Culture, Youth and Sport of Republic of Kosovo

Total Page:16

File Type:pdf, Size:1020Kb

Culture, Youth and Sport of Republic of Kosovo Bi-monthly newsletter of Ministry of Culture, NEWSLETTER JAN/FEB 2013 Youth and Sport of Republic of Kosovo. No. 7. Year II. Culture,Culture,Kosovo’sKosovo’s YouthYouth andand SportSport Bi-monthly newsletter of Ministry of Culture, Youth and Sport of Republic of Kosovo. No. 7. Year II. JAN/FEB 2013 NEWSLETTER SPORT 6 CULTURE 11 YOUTH 19 Majlinda struck gold in Dusseldorf 02- 0-1&'Q%0 12&#b&--2',% 300 thousand dollars for 14 Youth Stars” award in Berlinale Centres and two Resource Centres ','12#001,'/'-$L'!'**70#!#'4#"2&#0!&#-*-%'!* 02'$!21-$-1-4-0#!-4#0#"',#0+,7 even archaeological arti- State, Germany, Eva Kuhne Hor- is a testimony to the high culture facts of Kosovo recovered in mann. of the German people. He said that SGermany have been delivered Artifacts were recovered this should serve as an example, to the Kosovo institutions. The precisely in this part of Germa- especially for the state of Serbia, Minister of Culture, Youth and ny. Minister Krasniqi expressed to return more than one thousand .-021Q#+*'0- gratitude to the Minister of Science artifacts of Kosovo, taken from the cial ceremony, today received the and Arts of Essen, for the care Museum of Kosovo in 1999. seven artifacts from the Minister they exhibited towards Kosovo of Science and Arts of the Essen artifacts, stating that the gesture Continued on page 3 ^ Bi-monthly newsletter of Ministry of Culture, Youth and Sport of Republic of Kosovo. No. 7. Year II. JAN/FEB 2013 NEWSLETTER Ulpiana- Pristina 2 No. 7. Year II. Bi-monthly newsletter of Ministry of Culture, NEWSLETTER JAN/FEB 2013 Youth and Sport of Republic of Kosovo. No. 7. Year II. ','12#001,'/'-$L'!'**70#!#'4#"2&#0!&#-*-%'!* 02'$!21-$-1-4-0#!-4#0#"',#0+,7 ^Continued from front page in Kosovo is an extraordinary event Cultural heritage is an important “Firstly, on behalf of the people for a country now entering its sixth part of a country’s identity, and in of the Republic of Kosovo and sec- year of independence. this case, she stated that its preser- ondly, on behalf of the Ministry of “The value of archaeological 42'-,'14#071'%,'L'!,2T Culture, Youth and Sports, I would L',"',%1'1#620-0"',07$-0122# Minister Krasniqi was accompa- wish to thank you for the care you that aims to create a beautiful im- nied to this ceremony by President have shown, along with our deep- age for other countries and people. of the Commission for Education, est regard for your generosity and Therefore, any cultural artifact that Culture, Youth, Sports, Public consideration. The treatment of the belongs to the Republic of Kosovo Administration, Local Government artifacts indicates that they were is treated with special care, as it and Media, Idriz Vehapi, Director of at the hands of the people and the is its own property. Returning of !#!2-0 country of a very high culture, who artifacts to their place of origin is of the Institute of Archaeology of appreciate how important and spe- good news for all citizens and its Kosovo, Enver Rexha. Present at the cial they are. We hope that the re- state institutions. In fact, correctly ceremony was also the Ambassador turn of these archeological artifacts speaking, I could really use the Kosovo to Berlin, Skender Xhakaliu. in the area where they existed with word Repatriation because the The artifacts will be returned its people for thousands of years, homeland of ‘The Goddess on the to Kosovo after two days and will will only serve as a starting point, Throne’ and six other objects is be preserved at the Museum of as many other artifacts were found the Republic of Kosovo, the place Kosovo. The artifacts belong to the in the Republic of Kosovo but were where they were so skillfully craft- culture of Vinces, dating back to unjustly taken away. ed thousands of years ago”. middle sub-neolith, 3500 – 4000 The Museum of Kosovo has On the other hand, the Minister years BC. One of the most interest- been emptied in the year 1999 of Science and Arts of the State of ing artifacts of the total of seven is and many artifacts were taken, Essen, Eva Kuhne Hermann, said L'%30#0b# however their memory will always the was very