Customs Disputes Quarterly List of Reviewed Material

Total Page:16

File Type:pdf, Size:1020Kb

Customs Disputes Quarterly List of Reviewed Material Tariff Item / Numéro tarifaire 9899.00.00 Obscenity, Hate Propaganda and Child Pornography Obscénité, propagande haineuse et pornographie juvénile Quarterly List of Admissible and Prohibited Titles Liste trimestrielle des titres admissibles et prohibés July to September 2005 / juillet à septembre 2005 Prepared by / Préparé par : Prohibited Importations Unit, HQ L’Unité des importations prohibées, AC Quarterly List of Admissible and Prohibited Titles Liste trimestrielle des titres admissibles et prohibés Tariff item 9899.00.00 Numéro tarifaire 9899.00.00 July 1 to September 30, 2005 1er juillet au 30 septembre 2005 This report contains a list of titles reviewed by the Prohibited Le rapport ci-joint contient une liste des titres examinés par Importations Unit (PIU), Border and Compliance Programs l’Unité des importations prohibées (l’UIP), Direction des Directorate, at Headquarters in Ottawa, during the period programmes de l’observation et de la frontière, à July 1 to September 30, 2005. All titles for which a l’Administration centrale à Ottawa, entre le 1er juillet et determination was rendered in accordance with section 58 of the le 30 septembre 2005. Tous les titres pour lesquels une Customs Act, or re-determined as per sections 59 and 60 of the décision a été rendue conformément à l’article 58 de la Loi Customs Act, during the stated period are listed, along with the sur les douanes ou pour lesquels une révision a été faite related decision. Items are included on this list only when they conformément aux articles 59 et 60 de la Loi sur les douanes, are identified by a commercially recognized title. Those items durant la période en question, sont indiqués, ainsi que la that have a title in a foreign script, a handwritten title or are only décision connexe. Les marchandises figurent sur cette liste identified by a catalogue number are not included. Titles are seulement lorsqu’elles sont identifiées par un titre commercial categorized by commodity and listed alphabetically. Where conforme. Les marchandises qui ont un titre dans une écriture available, additional bibliographical information has been étrangère, écrit à la main ou qui sont uniquement identifiées included. par un numéro de catalogue ne sont pas inclues. Les titres sont séparés selon le genre de matériel dont il s’agit et présentés par ordre alphabétique (le tout selon l’anglais). Des renseignements bibliographiques supplémentaires ont été inclus lorsqu’ils étaient disponibles. You will note that the report has been divided into three Vous constaterez que le rapport est divisé en trois sections : sections: 1) Section 58 – Determinations: This section lists titles for 1) Article 58 – Déterminations : Cette section présente la which initial classification decisions have been made at liste des titres pour lesquels une décision de classement Headquarters in accordance with section 58 of the initiale a été rendue par l’Administration centrale, Customs Act. Goods are “determined” to either fall within or conformément à l’article 58 de la Loi sur les douanes. Il est outside of the provisions of tariff item 9899.00.00 (obscenity, «déterminé» que les biens sont visés ou non par les hate propaganda or child pornography). dispositions du numéro tarifaire 9899.00.00 (obscénité, propagande haineuse ou pornographie juvénile). 2) Section 59 – Re-determinations: This section lists 2) Article 59 – Révisions : Cette section présente la liste des titles that have been previously prohibited under tariff titres préalablement prohibés en vertu des dispositions du item 9899.00.00 and which have been the subject of program numéro tarifaire 9899.00.00 et pour lesquels une révision a monitoring. The re-determination was initiated by the PIU, in été effectuée. La révision a été amorcée par l’UIP dans le order to ensure that goods have been correctly classified. cadre du contrôle de programme, en vue de confirmer la validité du classement tarifaire. 3) Section 60 – Re-determinations: This section lists titles 3) Article 60 – Révisions : Cette section présente la liste des that were previously prohibited under tariff item 9899.00.00 titres préalablement prohibés en vertu des dispositions du and which have been re-determined, at the importer’s request, numéro tarifaire 9899.00.00 et pour lesquels une révision a by the Customs Disputes Section, as per section 60 of the été effectuée, à la demande de l’importateur, par la Section Customs Act. des différends douaniers, conformément à l’article 60 de la Loi sur les douanes. For the purposes of this report, decisions are defined as Aux fins de ce rapport, le genre de décisions se définit follows: comme suit : 1) Prohibited: This indicates that the material was reviewed 1) Prohibé (prohibited) : Ce terme indique que, par suite and found to fall within the provisions of tariff item 9899.00.00. d’un examen, il a été établi que le matériel est visé par les Its importation into Canada is therefore prohibited, i.e. not dispositions du numéro tarifaire 9899.00.00. Son importation allowed, as it constitutes obscenity, hate propaganda or child au Canada est donc prohibée, c’est-à-dire qu’elle n’est pas pornography. permise, car le matériel constitue de l’obscénité, de la propagande haineuse ou de la pornographie juvénile. 