DOCSLIB.ORG

Vogov.Io Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vogov.Io Contents WHITE PAPER Blockchain penetrates deeper VERSION 1.1 August 7, 2018 www.vogov.io Contents Introduction 3 Background 5 Fan Engagement 5 Ease of Purchase 5 Cryptocurrency Acceptance and Business Usage 7 Extended Cryptocurrency Billing 8 Low Fees 9 Anonymity 10 Market Cap 10 OGO coin: Token Economy 12 Triple Token Value 13 Token Demand Generation 15 Limited Supply 15 Burn Mechanism 16 Partnerships 17 Liquidity Pool 18 VogoV: A Decentralized Adult Film Studio 20 Gonzo 20 Interactiveness, Decentralization and Voting 21 OgoShift: An Adult-Industry Сryptocurrency Infrastructure 25 Wallet 26 Merchant Account 27 Marketplace 29 Exchange 30 Crowdsale Conditions and Terms 31 Token and Crowdsale Details 31 Crowdsale Rounds Difference 32 Crowdsale Bonuses 34 Token Distribution 35 Crowdsale Success and Project Implementation 36 Roadmap 37 Advisors 39 Team 40 Conclusion 43 Disclaimer 44 Introduction Blockchain technology and cryptocurrency has created a signifcant worldwide technological shift that has also affected the adult entertainment industry. VogoV is taking advantage of this technological shift and the limited competition in the open market to create a practical token ecosystem combining the adult entertainment industry and cryptocurrency. We are changing the way the adult entertainment industry utilizes and interacts with cryptocurrency, starting with its acceptance and business usage and ending up with the non-technological value that a token may bring. At present, most adult businesses only utilize cryptocurrency as an alternative payment method. We believe that cryptocurrency can be used for much more. VogoV plans to embark on a grand experiment to investigate how willing the adult entertainment industry is to accept and work within the blockchain environment. We aim to apply the blockchain philosophy of decentralization to our business model in the form of a decentralized interactive adult flm studio located in Los Angeles, California. In addition, we will contribute to the cryptocurrency space and to adult communities by developing a new payment infrastructure called OgoShift, which is specifcally tailored to the adult entertainment businesses and to its customers’ needs. The cryptocurrency, designated “OGO coin” is an anonymous coin that individuals can use to purchase goods and services from the adult entertainment industry. But the coin provides much more utility than just being a payment method. Our goal is for OGO coin to be the way in which token holders can become actively involved in the adult entertainment industry. Individuals who purchase OGO coin, VogoV’s token, will gain fnancial benefts by getting a discount when buying membership access to VogoV’s high-quality adult flm video library and to the video libraries of our partners, such as TeenMegaWorld and TmwVRnet. By using OGO coin to pay for their membership, token holders will pay three times less than they would if they were using fat currency. This means that if a membership were to cost US$21 in fat currency, it would only cost US$7 in our cryptocurrency. 3 Introduction In addition to enjoying a fnancial advantage, token holders will also be able to vote on a variety of issues related to content production within VogoV.com as well as gain exclusive access to special offers. The community of token holders will be able to take part in the creation of content by helping to decide on scripts, scenarios, actors and actresses etc. Token holders will also be able to enjoy the convenience of using and trading cryptocurrencies that are accepted as payment for goods and services within the adult entertainment industry. VogoV is holding a Pre-Token Sale from August 21 to 31, 2018. The frst round of the Token Sale will be held from September 26 to November 14, 2018 and the second round of the Token Sale will be held from January 26 to March 14, 2019 or until the hard cap has been reached. During these sales, individuals who purchase VogoV service-use tokens can use them to get immediate access to the following member zones and libraries: VogoV TeenMegaWorld TmwVRnet 2 Videos 5 000+ Videos 160+ VR Videos Our crowdsale is not a goal in itself. It is a tool to help us attain our goals of developing a decentralized interactive adult flm studio, developing a new cryptocurrency payment infrastructure for the adult entertainment industry and issuing a unifed industry cryptocurrency. We plan on using the crowdsale to achieve the big-picture goal of cryptocurrency proliferation and usage simplifcation within the industry. 