PORTLAND INTERNATIONAL FESTIVAL XL 2

PIFF XL Festival Venues Festival Program ADVANCE TICKET OUTLET 1119 SW Park Avenue at Main Welcome to the Northwest (inside the Portland Art Museum’s Film Center’s 40th Portland Mark Building) International Film Festival. This program is arranged by NW FILM CENTER (WH) section with the in each Whitsell Auditorium section listed alphabetically. 1219 SW Park Avenue at Madison Showtimes and theater loca- (inside the Portland Art Museum) tions are listed at the bottom REGAL FOX TOWER (FOX) of each film descriptions. 846 SW Park Avenue at Taylor We hope the sections outlined below help you navigate your LAURELHURST THEATER (LH) PIFF experience. 2735 E Burnside Street CINEMA 21 (C21) MASTERS 4 616 NW 21st Avenue at Hoyt Exciting new works from some of VALLEY CINEMA (VC) the leading voices of national and 9360 SW Beaverton Hillsdale Hwy world cinema. EMPIRICAL THEATER NEW DIRECTORS 6 AT OMSI (OMSI) New and emerging filmmakers who 1945 SE Water Avenue represent the new generation of BAGDAD THEATER (BAG) master storytellers. 3702 SE Hawthorne Boulevard Cinema 21, Valley Theater, GLOBAL PANORAMA 9 Bagdad Theater, and Laurelhurst Award-winning films that tell stories Theater are all 21+ venues for that resonate beyond the unique films taking place after 5pm. cultures from which they emerge. Please check film times before bringing minors to screenings at these venues. No outside food DOCUMENTARY VIEWS 12 or beverages is allowed in any Fresh perspectives on the world theater. As a security policy, the we live in and the fascinating people, Portland Art Museum and Regal places, and stories that surround us. Fox Tower require a bag check. Food and drink are not allowed in the Whitsell Auditorium. ANIMATED WORLDS 16 Animated features and shorts that have charmed audiences world-wide. Tickets GENERAL: $12 FILMS FOR FAMILIES 16 Film lovers of all ages will be enter- PAM MEMBERS, STUDENTS, tained by these films suitable for (65+) younger viewers. SENIORS : $11 SILVER SCREEN CLUB FRIEND PIFF AFTER DARK 17 & SUPPORTER: $9 (one discount For the cinematically adventurous and per film, per screening) nocturnally inclined, genre-­bending 5 TICKET BUNDLE: $50 films that push the boundaries. (Must be purchased in advance at the Advance Ticket Outlet. WAYS OF SEEING 18 One bundle ticket per screening.) Bold, original new works exploring FESTIVAL PASS: $350 GENERAL, the possibilities of form and personal expression. $200 STUDENT (with ID) TRAIL CARD TICKET: $7 (Must be purchased in advance at SHORT CUTS 19 the Advance Ticket Outlet) Short programs featuring over 50 memorable snapshots from around OPENING NIGHT FILM & PARTY: the world and here in Oregon. $25 GENERAL, $20 SSC FRIEND & SUPPORTER MEMBERS PORTLAND INTERNATIONAL FILM FESTIVAL XL 3

Opening Night Celebration The Northwest Film Center and Regal Cinemas invite you to join us after the February 9 Opening Night screening of ’s I Am Not Your Negro (see film description on page13). Celebrate this year’s festival with co-hosts Elk Cove Winery, Montinore Estate, Pike Road Wines, Sierra Nevada Brewing, World Foods Portland, and the World Affairs Council of Oregon. FILM: 7pm Whitsell Auditorium & Regal Fox Tower RECEPTION: 9pm Schnitzer Sculpture Court, Portland Art Museum

OPENING NIGHT TICKETS $25 General, $20 Silver Screen Club Friend & Supporter Members. Admission is free for Silver Screen Club Director, Producer, Benefactor, and Sustainer members.

TICKETS Please make yourself known to Film Center scrip and comps, the theater house manager for Portland Art Museum passes, and The Fine Print On sale January 30-February 25 assistance. Most venues (except Regal, student, and other regular ONLINE: nwfilm.org/piff Valley Cinema, which does not passes or discount admission tickets THE 10 MINUTE RULE ADVANCE TICKET OUTLET: noon-6pm have accessible restrooms) have are not valid during the Festival. Seats for advance ticket and pass PHONE: 503-276-4310 noon-6pm accessible seating and restrooms. holders are held until 10 minutes DAY-OF-SHOW: If still available, tickets The Whitsell Auditorium, Regal Fox AUDIENCE AWARDS before showtime, at which time any can be purchased at the Advance Tower, and Bagdad Theater offer As always, you get to be the judge unfilled seats are released. Advance Ticket Outlet until three hours prior assisted listening devices. in deciding the Audience awards for tickets or passes ensure that you will to showtime, then at the venue’s box Best Film, Director, New Director, not have to wait in the ticket purchase office (rush line) beginning as early FESTIVAL PASSES Documentary, Short, and other line but do not guarantee a seat in as 30 minutes prior to showtime. An allotment of seats is reserved recognitions that may emerge the case of arrival after the 10-minute Even if advance tickets are sold out, at every screening for passholders, from the voting. Your ratings and window has begun. Your early arrival rush tickets are offered a few minutes who are guaranteed admission comments about the films and the also helps the screenings start prior to showtime. We accept cash until 10 minutes prior to showtime Festival are much appreciated by the promptly. Advance ticket holders who and credit at all venues and at the or until the passholder allotment filmmakers and everyone involved in arrive within the 10-minute window ­Advance Ticket Outlet. has been reached. Early arrival is making PIFF the best it can be. Head but are not seated may exchange recommended; although exceedingly for the Northwest Film Center website their tickets for another screening at All orders are final. There are no rare, passholders may not always and make your vote count. the Advance Ticket Outlet or obtain refunds or exchanges except as be able to attend a film at their first a refund at the theater. There are no noted. If a screening is canceled, choice of screening times. refunds or exchanges for arrivals after tickets must be returned to the LANGUAGES showtime or for missed screenings. Advance Ticket Outlet within a week Director, Producer, Benefactor, All films are screened in their original of the canceled screening date for Sustainer, and Premiere Circle languages with English subtitles refund or exchange. VOUCHERS members receive free admission to all unless otherwise noted. films (including opening the opening Please be aware that a voucher may ACCESSIBILITY night film & party), and access to the PARKING not be used for admission. It must be SSC Member lounge with their valid redeemed—in person at the Advance The NW Film Center is committed to Please visit the Festival website: accommodating audience members Silver Screen Club cards. Ticket Outlet—for a specific film nwfilm.org/piff with accessibility concerns. We screening at least one day in advance allow and encourage early seating of the screening date. Tickets are for persons with mobility constraints. subject to availability.

Founded in 1971, the Northwest Film collaborations which advance media literacy and engage the next Center is a place where individuals find generation. Our education programs include diverse classes and and cultivate their personal voices as workshops for children and adults, including Summer Film Camps storytellers and image makers, and for 3rd-12th graders and a certificate program in film production. audiences explore our region and the Make. Regional filmmakers are supported as artists, educators, world through the art of film. mentors, connectors, and community leaders, strengthening Watch. Through year-round exhibition programs surveying cinema’s place in the creative, social, and economic community cinema past and present, audiences and filmmakers come together sectors. Regional services include the administration of the ­Oregon to explore our region and the world through the moving image arts. Media Arts Fellowship and low-cost equipment access program. This includes circulation of outstanding work by regional artists; The Film Center is funded in part by the support of The James F. sponsorship of special festivals, including the Northwest Filmmakers’ and Marion L. Miller Foundation, the National Endowment for the Festival (November), Reel Music Festival (January), Portland Jewish Arts, Oregon Arts Commission, Regional Arts and Culture Council, Film Festival (June), Fresh Film Northwest (November),­ and Portland The Ted R. Gamble Film Endowment, Henry Lee Hillman, Jr. International Film Festival (February). Foundation, and the support of numerous corporate program Learn. Individuals find and cultivate their personal voices as sponsors, Silver Screen Club members, exhibition series donors, storytellers through education programs and innovative community and friends. MASTERS 4

Exciting new works from some of the lead- ing voices of ­national and world ­cinema—film- makers whose singular bodies of work makes each new film a cause for special anticipation. After the Storm Afterimage The Commune HIROKAZU KORE-EDA | JAPAN ANDRZEJ WAJDA | POLAND THOMAS VINTERBERG | /SWEDEN/ Sponsored by Ryota, a novelist who struck it big with The final film of illustrious Polish filmmaker NETHERLANDS Pat & Trudy Ritz his first book, struggles to come to terms Andrzej Wajda (Kanal, Man of Iron), who with estrangement from his wife and died last year, charts the passionate life of When Eric’s father dies and the grand child, a gambling addiction, and the fact avant-garde artist and teacher Władysław family house in Copenhagen must be that he’s not finishing his second book. Strzemin´ski. Considered a peer of sold, he and his wife Ann, who can’t Further complicating his writer’s block Kandinsky and a pioneer of the Polish afford to live in it, hatch a plan to live and overall malaise, the private detective Constructivist avant-garde of the 1920s there with a collective of friends and work Ryota had taken on as research has and ’30s, Strzemin´ski clashed with an strangers. It’s the 1970s and such a settled into being a part of his day-to-day autocratic Stalinist system, endangering utopian adventure seems possible, but existence. After the Storm is a deftly told, the lives of himself and his daughter. Like the challenges of dueling philosophies intergenerational story about change, his subject, Wajda continues to masterfully and politics, not to mention romantic loss, forgotten dreams, and what it is to depict how systems of power can adventures, are bound to take a toll. begin picking the pieces after one’s dehumanize and destroy us. This year’s Full of warmth, humor, chaos, and pain, life has fallen apart. (117 mins.) Polish submission for the Best Foreign a winning ensemble cast brings to life a Language Film Oscar. (98 mins.) 2/20 4:15 | VC story loosely based on Vinterberg’s (The Celebration) own childhood. (112 mins.) 2/25 6:00 | WH 2/15 8:30 | WH 2/20 6:15 | LH3 2/15 5:45 | WH Sponsored by Polish Library 2/17 5:45 | FOX Building Association Sponsored by Nordic Northwest and the Consulate General of Sweden in San Francisco