2) Admissible: This indicates that the material was 2) Admissible : Ce terme indique que, par suite d’un reviewed and found NOT to fall within the provisions of tariff examen, il a été établi que le matériel n’est PAS visé par les item 9899.00.00. Its importation into Canada is therefore dispositions du numéro tarifaire 9899.00.00. Son importation acceptable, as it does not constitute obscenity, hate au Canada est donc acceptable, c’est-à-dire permise, car le propaganda or child pornography. matériel ne constitue pas de l’obscénité, de la propagande haineuse ni de la pornographie juvénile. This list should only be consulted as a reference guide and Cette liste devrait être consultée à titre de référence should not be considered an absolute authority. If you have seulement et ne devrait pas être considérée comme any questions or require further information, please contact the constituant une autorité irrévocable. Si vous avez des Prohibited Importations Unit at (613) 954-7049, by fax at questions ou désirez plus de renseignements, veuillez (613) 957-4653, or by e-mail at [email protected]. communiquer avec l’Unité des importations prohibées par The Customs Disputes Section may be e-mailed at téléphone au (613) 954-7049, par télécopieur au [email protected]. You may also write to the following (613) 957-4653 ou par courriel à [email protected]. address: 5th floor, 150 Isabella Street, Ottawa, Ontario, Pour communiquer par courrier électronique avec la Section K1A 0L8. des différends douaniers, veuillez entrer l’adresse suivante : [email protected]. Vous pouvez aussi écrire à l’adresse suivante : 150 rue Isabella, 5e étage, Ottawa, Ontario, K1A 0L8. Table of Contents / Table des matières Section 58 – Determinations / Article 58 – Déterminations Hate Propaganda / Propagande haineuse .................................................................1 Booklets / Livrets .....................................................................................................................................................1 Books / Livres ..........................................................................................................................................................1 Compact Disks / Disques compacts.........................................................................................................................1 Magazines / Magazines ...........................................................................................................................................3 Records / Disques....................................................................................................................................................3 Obscenity / Obscénité .................................................................................................4 Booklets / Livrets .....................................................................................................................................................4 Books / Livres ..........................................................................................................................................................4 Comic Books / Bandes dessinées ...........................................................................................................................4 Compact Disks / Disques compacts.........................................................................................................................7 DVDs / DVDs ...........................................................................................................................................................7 DVD Boxed Sets / Coffrets de DVDs .....................................................................................................................16 Magazines / Magazines .........................................................................................................................................17 Pocketbooks / Livres de poche .............................................................................................................................20 VCDs / VCDs .........................................................................................................................................................20 Video
Recommended publications
  • Making Mandingo: Racial Archetypes, Pornography, and Black Male Subjectivity
    Making Mandingo: Racial Archetypes, Pornography, and Black Male Subjectivity By Phillip Samuels © 2019 M.A., University of Kansas, 2007 B.A., Emporia State University, 2004 Submitted to the graduate degree program in Communication Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Dorothy Pennington Dr. Scott Harris Dr. Beth Innocenti Dr. Jeffery Jarman Dr. Randal Maurice Jelks _____________________________ Dr. Robert McDonald Date Defended: 6 December 2019 ii Acceptance Page Making Mandingo: Racial Archetypes, Pornography, and Black Male Subjectivity The dissertation committee for Phillip Samuels certifies that this is the approved version of the following dissertation: Chair: Dr. Dorthy Pennington Date Approved: iii Abstract Mandingo is a reference to a longstanding myth in American culture, that black men have an unquenchable desire for white woman. I will argue that Mandingo is an example of a racial archetype. Racial archetypes are specific images of a long-standing stereotypes. Mandingo is one such archetype. Mandingo conjures up an entire history of the rhetoric of miscegenation. For some it is the excitement of the big black cock (BBC) and crossing the color line, but for most blacks it invokes images of lynching, slavery, and police brutality brought on by the fear of black men while at the same time trafficking in a prurient landscape of American racial and sexual relations. Whether through words, pictures or movies, the Mandingo has become a dominant archetype in the pantheon of the African American experience. Charting the Mandingo emergence and articulation is critical project to discern how these rhetorical markers are part of a larger mythic narrative.