happy to have been on the Throne” already located in remain at the place where they *#2-L',","!0#$3**7.0#1#04# the Museum of Kosovo, which was slept for thousands of years. I wish an important part of the history returned from Belgrade in2001. and hope that they will soon be of Kosovo. She said, among other “The Goddess on the Throne” returned soon”, he said during the things, that they have preserved found in Germany is higher than ceremony. The Minister said that a history of a country, but also the one in Kosovo. Its height is the return of these seven artifacts respected UNESCO Conventions. estimated at 21.5cm. No. 7. Year II. 3 Bi-monthly newsletter of Ministry of Culture, Youth and Sport of Republic of Kosovo. No. 7. Year II. JAN/FEB 2013 NEWSLETTER 0!&#-*-%'!*02#$!210#23 ','12#00S"_.#1#04#-30- he Museum of Kosovo has the immense care they have shown Stressing the importance of the today been enriched by seven to the artefacts, which, in Minister’s return of these seven artefacts, Tarchaeological artefacts, view, speaks of the culture of a peo- Minister Krasniqi said that the so- among which a model of “Goddess ple and a country, such as Germany. ciety and its institutions now had on the Throne”, at 21.5 cm height. At He said that this was an exam- other obligations. a ceremony organized by the Min- ple to be emulated by many other “One of such obligations is to istry of Culture, Youth and Sports countries. “Above all, by Serbia, preserve and protect our heritage at the Museum of Kosovo, seven who in 1999 emptied this Museum, and our cultural diversity. If these archaeological artefacts recovered collecting more than 1,200 archae- artefacts were preserved for years in Germany have been introduced. ological and ethnological pieces, into the Kosovo ground, and were The Ambassador of Germany which it has been reluctant to then preserved with tremendous to Kosovo, Peter Blomeyer, the return for 13 years”. care by our German friends and Ambassador of France to Kosovo, “We will never relent in our subsequently handed over to us Maryse Daviet, Head of Greece pursuit to recover all the cultur- with utmost respect, today it is $%--1-4! al treasure of our country; quite our opportunity and responsibil- Moschopoulos, were all present at the contrary, we will step up our ity to guard these artefacts with the unveiling of the artefacts, along efforts to ensure that the stolen jealousy. Not only these, but any with other representatives of local artefacts are returned here, along other monuments, any small bits, and international institutions. with the seven returned artefacts howsoever small, of our cultural In his speech, the Minister of from Germany”, he said. treasure”, he urged. Culture, Youth and Sports, Mem- Minister Krasniqi said that The Minister awarded a token li Krasniqi said that he felt very Kosova has a rich archaeological, of appreciation to the Ministry of happy that a part of its cultural ethnological and architectural Science and Arts of the State of treasure has now been returned to heritage. Hence, said the Minister, Hessen, the Police authorities of Kosovo. He expressed gratitude for MYCS increased its overall budget Frankfurt and Hessen, for their the Ministry of Science and Arts in for heritage, ranking it among its contribution to the entire process Hessen, the police of this State for top priorities. of recovery, preservation and re- 4 No. 7. Year II. Bi-monthly newsletter of Ministry of Culture, NEWSLETTER JAN/FEB 2013 Youth and Sport of Republic of Kosovo. No. 7. Year II. 0,#"$0-+#0+,73,4#'*#" -5#$3**7,"0.7 turn of the artefacts. The German Ambassador in Kosovo, Peter Blomerey, said that return of these artefacts was a very happy occasion for both Kosovo and Germany. He said that the event was a testimony to the cooperation that had developed between the two countries. “It is also a sign of good cooperation between Kosovo and Germany, which represents another occasion for happiness.” “As the Ambassador of Germa- ny, I am very happy of the cultural cooperation that has developed between our two countries. Last year, we signed an agreement of cultural cooperation between our two countries. Since 2008, there were German archaeologists that Ekhard Laufner worked in Ulpiana, while now we have this successful transfer. I am increase further”, he said. from Hessen assigned to cases !