Death in Sarajevo The Death of Louis XIV Frantz Graduation DANIS TANOVIC´ | ALBERT SERRA | FRANÇOIS OZON | CRISTIAN MUNGIU | BOSNIA & HERZEGOVINA/FRANCE FRANCE/PORTUGAL/ A year after his death in 1918, Anna is ROMANIA/FRANCE/BELGIUM Tanovic´’s deft and dizzying thriller Versailles, August 1715. The Sun King mourning her fiancé Frantz, a German Mungiu (4 Months, 3 Weeks, 2 Days) satirically illuminates the conflicts that (Jean-Pierre Léaud) feels pain in his leg. soldier killed in the war. One day she won Best Director at the Cannes Film have torn the Balkans apart for a century. Fever erupts, marking the beginning of sees a man laying flowers on Frantz’s Festival for this keenly observed depiction On the centenary of the assassination of the agony of the greatest King of France. grave and is surprised to learn he is of the insidious ramifications of corruption. Archduke Franz Ferdinand in 1914, the Surrounded by a horde of doctors and French and was Frantz’s friend at music A street assault has left Eliza somewhat event that precipitated World War I, his closest counselors who come in turn school in Paris before the war. Anna and shaken on the eve of finals that will pave dignitaries have arrived at the luxe Hotel sensing the impending power vacuum, the mysterious Frenchman find comfort her way to Cambridge University. Her Europa to commemorate. But the hotel Louis struggles to run the country from in each other, and their relationship soon father, anxious for her to escape their is in chaos. The staff is about to strike, his bedchamber. Based on extensive evolves into something stronger, yet corruption-plagued country, becomes and the manager is courting gangsters medical records and memoirs, Serra’s undefined. When he returns to France concerned that she might not perform at the hotel nightclub for strong-arm help. contemplative, candlelit chamber drama and a letter she sends is returned, she well and, knowing a few of the right Everywhere else, tensions of all sorts is a wry portrait of aristocratic façade. decides to find him and come to terms people, arranges that she will do well on seem to be reaching climax. This year’s In Latin and French. “Reminiscent of the with her own grief. (113 mins.) the tests. Mungiu’s social thriller of moral Bosnian submission for the Best Foreign historical films of Visconti and Rossellini dilemmas big and small resonates on | Language Film Oscar. In Bosnian and as the modernist literary adaptations of 2/11 5:15 FOX societal and parental levels. (128 mins.) French with English subtitles. (85 mins.) Rohmer and Oliveira.”—Film Comment. 2/13 8:30 | OMSI (115 mins.) Sponsored by TV5Monde 2/10 5:45 | WH 2/24 8:30 | WH and Alliance Française 2/13 5:45 | LH3 | | 2/25 6:30 FOX 2/12 5:00 FOX Sponsored by the Romanian American Society | Sponsored by TV5Monde 2/17 8:30 LH Sponsored by TV5Monde MASTERS 5

I Am Not Madame Bovary Land of Mine Ma’Rosa Nagasaki: | MARTIN ZANDVLIET | BRILLANTE MENDOZA | Memories of My Son DENMARK/GERMANY PHILIPPINES Superstar actress stars in YOJI YAMADA | JAPAN this searing and fearless satirical comic Land of Mine surfaces a little-known story In the slums of Manila, you pay the police, Nagasaki: Memories of My Son is a drama about a cafe owner’s epic battle that took place in 1945 as the five-year or you go to jail, if not your grave. Based heartbreakingly beautiful study of war, with the bureaucracy over the wrongs Nazi occupation of the country ended. on true events, Mendoza’s film mixes love, and family. On August 9, 1948, of her swindling ex-husband. As she The Germans left behind more than a drama and documentary-like scenarios Nobuko, a midwife in Nagasaki, stands doggedly fights a “fake divorce” from the million land mines that needed to be to tell the story of Ma’Rosa, a shopkeeper before the grave of the son, Koji, she lost provincial courts all the way to Beijing, removed. Who better to sacrifice for the who helps make ends meet by selling when the atomic bomb was dropped Li manages to flummox every male hazard than untrained teenage German small quantities of drugs under the three years earlier. She tells herself, “In government functionary in her path to POWs? On a barren beach on the counter. When the police arrest her and that instant, he was gone. It’s time to let justice. FIPRESCI prize at the west coast, Zandvliet unfolds a gripping her husband, their children are forced him go.” Returning home she is stunned Film Festival and award at story that explores issues of post-war to pay a high price for their release. to find Koji waiting for her. His ghostly the San Sebastian Film Festival. “Sublime retribution and culpability while shifting A sometimes wry dispatch from the visits continue, they reminisce over happy visual eloquence . . . part Scarlet Letter, perceptions of perpetrators and victims. war on the poor, Ma’Rosa, this year’s times, and gradually Nobuko comes to part Keystone Cops, part miniature This year’s Danish submission for the ­Philippine Oscar submission, examines term with her loss. Meanwhile she watches landscape painting—all with plot twists Best Foreign Language Film Oscar. the price of survival in a society governed over Koji’s girlfriend, Machiko, as her life worthy of Thomas Hardy.”—Screen. In Danish and German with English by corruption and violence. (110 mins.) also progresses beyond grief. This year’s (137 mins.) subtitles. (101 mins.) 2/20 12:15 | LH3 Japanese submission for the Best Foreign 2/21 5:45 | WH 2/12 2:30 | C21 2/23 8:30 | VC Language Film Oscar. (130 mins.) 2/23 5:45 | FOX | 2/18 5:45 WH 2/10 5:45 | FOX 2/12 5:00 | WH Sponsored by the Consular Office of Japan in Portland

The Olive Tree Paradise Personal Shopper A Quiet Passion ICÍAR BOLLAÍN | SPAIN/GERMANY ANDREI KONCHALOVSKY | OLIVIER ASSAYAS | TERENCE DAVIES | UK/BELGIUM This engaging, warmhearted fable RUSSIA/GERMANY FRANCE/GERMANY A Quiet Passion is the life story of the encapsulates the wider story of modern In 1942, while working as a fashion editor “Kristen Stewart is the medium, in more celebrated American poet Emily Dickinson Spain within a very personal narrative. for Paris Vogue, Russian émigré Olga ways than one, for this sophisticated (Cynthia Nixon), from her youth as a head- Alma’s family has deep roots in Castellón, becomes involved with the French genre exploration from director Assayas strong schoolgirl through to her reclusive Spain, having produced olive oil there for Resistance and agrees to harbor two (Clouds of Sils Maria). As a fashion adulthood, where poetry was solace. generations. But tough times led them to Jewish children in her flat. She is assistant whose twin brother has died, “You will see no more beautiful a film sell their prized thousand-year-old olive apprehended by French Nazi collaborator leaving her bereft and longing for this year—beautiful in its sumptuous tree and transition to chicken farming. The Jules, who agrees to stall her punishment, messages from the other side, Stewart is photography, but also in the respect and grief was too much for Alma’s beloved but soon Olga is placed in the same fragile and enigmatic—and nearly always love that it brings to its subject. The grandfather, and his health declined. concentration camp as the children she on screen. From an opening sequence internal lives of poets are hard to visualize, Determined to save her family’s fortunes tried to rescue. In a twist of fate, she in a haunted house with an intricately yet Davies, a magician when it comes and reverse her grandfather’s deteriorating comes face to face with an ex-lover, constructed soundtrack to a cat-and- to understanding the most sensitive of condition, Alma sets off on a quixotic a man who is now an SS guard and mouse game on a trip from Paris to minds, has created an extraordinarily quest to return the family heirloom—planted therefore her captor. This year’s Russian London and back set entirely to text moving account of Emily Dickinson’s somewhere else in Europe—to its proper submission for the Best Foreign messaging, Personal Shopper brings the particular genius.”—Toronto International place. “…rooted in the best cinematic soil Language Film Oscar. In French, German, psychological and supernatural Festival. (125 mins.) there is—emotional truth—The Olive Tree and Russian with English subtitles. into the digital age.”—New York Film | gets its hooks in early on, and then never (131 mins.) Festival. (105 mins.) 2/11 8:00 WH lets up.”—. 2/15 8:30 | LH (100 mins.) 2/15 8:30 | C21 2/18 8:30 | WH Sponsored by Steven Smith Teamaker 2/20 3:15 | LH3 2/21 8:30 | VC 2/20 8:30 | WH 2/23 6:00 | WH Sponsored by TV5Monde and the French American Cultural Society Sponsored by Southpark and the Lamb-Baldwin Foundation MASTERS 6

Sieranevada Staying Vertical The Teacher Yourself and Yours CRISTI PUIU | ROMANIA/FRANCE/ ALAIN GUIRAUDIE | FRANCE JAN HRˇEBEJK | HONG SANGSOO | SOUTH KOREA BOSNIA & HEZEGOVINA Léo, a filmmaker in search of a project, is SLOVAKIA/CZECH REPUBLIC “Hong Sangsoo boldly and wittily In a labyrinthine Bucharest apartment, scouting in the south of France when he In this intelligent and funny meditation on explores the painful caprices of modern a cantankerous extended family has is seduced by Marie, a free-spirited and totalitarianism, the arrival of a new teacher romance. Painter Youngsoo hears that gathered 40 days after its patriarch’s dynamic shepherdess. Months later, at a Bratislava school in 1983 sparks a his girlfriend, Minjung, has recently had death for a memorial service. Dark truths after Marie gives birth to their child, moral dilemma. As the highest-ranking (many) drinks with an unknown man. of the family’s past slowly emerge as she abandons both Leo and their child Communist official in town, Mrs. A quarrel seems to end their relationship. everyone wrestles with the patriarch’s without warning. Through a series of ­Drazdeˇchová has power, and she uses The next day, Youngsoo sets out in search complicated legacy. As claustrophobia unexpected and unusual encounters, Leo it to blackmail her co-workers, students, of her, at the same time that Minjung—or mounts, heated, humorous exchanges— finds inspiration for his next film amid his and their parents for her personal gain. a woman who looks exactly like her and about the old Communist days and the new life as a single parent and explorer But the tide begins to turn when a few may or may not be her twin—has a series present age of terror—coalesce into a of his own sexuality. With vivid, pastoral brave parents decide to speak up. of encounters with strange men, some of fascinatingly observed portrait of imagery, the story plays out like a fairy A universal parable and a taut morality whom claim to have met her before . . . Romanian family life and personal tale but with a dark, explicit twist that tale grappling with a recent Communist A break-up/make-up comedy unlike any and social disquiet. This year’s Polish filmmaker Alain Guiraudie (Stranger by past, it smartly exposes the insidious and other, suffused with sophisticated submission for the Best Foreign the Lake) is known for. Adult audiences. far-reaching effects of corruption at all modernist mystery.”—New York Film Language Film Oscar. (173 mins.) (100 mins.) levels of society. (102 mins) Festival. (86 mins.)