    [Show full text]
  • Tariff Item / Numéro Tarifaire 9899.00.00 Obscenity and Hate Propaganda Obscénité Et Propagande Haineuse Quarterly List of Ad
    Canada Border Agence des services Services Agency frontaliers du Canada Tariff Item / Numéro tarifaire 9899.00.00 Obscenity and Hate Propaganda Obscénité et propagande haineuse Quarterly List of Admissible and Prohibited Titles Liste trimestrielle des titres admissibles et prohibés April to June 2010 / Avril à juin 2010 Prepared by / Préparé par : Prohibited Importations Unit, HQ L’Unité des importations prohibées, AC Quarterly List of Admissible and Prohibited Titles Liste trimestrielle des titres admissibles et prohibés Tariff item 9899.00.00 Numéro tarifaire 9899.00.00 April 1st to June 30th, 2010 1er avril au 30 juin 2010 This report contains a list of titles reviewed by the Prohibited Le rapport ci-joint contient une liste des titres examinés par Importations Unit (PIU), Border Programs Directorate, at l’Unité des importations prohibées (l’UIP), Direction des Headquarters in Ottawa, during the period April 1st to programmes frontaliers, à l’Administration centrale à Ottawa, er June 30th, 2010. Titles for which a determination was entre le 1 avril et le 30 juin 2010. Les titres pour rendered in accordance with section 58 of the Customs Act, or lesquels une décision a été rendue conformément à re-determined as per sections 59 and 60 of the Customs Act, l’article 58 de la Loi sur les douanes ou pour lesquels une during the stated period are listed, along with the related révision a été faite conformément aux articles 59 et 60 de la decision. Titles are categorized by commodity and listed Loi sur les douanes, durant la période en question, sont alphabetically. Where applicable, additional bibliographical indiqués, ainsi que la décision connexe.
    [Show full text]
  • The 2008 Federal Obscenity Conviction of Paul Little and What It Reveals About Obscenity Law and Prosecutions
    The 2008 Federal Obscenity Conviction of Paul Little and What It Reveals About Obscenity Law and Prosecutions Robert D. Richards* and Clay Calvert** ABSTRACT This Article provides an inside perspective on the 2008 obscenity trial and conviction of veteran adult movie producer Paul Little, who is known in the adult industry as Max Hardcore. Little was sentenced by a federal judge to nearly four years in prison after a twelve-person jury in Tampa, Florida found him guilty of multiple counts of selling and distributing obscene content via the U.S. Mail and Internet. The Article centers around comments and remarks drawn from four exclusive interviews conducted in person by the authors with: (1) Jeffrey Douglas, the California-based attorney who represented and defended Paul Little in United States v. Little; (2) H. Louis Sirkin, the Ohio-based attorney who represented and defended the corporate entities controlled by Paul Little in United States v. Little; (3) Mark Kernes, Senior Editor of Adult Video News, a leading adult entertainment industry trade publication, and the journalist who covered the trial of Paul Little; and (4) Larry Flynt, the publisher of Hustler magazine and head of the LFP, Inc. adult entertainment * Distinguished Professor of Journalism & Law and Founding Co-Director of the Pennsylvania Center for the First Amendment, The Pennsylvania State University, University Park, PA. J.D., The American University, 1987; M.A., Communication, The Pennsylvania State University, 1984; B.A., Communication, The Pennsylvania State University, 1983. Member, State Bar of Pennsylvania. The authors thank Thomas Markey and Patrick Hanifin of The Pennsylvania State University for reviewing an early draft of this Article.
