth by mainland bureaucrats and later rationalized by Japanese national linguistics. Such a proceeding is an example of what Heinz Kloss calls near-dialectization. In order to undo the effects thereof, language activists are turning to writing in order to lay claim to their view that the endangered Ryukyuan Abstand languages be recognized as languages. Key words: Ryukyuan languages, language shift theory, writing, language adaptation, language revitalization INTRODUCTION The Ryukyuan languages have rarely been written in their history. -
K=O0 I. SONG- Part I INTRODUCTORY ESSAYS Mitsugu Sakihara
~1ASAT6 . MAISt;1 -- 1DMO¥ffiHI -KUROKAWA MINJ!K=o0 I. SONG- Part I INTRODUCTORY ESSAYS Mitsugu Sakihara Ryukyuan Resources at the University of Hawaii Okinawan Studies in the United St9-tes During the 1970s RYUKYUAN RESOURCES AT THE UNIVERSITY OF HAWAII Introduction The resources for Ryukyuan studies at the University of Hawaii, reportedly the best outside of Japan, have attracted many scholars from Japan and other countries to Hawaii for research. For such study Ryukyu: A Bibliographical Guide to Okinawan Studies (1963) and Ryukyuan Research Resources at the University of Hawaii (1965), both by the late Dr. Shunzo Sakamaki, have served as the best intro duction. However, both books have long been out of print and are not now generally available. According to Ryukyuan Research Resources at the University of Hawaii, as of 1965, holdings totalled 4,197 titles including 3,594 titles of books and documents and 603 titles on microfilm. Annual additions for the past fifteen years, however, have increased the number considerably. The nucleus of the holdings is the Hawley Collection, supplemented by the books personally donated by Dro Shunzo Sakamaki, the Satsuma Collection, and recent acquisitions by the University of Hawaii. The total should be well over 5,000 titles. Hawley Collection The Hawley Collection represents the lifetime work of Mr. Frank Hawley, an English journalist and a well-known bibliophile who resided in Japan for more than 30 yearso When Hawley passed away in the winter of 1961 in Kyoto, Dr. Sakamaki, who happened 1 utsu no shi oyobi jo" [Song to chastize Ryukyu with preface], com posed by Priest Nanpo with the intention of justifying the expedition against Ryukyu in 1609 and of stimulating the morale of the troops. -
Characteristics of Developmental Dyslexia in Japanese Kana: From
al Ab gic no lo rm o a h l i c t y i e s s Ogawa et al., J Psychol Abnorm Child 2014, 3:3 P i Journal of Psychological Abnormalities n f o C l DOI: 10.4172/2329-9525.1000126 h a i n l d ISSN:r 2329-9525 r u e o n J in Children Research Article Open Access Characteristics of Developmental Dyslexia in Japanese Kana: from the Viewpoint of the Japanese Feature Shino Ogawa1*, Miwa Fukushima-Murata2, Namiko Kubo-Kawai3, Tomoko Asai4, Hiroko Taniai5 and Nobuo Masataka6 1Graduate School of Medicine, Kyoto University, Kyoto, Japan 2Research Center for Advanced Science and Technology, the University of Tokyo, Tokyo, Japan 3Faculty of Psychology, Aichi Shukutoku University, Aichi, Japan 4Nagoya City Child Welfare Center, Aichi, Japan 5Department of Pediatrics, Nagoya Central Care Center for Disabled Children, Aichi, Japan 6Section of Cognition and Learning, Primate Research Institute, Kyoto University, Aichi, Japan Abstract This study identified the individual differences in the effects of Japanese Dyslexia. The participants consisted of 12 Japanese children who had difficulties in reading and writing Japanese and were suspected of having developmental disorders. A test battery was created on the basis of the characteristics of the Japanese language to examine Kana’s orthography-to-phonology mapping and target four cognitive skills: analysis of phonological structure, letter-to-sound conversion, visual information processing, and eye–hand coordination. An examination of the individual ability levels for these four elements revealed that reading and writing difficulties are not caused by a single disability, but by a combination of factors. -
Japanese Language and Culture