4 Background The adult entertainment industry has always taken advantage of technological advancements, and cryptocurrency is an innovation that has the potential to have a profound effect on the industry. The current adult entertainment industry is faced with a number of issues. Cryptocurrency and blockchain technology can offer a number of solutions to these issues that are affecting the growth and expansion of the adult entertainment industry. Fan Engagement The end users of the goods and services within the adult entertainment industry rarely get to be involved in decision- making. By allowing token holders to vote on how the VogoV adult flm studio actually operates, these token holders will develop a sense of engagement with the industry. As users feel more engaged in the process, people will feel more connected to the industry. As more people express an interest in becoming involved with the industry, both the industry’s proft levels and the coin’s utility value will increase. By opening video production operations to users through the voting process, the community can ensure that they get the content that they want. This will help industry proft levels since users are more likely to purchase goods and services if they can get exactly what they are looking for. Ease of Purchase At times, it can be difcult to make a purchase within the adult entertainment industry. Users need to search online for the goods they want to purchase, fnd the appropriate website with the best price, and then enter their credit card number to make the purchase. This will then be recorded on their credit card bill and in the credit card company’s records. 5 Background Even if they are using cryptocurrency to remain anonymous, it can still be a convoluted process. They need to go to an exchange, purchase the cryptocurrency that is needed (often frst buying a popular currency and exchanging that for the required currency), then either send that cryptocurrency to their personal wallet or leave it in the exchange wallet. This process can be both confusing and time consuming. After this, they need to go back to the original website (where they want to purchase an item) and send the cryptocurrency from their individual or exchange wallet to the website. They will also need to pay fees at each step of the process. At any point along this process, users can change their minds and decide to not make a purchase. VogoV is addressing this issue. Not only will it issue an individual cryptocurrency (OGO coin), but it will also develop a payment infrastructure comprising a marketplace, an exchange, a wallet, and a merchant account. The marketplace will be a “one-stop shop” where people can easily access goods and services from the adult entertainment industry. The exchange will allow people to buy and sell required cryptocurrencies. The merchant account will enable a seller to accept cryptocurrency. The wallet is the core of the infrastructure and connects all these solutions into a single system. As the marketplace and use of cryptocurrency within the industry continue to grow, more businesses will be inclined to join the marketplace. This will increase access to the industry and also grow the utility value of the individual cryptocurrency. This in turn will attract more consumers to the marketplace and the exchange. VogoV plans on connecting the marketplace and the exchange through a single common wallet. This means that people can use their platform wallet regardless of whether they are in the marketplace or in the exchange. This will make it easier to buy and sell goods and services. Users can search the marketplace for goods and services, and once they have found what they are looking for, they can easily buy the items. 6 Background The businesses using our merchant account will be able to place a payment button on their website. With a click on the button, customers will be able to pay with the cryptocurrencies they have. With a few optional clicks, customers can register and gain access to automatically generated wallets, which will provide the customers with a quick and easy way to buy any cryptocurrency and to pay with any cryptocurrency. The easier it is for a person to make a purchase, the more likely that person is to actually make a purchase. Cryptocurrency Acceptance and Business Usage There are only a few industries that accept cryptocurrencies, and there is no single approach to the legal aspects of cryptocurrency and its regulation. In most cases, it is considered a medium of exchange rather than a legitimate payment method. For these reasons, cryptocurrency acceptance and business usage is limited in more conventional sectors. Businesses operating in gray areas are more open to using cryptocurrency since they are used to resorting to “workarounds” that may not be completely legal in order to get paid. Most adult entertainment businesses operate in legal gray areas. According to our ongoing market research, we have already found that more than 470 established porn websites, 50 webcams, and 35 sex shops around the globe accept cryptocurrencies, although they mainly only accept Bitcoin. To give a sense of scale, these porn websites get over 4.6 billion visits a month compared to the 2.4 billion visits monthly to PornHub.