    [Show full text]
  • Download File
    A Monster for Our Times: Reading Sade across the Centuries Matthew Bridge Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Matthew Bridge All Rights Reserved ABSTRACT A Monster for Our Times: Reading Sade across the Centuries Matthew Bridge This doctoral dissertation looks at several readings and interpretations of the works of the Marquis de Sade, from the eighteenth century to the present. Ever since he was imprisoned under the Old Regime following highly publicized instances of physical and sexual abuse, Sade has remained a controversial figure who has been both condemned as a dangerous criminal and celebrated as an icon for artistic freedom. The most enduring aspect of his legacy has been a vast collection of obscene publications, characterized by detailed descriptions of sexual torture and murder, along with philosophical diatribes that offer theoretical justifications for the atrocities. Not surprisingly, Sade’s works have been subject to censorship almost from the beginning, leading to the author’s imprisonment under Napoleon and to the eventual trials of his mid-twentieth-century publishers in France and Japan. The following pages examine the reception of Sade’s works in relation to the legal concept of obscenity, which provides a consistent framework for textual interpretation from the 1790s to the present. I begin with a prelude discussing the 1956 trial of Jean-Jacques Pauvert, in order to situate the remainder of the dissertation within the context of how readers approached a body of work as quintessentially obscene as that of Sade.
    [Show full text]
  • CATHERINE BREILLAT, 1999) REVIEWS/INTERVIEWS from Radio National with Michael Cathcart
    1 CMS 4320 Women and Film Bonner ROMANCE (CATHERINE BREILLAT, 1999) REVIEWS/INTERVIEWS from Radio National with Michael Cathcart [Transcript from broadcast interview on Australian Public Radio] Catherine Breillat is one of France most interesting female film makers and quite a phenomenon. She's a best selling French novelist as well as a film maker. Romance is her sixth and latest film and it reveals sexuality from a completely female point of view. A woman's account of her own feelings, it's an unflinching depiction of various sexual experiences. Marie, the heroine whose husband refuses to have sex with her, sets out on her own journey for sexual satisfaction - and transcendence. The film has been controversial since it was screened last year at European film festivals. Yet it's been released around the world... in Great Britain, Ireland, Turkey and New Zealand. And yes, it will be released soon in Australia although it nearly did not make it. The Office of Film and Literature Classification had refused to classify the film... Its potential Australian distributor, with the suitable ironic name of Potential Films, appealed the ban, which was overturned on the 28th of January 2000. Catherine Breillat spoke to Arts Today's Rhiannon Brown when she brought Romance here last year for the Melbourne Film Festival. Rhiannon Brown: The central character in your film Romance is Marie, a young woman outraged by a society where sex has always been male and romance has always been female. She's in a relationship with Paul, her model boyfriend, who won't make love to her preferring to hide himself amongst his crisp, white sheets watching gymnastics on the television.
