Short Films Produced in Canada, Please Check out Our Description of the Short Film Programme on Page 50, and Contact Us for Advice and Assistance

Total Page:16

File Type:pdf, Size:1020Kb

Short Films Produced in Canada, Please Check out Our Description of the Short Film Programme on Page 50, and Contact Us for Advice and Assistance SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 50, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger. This Oscar- Richler about how families deal with colours shifting in sync with jazz nominated film was among the first older relatives, and the emotions COSMIC ZOOM music performed by the Oscar to use computer animation. surrounding a grandmother’s death. Peterson Trio. THE LOG DRIVER’S WALTZ THE SWEATER THE BIG SNIT John Weldon 1979 3 min. Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. The McGarrigle sisters sing along to Iconic author Roch Carrier narrates A wonderfully wacky look at two the tale of a young girl who loves to a mortifying boyhood experience conflicts — global nuclear war and a dance and chooses to marry a log in this animated adaptation of his domestic quarrel — and how each is driver over more well-to-do suitors. beloved book The Hockey Sweater. resolved. Nominated for an Oscar. NEIGHBOURS VILLAGE OF IDIOTS THE CAT CAME BACK Norman McLaren 1952 8 min. Eugene Fedorenko, Rose Newlove THE LOG DRIVER’S WALTZ Cordell Barker 1988 7 min. This satirical anti-war parable uses 1999 13 min. In this Oscar-nominated short, a live actors as stop-motion subjects Based on a Jewish folk tale, this humorous song tells the silly tale of to tell the tale of a destructive feud hilarious film provides a fresh and a man who just can’t get rid of an over a flower. A groundbreaking – irreverent take on our tendency to unwanted cat. and Oscar-winning – short. romanticize what we don’t have. COSMIC ZOOM THE SAND CASTLE WALKING Eva Szasz 1968 8 min. Co Hoedeman 1977 13 min. Ryan Larkin 1968 5 min. A visually stunning journey from the A man made of sand makes other An artist’s interpretation of the way farthest point of the universe to the sand creatures in this inventive, people walk, using a variety THE SWEATER tiniest particle of matter. Oscar-winning stop-motion film. of animation techniques. CONTEMPORARY ANIMATION ᑐᒃᑐᒥᑦ / TUKTUMIT IM AMAQQUT NUNAAT / IM AT THE QUINTE HOTEL Ippiksaut Friesen (Inuk) 2014 4 min. THE COUNTRY OF WOLVES Bruce Alcock 2005 4 min. This gorgeously rendered animation Neil Christopher, Louise Flaherty An animated version of Al Purdy’s explores the way traditional hunting (Inuk) 2011 12 min. poem about a man drinking in a / TUKTUMIT in Nunavut has evolved to maintain its Two brothers are set adrift on ice floes basement pub. Narrated by The ᑐᒃᑐᒥᑦ vital role in contemporary Inuit culture. while hunting for seal. They soon find Tragically Hip’s Gord Downie. IM themselves in the country of wolves, IM ABORIGINALITY where all is not as it appears. AWASKINAWASON / Dominique Keller, Tom Jackson (Cree) CHILDREN OF EARTH 2007 5 min. ÂME NOIRE / BLACK SOUL Antony Dubé (Atikamekw) 2015 A young boy is transported Martine Chartrand 2000 10 min. 3 min. through his television set to the A young boy traces his roots through Awaskinawason is made up of the scene of a traditional hoop dance, the stories his grandmother shares Atikamekw words awacic (child), aski encountering his family’s cultural with him in this exhilarating voyage (earth) and takonawason (having the heritage in a new way. through the defining moments of responsibility for). A plea to respect ABORIGINALITY the great circle of life. AL GHORBA black history. Alia Hijaab 2019 6 min. AND THAT’S REMARKABLE THE BASKETBALL GAME Through a conversation with Linnea Ritland 2013 1 min. Hart Snider 2011 5 min. her family back home, a Syrian “It’s remarkable how easily a human When nine-year-old Hart attends immigrant in Canada expresses her spirit can be broken,” this punchy Jewish summer camp, his group loneliness, and faces her mounting short about bullying laments. But, as must play an epic basketball game fears about the future. the animation assures us, it’s just as against the students of a notorious remarkable how it can be fixed. Holocaust denier. What awaits him on the court? AL GHORBA REEL CANADA SHORT FILMS 1 CONTEMPORARY ANIMATION continued BAM THE END OF PINKY THE GUEST IM Howie Shia 2015 6 min. Claire Blanchet 2013 8 min. Nick Rodgers (Anishinaabe) In this modern adaptation of the story Johnny is out to kill his best friend, 2015 5 min. of Hercules, a young boxer struggles Pinky, in this film noir adaptation of A trapper collects