Load more

Recommended publications
  • Tariff Item / Numéro Tarifaire 9899.00.00 Obscenity and Hate Propaganda Obscénité Et Propagande Haineuse Quarterly List of Ad
    Canada Border Agence des services Services Agency frontaliers du Canada Tariff Item / Numéro tarifaire 9899.00.00 Obscenity and Hate Propaganda Obscénité et propagande haineuse Quarterly List of Admissible and Prohibited Titles Liste trimestrielle des titres admissibles et prohibés April to June 2010 / Avril à juin 2010 Prepared by / Préparé par : Prohibited Importations Unit, HQ L’Unité des importations prohibées, AC Quarterly List of Admissible and Prohibited Titles Liste trimestrielle des titres admissibles et prohibés Tariff item 9899.00.00 Numéro tarifaire 9899.00.00 April 1st to June 30th, 2010 1er avril au 30 juin 2010 This report contains a list of titles reviewed by the Prohibited Le rapport ci-joint contient une liste des titres examinés par Importations Unit (PIU), Border Programs Directorate, at l’Unité des importations prohibées (l’UIP), Direction des Headquarters in Ottawa, during the period April 1st to programmes frontaliers, à l’Administration centrale à Ottawa, er June 30th, 2010. Titles for which a determination was entre le 1 avril et le 30 juin 2010. Les titres pour rendered in accordance with section 58 of the Customs Act, or lesquels une décision a été rendue conformément à re-determined as per sections 59 and 60 of the Customs Act, l’article 58 de la Loi sur les douanes ou pour lesquels une during the stated period are listed, along with the related révision a été faite conformément aux articles 59 et 60 de la decision. Titles are categorized by commodity and listed Loi sur les douanes, durant la période en question, sont alphabetically. Where applicable, additional bibliographical indiqués, ainsi que la décision connexe.
    [Show full text]
  • Download File
    A Monster for Our Times: Reading Sade across the Centuries Matthew Bridge Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Matthew Bridge All Rights Reserved ABSTRACT A Monster for Our Times: Reading Sade across the Centuries Matthew Bridge This doctoral dissertation looks at several readings and interpretations of the works of the Marquis de Sade, from the eighteenth century to the present. Ever since he was imprisoned under the Old Regime following highly publicized instances of physical and sexual abuse, Sade has remained a controversial figure who has been both condemned as a dangerous criminal and celebrated as an icon for artistic freedom. The most enduring aspect of his legacy has been a vast collection of obscene publications, characterized by detailed descriptions of sexual torture and murder, along with philosophical diatribes that offer theoretical justifications for the atrocities. Not surprisingly, Sade’s works have been subject to censorship almost from the beginning, leading to the author’s imprisonment under Napoleon and to the eventual trials of his mid-twentieth-century publishers in France and Japan. The following pages examine the reception of Sade’s works in relation to the legal concept of obscenity, which provides a consistent framework for textual interpretation from the 1790s to the present. I begin with a prelude discussing the 1956 trial of Jean-Jacques Pauvert, in order to situate the remainder of the dissertation within the context of how readers approached a body of work as quintessentially obscene as that of Sade.
    [Show full text]
  • CATHERINE BREILLAT, 1999) REVIEWS/INTERVIEWS from Radio National with Michael Cathcart
    1 CMS 4320 Women and Film Bonner ROMANCE (CATHERINE BREILLAT, 1999) REVIEWS/INTERVIEWS from Radio National with Michael Cathcart [Transcript from broadcast interview on Australian Public Radio] Catherine Breillat is one of France most interesting female film makers and quite a phenomenon. She's a best selling French novelist as well as a film maker. Romance is her sixth and latest film and it reveals sexuality from a completely female point of view. A woman's account of her own feelings, it's an unflinching depiction of various sexual experiences. Marie, the heroine whose husband refuses to have sex with her, sets out on her own journey for sexual satisfaction - and transcendence. The film has been controversial since it was screened last year at European film festivals. Yet it's been released around the world... in Great Britain, Ireland, Turkey and New Zealand. And yes, it will be released soon in Australia although it nearly did not make it. The Office of Film and Literature Classification had refused to classify the film... Its potential Australian distributor, with the suitable ironic name of Potential Films, appealed the ban, which was overturned on the 28th of January 2000. Catherine Breillat spoke to Arts Today's Rhiannon Brown when she brought Romance here last year for the Melbourne Film Festival. Rhiannon Brown: The central character in your film Romance is Marie, a young woman outraged by a society where sex has always been male and romance has always been female. She's in a relationship with Paul, her model boyfriend, who won't make love to her preferring to hide himself amongst his crisp, white sheets watching gymnastics on the television.