    [Show full text]
  • Porn Star, Vivid Entertainment Group Best Actor – Video
    Nominations for 2004 AVN Awards Show Best Film Compulsion, Elegant Angel Productions Heart of Darkness, Vivid Entertainment Group Heaven's Revenge, Vivid Entertainment Group Looking In, Vivid Entertainment Group Snakeskin, Erotic Angel Sordid, Vivid Entertainment Group Best Video Feature Acid Dreams, Private North America Barbara Broadcast Too!, VCA Pictures Beautiful, Wicked Pictures Improper Conduct, Wicked Pictures Little Runaway, Multimedia Pictures Magic Sex, Simon Wolf Productions New Wave Hookers 7, VCA Pictures No Limits, Digital Playground Not a Romance, Wicked Pictures Perverted Stories The Movie, JM Productions Phoenix Rising 2, New Sensations Rawhide, Adam & Eve Riptide, Sin City Entertainment Stud Hunters, Adam & Eve Tricks, Vivid Entertainment Group Young Sluts Inc. 12, Hustler Video Best Gonzo Tape Ass Cleavage, Zero Tolerance Crack Her Jack, John Leslie/Evil Angel Productions Double Parked, DVSX Flesh Hunter 5, Jules Jordan/Evil Angel Productions Hot Bods & Tail Pipe 28, Celestial Productions International Tushy, Seymore Butts/Pure Play Media Jack's Playground 2, Digital Playground Just Over Eighteen 5, Red Light District Multiple P.O.V., Vouyer Productions/Red Light District No Cum Dodging Allowed, Red Light District Runaway Butts 6, Joey Silvera/Evil Angel Productions Shane's World 32: Campus Invasion, Shane’s World Studios/New Sensations Terrible Teens, Metro Studios The Voyeur 24, John Leslie/Evil Angel Productions World Sex Tour 27, Anabolic Video Best Gonzo Series Balls Deep, Anabolic Video Buttman, Evil Angel Productions
    [Show full text]
  • AICO Newsletter
    >> NEWSLETTER | ISSUE 21 - NOVEMBER 2012 ABN 70 106 510 ADULT INDUSTRY COPYRIGHT ORGANISATION LIMITED >> AICO CELEBRATES continue to work with you to achieve a level ITS 9TH BIRTHDAY! playing field. Our catch-cry to others remains, Pirates Beware! You can request a copy of AICO’s brochure Congratulations and happy birthday AICO How to spot a pirate DVD via email, info@aico. members and supporters. AICO is now officially org.au or by calling 02 9328 5527. A soft copy nine years old. This is a great achievement for download is available on the home page of the ONGOING Investigation OF an organisation that was greeted with curiosity, >> AICO web site. Adult STORES, Catalogues surprise and a degree of uncertainty, even sus- &WEB SITES picion by some in the adult industry way back in September 2003. The position of those caught selling pirated >> AICO HOLOGRAMS or illegally parallel imported DVDs remains During these nine years AICO has created a perilous. AICO distributor members have affixed over 5.5 climate in the Australian adult film industry million AICO holograms to their films. By that is very piracy aware. In most instances Piracy undermines the livelihood of legitimate purchasing DVDs that display the AICO wholesalers, retailers and the public are keen to film retailers and distributors and remains a real hologram you are assured that the films you respect the film rights of copyright owners and and ongoing threat to the studios, producers, are buying are authentic. their distributors. actors, directors, technicians, marketers and other employees that make adult films possible. Those who have chosen to trade under a pirate flag have felt AICO’s investigative and enforce- Illegitimate operators and adult media pirates ment reach through the courts of Australia and do not want to see an industry with a level via other legal enforcement activity.
    [Show full text]
  • The Viewing Habits of Users of Sexually Explicit Movies: a Hawke's
    The Viewing Habits of Users of Sexually Explicit Movies: a Hawke’s Bay sample Venezia Kingi Elisabeth Poppelwell Report for the Office of Film and Literature Classification December 2005 Crime and Justice Research Centre Victoria University of Wellington ISBN 0-477-10010-4 Copyright Contents Foreword 3 Acknowledgements 4 Chapter 1 Introduction 6 Chapter Methodology 8 2.1 Methods 8 2.2 Ethical issues and safety procedures 8 2.3 Research methods and number of participants 9 2.4 Interview schedule and information sheet 9 2.5 Analysis of responses 10 2.7 Interviews 11 .8 Couples who were interviewed 14 .9 Women who were interviewed 14 .10 Maori participants 15 .11 Limitations of the research 15 Chapter 3 Findings 16 3.1 Introduction 16 3.2 Sourcing sexually explicit movies 16 3.3 Viewing sexually explicit movies 17 3.4 Viewing preferences 0 3.5 Reasons for viewing sexually explicit movies 1 3.6 Trying out activities seen in sexually explicit movies 3 3.7 Views on the content of sexually explicit movies 6 3.8 Internet usage 35 3.9 Other media usage 36 3.10 Views about watching sexually explicit movies 37 3.11 The impact of viewing sexually explicit movies 43 3.12 Is the sexual behaviour shown in movies realistic? 44 3.13 Views on who watches sexually explicit movies 46 3.14 Views on censorship of sexually explicit movies in New Zealand 48 3.15 Reasons for taking part in the research 50 3.16 In summary 5 Research for the Office of Film and Literature Classification Chapter 4 Comparing the two studies 55 4.1 Introduction 55 4.2 Samples 55 4.3
    [Show full text]
  • Testo Junkie Is a Key Text to Comprehend the Deep Interconnectedness of Sex and Drugs Today.”