NIHONGO History of Japanese Language Many linguistic experts have found that there is no specific evidence linking Japanese to a single family of language. The most prominent theory says that it stems from the Altaic family(Korean, Mongolian, Tungusic, Turkish) The transition from old Japanese to Modern Japanese took place from about the 12th century to the 16th century. Sentence Structure Japanese: Tanaka-san ga piza o tabemasu. (Subject) (Object) (Verb) 田中さんが ピザを 食べます。 English: Mr. Tanaka eats a pizza. (Subject) (Verb) (Object) Where is the subject? I go to Tokyo. Japanese translation: (私が)東京に行きます。 [Watashi ga] Toukyou ni ikimasu. (Lit. Going to Tokyo.) “I” or “We” are often omitted. Hiragana, Katakana & Kanji Three types of characters are used in Japanese: Hiragana, Katakana & Kanji(Chinese characters). Mr. Tanaka goes to Canada: 田中さんはカナダに行きます [kanji][hiragana][kataka na][hiragana][kanji] [hiragana]b Two Speech Styles Distal-Style: Semi-Polite style, can be used to anyone other than family members/close friends. Direct-Style: Casual & blunt, can be used among family members and friends. In-Group/Out-Group Semi-Polite Style for Out-Group/Strangers I/We Direct-Style for Me/Us Polite Expressions Distal-Style: 1. Regular Speech 2. Ikimasu(he/I go) Honorific Speech 3. Irasshaimasu(he goes) Humble Speech Mairimasu(I/We go) Siblings: Age Matters Older Brother & Older Sister Ani & Ane 兄 と 姉 Younger Brother & Younger Sister Otooto & Imooto 弟 と 妹 My Family/Your Family My father: chichi父 Your father: otoosan My mother: haha母 お父さん My older brother: ani Your mother: okaasan お母さん Your older brother: oniisanお兄 兄 さん My older sister: ane姉 Your older sister: oneesan My younger brother: お姉さ otooto弟 ん Your younger brother: My younger sister: otootosan弟さん imooto妹 Your younger sister: imootosan 妹さん Boy Speech & Girl Speech blunt polite I/Me = watashi, boku, ore, I/Me = watashi, washi watakushi I am going = Boku iku.僕行 I am going = Watashi iku く。 wa. -
Recontextualizing Eisa-: Transformations in Religious, Competition, Festival and Tourism Contexts1
9 Recontextualizing Eisa-: Transformations in Religious, Competition, Festival and Tourism Contexts1 Henry Johnson ❖ isā is a dance with accompanying music that has a recognized tradi- E tional context in an annual Okinawan Buddhist ritual. In many con- texts it has dynamic body movements, percussive accompaniment and colourful costuming, which provide a decidedly visible and audible spec- tacle through performance (Plate 22). Eisā can include lines of drummer- dancers who often perform stylized movements in an almost acrobatic way; its drums provide a percussive thundering of sound; its string instruments generate a characteristically Okinawan syncopated soundscape; and its cos- tuming includes bright colours on quasi-trad itional attire that is designed to catch the eye. Eisā provides a highly choreographed display of move- ment, sound and sight with dancer-musicians displaying a distinct emblem of local culture that has captured the local and national imagination. It is not only a dance form through which aspects of Okinawan culture are per- formed, but also one that represents part of the complexity of Japanese identity. Over the last half century, however, eisā has been recontextualized in competition, festival and tourist contexts. While focusing on these con- texts and the processes of cultural transformation, a study of this particu- lar performing art in its traditional and contemporary settings can provide insight into Okinawan identity construction. The specific ethnographic focus of this study is Okinawa, one of Japan’s southwest islands (Ryūkyū rettō or Nansei shotō). The term ‘Okinawa’ Recontextualizing Eisa¯ 197 has several identities (Plate 23). It is a Japanese prefecture of 161 sub- tropical islands;2 it is the largest island of that prefecture; it is a city on that island; and it was once part of the Ryūkyū Kingdom – in this dis- cussion the term ‘Okinawa’ refers primarily to the island unless otherwise indicated. -
Paantu: Visiting Deities, Ritual, and Heritage in Shimajiri, Miyako Island, Japan