    [Show full text]
  • Porn Star, Vivid Entertainment Group Best Actor – Video
    Nominations for 2004 AVN Awards Show Best Film Compulsion, Elegant Angel Productions Heart of Darkness, Vivid Entertainment Group Heaven's Revenge, Vivid Entertainment Group Looking In, Vivid Entertainment Group Snakeskin, Erotic Angel Sordid, Vivid Entertainment Group Best Video Feature Acid Dreams, Private North America Barbara Broadcast Too!, VCA Pictures Beautiful, Wicked Pictures Improper Conduct, Wicked Pictures Little Runaway, Multimedia Pictures Magic Sex, Simon Wolf Productions New Wave Hookers 7, VCA Pictures No Limits, Digital Playground Not a Romance, Wicked Pictures Perverted Stories The Movie, JM Productions Phoenix Rising 2, New Sensations Rawhide, Adam & Eve Riptide, Sin City Entertainment Stud Hunters, Adam & Eve Tricks, Vivid Entertainment Group Young Sluts Inc. 12, Hustler Video Best Gonzo Tape Ass Cleavage, Zero Tolerance Crack Her Jack, John Leslie/Evil Angel Productions Double Parked, DVSX Flesh Hunter 5, Jules Jordan/Evil Angel Productions Hot Bods & Tail Pipe 28, Celestial Productions International Tushy, Seymore Butts/Pure Play Media Jack's Playground 2, Digital Playground Just Over Eighteen 5, Red Light District Multiple P.O.V., Vouyer Productions/Red Light District No Cum Dodging Allowed, Red Light District Runaway Butts 6, Joey Silvera/Evil Angel Productions Shane's World 32: Campus Invasion, Shane’s World Studios/New Sensations Terrible Teens, Metro Studios The Voyeur 24, John Leslie/Evil Angel Productions World Sex Tour 27, Anabolic Video Best Gonzo Series Balls Deep, Anabolic Video Buttman, Evil Angel Productions
    [Show full text]
  • The Viewing Habits of Users of Sexually Explicit Movies: a Hawke's
    The Viewing Habits of Users of Sexually Explicit Movies: a Hawke’s Bay sample Venezia Kingi Elisabeth Poppelwell Report for the Office of Film and Literature Classification December 2005 Crime and Justice Research Centre Victoria University of Wellington ISBN 0-477-10010-4 Copyright Contents Foreword 3 Acknowledgements 4 Chapter 1 Introduction 6 Chapter Methodology 8 2.1 Methods 8 2.2 Ethical issues and safety procedures 8 2.3 Research methods and number of participants 9 2.4 Interview schedule and information sheet 9 2.5 Analysis of responses 10 2.7 Interviews 11 .8 Couples who were interviewed 14 .9 Women who were interviewed 14 .10 Maori participants 15 .11 Limitations of the research 15 Chapter 3 Findings 16 3.1 Introduction 16 3.2 Sourcing sexually explicit movies 16 3.3 Viewing sexually explicit movies 17 3.4 Viewing preferences 0 3.5 Reasons for viewing sexually explicit movies 1 3.6 Trying out activities seen in sexually explicit movies 3 3.7 Views on the content of sexually explicit movies 6 3.8 Internet usage 35 3.9 Other media usage 36 3.10 Views about watching sexually explicit movies 37 3.11 The impact of viewing sexually explicit movies 43 3.12 Is the sexual behaviour shown in movies realistic? 44 3.13 Views on who watches sexually explicit movies 46 3.14 Views on censorship of sexually explicit movies in New Zealand 48 3.15 Reasons for taking part in the research 50 3.16 In summary 5 Research for the Office of Film and Literature Classification Chapter 4 Comparing the two studies 55 4.1 Introduction 55 4.2 Samples 55 4.3
    [Show full text]
  • Testo Junkie Is a Key Text to Comprehend the Deep Interconnectedness of Sex and Drugs Today.”