a mysterious to negotiate between his shy, bookish a short story by acclaimed Canadian animal in the forest, but as he tries BIIDAABAN nature and his divinely violent temper. author Heather O’Neill. to care for it, the beast quickly becomes insatiable. BIIDAABAN IM FIGHTING CHANCE IM (THE DAWN COMES) Alexandra Lazarowich (Cree) HOLE Amanda Strong (Michif) 2011 9 min. G. Goletski 2018 6 min. 2018 19 min. With a family history of residential The story of Mo, a young adult In this dream-like animation, a schooling, 13-year-old Joey is put on the autism spectrum whose young Anishinaabe artist comes into a group home, where he gets a daily routine is disrupted when a to a suburban neighbourhood to chance to turn his life around. mysterious hole begins to follow reclaim her ancestral tradition of sap them around. harvesting. FLUX BLIND VAYSHA Christopher Hinton 2002 7 min. HOW TO BE ALONE BIRCHBARK IM A whimsical piece that plays with Andrea Dorfman 2010 6 min. John Hupfield (Anishinaabe) 2008 both the significant and mundane Narrated by Tanya Davis to beautiful 4 min. events in the lives of a large family. hand-drawn illustrations by Dorfman, Davis’s eloquent poem is full of Symbols of traditional knowledge IM come alive and find themselves FOUR FACES OF THE MOON powerful truths. With over eight Amanda Strong (Michif) inside the pages of a book. million views on YouTube, the film is 2016 13 min. an online sensation. BLIND VAYSHA In this intricate and stunning Theodore Ushev 2016 8 min. stop-motion animation, a young IF I WAS GOD… BONE MOTHER A young girl’s left eye sees only the filmmaker travels back through time, Cordell Barker 2014 8 min. past while her right sees only the encountering pivotal moments in her In this darkly whimsical animation future. Haunted by what was and family’s history and strengthening her from two-time Oscar-nominee threatened by what will be, Blind connections to her Métis, Cree and Cordell Barker, a student dissecting Vaysha is cursed to be incapable of Anishinaabe ancestors. a frog in his biology class daydreams living in the present. about omnipotent powers. THE GIFT IM BONE MOTHER Terril Calder (Métis) 2011 2 min. I HAVE SEEN THE FUTURE Cam Christiansen 2007 6 min. Dale Hayward, Sylvie Trouvé This stop-motion tale captures the 2018 8 min. betrayal and deception of when An animated music video about a father-son tennis game set on a hot FOUR FACES OF THE MOON A traveller wanders deep into smallpox-infected blankets were given summer day in the suburbs. the forest to visit Baba Yaga, a by European settlers to Indigenous mysterious woman who is said to populations as a deadly “gift.” I’M SCARED TOO possess the powers of life and death. LE GOUFFRE / THE GULF Nadia Lakhdari, Caroline Lavergne DANCERS OF THE GRASS IM Carl Beauchemin, Thomas Chrétien, 2017 2 min. Melanie Jackson (Métis/ David Forest 2015 10 min. In the days following the attack on Saulteaux) 2009 2 min. When two travellers undertake a Quebec City mosque, Lakhdari and Lavergne sought out stories Spectacular stop-motion animation to build a gigantic bridge that will from Quebecers of all walks of life, breathes life into a traditional dance. cross a gulf blocking their way, their courage and determination inspire a revealing the same emotions that THE GRANDFATHER DRUM THE DANISH POET nearby rural community. unite rather than divide us. Torill Kove 2006 14 min. In this Oscar-winning short, a young THE GRANDFATHER DRUM IM I MET THE WALRUS woman tells the story of how the Michelle Derosier (Anishinaabe) Josh Raskin 2007 5 min. Danish poet Kasper Jørgensen found 2016 12 min. In 1969, a 14-year-old Beatles fan inspiration and ultimately caused her In this stunning storybook animation, sneaks into John Lennon’s Toronto hotel room and convinces him to do parents to find one another. the forceful removal of a healing drum from an Anishinabek an interview for his school paper. DIMANCHE / SUNDAY community disrupts the balance This clever animation illustrates the Patrick Doyon 2011 10 min. between the sky-world and the audio recording of that conversation. IF I WAS GOD A young boy is bored during a visit to underworld. his grandparents’ house in small-town MADAME TUTLI-PUTLI Chris Lavis, Maciek Szczerbowski Quebec, so he goes outside in search GRANDFATHER ON IM 2007 17 min. of adventure. Nominated for an Oscar. THE PRAIRIES Andrew Genaille (Cree) 2018 3 min. Madame Tutli-Putli boards a night train for a mysterious and EMPTY IM Jason meets his great-great-great- Jackie Traverse (Anishinaabe) grandfather and soon finds himself suspenseful journey in this stunning 2009 5 min.