2/18 7:45 | FOX 2/23 6:00 | LH 2/10 8:45 | WH 2/12 7:45 | FOX 2/22 6:30 | LH 2/25 8:45 | WH 2/13 8:15 | LH2 2/14 6:00 | LH Sponsored by TV5Monde Sponsored by Higgins

NEW DIRECTORS

While this year’s Festival is rich with new works by established masters, discovering the work of emerging talents is part of the discovery, too. These debuts and ­second features indicate Aloys Apprentice Barakah Meets Barakah that new cinema talents TOBIAS NÖLLE | JENFENG BOO | SINGAPORE/ MAHMOUD SABBAGH | are thriving worldwide SWITZERLAND/FRANCE GERMANY/FRANCE/HONG KONG SAUDI ARABIA and hold great promise. Aloys, a reclusive private investigator, Aiman, an ambitious 28-year-old In Saudi Arabia, physical contact and experiences life from a safe distance. correctional officer, is transferred to the meeting the opposite sex in public After a night of heavy drinking, he wakes Singapore territory’s top prison. He without a chaperone are prohibited, which Sponsored by up to find that his camera and surveil- strikes up a friendship with Rahim, who makes this lightly subversive romantic lance tapes have been stolen. Soon after, is revealed to be the chief executioner of comedy so unexpected. Barakah, an Delta Airlines a mysterious woman calls. She offers to the prison, and one of the world’s most amiable Jeddah municipal law enforce- return the tapes if he will try an obscure prolific. Can Aiman overcome his ment officer of humble origins, falls for Japanese invention called “telephone conscience and a past that haunts him Bibi, a rebellious beauty and Instagram walking.” Captivated by her intriguing to become the executioner’s apprentice? star from a wealthy family. As the young voice, Aloys agrees to follow her down “Fraught with tension . . . A story that would-be couple attempts to get to know a mysterious path of redemption and conflates the deeply intimate and the each other better, Sabbagh acerbically self-discovery. Nölle’s debut feature is a political while exploring what family ties suggests that repressive traditions could love story told with striking images, bleak mean and how they relate to national and be outpaced by a modern world of humor, and touching emotion. Critics’ professional relationships and obligations.” smartphones and social networking, even Prize, Berlin Film Festival. In German —Hollywood Reporter. This year’s if there is still a ways to go. This year’s with English subtitles. (91 mins.) Singaporean Oscar submission. Saudi Arabian submission for the Best (97 mins.) Foreign Language Film Oscar. (88 mins.) 2/16 6:15 | LH2 2/21 3:30 | FOX 2/18 5:00 | FOX 2/17 8:30 | VC | | Sponsored by the Consulate General 2/23 8:45 FOX 2/20 3:30 FOX of Switzerland in San Francisco NEW DIRECTORS 7

Clash The Happiest Day Hedi Indivisible MOHAMED DIAB | /FRANCE in the Life of Olli Mäki MOHAMED BEN ATTIA | EDOARDO DE ANGELIS | ITALY FRANCE/GERMANY/QATAR/ Set in the midst of the 2013 riots in Cairo JUHO KUOSMANEN | Indivisible is a beguiling poetic fairy tale TUNISIA/UNITED ARAB EMIRATES pitting Egypt’s pro-military supporters FINLAND/SWEDEN/GERMANY that plays with the idea that we carry against the Muslim Brotherhood of the Resigned to his fate, Hedi is stuck selling our loved ones with us wherever we go. Winner of the Prix Un Certain Regard at ousted President Morsi, Clash unfolds cars, a job he hates, and engaged to a Daisy and Viola are conjoined twins. the and this year’s almost entirely within the claustrophobic woman he barely knows and doesn’t love. Beautiful and talented teenagers who Finnish Oscar submission, Kuosmanen’s confines of a police van packed to An obedient son, he has spent his life sing at weddings, they are exploited by debut feature charmingly recounts the bursting with detainees from different doing exactly what’s expected of him. their mother and father, who see them tale of legendary Finnish boxer Olli Mäki social and political backgrounds, But when he meets Rim, a free-spirited as their meal ticket. A visiting doctor tells and his bid for the 1962 World Feather- including rival activists, journalists, and tour guide and dancer at a beach hotel them what their parents have kept secret: weight title in Helsinki. Small-town mere bystanders. The construct allows just a week before his arranged marriage, because they are literally joined at the hip, hero Olli trains hard to win against his Diab to explore his country’s divided, Hedi is ready to give up everything. they could be safely separated. For the American foe and endures the hyped-up post-revolution society in a non-judgmental Attia’s debut feature is a poignant story rebellious Daisy, this could mean the limelight pressures, but there’s one punch way by highlighting all the characters’ of personal dilemma and a metaphorical freedom she’s always wanted. For the he can’t duck: he’s fallen in love. Suffused common humanity as they battle for observation of Tunisia itself in its struggle meeker, dependent Viola, the idea of with quirky Nordic humor and shot in a the future of their nation. “A ferociously between tradition and modernity. separation is terrifying. (104 mins.) luminous black and white that celebrates well-made film right through to the bitter In Arabic with English subtitles. (89 mins.) end.”—, London. This year’s the period and genre, this is not your 2/10 6:15 | LH3 Egyptian submission for the Best Foreign standard boxing film. In Finnish with 2/10 8:30 | LH2 2/12 8:00 | WH Language Film Oscar. In Arabic with English subtitles. (92 mins.) 2/20 3:45 | LH2 English subtitles. (97 mins.) 2/12 7:30 | C21 2/14 6:00 | C21 2/18 6:00 | VC

Kati Kati Kills on Wheels Life After Life Life+1Day MBITHI MASYA | KENYA/GERMANY ATTILA TILL | HUNGARY ZHANG HANYI | CHINA SAEED MALEKAN | Kaleche, a young woman with no memory In this exuberant coming-of-age crime A young boy becomes possessed by his Somayeh is at a loss. Her only desire is to of her life or death, wanders into the comedy, two aspiring comic book artists late mother, whose spirit has wandered leave her family and take her life into her otherworldly village of Kati Kati, not with disabilities become embroiled in Shanxi Province’s disintegrating cave own hands, but her sick mother needs her knowing who she is or how she got there. the schemes of an enigmatic wheelchair- homes for years. With the help of his help. When her brother introduces her to She finds a community of eccentrics led using hitman named Rupaszov. Recruiting supernatural-phenomenon-accepting an Afghan man who wants to marry her by the charismatic Thoma, to whom she is the pair as his accomplices, Rupaszov father, they set out to replant a special and take her to Afghanistan, it may be the inexplicably drawn. As the residents begin initiates them into the fast-paced world of tree before she can depart the world. only way to escape. But then, at the very to discover what is keeping them there, gangsters, guns, and Serbian crime lords. In ethereal, beautifully composed last minute, she discovers the hidden face and the living and the dead ominously The action-packed journey leads to a sequences of a barren rural-industrial of the marriage proposal. “The idea for intersect, the film becomes a magical- more tender tale in which the lines village on the edge of collapse, Zhang this film came to me when I met a pregnant realist reflection on the legacy of violence between reality and fantasy defy captures the spectral gap between life woman ready to sell her baby to buy a few and survival in Kenya. Masya’s debut expectation at every turn. With stellar and the hereafter. “A Chinese ghost story grams of drugs . . . I talked a lot with other film won the International Critics’ Prize, cinematography, a mix of live action and with a difference, its characters—man addicts. The poignant stories irrigate the Toronto International Film Festival. In animation, and a dark sense of humor, or ghost—struggling in an absurd world film and give it life.”—Saeed Malekan. Swahili with English subtitles. (75 mins.) Till’s debut Kills on Wheels mashes at once strangely hilarious and eerily Winner of the Best Film, Director, genres as it rolls crazily along. This year’s terrifying.”—Hollywood Reporter. Screenplay, and First Film Awards at 2/19 2:45 | FOX Hungarian submission for the Best (80 mins.) the Fajar Film Festival. (115 mins.) 2/22 6:00 | VC Foreign Language Film Oscar. Hungarian Oscar submission. (105 mins.) 2/19 1:30 | VC 2/10 5:45 | LH2 2/21 6:30 | LH2 2/16 8:30 | C21 2/18 2:30 | FOX 2/20 6:45 | LH2 NEW DIRECTORS 8