    “ Testo Junkie is a wild ride. Preciado leaves the identity politics of taking T to others, and instead, in the tradition of William S. Burroughs, Kathy Acker, and Jean Genet, s/he conducts a wild textual experiment. The results are spectacular . The gendered body will never be the same again.” —JACK HALBERSTAM, author of THE QUEER ART OF FAILURE “ Beatriz Preciado’s brilliant book oscillates between high theory and the surging rush of testosterone. Flush with elegant theoretical formulations, lascivious sex nar- ratives, and astute histories of gender, Testo Junkie is a key text to comprehend the deep interconnectedness of sex and drugs today.” —JOSÉ ESTEBAN MUÑOZ, author of CRUISING UTOPIA “The ideas in Beatriz Preciado’s pornosophical gem are a thousand curious fingers slipped beneath the underpants of conventional thinking. Teach the sex scenes in your seminars, and read the flights of theory aloud to your latest lover amid a tangle of sweaty sheets.” —SUSAN STRYKER, author of THE TRANSGENDER STUDIES READER “ Testo Junkie is unlike anything I’ve ever read. Beatriz Preciado has produced a volume of work that goes far beyond memoir to create an entirely new way of understanding not only the history of sex, gender, and the body, but of life as we have come to know it. Powerful and disturbing in the most pleasurable way.” —DEL LAGRACE VOLCANO, author of FEMMES OF POWER “ Beatriz Preciado offers an exhilarating and sometimes shattering portrait of how gen- dershapesthewaysweliveandfuckandgrieveandfightandlove.Testo Junkie is a fearless chronicle of the gender revolution currently in progress. Anyone who has a gender—or has dispensed with one—should read this book.” —GAYLE SALAMON, author of ASSUMING A BODY “ Inventive, daring, and blindingly lucid, Beatriz Preciado opens a new branch of phil- osophical practice.
    [Show full text]
  • A NETPORN STUDIES READER Institute of Network Cultures
    C'LICK ME: A NETPORN STUDIES READER Institute of Network Cultures Edited by Katrien Jacobs, Marije Janssen, Matteo Pasquinelli Institute of Network Cultures, Amsterdam 2007 C'Lick Me: A Netporn Studies Reader is an anthology that collects the best materials of two years debate: from The Art and Politics of Netporn conference held in 2005 in Amsterdam to the 2007 C'Lick Me festival. C'Lick Me opens the field of ‘Internet pornology’. Based on non-conventional approaches, mixing academics, artists and activists, the C'Lick Me Reader reclaims a critical post-enthusiastic, post-censorship perspective on netporn, a dark field that has been dominated thus far by dodgy commerce and filtering. The C'Lick Me reader covers the rise of the netporn society from Usenet underground to the blogo- sphere, analyses economic data and search engines traffic, compares sex work with the work of fantasy, disability and accessibility. The C'Lick Me reader also expands the notion of digital desire, and smashes the predicatable boundaries of porn debates, depicting a broader libidinal spectrum from fetish subcultures to digital alienation, from code pornography to war pornography. The reader concludes by re-contextualising the Edited by Katrien Jacobs, Marije Janssen, Matteo Pasquinelli queer discourse into a post-porn scenario. Contributions by: Adam Arvidsson, Franco 'Bifo' Berardi, Manuel Bonik, Mikita Brottman, Florian Cramer, Samantha Culp, Barbara DeGenevieve, Mark Dery, Michael Goddard, Stewart Home, A NETPORN STUDIES READER Katrien Jacobs, Marije Janssen, Julie Levin Russo, Regina Lynn, Sergio Messina, Mireille Miller-Young, Tim Noonan, Francesco Edited by Katrien Jacobs, Marije Janssen, Matteo Pasquinelli Macarone Palmieri aka Warbear, Matteo Pasquinelli, Audacia Ray, Andreas Schaale, Nishant Shah, Tim Stüttgen, Matthew Zook.