-,L'"#,22&2-30!--.#05 ')0$Q.-*'!#-$L'!#0 related to damage and theft of heritage monuments, said that he felt happy that artefacts of Kosovo, stolen several years ago, have now been returned to their rightful place. “It is also a great pleasure for me to have been invited by the in- stitutions of the Republic of Kosovo as a representative of the State of Hessen to deliver these remarks. Since 1970, Germany had to deal with the issue of artefacts theft inside its territory, while a special issue is also trade of archaeological artefacts from various countries.” The trade of archaeological her- itage pieces returned to Kosovo to- day, previously destined for Hessen and Bayern, has been successfully thwarted and concluded with the return of artefacts to their home”, he said.
Recommended publications
  • The Term Soft Power Has Been Championed by Joseph S
    Strategy for export of Kosovo’s cultural assets Olta Andoni* I. Introduction Kosovo, the NEWBORN state, is enjoying its independence. The long dreamed aspirations are more than real for Kosovo right now. Looking forward to the future and being recognized by more countries is another “war” for Kosovo. Seeking new avenues in this direction is the key to the newest state in the world. However, the next “war” of Kosovo has to be a muted and psychological one. Whether it will be successful or not depends on a series of factors. Kosovo, as a new independent state, is more focused on working toward the accession by new states, neglecting the relevance of the arts and culture in the process. But no development is expected without the interplay of the culture. If culture is defined as the entire system of beliefs, practices and customs that exist in a society, it is the foundation that supports every development.1 Economic development without cultural roots will never be sustainable.2 Relying on the power of art and culture is crucial for Kosovo’s future. This paper examines the importance of the art and culture on bridging the gap between a new state, its neighbors and the world. * LL.M. IP Candidate 2009, Chicago-Kent College of Law. Thank you to Prof. Perritt for encouraging the author to come up with a strategy to assist the export of cultural assets of the newest state in the world, Kosovo. 1The power of Culture, http://powerofculture.nl/en/theme/policy.html, (last visited on Dec.2, 2008).
    [Show full text]
  • Matteo MANDALÀ ISMAIL KADARE TRA LA VERITÀ DELL'arte E L
    STUDIA ALBANICA 2016/2 Matteo MANDALÀ ISMAIL KADARE TRA LA VERITÀ DELL’ARTE E L’INGANNO DELLA REALTÀ 6.– L’inverno del “loro” scontento (1973-1975) Per ammissione di Kadare, suffragata dalla moglie Helena, tra la fine degli anni Sessanta e i primi del decennio successivo, nell’opificio dello studioso erano in lavorazione più progetti, dei quali soltanto i due di cui ci siamo appena occupati riuscirono a vedere la luce, mentre la definitiva stesura degli altri e la loro pubblicazione – vuoi a causa delle coercizioni esterne, vuoi per una deliberata scelta dello scrittore –, furono procrastinate ben oltre la seconda metà degli anni ’70, quando in rapida successione apparvero riuniti in diverse raccolte nella forma di racconti brevi1. Tra questi ultimi meritano una menzione speciale due romanzi che, pur ispirati da vicende “moscovite”, per motivi diversi hanno ricoperto un ruolo molto importante per il futuro dell’opera e, si aggiunga, della vita di Kadare. Il primo è Muzgu i perëndive të stepës, che nel 1970 (dunque prima della pubblicazione di Kronikë) era già quasi ultimato2. La sua importanza è notevole perché, rievocando dalla medesima prospettiva critica l’altra tappa fondamentale della formazione del giovane artista, si configura come il naturale continuatore di Kronikë: se in quest’ultimo veniva rivisitata l’esperienza estetica primigenia e intuitiva preadolescenziale, in Muzgu saranno discussi con sagace maturità e anche con particolare gusto surreale per il grottesco alcuni paradigmi fondamentali dell’arte narrativa modernista, quali i concetti di tempo e di spazio, il ruolo 1 Helena Kadare, Kohë e pamjaftueshme. Kujtime, Shtëpia botuese “Onufri”, Tiranë, 2011, f.