    “ Testo Junkie is a wild ride. Preciado leaves the identity politics of taking T to others, and instead, in the tradition of William S. Burroughs, Kathy Acker, and Jean Genet, s/he conducts a wild textual experiment. The results are spectacular . The gendered body will never be the same again.” —JACK HALBERSTAM, author of THE QUEER ART OF FAILURE “ Beatriz Preciado’s brilliant book oscillates between high theory and the surging rush of testosterone. Flush with elegant theoretical formulations, lascivious sex nar- ratives, and astute histories of gender, Testo Junkie is a key text to comprehend the deep interconnectedness of sex and drugs today.” —JOSÉ ESTEBAN MUÑOZ, author of CRUISING UTOPIA “The ideas in Beatriz Preciado’s pornosophical gem are a thousand curious fingers slipped beneath the underpants of conventional thinking. Teach the sex scenes in your seminars, and read the flights of theory aloud to your latest lover amid a tangle of sweaty sheets.” —SUSAN STRYKER, author of THE TRANSGENDER STUDIES READER “ Testo Junkie is unlike anything I’ve ever read. Beatriz Preciado has produced a volume of work that goes far beyond memoir to create an entirely new way of understanding not only the history of sex, gender, and the body, but of life as we have come to know it. Powerful and disturbing in the most pleasurable way.” —DEL LAGRACE VOLCANO, author of FEMMES OF POWER “ Beatriz Preciado offers an exhilarating and sometimes shattering portrait of how gen- dershapesthewaysweliveandfuckandgrieveandfightandlove.Testo Junkie is a fearless chronicle of the gender revolution currently in progress. Anyone who has a gender—or has dispensed with one—should read this book.” —GAYLE SALAMON, author of ASSUMING A BODY “ Inventive, daring, and blindingly lucid, Beatriz Preciado opens a new branch of phil- osophical practice.
    [Show full text]
  • Vogov.Io Contents
    WHITE PAPER Blockchain penetrates deeper VERSION 1.1 August 7, 2018 www.vogov.io Contents Introduction 3 Background 5 Fan Engagement 5 Ease of Purchase 5 Cryptocurrency Acceptance and Business Usage 7 Extended Cryptocurrency Billing 8 Low Fees 9 Anonymity 10 Market Cap 10 OGO coin: Token Economy 12 Triple Token Value 13 Token Demand Generation 15 Limited Supply 15 Burn Mechanism 16 Partnerships 17 Liquidity Pool 18 VogoV: A Decentralized Adult Film Studio 20 Gonzo 20 Interactiveness, Decentralization and Voting 21 OgoShift: An Adult-Industry Сryptocurrency Infrastructure 25 Wallet 26 Merchant Account 27 Marketplace 29 Exchange 30 Crowdsale Conditions and Terms 31 Token and Crowdsale Details 31 Crowdsale Rounds Difference 32 Crowdsale Bonuses 34 Token Distribution 35 Crowdsale Success and Project Implementation 36 Roadmap 37 Advisors 39 Team 40 Conclusion 43 Disclaimer 44 Introduction Blockchain technology and cryptocurrency has created a signifcant worldwide technological shift that has also affected the adult entertainment industry. VogoV is taking advantage of this technological shift and the limited competition in the open market to create a practical token ecosystem combining the adult entertainment industry and cryptocurrency. We are changing the way the adult entertainment industry utilizes and interacts with cryptocurrency, starting with its acceptance and business usage and ending up with the non-technological value that a token may bring. At present, most adult businesses only utilize cryptocurrency as an alternative payment method. We believe that cryptocurrency can be used for much more. VogoV plans to embark on a grand experiment to investigate how willing the adult entertainment industry is to accept and work within the blockchain environment.