Nakom One Week and a Day Panamerican Machinery T.W. PITTMAN, KELLY DANIELA JOHNNY MA | CHINA/ ASAPH POLONSKY | ISRAEL JOAQUÍN DEL PASO | | NORRIS GHANA/US Chinese taxi driver Lao Shi is thrown Eyal and Vicky spend a week sitting shiva MEXICO/POLAND When his father suddenly dies, Iddrisu, into a Kafkaesque nightmare where no after the death of their 25-year-old son. Panamerican Machinery may be the a promising medical student, leaves the charitable act goes unpunished. When While Vicky returns to teaching, Eyal happiest place in the world to work. university in the Ghanaian capital of a drunken passenger causes him to hit a steals his dead son’s medical marijuana Workers and management get along like Accra to travel home to the titular rural motorcyclist, he stops to help the injured and proceeds to get high. As the world one tight-knit family as they celebrate village, hoping to settle his father’s estate. man. But in taking the victim to the refuses to accommodate their sensitivities birthdays with cake and are encouraged He arrives only to find that his father had hospital, he finds himself on the hook for during their time of bereavement, the two by daily motivational messages. But when considerable unsettled debt and a farm the man’s medical bills. Faced with the grieving parents find themselves acting in the company president suddenly dies, desperately in need of innovation. To turn possibility of losing everything for his outlandish ways as they attempt to regain the façade quickly crumbles. Refusing the family’s fortunes around, Iddrisu digs selfless act, he is driven to desperate a sense of control over their lives. Winner to let go of the dream, the workers lock in and begins working the land, but as measures. Beginning as a gritty social- of eight awards at the Jerusalem Film themselves in the factory, vowing to do time passes must face the choice of realist drama before morphing into a noir ­Festival, including Best First Film and whatever it takes to uphold their boss’s preserving tradition with his relatives in , Ma’s debut feature Best Israeli Feature, Polonsky’s comedy legacy. “Del Paso’s first feature is a witty the village or following a new path in the examines a society where life is cheap about the aftermath of loss is both and comedic examination of Mexico’s modern world. In Kusaal with English and compassion can cost you all. In touching and funny. (98 mins.) dysfunctional system where attempts to subtitles. (90 mins.) Mandarin with English subtitles. (80 mins.) find a collective voice often lead to more | 2/19 5:00 FOX chaos and division.”—AFI Fest. (86 mins.) 2/20 7:00 | VC 2/22 8:30 | VC 2/22 8:30 | WH 2/21 9:00 | LH2 2/23 3:30 | FOX 2/21 6:00 | LH3 2/24 8:30 | FOX Sponsored by Tilde Noticias

Parting Rara The Son of Joseph The Stopover NAVID MAHMOUDI | PEPA SAN MARTÍN | EUGÈNE GREEN | DELPHINE COULIN, MURIEL IRAN/AFGHANISTAN CHILE/ FRANCE/BELGIUM COULIN | FRANCE/GREECE Navid Mahmoudi’s debut feature is a Twelve-year-old Sara has a warm and Wry visual humor, playful religious Aurore and Marine are given three days migration story that has not only war, but supportive home with her sister, mother, subtext, and a note of farce inform a of “decompression leave” with their unit, love at its core. Fereshteh and Nabi are and her mother’s partner, and is taking coming of age story that takes aim at among tourists, at a five-star resort in in love, but Fereshteh has to follow her her first steps into a new world of high French cultural pretensions. Vincent, a Cyprus. But it’s not that easy to forget the parents and leave Afghanistan to find school and boys. But when her father discontented high school student in Paris, war and leave violence behind. Childhood refuge in Tehran. Nabi decides to illegally starts to take issue with her household, lives with his mother, who won’t tell him friends who left Brittany to see the world cross the border, find her, and take her the possibility of having her family torn who his father is. Despite her efforts, and saw much more than they bargained through towards Europe and a apart becomes real. A fresh and surprising he sets out to find him on his own. The for, the two respond differently to the better life. They meet with the human coming-of-age film that doesn’t shy away search leads him to Oscar, a narcissistic, program, and tensions surface. Inspired traffickers who arrange their illegal from issues faced by many families womanizing publisher who shows no by real experiences, this sometimes passage to Europe and embark on a headed by same-sex parents, Rara does interest in Vincent and stirs rage. But an surreal film about trauma, gender, sexism, bitter trail in search of a better life. so without resorting to message and encounter with his father’s brother, Joseph, and friendship is “cuttingly observed, Mahmoudi’s timely story summons clarity resonates for anyone who has fought provides the missing father figure, and fraught, and bleakly funny.”—Variety. In of feeling about a puzzling and painful to keep their spirits up in the face of together the two begin to explore Paris French and Greek with English subtitles. world. In Persian and Dari with English intolerance. (82 mins.) with new eyes. (113 mins.) (102 mins.) subtitles. (78 mins.) 2/11 3:00 | FOX 2/10 8:30 | C21 2/21 6:00 | FOX 2/15 6:00 | OMSI 2/25 3:30 | WH 2/18 3:45 | LH3 2/22 3:30 | FOX | 2/17 6:30 LH3 Sponsored by TV5Monde NEW DIRECTORS 9

Suntan Ten Years The Women’s Balcony Wùlu ARGYRIS PAPADIMITROPOULOS | NG KA-LEUNG, JEVONS AU, EMIL BEN SHIMON | ISRAEL DAOUDA COULIBALY | GREECE/GERMANY CHOW KWUN-WAI, FEI-PANG WONG, Emil Ben Shimon’s feature debut is a FRANCE/SENEGAL | Forty-something doctor Kostis arrives for KWOK ZUNE HONG KONG comical feminist narrative about finding Set in Mali’s capital city of Bamako, his new posting on the island of Antiparos Despite being branded a “virus of the the right path to happiness and the Coulibaly’s debut feature offers perspec- during the quiet winter months, which mind” by China’s state organ Global subjectivity of righteousness. When tive on the country’s enduring political suits the introverted Kostis fine. But Times, Ten Years won Best Film at the the women’s balcony of the synagogue turmoil. When low-level transit employee summer brings the tourists and party Hong Kong Film Awards, an indication of collapses in the middle of a bar mitzvah, Ladji misses out on a potentially lucrative people, including the uninhibited young its resonance and power. An anthology nobody assumes that the cause was promotion, it’s time to move on. He uses beauty Anna, with whom Kostis becomes of five short films, each by a different anything more than bad architecture— his connections to earn money as a drug infatuated after treating her for a sprained director, they collectively imagine Hong that is, until Rabbi David announces that runner, at which he thrives. It’s not long ankle. Longing for lost youth, he becomes Kong ten years from 2015, a year that it was actually a message from God. before he is rising in the ranks, but as he obsessed with trying to be part of her saw the thawing and taming of the The charismatic young rabbi warns that does his control of events spin out of life, no matter the humiliation suffered. democratic Umbrella Movement of the the men of the Sephardic congregation control and he’s soon embroiled in Papadimitropoulos crafts a calculatedly year before. “The 2025 of these short haven’t done enough to ensure the conflicts that stretch from Mali’s provocative morality tale about the siren films is chilling, numbing, frustrating, modesty of their women, creating a rift government all the way to Al Qaeda. In call of hedonism, the aching desires of infuriating, and energizing . . . A smoke between the community’s men and Bambara and French with English middle age, and the intoxicating cult grenade lobbed down Hong Kong’s women that puts faith, friendships, and subtitles. (95 mins.) of youth and beauty. (105 mins.) corridors of power.”—The Guardian. traditions to the test. Hebrew with English | (103 mins.) subtitles. (96 mins.) 2/11 12:30 FOX 2/11 8:00 | FOX 2/15 6:15 | LH2 | 2/15 5:45 | C21 2/11 8:15 | LH 2/16 6:00 WH | Sponsored by TV5Monde 2/13 8:30 | FOX 2/19 7:30 LH Sponsored by the Institute for Judaic Studies

GLOBAL PANORAMA

Capturing the imagina- tion and praise of audi- ences world-wide, these compelling films tell stories that resonate beyond their borders, while offering insight into the unique cultures El Acompañante After Love The Age of Shadows from which they emerge. PAVEL GIROUD | CUBA/PANAMA/ JOACHIM LAFOSSE | BELGIUM JEE-WOON KIM | SOUTH KOREA FRANCE/ A showcase of festival Marie and Boris, married for 15 years, A cat-and-mouse game unfolds between prizewinners, submis- Cuba 1988. The Castro regime has are going through the emotional turmoil a group of resistance fighters trying to established “Los Cocos,” a sanatorium of divorce in front of their twin daughters. bring in explosives from Shanghai to sions for the Best in Havana’s suburbs where HIV patients At the center of the dispute is the house destroy key Japanese facilities in Seoul, ­Foreign Language Film are confined under military watch and that Marie purchased but Boris has and Japanese agents trying to stop them. assigned a “companion.” Horacio, a renovated, and both want. Without a A talented Korean-born Japanese police Oscar, and the critically former Olympic boxing champion involved steady job, Boris can’t afford to move so officer, previously in the independence acclaimed for cinema in a doping scandal, must earn his the two must share the house stalemated movement himself, is thrown into a redemption by serving as companion to by domestic standoffs and complex turns, dilemma between the demands of his lovers of all persuasions. Daniel, one of Los Cocos’ most defiant which only continues to drag out the reality and the instinct to support a patients. A strained relationship between divorce proceedings. Lafosse’s intimate, greater cause. “The irresistible pull of a these fallen heroes gradually materializes emotional movie looks at what it means spy thriller, the heightened stylishness into one of solidarity and friendship. to be a couple, while also exploring the of a 1920s setting, and terrific technical Winner of the Audience Award at the dichotomy of two stubborn people who specs make The Age of Shadows an Miami Film festival. This year’s Cuban must figure out a way to peacefully coexist unabashed delight.”—Variety. This year’s submission for the Best Foreign for their children when love is gone. South Korean Oscar submission. Language Film Oscar. (104 mins.) (100 mins.) (140 mins.)