    [Show full text]
  • 10Th Lichtspielklub Short Film Festival
    10 th Li chts pielklub Sho rt Film Festival 12–18 January 2017 # Sputnik Kino # Acudkino Acud Club # City Kino Wedding # Kino Zukunft Thu 12.1. 20:00 / Acudkino 1+2 Festival Opening & Festival Screening (Plus: Party at Acud Club, p.25) “There’s no limit!” Drama / Comedy / Animation / Experimental / Music Video 10 Jahre “British Shorts”! 10 Years of British Shorts! “British Shorts ” feiert Jubiläum und zeigt zum 10. Mal aktuelle Kurzfilme aus Großbritannien und Irland! Drama, Comedy, Ani - mation, Thriller, Experimentalfilm, Musik video, Doku und noch viel meh r. Parties, Konzerte, Talks, ein Workshop mit 48-Stun - den-Filmprojekt, ein Open Screening und eine Ausstellung er - gänzen das Programm und wie immer werden ein Jury- und ein h g Publikumspreis vergeben. Die diesjährige Retrospektive widmet u o T : sich frühen Kurzfilmen bekannter britischer Regie-Stars wie An - l l i t s drea Arnold, Stephen Frears, Christopher Nolan, Lynne Ramsey, m l i Ridley Scott und einige mehr. Viel Spass! F British Shorts celebrates its 10th anniversary with the most exciting Rhonna and Donna (Comedy), D: Daina O. Pusic´, 15:00 “There’s no limit” – Alles ist new short films from Great Britain and Ireland. From drama, comedy, möglich für die siamesischen Zwillinge Rhonna und Donna ... außer sich mal animation, thriller, horror, experimental film and music videos to do - aus dem Weg zu gehen. Rhonna and Donna are conjoined twin teenage sisters cumentary films, all genres are represented. Concerts, parties, a free who are having their biggest fight to date. film workshop (including a 48-hour film project), the Open Scree - Private Parts (Animation), D: Anna Ginsburg, 3:35 Weiblich oder männlich, hier kommen ning, talks and an exhibition will create a great festival atmosphere die “Private Parts” zu Wort.