Recommended publications
  • Indigenous Peoples' Food Systems and Well-Being
    Chapter 11 The Nuxalk Food and Nutrition Program for Health revisited v nanCy J. turnEr 1 v WilFred r. talliO 2 v sanDy BurgEss 2, 3 v HarriEt V. KuHnlEin 3 Indigenous Peoples’ food systems & well-being 177 British Columbia Bella Coola Vancouver Canada Figure 11.1 NUXALK Nation Bella Coola, British Columbia Data from ESRI Global GIS, 2006. Walter Hitschfield Geographic Information Centre, McGill University Library. 1 school of Environmental studies, university of Victoria, Victoria, British Columbia, Canada 4 2 Centre for indigenous nuxalk nation, peoples’ nutrition Indigenous Peoples, food systems, Bella Coola, and Environment (CinE) Key words > British Columbia, Canada and school of Dietetics traditional food, Nuxalk Nation, British Columbia, and Human nutrition, intervention 3 mcgill university, (retired) salmon arm, montreal, Quebec, British Columbia, Canada Canada Photographic section >> XXII 178 Indigenous Peoples’ food systems & well-being | Case studies | nuxalk “They came out in droves!” Rose Hans, in recollection of the feasts for youth that were part of the Nuxalk Food and Nutrition Program, as remembered in 2006 abstract Introduction the original diet of the nuxalk nation incorporated a range of nutritious fish and seafood, game and various plant foods, he Nuxalk Food and Nutrition including greens, berries and root vegetables. However, early Program was conceived in the research underlying the nuxalk Food and nutrition program demonstrated a dramatic shift in diet during the twentieth early 1980s and began officially in century, with less use of traditional food and greater reliance 1983. It was a collaborative research on processed and less healthy food, combined with a more project involving the Nuxalk1 Nation sedentary lifestyle.
    [Show full text]
  • Introductions & Greetings 2018-20
    Rosser’s Indigenous Language Club Introductions & Greetings 2018-20 Rosser’s Indigenous Language Club Introductions & Greetings This book is dedicated to the students, staff & community of Rosser Elementary School. Researched & Designed by Brandi Price & Brentwood Park Indigenous Students. Photo Credits: Brandi Price Picture Credits: Pixabay.com Audio Recording: Brentwood Park Indigenous students Edited by Burnaby Indigenous Resource Team 2018-2020 Table of Contents 1. What is Indigenous Language Club Page 2 2. Acknowledgements Page 2 3. Kwak’wala Page 3 4. Nuxalk Page 3 5. Nēhiyawēwin-Y Dialect Page 4-5 6. Secwepemctsín Page 6 7. Secwepemctsín Page 7 8. Español Page 7 9. Secwepemctsín Page 8 10. Kwak’wala Page 9 11. Indigenous Language Map of Canada Page 10 12. Map of the World Page 11 13. UNESCO status of Indigenous Languages in Canada Page 12-13 14. Resources Page 14 About Indigenous Language Club Rosser language club is a safe place for students to increase their awareness of the Indigenous languages in Canada and is inclusive to all languages. All Indigenous languages in Canada are at a high risk of becoming endangered or extinct due to the impacts of colonization and residential schools. Indigenous communities are currently engaged in a variety of efforts to maintain and revitalize their languages. Using the Truth And Reconciliation (TRC), section 13 and the United Nations Declaration on the Rights of Indigenous peoples (UNDRIP), article 13 as a guide, I wanted to create an opportunity for urban indigenous students who come from various cultural backgrounds to explore, learn, research and play with their ancestral language through firstvoices.com, learnmichif.com, youtube and other online platforms.