2/19 7:30 | FOX 2/10 8:30 | OMSI 2/11 8:00 | C21 2/21 8:30 | FOX 2/11 3:00 | C21 2/14 8:15 | LH2 GLOBAL PANORAMA 10

The Distinguished Citizen Glory It’s Only the The King’s Choice GASTÓN DUPRAT, MARIANO COHN | KRISTINA GROZEVA, PETAR End of the World ERIK POPPE | NORWAY ARGENTINA/SPAIN VALCHANOV | /GREECE | CANADA/FRANCE The King’s Choice looks at a seminal Daniel (Oscar Martinez), a Nobel When a reclusive railway worker finds moment in modern Norwegian history: the Winner of the Grand Prix at the Cannes Prize-winning author, accepts an invitation bags of cash on the tracks, he does the days in 1940 when King Haakon faced Film Festival and this year’s Canadian to visit his hometown in Argentina for the right thing and calls the police. Hailed as the momentous decision about whether Oscar submission, Dolan’s visually and first time in 40 years. The small town of a model citizen by the propaganda-hungry or not to cooperate with the invading emotionally powerful melodrama follows Salas and its residents have been the Ministry of Transport, he is rewarded with ­German army. Threatening to abdicate terminally ill writer Louis (Gaspard Ulliel), inspiration for all of his books and now a new watch and promptly hustled into if the government chose cooperation, who returns home to break the news of they want to extend him their “Distinguished the spotlight. Amid the media circus, the he advocated all-out resistance, placing his debilitating condition to his estranged Citizen” award. After a hero’s welcome, reluctant hero’s beloved old watch goes himself and his family in great danger, family. Once there, old wounds and he soon learns to expect the unexpected missing. When his struggle to reclaim it is and guaranteeing his place in the annals deep-seated frustrations surface as from the real people whose lives he used ignored by the Ministry’s calculating PR of Norwegian history. Poppe’s (Eggs, Louis struggles to rekindle relationships to create the characters in his novels. queen, a darkly comedic, sharply satirical, Hawaii, Oslo) epic film about the real and articulate the real reason for his Duprat’s sharp, witty film is this year’s and completely unexpected morality tale events that turned a brave man into the unexpected visit. An all-star cast, including Argentine submission for the Best ensues that offers a savvy dissection of peoples’ king is this year’s Norwegian Marion Cotillard, Léa Seydoux, and Vincent Foreign Language Film Oscar. (117 mins.) class and power in contemporary submission for the Best Foreign Cassel, bring to life a family burdened Bulgaria. (101 mins.) Language Film Oscar. (133 mins.) 2/14 8:30 | C21 with buried memories and heavy sadness, 2/16 5:45 | FOX 2/11 2:45 | LH but ultimately profound love for each 2/12 2:00 | WH 2/13 6:00 | FOX other. (99 mins.) 2/18 3:00 | VC 2/17 6:00 | WH Sponsored by the Royal Norwegian 2/23 8:30 | WH Consulate General in San Francisco Sponsored by TV5Monde

Like Crazy The Long Excuse Lost in Paris Maliglutit PAOLO VIRZÌ | ITALY/FRANCE MIWA NISHIKAWA | JAPAN DOMINIQUE ABEL, FIONA GORDON | ZACHARIAS KUNUK | CANADA Paolo Virzì’s (Human Capital) bittersweet Celebrated novelist Tsumura is married to FRANCE/BELGIUM Kunuk’s (Atanarjuat: The Fast Runner) comedy recounts a Thelma & Louise-like Natsuko, but their passion for each other Fiona, a hapless Canadian librarian, visits poignant film, shot in the spectacular adventure between two women on the has long disappeared. When she dies in Paris for the first time after receiving a Arctic, is set in 1913 and inspired by run in Tuscany. Meeting as patients at a bus crash, he feels no sadness and has letter of distress from her 88-year-old John Ford’s classic The Searchers. In a the Villa Biondi, a progressive psychiatric to feign grief in public. To his embarrass- Aunt Martha. When she arrives, Aunt harrowing story of brutality, kidnapping, facility, Beatrice (Valeria Bruni Tedeschi) ment, his calculated displays catch the Martha has disappeared within the and revenge, Kuanana returns from a is a motor-mouthed fantasist, a self-styled attention of Omiya, the genuinely depths of the city. In an avalanche of caribou hunt to discover that marauders billionaire countess who likes to believe devastated husband of another of the spectacular disasters, Fiona meets Dom, have attacked his igloo, his wife and she’s on intimate terms with world crash victims, and Tsumura finds himself a seductive homeless man who won’t daughter have been abducted, and the leaders. Donatella (Micaela Ramazzotti) mysteriously drawn into the lives of the leave her alone. Their awkward, gentle rest of his family murdered. A loon named is a tattooed introvert, a fragile young bereaved man and his two children. romance provides an excuse for director Kallulik, the spirit helper of his father, sets woman locked in her own mystery. Nishikawa’s touching drama, laced with and pair Dominque Abel and Fiona Kuanana—driven by both light and dark An unpredictable and moving friendship humor, tells the story of a self-centered Gordon (The Fairy) to show off their forces—on a course to overturn fate and develops between the two as they flee man who finally finds connection outside quirky devotion to the art of slapstick reunite his family. In Inuktitut with English captivity in search of love and happiness himself. (123 mins.) comedy in a charming ode to Charlie subtitles. (94 mins.) in the open-air nuthouse—the outside Chaplin, Jacques Tati, and Buster Keaton. | | world. (118 mins.) 2/16 5:45 C21 Très French. (84 mins.) 2/21 6:00 VC 2/20 1:30 | VC 2/23 8:30 | LH3 | 2/11 5:30 LH3 Sponsored by the Consular Office of Japan 2/10 9:00 | LH3 2/13 5:45 | C21 in Portland 2/12 5:00 | C21 Sponsored by the Istituto Italiano Sponsored by TV5Monde, Elk Cove Vineyards, di Cultura San Francisco Montinore Estate, and Pike Road Wines GLOBAL PANORAMA 11

Nocturama The Ornithologist The Sense of an Ending Soul on a String BERTRAND BONELLO | FRANCE JOÃO PEDRO RODRIGUES | RITESH BATRA | UK ZHANG YANG | CHINA Bonnello’s (Saint Laurent) latest PORTUGAL/FRANCE/BRAZIL Based on British author Julian Barnes’s After discovering a sacred stone in the provocation is a film in two distinct and Winner of the Best Director award at the Booker-prize winning novel about mouth of a deer, Taibei, a Tibetan cowboy, gripping parts: first, a procedural in which Locarno Film Festival, Rodrigues’s The memory, jealousy, aging, and self-delusion, embarks on a mission: to bring it back to we follow a group of Parisian young Ornithologist follows a man’s journey on this film follows Tony (Jim Broadbent), the holy Mountain of Buddha’s Handprint. people, crucially of varying backgrounds, a remote river in Portugal in search of rare a semi-retired and divorced curmudgeon Pursued by traders who seek the as they carry out a sure-to-be-controversial, birds. When his kayak capsizes, he is wryly skilled at subjectively ordering his priceless artifact for themselves, as well city-wide, premeditated terrorist plot; saved by two Christian Chinese women on own history. The possibility of an alternate as two brothers seeking vengeance for second, a waiting game, oscillating a pilgrimage to Santiago de Compostela. reality arises when the diary of his best the death of their father, Taibei’s journey between tense, languid, and bizarre, and They are but the first of a cast of strange friend, Adrian, is bequeathed to him after will be a long and difficult one—even which clearly reveals the absolute brutality characters who will engage him in a his mysterious suicide. But Veronica before it is thrown off course by strange, of the mass media and the militarized transformational spiritual and metaphysical (Charlotte Rampling), who was Tony’s mystical events. With sweeping cinema- state apparatus. A 21st-century thriller of journey through sprawling, often love before Adrian, won’t let him have it tography of Tibet’s majestic steppes and the moment, Nocturama asks impossible psychedelic forests. Rodrigues’s exotic, and he can’t figure why. As he sleuths sprawling deserts, Yang’s unconventional questions and alludes to geopolitical pastoral meditation on landscape, and obsesses with his jaded ex-wife Asian Western pairs swordfights with issues with a profoundly troubling yet ethnography, and personal transcendence (Harriet Walter), the past comes due for the Buddhist philosophy of letting go. thrilling wink. “A bravura feat of filmmaking.” is a visually ravishing, profoundly hypnotic new acknowledgment. (108 mins.) “. . . visually stunning. It shares a high —The A.V. Club. (130 mins.) experience. In Portuguese, English, elevation and the spirit of revenge with | Mandarin Chinese, Mirandese, and Latin 2/24 6:00 WH The Revenant.”—Screen International. | 2/12 2:15 LH with English subtitles. Adult audiences. 2/25 4:00 | FOX (142 mins.) | 2/16 8:30 FOX (118 mins.) Sponsored by Travel Portland 2/18 12:00 | LH3 2/14 5:45 | FOX 2/19 6:00 | VC 2/19 5:00 | WH