PAANTU: VISITING DEITIES, RITUAL, AND HERITAGE IN SHIMAJIRI, MIYAKO ISLAND, JAPAN Katharine R. M. Schramm Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of Folklore & Ethnomusicology Indiana University December 2016 1 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee ________________________ Michael Dylan Foster, PhD Chair ________________________ Jason Baird Jackson, PhD ________________________ Henry Glassie, PhD ________________________ Michiko Suzuki, PhD May 23, 2016 ii Copyright © 2016 Katharine R. M. Schramm iii For all my teachers iv Acknowledgments When you study islands you find that no island is just an island, after all. In likewise fashion, the process of doing this research has reaffirmed my confidence that no person is an island either. We’re all more like aquapelagic assemblages… in short, this research would not have been possible without institutional, departmental, familial, and personal support. I owe a great debt of gratitude to the following people and institutions for helping this work come to fruition. My research was made possible by a grant from the Japan Foundation, which accommodated changes in my research schedule and provided generous support for myself and my family in the field. I also thank Professor Akamine Masanobu at the University of the Ryukyus who made my institutional connection to Okinawa possible and provided me with valuable guidance, library access, and my first taste of local ritual life. Each member of my committee has given me crucial guidance and support at different phases of my graduate career, and I am grateful for their insights, mentorship, and encouragement. -
The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan
The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan by Sumi Cho A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2014 Doctoral Committee: Professor Jennifer E. Robertson, Chair Professor Kelly Askew Professor Gillian Feeley-Harnik Professor Markus Nornes © Sumi Cho All rights reserved 2014 For My Family ii Acknowledgments First of all, I would like to thank my advisor and dissertation chair, Professor Jennifer Robertson for her guidance, patience, and feedback throughout my long years as a PhD student. Her firm but caring guidance led me through hard times, and made this project see its completion. Her knowledge, professionalism, devotion, and insights have always been inspirations for me, which I hope I can emulate in my own work and teaching in the future. I also would like to thank Professors Gillian Feeley-Harnik and Kelly Askew for their academic and personal support for many years; they understood my challenges in creating a balance between family and work, and shared many insights from their firsthand experiences. I also thank Gillian for her constant and detailed writing advice through several semesters in her ethnolab workshop. I also am grateful to Professor Abé Markus Nornes for insightful comments and warm encouragement during my writing process. I appreciate teaching from professors Bruce Mannheim, the late Fernando Coronil, Damani Partridge, Gayle Rubin, Miriam Ticktin, Tom Trautmann, and Russell Bernard during my coursework period, which helped my research project to take shape in various ways. -
The Cambridge Companion to Modern Japanese Culture Edited by Yoshio Sugimoto Index More Information
Cambridge University Press 978-0-521-88047-3 — The Cambridge Companion to Modern Japanese Culture Edited by Yoshio Sugimoto Index More Information Index 1955 system 116, 168 anti-Americanism 347 anti-authoritarianism 167 Abe, Kazushige 204–6 anti-globalisation protests 342–3 Abe, Shinzo¯ 59, 167, 172, 176, 347 anti-Japanese sentiment abortion 79–80, 87 in China 346–7 ‘Act for the Promotion of Ainu Culture & in South Korea 345, 347 Dissemination of Knowledge Regarding Aoyama, Nanae 203 Ainu Traditions’ 72 art-tested civility 170 aged care 77, 79, 89, 136–7, 228–9 Asada, Zennosuke 186 ageing population 123, 140 Asian identity 175–6, 214 participation in sporting activities 227–8 asobi (play) 218 aidagara (betweeness) 49 Astro Boy (Tetsuwan Atomu) 243 Ainu language 71–2 audio-visual companies, export strategies Ainu people 362 banning of traditional practices 71 definition of 72 Balint, Michael 51 discrimination against 23 Benedict, Ruth 41 homeland 71 birthrate 81–5, 87, 140, 333–4 as hunters and meat eaters 304 Bon festival 221 overview 183 brain drain 144 Akitsuki, Risu 245 ‘bubble economy’ 118 All Romance Incident 189 Buddha (manga) 246 amae 41–2, 50–1 Buddhism 57, 59, 136 Amami dialects 63 background 149 Amami Islands 63 disassociation from Shinto under Meiji Amebic (novel) 209 152–6 The Anatomy of Dependence 40 effects of disassociation 153, 155–6 ancestor veneration 160–1 moral codes embodied in practice anime 15, 236 157 anime industry problems in the study of 151–2 criticisms of 237–8 as a rational philosophy 154 cultural erasure