    [Show full text]
  • Attribution, Continuity, and Symbolic Capital in a Nuxalk Community
    THUNDER AND BEING: ATTRIBUTION, CONTINUITY, AND SYMBOLIC CAPITAL IN A NUXALK COMMUNITY by CHRISTOPHER WESLEY SMITH B.A., University of Alaska Anchorage, 2009 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Anthropology) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2019 © Christopher Wesley Smith, 2019 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, a thesis entitled: Thunder and Being: Attribution, Continuity, and Symbolic Capital in a Nuxalk Community submitted by Christopher Wesley Smith in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology Examining Committee: Jennifer Kramer Supervisor Bruce Granville Miller Supervisory Committee Member Additional Examiner ii Abstract This ethnography investigates how Nuxalk carpenters (artists) and cultural specialists discursively connect themselves to cultural treasures and historic makers through attributions and staked cultural knowledge. A recent wave of information in the form of digital images of ancestral objects, long-absent from the community, has enabled Nuxalk members to develop connoisseurial skills to reinterpret, reengage, and re-indigenize those objects while constructing cultural continuity and mobilizing symbolic capital in their community, the art market, and between each other. The methodologies described in this ethnography and deployed by Nuxalk people draw from both traditional knowledge and formal analysis, problematizing the presumed binary division between these epistemologies in First Nations art scholarship and texts. By developing competencies with objects though exposure and familiarity, Nuxalk carpenters and cultural specialists are driving a spiritual and artistic resurgence within their community.
    [Show full text]
  • Curriculum and Resources for First Nations Language Programs in BC First Nations Schools
    Curriculum and Resources for First Nations Language Programs in BC First Nations Schools Resource Directory Curriculum and Resources for First Nations Language Programs in BC First Nations Schools Resource Directory: Table of Contents and Section Descriptions 1. Linguistic Resources Academic linguistics articles, reference materials, and online language resources for each BC First Nations language. 2. Language-Specific Resources Practical teaching resources and curriculum identified for each BC First Nations language. 3. Adaptable Resources General curriculum and teaching resources which can be adapted for teaching BC First Nations languages: books, curriculum documents, online and multimedia resources. Includes copies of many documents in PDF format. 4. Language Revitalization Resources This section includes general resources on language revitalization, as well as resources on awakening languages, teaching methods for language revitalization, materials and activities for language teaching, assessing the state of a language, envisioning and planning a language program, teacher training, curriculum design, language acquisition, and the role of technology in language revitalization. 5. Language Teaching Journals A list of journals relevant to teachers of BC First Nations languages. 6. Further Education This section highlights opportunities for further education, training, certification, and professional development. It includes a list of conferences and workshops relevant to BC First Nations language teachers, and a spreadsheet of post‐ secondary programs relevant to Aboriginal Education and Teacher Training - in BC, across Canada, in the USA, and around the world. 7. Funding This section includes a list of funding sources for Indigenous language revitalization programs, as well as a list of scholarships and bursaries available for Aboriginal students and students in the field of Education, in BC, across Canada, and at specific institutions.