    [Show full text]
  • 35 Years of Nominees and Winners 36
    3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First
    [Show full text]
  • Kdu 82(05) 81(05)
    KDU 82(05) 81(05) UNIVERSITETI I PRISHTINËS “HASAN PRISHTINA” FAKULTETI I FILOLOGJISË FILOLOGJI Revistë shkencore e Fakultetit të Filologjisë Viti i parë i botimit: 1996 Kryeredaktor/ Editor in chief Prof. dr. Sali Bashota Këshilli redaktues/Editorial board Prof. dr. Aurel Plasari (Tiranë) Prof. dr. Osman Gashi Prof. dr. Françesko Altimari (Kozencë) Prof. asoc. dr. Muhamet Hamiti Dr. John Hodgson (Londër) Prof. asoc. dr. Nysret Krasniqi Prof. dr. Russana Hristova Beyleri (Sofje) Prof. asoc. dr. Rrahman Paçarizi Rezymetë i përktheu/Summaries translated Arta Hallaçi, PhD cand. Dizajni/Design Besfort Krasniqi Copyright © Filologji dhe Autorët Adresa: Universiteti i Prishtinës “Hasan Prishtina”- Prishtinë Rr. “Xhorxh Bush”, nr. 31, 10000 Prishtinë https://uni-pr.edu https://filologjia.uni-pr.edu E-mail: [email protected] UNIVERSITETI I PRISHTINËS “HASAN PRISHTINA” FAKULTETI I FILOLOGJISË FILOLOGJI 25 Prishtinë 2020 Filologji 25 | 3 UNIVERSITY OF PRI-SHTINA “HASAN PRISHTINA” FACULTY OF PHILOLOGY PHILOLOGY 25 Pristina 2020 Filologji 25 | 4 PËRMBAJTJA/ TABLE OF CONTENTS STUDIME, TRAJTESA, ARTKUJ .............................................................. 7 STUDIES, ESSAYS, ARTICLES ................................................................. 7 Prof. asoc. dr. Milazim Krasniqi OSCILIMET E IDENTITETIT SHQIPTAR NË OBJEKTIVIN E ALBANOLOGJISË DHE TË DIPLOMACISË AUSTRO- HUNGAREZE OSCILLATIONS OF THE ALBANIAN IDENTITY IN THE OBJECTIVE OF ALBANOLOGY AND AUSTRO-HUNGARIAN DIPLOMACY .................................................................................................
    [Show full text]
  • BFI STATISTICAL YEARBOOK 2017 Welcome to the 2017 BFI Statistical Yearbook
    STATISTICAL YEARBOOK2 017 BFI STATISTICAL YEARBOOK 2017 Welcome to the 2017 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films aboard during 2016. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 BFI STATISTICAL YEARBOOK 2017 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience, development and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address:
    [Show full text]
  • R E V I S T Ë K U L T U R O R E L SYMBOL REVISTË KULTURORE a CULTURAL REVIEW Nr
    SYMBr e v i s t ë k u l t u r o r e L SYMBOL REVISTË KULTURORE A CULTURAL REVIEW Nr. 2 | NO 2 Tiranë-Prishtinë-Shkup 2014 Ag APOLLONI Kryeredaktor / Editor-in-chief Albulena Blakaj, Ibrahim Berisha Redaktorë përgjegjës/Deputy editors Orjela Stafasani, Sherif Luzha Redaktorë / Redactors Xhemajl Avdyli Drejtor / Editor Liridon Zekaj Dizajner/Designer Donika Dabishevci, Arben Januzi, Gëzim Arifi Redaksia / Editorial office ISSN: 2310-9998 e-mail: [email protected] webpage: www.ompublisher.net Telefonat/Phones +355673217139 (Tiranë) +37744107873 (Prishtinë) +37744414285 (Shkup) ©All right reserved by OM Publisher LËNDA Intervista Raoul Eshelman: Performatizmi, epoka pas postmodernizmit Pikturë Jonathan Jones: Martiri i modernizmit Muzikë Bobby Owsinski: Një model melodik Film Ben Apolloni: Cinema ‘13 Prozë Thomas Mann: Zhgënjimi Dino Buzzati: Regjistruesi Agron Tufa: Orfi Ridvan Dibra: Mes Skillës e Karibdës Poezi Bob Dylan: Do të jem i yti sonte Alice de Chambrier: Oh! më lini të këndoj! Kritika Blerim Latifi: Etnocentrizmi dhe ksenofobia në Shqipërinë komuniste Albulena Blakaj: Aroma e rrëfimit Ibrahim Berisha: Libri elektronik - literatura e Borhesit Hans-Joachim Lanksch: Me interpretue poezinë e Martin Camajt Bajram Kosumi: Letërsia nga burgu Naim Kryeziu: Hebraizmi te Hajnrih Hajne Butrint Berisha: Ideologjia politike në dy romane të Pamukut Hans Bertens: Nga postmodernizmat te postmodernizmi Oliver Schmitt: Një vepër origjinale dhe jokonvencionale Roman Jakobson: Dominanta Drama Dario Fo: Jo të gjithë hajdutët vijnë për të na dëmtuar
    [Show full text]
  • This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The idea of Europe in Contemporary European Cinema Liz, Mariana Vinagre Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 THE IDEA OF EUROPE IN CONTEMPORARY EUROPEAN CINEMA Mariana Vinagre Liz PhD in Film Studies 1 This thesis has benefitted from the financial support of FCT – Fundação para a Ciência e Tecnologia, doctoral grant SFRH/BD/43258/2008, part of the QREN- POPH, co-financed by the European Social Fund and the Portuguese Ministry of Education and Science.