The Student Tonio Train Driver’s Diary Truman KIRILL SEREBRENNIKOV | RUSSIA PAULA VAN DER OEST | MILOS RADOVIC´ | SERBIA/CROATIA CESC GAY | SPAIN/ARGENTINA This scathing, pitch-black satire, set NETHERLANDS Statistics show that during their Goya Winner for Best Film, Director, in the coastal city of Kaliningrad, follows Based on the best-selling autobiographical professional career, most train drivers will Actor, and Screenplay, Truman is a warm Veniamin, a high school student who, “requiem novel” by one of the country’s inadvertently kill 20 to 30 people. Their tale of friendship in the face of imminent as a reaction to the spiritual and material most renowned writers, A.F.Th. van der victims are usually suicidal, careless, mortality. Julián (Ricardo Darín), depravity he perceives around him, Heijden, this warm and understanding drunk, or just absent minded. In Radovic´’s diagnosed with terminal cancer, is making suddenly embraces Russian Orthodox drama explores the lives of the Amsterdam deadpan , the Todorovic´ the most of the time left to him. Tomás Christian fundamentalism. He believes novelist and his wife after the death of clan—train drivers for generations—keeps (Javier Cámara), who lives in Toronto, that everyone around him is morally their 21-year-old son, Tonio. Cutting back a respectful running body count, and visit returns to Madrid unsure of how he can bankrupt and confronts them with and forth between vignettes from the the graves from time to time. Grouchy best serve his old friend. The two men fanatically cited bible verses, bordering boy’s life, the shock of his sudden biking old Ilija (28 kills!) knows it’s not “if” but wander old haunts, recall the past, try on extremism. His ideas seem harmless accident, and their coming to grips with “when” his son Sima will run over a suicide, putting right a few old wrongs, and most at first, but slowly they start to influence the loss, van der Oest movingly conveys and the lad knows it too. It’s a foreboding important of all, seek a new owner for others around him and he manages to the parents’ fathomless sadness and that complicates his apprenticeship, and Julián’s beloved bullmastiff, Truman. Their turn the whole system upside down, save profound powerlessness. This year’s the old man resolves to make it easier on rapport brings gentle laughter in a very his atheist biology teacher, the only one Dutch Oscar submission. (100 mins.) him. This year’s Serbian submission for moving story. (108 mins.) willing to take him on. (119 mins.) the Best Foreign Language Film Oscar. 2/17 6:00 | VC (86 mins.) 2/17 8:30 | WH 2/18 8:30 | VC 2/19 2:30 | LH2 2/19 5:00 | LH 2/20 12:45 | LH2 2/10 8:45 | FOX 2/13 8:30 | C21 DOCUMENTARY VIEWS 12

This year’s non-fiction showcase offers fresh perspective on the world we live in and the fascinating people and stories that surround us. Some are masters, some emerging, but Abacus: Alive & Kicking All These Sleepless Nights they share a passion Small Enough to Jail SUSAN GLATZER | US/SWEDEN MICHAŁ MARCZAK | POLAND/UK to tell entertaining and STEVE JAMES | US Some dance styles and crazes endure. “Many of us know the freedom of our enlightening stories For many who love music and dance, twenties—unfettered by responsibilities The incredible saga of the Chinese the lindy hop, jitterbug, shag, and other or mortality, inventing ourselves in the from fascinating places. immigrant Sung family, owners of Abacus mid-century “swing” dances are more rush of the moment. All These Sleepless Federal Savings of Chinatown, New York, than alive and kicking in the hip-hop era. Nights viscerally summons that feeling, elicits both outrage and humor. Accused Glatzer’s joyous, action-packed film chronicling a Warsaw summer when Sponsored by of mortgage fraud by Manhattan District attributes the revival to the advent of VHS art school classmates Kris and Michal Attorney Cyrus R. Vance, Jr., Abacus, tape, which allowed pause and rewind resolve to experience life to the limit. Who the James F. and with just six branches catering to small to memorize the steps from old films. will they meet, and what will they discover Marion L. Miller businesses and families, became the only “She’s more attentive to the sense of about relationships and themselves? U.S. bank to face criminal charges in the family among enthusiasts . . .The action What existential realities will thwart them? Foundation wake of the 2008 financial crisis. The [the film] captures is so transfixing, one Marczak paints a picture of a Warsaw indictment and subsequent trial forced marvels that dancers can keep it up for suspended between its traumatic past the Sung family to defend themselves— five years, much less five decades.” and a new generation bursting with and their bank’s legacy in the Chinatown —The Hollywood Reporter (88 mins.) energy . . . this story of youthful adventure, community—over the course of a five-year like a picaresque novel, is timeless.” legal battle. A suspenseful story of justice 2/18 6:30 | LH Sundance Film Festival. (100 mins.) and America on trial. (88 mins.) 2/20 3:30 | WH 2/12 6:00 | OMSI | Sponsored by Higgins Restaurant 2/11 5:15 WH 2/18 9:15 | LH2 2/12 7:30 | LH Sponsored by KBOO Sponsored by the Oregon State Bar International Law Section

Austerlitz Behemoth Burden Buzz One Four SERGEI LOZNITSA | GERMANY ZHAO LIANG | CHINA TIMOTHY MARRINAN, RICHARD MATT McCORMICK | US | Filmed on the sites of former Nazi You can’t un-see political documentarian DEWEY US/UK/BELGIUM/SWEDEN Buzz One Four chronicles the ill-fated concentration camps, Loznitsa’s (Maidan, Liang’s cinematic allegory, which draws One the most intriguing, boundary-pushing flight of a Cold War B-52 Stratofortress In the Fog) Austerlitz is a stark observa- inspiration from The Divine Comedy in artists of his generation, Chris Burden loaded with two 3-4-megaton nuclear tion of the hordes of tourists who visit fashioning a simultaneously intoxicating guaranteed his place in art history in bombs that crashed 90 miles from these memorial sites every year. Why do and terrifying glimpse at the ravages 1971 with a period of often dangerous, DC in 1961. Information they go there? What are they looking for? wrought upon Inner Mongolia by its coal provocative, and at times nervous-making ­suggests that detonation came closer How is it that such profoundly tragic sites and iron industries. A poetic voiceover performances. After having himself shot, than official reports indicated. The full have wound up as almost theme parks speaks of the insatiability of desire, locked up in a locker for five days, electro- details of the crash have remained for the memory-less? “Marx said: ‘History overarching stunning images of decimated cuted, and crucified on the back of a classified and otherwise repressed by the repeats itself, first as tragedy, then as landscapes, spectacular machines, and VW bug, Burden reinvented himself as Air Force, but the filmmaker, Portlander farce.’ The disquieting theme of Austerlitz people (and the toll of their labor). A the creator of truly mesmerizing installa- Matt McCormick, grew up with this story is that in our epoch, history—no matter wholly absorbing guided tour of exploding tions and sculptures, from a suspended because the pilot was his grandfather. how tragic—tends to repeat itself as hillsides, mine shafts, frightening factories, gigantic flywheel that seemingly spins on As McCormick recounts the history of tourism.”—Screen Daily (94 mins.) and vacant cities, Behemoth combines its own, to a much-admired assemblage the era, aspects of this crash, and other exposé with a painterly vision of a social of antique streetlights rewired for solar little-know nuclear-weapons accidents, | 2/11 6:00 OMSI and ecological nightmare otherwise energy and illuminated outside the he leaves us wondering if the U.S. was 2/13 6:00 | WH unfolding out of sight. (90 mins.) Los Angeles County Museum of Art. in greater danger of nuking itself than of (86 mins.) being attacked by the Russians. (60 mins.) 2/20 8:30 | FOX 2/24 6:00 | FOX 2/11 3:00 | WH 2/15 5:45 | LH3 2/14 8:45 | LH3 2/18 12:00 | WH Sponsored by SundanceNow Sponsored by Oregon Film DOCUMENTARY VIEWS 13

Fire at Sea Forever Pure I Am Not Your Negro Kedi GIANFRANCO ROSI | ITALY/FRANCE MAYA ZINSHTEIN | RAOUL PECK | US/FRANCE/ CEYDA TORUN | TURKEY/US The island of Lampedusa, between Sicily ISRAEL/UK/RUSSIA/NORWAY BELGIUM/SWITZERLAND Cats (“kedi”) have an exalted status in and Tunisia, is a major destination point Beitar Jerusalem, an intensely nationalist Based on the text of Remember This Turkish culture, and caring for them is for refugees fleeing Africa and the Middle soccer team in the Israeli Premier League, House, ’s final, unfinished both a social and religious obligation, East. In recent years hundreds of inspires as much extreme fandom as it novel, Peck’s urgent essay film is a if not a pleasure. Istanbul, one of the thousands of immigrants seeking a better does controversy. When the team owner, reflection on what it means to be Black world’s oldest, largest, and most life have landed there with the literal shirts a provocative Russian arms trafficker, in America. Focused around the lives and spectacular cities, is home to hundreds of on their backs. Rosi spent a year on the signed two Chechen Muslim players, it assassinations of his friends , thousands of street cats that have freely island experiencing the reality for the pushed many Beitar fans over the edge , and Martin Luther King, Jr., roamed since before the Ottoman Empire, fishing families living there, an Italian and pitted longtime players against each I Am Not Your Negro uses archival despite their increasingly modernized coast guard swamped with a massive other. More a portrait of the divisions in footage of the civil rights and Black urban environment. Torun’s splendid human crisis, and the heart-wrenching Israeli society than a soccer film, Forever Power movements­ to explore the racial film—employing keen observation, stories of people driven to desperation. Pure provides an eye-opening account of violence that continues to permeate patience, and some impressive technical Rosi’s moving documentary reveals the the intersection between politics, racism, American culture. Tying past and present wizardry—captures the colors, textures, subtle connections between the micro and sports and the underlying attitudes together, the film narrates the absurd— and grandeur of the city and its devoted and macro realities of our globalized that shape the Israeli-Palestinian conflict. and deeply tragic—relationship between cat guardians from a cats-eye view. “More world. This year’s Italian submission for Best Documentary, Jerusalem Film Festival. the and skin color. than just another example of cute kittens the Best Foreign Language Film Oscar. In Chechen, Hebrew, and Russian with (93 mins.) on camera, Kedi bubbles over with charm (114 mins.) English subtitles. (87 mins.) and insight that millions of YouTube videos 2/9 7:00 | WH can’t match.”—Screen Daily. In Turkish 2/12 11:30 | LH 2/12 5:15 | LH 2/9 7:00 | FOX with English subtitles. (80 mins.) 2/15 8:30 | FOX 2/15 6:00 | FOX Opening night film. See page 3 for details. 2/11 5:30 | C21 Sponsored by SundanceNow Sponsored by the Consulate General of Israel and Adelina Books to the in San Francisco Sponsored by Provenance Hotels