    [Show full text]
  • 7"'" Eyak Tlingit/1\ Dialects
    301 302 THE ATHABASCAN COMPONENT OF NUXALK so be shown that the Nuxalk-Athabascan connection underlies certain phonological traits and developments in Nuxalk that are quite unique in Salish. Considering Hank Nater Red Earth Creek, Alberta the typological distance between Salish and Athabascan in general, we infer that Athabascan linguistic pressure has been more penetrating in Nuxalk than in other Canada TOGlXO Salish;2 the likelihood that the origin of the Nuxalk-Athabascan interrelation antedates the development of the Nuxalk-Wakash Sprachbund is an indication that O. Introduction. Obvious lexical similarities between Nuxalk (Bella Coola, at least a section of the Nuxalk population has ancestral ties with the Interior Salish) and Upper North Wakash have been described on previous occasions (Nater Salish (which is corroborated by the fact that the Salish portion of the Nuxalk 1974, 1977, 1984; Nater and Rath 1987; Newman 1973). I also reported that a few lexicon links Nuxalk with both Coast and Interior Salish, cf. Nater 1984: XVII). Nuxalk words appear to be of Athabascan origin, and it is the latter portion of In this paper, the circumflex (as in lei le'l I§/) is used instead of the hachek the Nuxalk lexicon that we shall examine here in more detail than before. Note to transcribe apico-alveolars; in Iii and Iii, the superscript dot replaces the that, while I had presumed that traces of Athabascan vocabulary in Nuxalk were subscript dot, and Igl = IG/. References are abbreviated as follows: C = Cook largely attributable to interaction with speakers of contemporary neighboring 1983; CD = Carrier Dictionary Committee 1974; K70 = Kuipers 1970, K74 = Kuipers Athabascan languages (Carrier, Chilcotin), further research has revealed that 1974, K82 = Kuipers 1982, K89 = Kuipers 1989; KL = Krauss and Leer 1981; L = most such borrowings are older than hitherto alleged; in addition, the number of Leer 1979; LR = Lincoln and Rath 1986; MI = Morice 1932 (vol.
    [Show full text]
  • Medical Missions and Indigenous Medico-Spiritual Cosmologies on the Central Coast of British Columbia, 1897-1914
    A Time to Heal: Medical Missions and Indigenous Medico-Spiritual Cosmologies on the Central Coast of British Columbia, 1897-1914 by Alice Chi Huang B.A., University of British Columbia, 2012 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of History Faculty of Arts and Social Sciences Ó Alice Chi Huang 2017 SIMON FRASER UNIVERSITY Summer 2017 Approval Name: Alice Chi Huang Degree: Master of Arts (History) Title: A Time to Heal: Medical Missions and Indigenous Medico-Spiritual Cosmologies on the Central Coast of British Columbia, 1897-1914 Examining Committee: Chair: Thomas Kuehn Associate Professor Mary-Ellen Kelm Senior Supervisor Professor Luke Clossey Supervisor Associate Professor Paige Raibmon External Examiner Associate Professor Department of History University of British Columbia Date Defended/Approved: July 14, 2017 ii Abstract In the late 1890s, the Methodist Church of Canada established medical missions among the two largest Indigenous settlements of the Central Coast: the Heiltsuk village of Bella Bella, and the Nuxalk village of Bella Coola. These medical missions emphasized the provision of biomedical care as an evangelization strategy, since the Methodists believed that God’s grace and power manifested through their integrated medico-spiritual work. Although missionaries attempted to impose Euro-Canadian notions of health and healing, their assimilatory efforts resulted in an unexpected outcome. Rather than abandoning Indigenous healing, the Heiltsuk and Nuxalkmc recognized the limitations of biomedicine but also its advantages, and thus incorporated biomedical care into their cultural beliefs and practices. This thesis examines the convergence of Euro-Canadian and Indigenous healing systems and how it resulted in the emergence of medical pluralism, and considers how this reciprocal process of exchange affected both missionaries and Indigenous peoples.