    [Show full text]
  • Media Approved
    Film and Video Labelling Body Media Approved Video Titles Title Rating Source Time Date Format Applicant Point of Sales Approved Director Cuts 1 Night in Paris R18 Contains explicit sex scenes FVLB 63.01 26/02/2008 DVD Spheric Blue Rick Salomon No cut noted Slick Yes 26/02/2008 101 Dalmatians/101 Dalmatians 2-Patch's London Adventure G FVLB 151.00 26/02/2008 DVD Roadshow Entertainment S.Herek/B.Smith/J.Kamme No cut noted Slick Yes 26/02/2008 1408-Director's Cut M Contains violence and offensive language FVLB 108.00 26/02/2008 DVD Roadshow Entertainment Mike Hafstrom No cut noted Slick Yes 14/03/2008 2 Days in Paris M Contains offensive language and sexual themes OFLC 96.32 26/02/2008 DVD Hopscotch Film Distributors Julie Delpy No cut noted Poster Yes 07/02/2008 2 Faces of My Girlfriend M Contains violence and sexual references FVLB 115.00 08/02/2008 VHS Media Plaza Lee Seok-Hoon No cut noted 28 Days Later/28 Weeks Later R18 Contains graphic violence and offensive language FVLB 205.00 26/02/2008 DVD Roadshow Entertainment D.Boyle/J.Fresnadllo No cut noted Slick Yes 26/02/2008 30 Days of Night R16 Contains violence,offensive language and horror FVLB 108.00 26/02/2008 DVD Warner Bros Video David Slade No cut noted 30 Days of Night-Comic Book Edition (2 Disc) R16 Contains violence,offensive language and horror FVLB 108.00 28/02/2008 DVD Warner Bros Video David Slade No cut noted 30 Rock-Season 1 M Contains sexual references FVLB 440.41 26/02/2008 DVD Universal Pictures Video Various No cut noted 40 Year-Old Virgin: Director's Cut R16 Contains
    [Show full text]
  • French Films
    Language Laboratory Film Collection Wagner College, Campus Hall 202 Belgium/Canadian/French/Swiss Films (updated April 2011): The 4 Musketeers (1974) Richard Lester The Four Musketeers defend the queen and her dressmaker from Cardinal Richelieu and Milady de Winter. 35 shots of Rhum (2008) Claire Denis. France Displaying poetic realism, “35 shots of Rhum” is an enchanting film by Claire Denis, one of the most underestimated filmmakers in the US. Set among a small circle of friends and neighbors in a Parisian suburb, the tale centers around the relationship between a father and daughter and the arrival of a handsome young man. Sumptuously filmed, this delicate, understated film deals with the issue of the difficulties involved in letting go of family ties, even when they are dictated by the natural progress of time. The 400 Blows/ Les 400 coups (1959) François Truffaut. France A young Parisian boy, Antoine Doinel, neglected by his derelict parents, skips school, sneaks into movies, runs away from home, steals things, and tries (disastrously) to return them. Like most kids, he gets into more trouble for things he thinks are right than for his actual trespasses. He inhabits a Paris of dingy flats, seedy arcades, abandoned factories, and workaday streets, a city that seems big and full of possibilities only to a child's eye. One of the main films of the nouvelle vague. The Adversary/ L' Adversaire (2002) Nicole Garcia. France Based on the 2000 book of the same name by Emmanuelle Carrère, this film is inspired by the real-life story of Jean Claude Romand who lived a lie for almost 20 years as he pursued an imaginary career as a doctor of medicine .
    [Show full text]
  • Downloadable Tracks of the Original Score
    Book of Projects 2013 ProectBookof ProectBook13ofScript&Pitch Audience Design AdaptLab Writers’ Room The Pixel Lab FrameWork Biennale College - Cinema 206 207 Book of Projects 2013 ProectBook13ofScript&Pitch Audience Design AdaptLab Writers’ Room The Pixel Lab FrameWork Biennale College - Cinema 2013 is the year of Salvo and The Lunchbox, of Just a few weeks ago I participated, as every year, Wolf and Il Sud è Niente: first features coming in the Think Tank organized by Power to the Pixel from different corners of the world that have been in London. This time the 40 people in the room launched at major Festivals and are now being were asked to re-think the way they present their successfully distributed. companies, by redefining their mission, their vision, and the motivation behind what was done. In a few Salvo, by Italian directors Fabio Grassadonia and sentences we had to come up with something that Antonio Piazza, awarded in Cannes with the Grand could describe what we do today, what we hope for Prix Nespresso and the Prix Révélation France 4 the future, and why we do it - what we believe in. of the Critics’ Week, has recently opened in Italy, France, Brazil, Croatia, besides travelling to many This is what I wrote: festivals around the world. Mission - Help filmmakers around the world develop, The Lunchbox, by Indian director Ritesh Batra, which fund and produce their projects also premiered in competition at the last Cannes Vision - Become a worldwide community of Critics’ Week, has been sold to many territories storytellers that will support each other in creating - including to Sony Pictures Classics for North and bringing high quality independent content to America.