The Land of Obit Raising Bertie Starless Dreams the Enlightened VANESSA GOULD | US MARGARET BYRNE | US MEHRDAD OSKOUEI | IRAN PIETER-JAN DE PUE | BELGIUM/ Who makes it on the obituary page of What happens in the lives of young Starless Dreams plunges us into the lives IRELAND/NETHERLANDS the paper of record? Both a peek into the people caught in the complex interplay of of teenage girls at a juvenile detention inner workings of a familiar but misunder- generational poverty, educational inequity, center on the of Tehran. The seemingly Shot over seven years, De Pue’s debut, a stood journalistic realm and a thoughtful and race? Reginald, Davonte, and David innocent young women reveal, with hybrid of documentary and fiction, paints meditation on memory and mortality, are black teenagers in rural Bertie County, surprising candor, the circumstances a whimsical yet haunting look at conditions Obit delves into the world of obituary North Carolina. Raising Bertie documents behind their incarceration—from pick in Afghanistan. De Pue follows a group writing by following several writers for the their trials and triumphs over six years as pocketing, drug dealing, and bank of children as they roam the landscape obituaries section of . the young men repeat grades, search for robbery to patricide. As these young searching for undetonated explosives to With sometimes just hours remaining jobs, and persevere. Along the way, they women share their stories, hopes, and sell or trade with other children. Some before deadline, a life must be condensed are aided by activist Vivian Saunders, dreams, perhaps it is the crimes against mine semi-precious gemstone lapis lazuli into a handful of pithy paragraphs. No whose innovative alternative high school, them, and what they have to look forward by hand, others steal opium from passing pressure. “Death, the great haunter, The Hive, provides a much-needed to, that are the most moving. “Roger caravans, and this informal mercenary hovers at the foot of this film, but is resource for an underserved community. Ebert once called the movies ‘a machine system of lost boys controls the territory examined in a way that is surprisingly In the spirit of other longitudinal portraits that generates empathy,’ and Starless in ways the U.S. military could only admire. inspirational, uplifting, and often such as Steve James’ and Dreams . . . is just such a machine. As the young gang lords cheer the news hilarious.”—The Upcoming. (93 mins.) Michael Apted’s Up series, identity and With the conceptual rigor and emotional of American troops withdrawing, their opportunity play major roles in the directness associated with the best of future—and the nation’s—can only be 2/10 6:00 | C21 process of coming of age. (102 mins.) Iranian cinema, Oskouei simply listens to imagined. In Persian and English. 2/14 6:00 | WH the stories of those who have never been | (87 mins.) Sponsored by Willamette Week 2/21 8:30 LH3 listened to before.”—Variety. In Farsi with and SundanceNow 2/22 5:45 | WH English subtitles. (76 mins.) 2/14 8:30 | WH 2/18 12:00 | FOX 2/19 4:00 | VC 2/23 9:00 | LH2 PIFF XL SCHEDULE 14

THURSDAY, FEBRUARY 9 MINUTES PAGE # MONDAY, FEBRUARY 13 MINUTES PAGE #

7:00 WH I Am Not Your Negro (US/France/Belgium/Switzerland) 95 13 5:45 LH3 Graduation (Romania/France/Belgium) 128 4 7:00 FOX I Am Not Your Negro (US/France/Belgium/Switzerland) 95 13 5:45 C21 Like Crazy (Italy/France) 118 10 6:00 WH Austerlitz (Germany) 94 12 FRIDAY, FEBRUARY 10 6:00 FOX Glory (Bulgaria/Greece) 101 10 6:00 OMSI My Life as a Zucchini (Switzerland/France) 66 16 5:45 WH Graduation (Romania/France/Belgium) 128 4 6:15 LH2 My Entire High School Sinking Into the Sea (US) 75 16 5:45 FOX Nagasaki: Memories of My Son (Japan) 130 5 8:15 LH2 The Teacher (Slovakia/Czech Republic) 102 6 5:45 LH2 Life+1Day (Iran) 115 7 8:30 WH Eldorado XXI (Portugal/France) 125 18 6:00 C21 Obit (US) 93 13 8:30 FOX Ten Years (Hong Kong) 104 9 6:00 OMSI Dead Slow Ahead (Spain/France) 97 18 8:30 C21 Train Driver’s Diary (Serbia/Croatia) 85 11 6:15 LH3 Indivisible (Italy) 100 7 8:30 OMSI Frantz (France) 113 4 8:30 LH2 Hedi (France/Germany/Qatar/Tunisia/United Arab Emirates) 88 7 8:45 LH3 The Dreamed Ones (Germany/Austria) 89 18 8:30 C21 The Son of Joseph (France/Belgium) 113 8 8:30 OMSI After Love (Belgium) 100 9 8:45 WH The Teacher (Slovakia/Czech Republic) 102 6 TUESDAY, FEBRUARY 14 8:45 FOX Train Driver’s Diary (Serbia/Croatia) 85 11 5:45 FOX The Ornithologist (Portugal/France/Brazil) 117 11 9:00 LH3 Lost in Paris (France/Belgium) 83 10 6:00 WH Obit (US) 93 13 10:30 BAG The Invisible Guest (Spain) 117 17 6:00 LH Yourself and Yours (South Korea) 86 6 6:00 C21 Clash (Egypt/France) 97 7 SATURDAY, FEBRUARY 11 8:15 LH2 The Age of Shadows (South Korea) 140 9 8:30 WH The Land of the Enlightened (Belgium/Ireland/Netherlands) 87 13 12:00 LH Heidi (Germany/Switzerland/South Africa) 111 16 8:30 FOX All the Cities of the North (Serbia/Bosnia & Herzegovina/Montenegro) 97 18 12:30 WH Short Cuts 1: On Art & Artists() 84 19 8:30 C21 The Distinguished Citizen (Argentina/Spain) 117 10 12:30 FOX Wùlu (France/Senegal) 95 9 8:45 LH3 Burden (US/UK/Belgium/Sweden) 88 12 12:45 C21 My Entire High School Sinking Into the Sea (US) 75 16 2:45 LH Glory (Bulgaria/Greece) 101 10 3:00 WH Burden (US/UK/Belgium/Sweden) 88 12 WEDNESDAY, FEBRUARY 15 3:00 FOX Rara (Chile/Argentina) 88 8 5:45 WH The Commune (Denmark/Sweden/Netherlands) 111 4 3:00 C21 After Love (Belgium) 100 9 5:45 LH3 Buzz One Four (US) 75 12 5:15 FOX Frantz (France) 113 4 5:45 C21 Suntan (Greece/Germany) 104 9 5:15 WH Abacus: Small Enough to Jail (US) 88 12 6:00 FOX Forever Pure (Israel/UK/Russia/Norway) 85 13 5:30 LH3 Like Crazy (Italy/France) 118 10 6:00 OMSI Parting (Iran/Afghanistan) 78 8 5:30 C21 Kedi (Turkey/US) 105 13 6:15 LH2 Wùlu (France/Senegal) 95 9 6:00 LH2 The Dreamed Path (Germany) 86 18 8:30 WH Afterimage (Poland) 98 4 6:00 OMSI Austerlitz (Germany) 94 12 8:30 FOX Fire at Sea (Italy/France) 114 13 8:00 WH A Quiet Passion (UK/Belgium) 125 5 8:30 LH A Quiet Passion (UK/Belgium) 125 5 8:00 FOX Suntan (Greece/Germany) 104 9 8:30 C21 Paradise (Russia/Germany) 130 5 8:00 C21 The Age of Shadows (South Korea) 140 9 8:30 OMSI Dead Slow Ahead (Spain/France) 97 18 8:15 LH Ten Years (Hong Kong) 104 9 10:30 BAG We Are the Flesh (Mexico) 79 17 THURSDAY, FEBRUARY 16

5:45 FOX The Distinguished Citizen (Argentina/Spain) 117 10 SUNDAY, FEBRUARY 12 5:45 LH3 Eldorado XXI (Portugal/France) 125 18 11:30 WH Short Cuts 2: Family Ties() 93 19 5:45 C21 The Long Excuse (Japan) 124 10 11:30 LH Fire at Sea (Italy/France) 114 13 6:00 WH The Women’s Balcony (Israel) 96 9 12:00 FOX Half Ticket (India) 112 16 6:15 LH2 Aloys (Switzerland/France) 91 6 12:30 C21 My Life as a Zucchini (Switzerland/France) 66 16 8:30 WH Short Cuts 7: Return to Landscape() 100 22 2:00 WH The King’s Choice (Norway) 133 10 8:30 FOX Nocturama (France) 130 11 2:15 LH Nocturama (France) 130 11 8:30 LH The Invisible Guest (Spain) 117 17 2:30 C21 Land of Mine (Denmark/Germany) 100 5 8:30 C21 Life+1Day (Iran) 115 7 2:45 FOX Louise by the Shore (France) 75 16 5:00 WH Nagasaki: Memories of My Son (Japan) 130 5 FRIDAY, FEBRUARY 17 5:00 FOX The Death of Louis XIV (France/Portugal/Spain) 115 4 5:45 FOX The Commune (Denmark/Sweden/Netherlands) 111 4 5:00 C21 Lost in Paris (France/Belgium) 83 10 6:00 WH It’s Only the End of the World (Canada/France) 97 10 5:15 LH Forever Pure (Israel/UK/Russia/Norway) 85 13 6:00 LH2 The Dreamed Path (Germany) 86 18 6:00 OMSI All These Sleepless Nights (Poland/UK) 100 12 6:00 VC Tonio (Netherlands) 100 11 7:30 LH Abacus: Small Enough to Jail (US) 88 12 6:30 LH3 Parting (Iran/Afghanistan) 78 8 7:30 C21 The Happiest Day in the Life of Olli Mäki (Finland/Sweden/Germany) 92 7 8:30 WH Truman (Spain/Argentina) 108 11 7:45 FOX Yourself and Yours (South Korea) 86 6 8:30 FOX The Human Surge (Argentina/Brazil/Portugal) 100 18 8:00 WH Indivisible (Italy) 100 7 8:30 LH The Death of Louis XIV (France/Portugal/Spain) 115 4 10:30 BAG A Dark Song (Irelanad/UK) 113 17 8:30 VC Barakah Meets Barakah (Saudi Arabia) 88 6 10:30 BAG The Eyes of My Mother (US) 76 17 PIFF XL SCHEDULE 15