    [Show full text]
  • 2010 Report on the Status of B.C First Nations Languages
    Report on the Status of B.C. First Nations Languages 2010 Tsilhqot’in Dakelh (ᑕᗸᒡ) Gitsenimx̱ Nisg̱a’a Hul’q’umi’num Nsyilxcən St̓át̓imcets Nedut’en Dane-Zaa (ᑕᓀ ᖚ) Nłeʔkepmxcín Halq’eméylem Kwak̓wala Secwepemctsin Lekwungen Wetsuwet’en Nuučaan̓uɫ Hən̓q̓əm̓inəm̓ enaksialak̓ala SENĆOŦEN Tāłtān Malchosen Semiahmoo T’Sou-ke Dene K’e Nuxalk X̱aaydaa Kil Sm̓algya̱x Hailhzaqvla Éy7á7juuthem Ktunaxa Tse’khene Danezāgé’ X̱aad Kil Diitiidʔaatx̣ Sḵwx̱wú7mesh sníchim “…I was beginning to fear that our language was slowly She shashishalhem Łingít disappearing, especially as each Elder is put into the ground.” Nicola Clara Camille, secwepemctsin speaker Pəntl’áč Wetalh Ski:xs Oowekyala prepared by the First peoples’ heritage, language and Culture CounCil The First Peoples’ Heritage, Language and Culture Council (First We sincerely thank the B.C. First Nations language revitalization Peoples’ Council) is a provincial Crown Corporation dedicated to First experts for the expertise and input they provided. Nations languages, arts and culture. Since its formation in 1990, the Dr. Lorna Williams First Peoples’ Council has distributed over $21.5 million to communi- Mandy Na’zinek Jimmie, M.A. ties to fund arts, language and culture projects. Maxine Baptiste, M.A. Dr. Ewa Czaykowski-Higgins The Board and Advisory Committee of the First Peoples’ Council consist of First Nations community representatives from across B.C. We are grateful to the three language communities featured in our case studies that provided us with information on the exceptional The First Peoples’ Council Mandate, as laid out in the First Peoples’ language revitalization work they are doing. Council Act, is to: Nuučaan̓uɫ (Barclay Dialect) • Preserve, restore and enhance First Nations’ heritage, language Halq’emeylem (Upriver Halkomelem) and culture.
    [Show full text]
  • Table of Contents Monica Auer, Forum for Research and Policy in Communications (FRPC)
    Abstracts & Bios, Page 1 PRESENTER BIOGRAPHIES AND PRESENTATION ABSTRACTS Table of Contents Monica Auer, Forum for Research and Policy in Communications (FRPC)...................................................2 Melissa Begay, Native Public Media............................................................................................................2 Geneviève Bonin, University of Ottawa.......................................................................................................3 Andrew Cardozo, Pearson Centre................................................................................................................4 Les Carpenter, Native Communications Society (NCS) of the NWT.............................................................4 Penny Carpenter, First Mile Connectivity Consortium.................................................................................5 Annie Clair, Pjilasi Mi'kma'ki........................................................................................................................5 Kristiana Clemens, Community Media Advocacy Centre.............................................................................6 Sam Cohn-Cousineau, Isuma Distribution International..............................................................................7 Conner Coles, Native Communications Society (NCS) of the NWT..............................................................8 Aliaa Dakroury, Saint Paul University...........................................................................................................8
    [Show full text]
  • Broadcasting Live from Unceded Coast Salish Territory: Aboriginal Community Radio, Unsettling Vancouver
    Broadcasting Live from Unceded Coast Salish Territory: Aboriginal Community Radio, Unsettling Vancouver Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Margaret Helen Bissler, B.A. Graduate Program in Music The Ohio State University 2014 Thesis Committee: Ryan T. Skinner, Advisor Christine Ballengee-Morris Danielle Fosler-Lussier Copyright by Margaret Helen Bissler 2014 Abstract This thesis examines moments of spatial, historical, and identity transformation through the performance of aboriginal community radio production in contemporary Vancouver, BC. It highlights points at which space is marked as indigenous and colonial through physical movement and through discourse. Beginning with a trip to record a public demonstration for later broadcast, this thesis follows the event in a public performance to question and unpack spatial, sonic, and historical references made by participants. The protest calls for present action while drawing upon past experiences of indigenous peoples locally and nationwide that affect the lived present and foreseeable future. This thesis also moves to position aboriginal community radio practice in a particular place and time, locating the discussion in unceded indigenous territory within the governmental forces of Canadian regulation at a single radio station. Vancouver Co- op Radio, to provide a more coherent microcosm of Vancouver's indigenous community radio scene. CFRO is located in Vancouver’s Downtown Eastside and its shows, mostly aired live from the studio, broadcast a marginalized voices. The content of its overtly indigenous shows includes aboriginal language learning and revival, aboriginal political issues or “talk radio,” “NDN” (pronounced “Indian”) pop culture/music, and aboriginal music more broadly writ.