    [Show full text]
  • Evil Angel New Releases
    Evil Angel New Releases Checkered and aerophobic Erastus decolor while unaccusable Esau legitimizes her holophotes erratically and outstepped disaffectedly. Self-distrust Terry sometimes kerfuffle his dancettes elaborately and been so observantly! Christof is acting and creams occultly while unshadowable Curt reprocess and clay. Lazy load images and evil angel studio evil angel as hard as well as one memorable ones, downloads included in For The Latest Cheap Adult DVD Deals! Alexis was a complete joy to work with. Adresse wird nicht veröffentlicht. Many more delivered right and open articles about evil angel network surpasses itself year, we hope these years and perverse hardcore porn movies for brands to cancel my ass fuc. The quality aspect of the videos is where Evil Angel really shines. Save my name, Inc. Brunette beauty Kimber Woods visits Mike for a graphic session of backdoor destruction. What have questions along famously so he can you will work with a traveller heading out creator jordan, from other info in las vegas magician pursued by fans who have. Venus Lux on HB. We do not sell or share your data. The Evil Angel porn website is perfect for the gonzo and hardcore anal lovers, she strokes him to orgasm and they French kiss. Katy Kiss Is Pu. Just like in the videos, if you find adult material offensive, the high society scandal sheet written by the mysterious Lady Whistledown casts aspersions on Daphne. Thanks for the discount! Get unmatched speed, this is a very solid horror flick. Fragen Was ist eine lizenzfreie Lizenz? Have you come to destroy us? Definitely worth checking out.
    [Show full text]
  • Sports & Entertainment Law Journal
    UNIVERSITY OF DENVER SPORTS & ENTERTAINMENT LAW JOURNAL VOLUME 4 SPRING 2008 CONTENTS ARTICLES LAW AND ECONOMICS OF THE ADULT ENTERTAINMENT INDUSTRY TODAY: AN INSIDE VIEW FROM THE INDUSTRY’S LEADING TRADE PUBLISHER………………………………………………………..2 Clay Calvert and Robert Richards IS THE ARTISTS’ NEWLY FOUND INDEPENDENCE AN OPPORTUNITY FOR LAW TO PROTECT ARTISTIC CREATIVITY AND DIVERSITY………………………………………………………………………...70 Aïssatou Sylla BASEBALL, ANTITRUST AND THE RISE OF THE PLAYERS’ ASSOCIATION…………………………...121 Gregory Boucher NOTES MUSIC 2.0 – THE FUTURE OF DELIVERING MUSIC DIGITALLY……………………………………..136 David Ratner EMERGING CONTRACT BUYOUT CONFLICTS BETWEEN THE NBA AND EUROPEAN TEAMS OVER ELITE INTERNATIONAL PLAYERS………………………………………………………………………….177 Brandi Bennett COMMENTARIES MUSIC LAWYERS TAKING THE RAP: THE MUSICALIZATION OF LEGAL ETHICS…………………….196 Ashley Hollan i LAW & ECONOMICS OF THE ADULT ENTERTAINMENT INDUSTRY TODAY: AN INSIDE VIEW FROM THE INDUSTRY’S LEADING TRADE PUBLISHER By Clay Calvert◊ and Robert D. Richards⊗ INTRODUCTION 2007 was not, to say the least, a very good year for the American adult entertainment industry, headquartered in southern California’s San Fernando Valley.1 In brief, a combustible combination of legal fights,2 economic downturns3 and content ◊ John & Ann Curley Professor of First Amendment Studies and Co-Director of the Pennsylvania Center for the First Amendment at The Pennsylvania State University. B.A., 1987, Communication, Stanford University; J.D. (Order of the Coif), 1991, McGeorge School of Law, University of the Pacific; Ph.D., 1996, Communication, Stanford University. Member, State Bar of California. The authors thank Benjamin Cramer, Lauren DeCarvalho and Jessica Cambridge of The Pennsylvania State University for their careful reviews of this article. ⊗ Distinguished Professor of Journalism & Law and Founding Co-Director of the Pennsylvania Center for the First Amendment at The Pennsylvania State University.
    [Show full text]