    [Show full text]
  • Prishtina Insight #105
    Editor’s Word: Transparency Eludes Kosovo Govt 5 Years After Independence February 15 - 28, 2013 Issue No. 104 www.prishtinainsight.com Price € 1 NEWS PDK New Airport Chief Has Cousin on Board Keeps > page 4 NEWS Elections Former War Refugee Fights Long Battle Finances for Home > page 5 Secret NEWS MP Paychecks Trump Kosovo’s ruling party is refusing to disclose all Most Kosovars’ the funds it spent on Earnings internal polls, which > page 6 observers say is par for the course. NEIGHBOURHOOD See Page 3 Serbia PM May be Grilled on Drug Gang Ties Ministry Made Rogue Payments, > page 9 CULTURE Says Austrian Passport Firm Balkan Artists Prepare For Venice Austrian company insists it never directed the Interior Ministry to pay its subcontractor, accused of stealing Biennale 1.4 million euro. cancellation of the 14.1-million- pany. ly assigned with auxiliary tasks By Jeton Musliu euro passport contract on January She claims that the money went and customs clearance support,” it 31. on bribes to Interior Ministry offi- said. The ministry said it scrapped cials and an official in the The company noted that it had osovo’s Ministry of the deal when the company Austrian embassy in Prishtina, at selected her in part because of her Internal Affairs made refused to pay VAT on the import- the direction of OeSD. fluency in German and Albanian. Kunauthorised payments of > page 19 ed passports. The company has not But the Austrian printer told The company did not respond to more than 1 million euro to the commented on the tax issue.
    [Show full text]
  • Serbia's ICJ Gambit: the Plot
    Edition 10 • August 11 2008 € 1.00 • WEEKLY NEWSPAPER OPINION Serbia’s ICJ gambit: NAOMI WOLF: CONFRONT AMERICA PG 6 the plot PEOPLE thickens ● Britain’s Ambassador in Belgrade Stephen Woodsworth Britain’s Ambassador in Belgrade opined perfectly legal. “In addition to our presence in the UN, that Serbia’s attempt to have the legality OSCE and other European organizations, of Kosovo’s declaration of independence Serbia’s Foreign Minister Vuk Jeremic we have participated in summits where assessed by the International Court of has publicly stated on several occasions Serbia is not a member of the organization, Justice (ICJ) is a mistake and represents that his government hopes to dissuade such as South America, the African a challenge for the EU. Legal experts countries from recognizing Kosovo Union summit, the Islamic Conference, disagree about the legality of the with a positive ruling from the ICJ. meetings of the Non-Aligned Movement declaration. Jeremic told Belgrade daily Blic that and the Arab League. We have succeeded his government is engaged in a high in holding meetings across the globe and On August 3, Ambassador Stephen priority, concerted, diplomatic offensive we have been able to maintain Kosovo as YANKEE BIKER BOYS Wordsworth told Belgrade daily Vecernje around the world to prevent Kosovo’s a controversial topic at the highest level. Novosti that the British government views recognition, “Practically, we are present I think that in this way we have stopped IN KOSOVO PG 12 Serbia’s ICJ gambit as a challenge to the everywhere in the world, so we can talk the efforts of those who support Kosovo’s EU’s attempts to welcome Serbia as a to as many representatives of different independence and we have prevented the member.