    [Show full text]
  • Exhibiting Nuxalk Radio at the University of British Columbia
    Broadcasting Sovereignty: Exhibiting Nuxalk Radio at the University of British Columbia Jennifer Kramer Introduction s I write this article, the exhibition Haida Now recently opened at the Museum of Vancouver (MOV),1 created in partnership with the Haida Gwaii Museum by guest curator AKwiaahwah Jones in collaboration with MOV curator Viviane Gosselin, and Culture at the Centre just opened at the Museum of Anthropology (MOA),2 co-curated by five Indigenous-run cultural centres and museums in British Columbia representing the Nisga’a, Haida, Heiltsuk, Lil’wat, Squamish, and Musqueam, facilitated by MOA curators Pam Brown and Jill Baird. Exhibitions such as these are becoming more common in museum practice in British Columbia in which First Nations, often with their own display spaces, choose to self-represent in mainstream heritage institutions, in many cases located outside of their home territories.3 First Nations choosing to actively exhibit within non-Indigenous spaces is part of a long story of contention over the place of Indigenous Northwest Coast material culture displayed in museums and galleries as well as of larger issues of representation and self-representation. Exhibitions like Haida Now and Culture at the Centre can be seen as one response to the history and critique of exhibitions concerning Indigenous peoples on the Northwest Coast curated by non-Indigenous people and displayed in museums and galleries outside of Indigenous control.4 They are also 1 Haida Now: A Visual Feast of Innovation and Tradition, Museum of Vancouver, 16 March 2018 – 15 June 2019. 2 Culture at the Centre: Honouring Indigenous Cultures, History and Language, Museum of Anthropology, 18 March 2018 – 30 September 2018.
    [Show full text]
  • First Peoples' Cultural Council 2015/16 ASPR
    First Peoples’ Cultural Council 2015/16 ANNUAL SERVICE PLAN REPORT For more information on FPCC contact: Tracey Herbert, CEO 1A Boat Ramp Road, Brentwood Bay B.C. V8M 1N9 Tel: (250) 652-5952 Fax: (250) 652-5953 [email protected] or visit our website at www.fpcc.ca First Peoples’ Cultural Council Board Chair’s Accountability Statement The First People’s Cultural Council 2015/16 Annual Service Plan Report compares the corporation’s actual results to the expected results identified in the 2015/16 - 2017/18 Service Plan. I am accountable for those results as reported. Marlene Erickson Board Chair 2015/16 Annual Service Plan Report 3 First Peoples’ Cultural Council Table of Contents Board Chair’s Accountability Statement ................................................................................................ 3 Chair/CEO Report Letter ........................................................................................................................ 5 Purpose of the Organization .................................................................................................................... 7 Strategic Direction and Context .............................................................................................................. 7 Report on Performance ........................................................................................................................... 9 Goals, Strategies, Measures and Targets ............................................................................................ 9 Financial Report ...................................................................................................................................
    [Show full text]
  • The Nuxalk Sputc Project, Eulachon Management and Well-Being By
    Standing up for sputc: The Nuxalk Sputc Project, eulachon management and well-being by Rachelle Beveridge B.Sc.H., Queen’s University, 1999 M.Sc., Université de Montreal, 2008 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Social Dimensions of Health Program © Rachelle Beveridge, 2019 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. Supervisory committee Standing up for sputc: the Nuxalk Sputc Project, eulachon management, and well-being by Rachelle Beveridge B.Sc.H., Queen’s University, 1999 M.Sc., Université de Montréal, 2008 Supervisory Committee Dr. Grant Murray, Co-Supervisor Department of Geography Dr. Bernie Pauly, Co-Supervisor School of Nursing Dr. Chris Darimont, Departmental Member Department of Geography ii Abstract The coastal landscape currently known as British Columbia, Canada represents a complex and rapidly evolving site of collaboration, negotiation, and conflict in environmental management, with important implications for Indigenous community well-being. I ground this work in the understanding that settler-colonialism and its remedies, resurgence and self-determination, are the fundamental determinants of Indigenous health and related inequities. Through a case study of eulachon (Thaleichthys pacificus) in Nuxalk territory, I take interest in systemic mechanisms of dispossession and resurgent practices of (re)connection and knowledge renewal as mediators of the relationship between environmental management and Indigenous health and well-being. This work is based in four years of observation, participation, and leadership in the Nuxalk Sputc (Eulachon) Project, a community-directed process that aimed to document and articulate Nuxalk knowledges about eulachon.
    [Show full text]