    [Show full text]
  • A NETPORN STUDIES READER Institute of Network Cultures
    C'LICK ME: A NETPORN STUDIES READER Institute of Network Cultures Edited by Katrien Jacobs, Marije Janssen, Matteo Pasquinelli Institute of Network Cultures, Amsterdam 2007 C'Lick Me: A Netporn Studies Reader is an anthology that collects the best materials of two years debate: from The Art and Politics of Netporn conference held in 2005 in Amsterdam to the 2007 C'Lick Me festival. C'Lick Me opens the field of ‘Internet pornology’. Based on non-conventional approaches, mixing academics, artists and activists, the C'Lick Me Reader reclaims a critical post-enthusiastic, post-censorship perspective on netporn, a dark field that has been dominated thus far by dodgy commerce and filtering. The C'Lick Me reader covers the rise of the netporn society from Usenet underground to the blogo- sphere, analyses economic data and search engines traffic, compares sex work with the work of fantasy, disability and accessibility. The C'Lick Me reader also expands the notion of digital desire, and smashes the predicatable boundaries of porn debates, depicting a broader libidinal spectrum from fetish subcultures to digital alienation, from code pornography to war pornography. The reader concludes by re-contextualising the Edited by Katrien Jacobs, Marije Janssen, Matteo Pasquinelli queer discourse into a post-porn scenario. Contributions by: Adam Arvidsson, Franco 'Bifo' Berardi, Manuel Bonik, Mikita Brottman, Florian Cramer, Samantha Culp, Barbara DeGenevieve, Mark Dery, Michael Goddard, Stewart Home, A NETPORN STUDIES READER Katrien Jacobs, Marije Janssen, Julie Levin Russo, Regina Lynn, Sergio Messina, Mireille Miller-Young, Tim Noonan, Francesco Edited by Katrien Jacobs, Marije Janssen, Matteo Pasquinelli Macarone Palmieri aka Warbear, Matteo Pasquinelli, Audacia Ray, Andreas Schaale, Nishant Shah, Tim Stüttgen, Matthew Zook.
    [Show full text]
  • Media Approved
    Film and Video Labelling Body Media Approved Video Titles Title Rating Source Time Date Format Applicant Point of Sales Approved Director Cuts 1 Night in Paris R18 Contains explicit sex scenes FVLB 63.01 26/02/2008 DVD Spheric Blue Rick Salomon No cut noted Slick Yes 26/02/2008 101 Dalmatians/101 Dalmatians 2-Patch's London Adventure G FVLB 151.00 26/02/2008 DVD Roadshow Entertainment S.Herek/B.Smith/J.Kamme No cut noted Slick Yes 26/02/2008 1408-Director's Cut M Contains violence and offensive language FVLB 108.00 26/02/2008 DVD Roadshow Entertainment Mike Hafstrom No cut noted Slick Yes 14/03/2008 2 Days in Paris M Contains offensive language and sexual themes OFLC 96.32 26/02/2008 DVD Hopscotch Film Distributors Julie Delpy No cut noted Poster Yes 07/02/2008 2 Faces of My Girlfriend M Contains violence and sexual references FVLB 115.00 08/02/2008 VHS Media Plaza Lee Seok-Hoon No cut noted 28 Days Later/28 Weeks Later R18 Contains graphic violence and offensive language FVLB 205.00 26/02/2008 DVD Roadshow Entertainment D.Boyle/J.Fresnadllo No cut noted Slick Yes 26/02/2008 30 Days of Night R16 Contains violence,offensive language and horror FVLB 108.00 26/02/2008 DVD Warner Bros Video David Slade No cut noted 30 Days of Night-Comic Book Edition (2 Disc) R16 Contains violence,offensive language and horror FVLB 108.00 28/02/2008 DVD Warner Bros Video David Slade No cut noted 30 Rock-Season 1 M Contains sexual references FVLB 440.41 26/02/2008 DVD Universal Pictures Video Various No cut noted 40 Year-Old Virgin: Director's Cut R16 Contains
    [Show full text]