    [Show full text]
  • HOME to Receive Global Online Premiere with Vimeo on World Refugee Day
    HOME to Receive Global Online Premiere with Vimeo on World Refugee Day June 20, 2017 Jack O’Connell and Holliday Grainger star in BAFTA winning short film Winner of Best Short Film at this year’s British Academy Film Awards, HOME will today receive a global online premiere on Vimeo. Starring Jack O'Connell and Holliday Grainger the powerful 20-minute short film was shot in three countries and has been released today to highlight World Refugee Day. HOME was released in the UK theatrically in 2016 and was broadcast on BBC earlier this year. The BAFTA winning film will be exclusively available to watch online globally for the next 7 days here. The ambition of the 20-minute film is to address the current refugee crisis and help drive global awareness to support UNHCR’s World Refugee Day today, Tuesday 20th June. Written and directed by BAFTA-winning director, Daniel Mulloy (BABY, ANTONIO’S BREAKFAST, DAD), HOME aims to remind the viewer that refugees are just like you or I - fathers, mothers, sons and daughters – for whom the meaning of the word “home” has undergone a traumatic re-evaluation. In addition, viewers are encouraged to sign the Refugee Day petition which asks governments to ensure education for children, safe housing, job opportunities and the chance for refugees to learn the necessary skills to support their families. HOME - As thousands of men, women and children attempt to get into Europe, a comfortable English family experience a life changing journey of their own. Actress Arta Dobroshi, Executive Producer of HOME says: “After living half of my life in war and half peace, what I know for sure is that I choose peace, and the world doesn’t need to go through another turmoil to realize that they choose peace.
    [Show full text]
  • Blind Vaysha Accidents, Blunders Showcase Sparkling a Head Disappears THEODORE USHEV | CANADA and Calamities International Talents
    PORTLAND INTERNATIONAL FILM FESTIVAL XL 2 PIFF XL Festival Venues Festival Program ADVANCE TICKET OUTLET 1119 SW Park Avenue at Main Welcome to the Northwest (inside the Portland Art Museum’s Film Center’s 40th Portland Mark Building) International Film Festival. This program is arranged by NW FILM CENTER (WH) section with the films in each Whitsell Auditorium section listed alphabetically. 1219 SW Park Avenue at Madison Showtimes and theater loca- (inside the Portland Art Museum) tions are listed at the bottom REGAL FOX TOWER (FOX) of each film descriptions. 846 SW Park Avenue at Taylor We hope the sections outlined below help you navigate your LAURELHURST THEATER (LH) PIFF experience. 2735 E Burnside Street CINEMA 21 (C21) MASTERS 4 616 NW 21st Avenue at Hoyt Exciting new works from some of VALLEY CINEMA (VC) the leading voices of national and 9360 SW Beaverton Hillsdale Hwy world cinema. EMPIRICAL THEATER NEW DIRECTORS 6 AT OMSI (OMSI) New and emerging filmmakers who 1945 SE Water Avenue represent the new generation of BAGDAD THEATER (BAG) master storytellers. 3702 SE Hawthorne Boulevard Cinema 21, Valley Theater, GLOBAL PANORAMA 9 Bagdad Theater, and Laurelhurst Award-winning films that tell stories Theater are all 21+ venues for that resonate beyond the unique films taking place after 5pm. cultures from which they emerge. Please check film times before bringing minors to screenings at these venues. No outside food DOCUMENTARY VIEWS 12 or beverages is allowed in any Fresh perspectives on the world theater. As a security policy, the we live in and the fascinating people, Portland Art Museum and Regal places, and stories that surround us.
    [Show full text]