SATURDAY, FEBRUARY 18 MINUTES PAGE # TUESDAY, FEBRUARY 21 MINUTES PAGE #

12:00 WH Buzz One Four (US) 75 12 3:30 FOX Aloys (Switzerland/France) 91 6 12:00 LH3 Soul on a String (China) 142 11 5:45 WH I Am Not Madame Bovary (China) 128 5 12:00 FOX The Land of the Enlightened (Belgium/Ireland/Netherlands) 87 13 6:00 FOX The Stopover (France/Greece) 102 8 12:30 LH2 Half Ticket (India) 112 16 6:00 LH3 Panamerican Machinery (Mexico/Poland) 90 8 2:30 WH Short Cuts 5: Made in Oregon() 100 21 6:00 VC Maliglutit (Canada) 94 10 2:30 FOX Kills on Wheels (Hungary) 105 7 6:30 LH2 Life After Life (China) 80 7 3:00 VC The King’s Choice (Norway) 133 10 8:30 FOX El Acompañante (Cuba/Panama/France/Colombia) 104 9 3:15 LH2 Louise by the Shore (France) 75 16 8:30 LH3 Raising Bertie (US) 102 13 3:45 LH3 The Son of Joseph (France/Belgium) 113 8 8:30 VC Personal Shopper (France/Germany) 105 5 5:00 FOX Apprentice (Singapore/Germany/France/Hong Kong) 115 6 8:45 WH Short Cuts 8: In Pursuit() 91 22 5:45 WH Land of Mine (Denmark/Germany) 100 5 9:00 LH2 Nakom (Ghana/US) 90 8 6:00 VC Clash (Egypt/France) 97 7 7:45 FOX Sieranevada (Romania/France/Bosnia & Herzegovina) 173 6 WEDNESDAY, FEBRUARY 22 6:30 LH Alive & Kicking (US/Sweden) 88 12 3:30 FOX The Stopover (France/Greece) 102 8 8:30 VC The Student (Russia) 118 11 5:45 WH Raising Bertie (US) 102 13 8:30 WH Personal Shopper (France/Germany) 105 5 6:00 FOX The Human Surge (Argentina/Brazil/Portugal) 100 18 8:45 LH3 Revengeanece (US) 71 16 6:00 VC Kati Kati (Kenya/Germany) 75 7 9:15 LH2 All These Sleepless Nights (Poland/UK) 100 12 6:30 LH Sieranevada (Romania/France/Bosnia & Herzegovina) 173 6 10:30 BAG Daguerrotype (France/Belgium/Japan) 140 17 8:30 WH One Week and a Day (Israel) 98 8 8:30 FOX The Dreamed Ones (Germany/Austria) 89 18 SUNDAY, FEBRUARY 19 8:30 VC Old Stone (China/Canada) 80 8 12:00 WH Short Cuts 6: Animated Worlds() 80 21 12:30 FOX The World of Us (South Korea) 95 16 THURSDAY, FEBRUARY 23 1:30 VC Life After Life (China) 80 7 3:30 FOX Old Stone (China/Canada) 80 8 2:30 LH2 Tonio (Netherlands) 100 11 5:45 FOX I Am Not Madame Bovary (China) 128 5 2:45 WH Revengeance (US) 71 16 5:45 VC Daguerrotype (France/Belgium/Japan) 140 17 2:45 FOX Kati Kati (Kenya/Germany) 75 7 6:00 LH Staying Vertical (France) 98 6 3:00 LH3 Kékszakállú (Argentina) 72 18 6:00 WH The Olive Tree (Spain/Germany) 100 5 4:00 VC Starless Dreams (Iran) 76 13 8:30 LH3 Maliglutit (Canada) 94 10 5:00 WH The Ornithologist (Portugal/France/Brazil) 117 11 8:30 WH It’s Only the End of the World (Canada) 99 10 5:00 FOX One Week and a Day (Israel) 98 8 8:30 VC Ma’Rosa (Philippines) 110 5 5:00 LH Truman (Spain/Argentina) 108 11 8:45 FOX Apprentice (Singapore/Germany/France/Hong Kong) 115 6 6:00 VC Soul on a String (China) 142 11 9:00 LH2 Starless Dreams (Iran) 76 13 7:30 FOX El Acompañante (Cuba/Panama/France/Colombia) 104 9 7:30 LH The Women’s Balcony (Israel) 96 9 7:45 WH Window Horses (Canada) 85 16 FRIDAY, FEBRUARY 24 6:00 WH The Sense of An Ending (UK) 109 11 MONDAY, FEBRUARY 20 6:00 FOX Behemoth (China) 95 12 8:30 WH Death in Sarajevo (Bosnia & Herzegovina/France) 85 4 12:15 LH3 Ma’Rosa (Philippines) 110 5 8:30 FOX Panamerican Machinery (Mexico/Poland) 90 8 12:45 WH Heidi (Germany/Switzerland/South Africa) 111 16 10:30 BAG Without Name (Ireland) 105 17 12:45 LH2 The Student (Russia) 118 11 1:00 FOX The World of Us (South Korea) 95 16 1:30 VC The Long Excuse (Japan) 124 10 SATURDAY, FEBRUARY 25 3:15 LH3 Paradise (Russia/Germany) 130 5 1:00 WH Short Cuts 4: Distant Tales() 100 20 3:30 WH Alive & Kicking (US/Sweden) 88 12 3:30 WH Rara (Chile/Argentina) 88 8 3:30 FOX Barakah Meets Barakah (Saudi Arabia) 88 6 4:00 FOX The Sense of An Ending (UK) 109 11 3:45 LH2 Hedi (France/Germany/Qatar/Tunisia/United Arab Emirates) 88 7 6:00 WH After the Storm (Japan) 117 4 4:15 VC After the Storm (Japan) 117 4 6:30 FOX Death in Sarajevo (Bosnia & Herzegovina/France) 85 4 6:00 WH Short Cuts 3: Viewpoints() 85 20 8:45 WH Staying Vertical (France) 98 6 6:00 FOX Window Horses (Canada) 85 16 8:45 FOX Kékszakállú (Argentina) 72 18 6:15 LH3 Afterimage (Poland) 98 4 10:30 BAG The Autopsy of Jane Doe (US) 86 17 6:45 LH2 Kills on Wheels (Hungary) 105 7 7:00 VC Nakom (Ghana/US) 90 8 8:30 WH The Olive Tree (Spain/Germany) 100 5 8:30 FOX Behemoth (China) 95 12 THEATER KEY 8:45 LH3 All the Cities of the North (Serbia/Bosnia & Herzegovina/Montenegro) 97 18 WH - Whitsell Auditorium VC - Valley Cinema Pub FOX - Regal Fox Tower OMSI - Empirical Theater at OMSI LH - Laurelhurst Theater BAG - Bagdad Theater C21 - Cinema 21 ANIMATED WORLDS 16

Louise by the Shore My Entire High School Revengeance Window Horses JEAN-FRANÇOIS LAGUIONIE | Sinking Into the Sea BILL PLYMPTON, JIM LUJAN | US | CANADA FRANCE DASH SHAW | US Former Portlander Bill Plympton comes Vancouver animator Ann Marie Fleming’s Louise, an old woman, sits on the beach home for this special pre-release first feature is an extraordinary tale of art, “The title tells the tale in this inventive, at a French resort town enjoying the last screening of his eighth feature, which tells history, and family. Rosie (Sandra Oh), beautiful, and more than a little bizarre days of summer and writing in her diary. the story of low-rent bounty hunter Rod a young poet of Chinese and Persian animated feature debut from acclaimed But when she misses the last train home, Ross, the One Man Posse. Rod gets descent, lives with her overprotective but graphic novelist Dash Shaw—surely the she winds up having to stay there alone tangled in a web of seedy danger when loving Chinese grandparents but dreams most delightful disaster movie in cinema through the winter. She builds her own he takes on a job from Deathface, an of an artistic and glamorous life in Paris. history. To say that My Entire High cabin, grows her own vegetables, goes ex-biker, ex-wrestler turned US senator. An invitation to a poetry festival in Shiraz, School Sinking Into the Sea is like for long walks, philosophizes with her Rod has to find what was stolen from Iran, thrills her, and though she has never John Hughes fused with The Poseidon diary, and finds Pepper, a lost dog who the senator and find the girl who stole it. travelled on her own, she embarks on a Adventure makes for a snappy pitch—and shares her conversation and solitude. Soon, Rosse finds there’s more than trip that will change her life. Integrating a it’s true—but it doesn’t prepare you for Laguionie’s endearing animated film meets the eye to this dirty job. “A madcap range of animation styles, Flemings tells the sheer originality of Dash’s vision. weaves together a moving story of how romp through a 1970s Los Angeles a universal multicultural tale. Best British Jason Schwartzman, Lena Dunham, Maya being left behind forces us to confront the underbelly of bikers, wrestlers, strippers, Columbian Film and Best Canadian Film, Rudolph, Susan Sarandon, and Reggie things and people we have left behind. cult members, bounty hunters, and Vancouver International Film Festival. Watts supply voices for this story about “With her humour, quiet determination corrupt politicians… in an explosion of (85 mins.) what it takes to survive adolescence. and lack of fear of the future, Louise is anarchic, satirical insanity.”—British Film Literally.”—Toronto International Film | a delight–a Robinson Crusoe in pearls Institute. (76 mins.) 2/19 7:45 WH Festival. (75 mins.) and a panama hat.”—Screen International. 2/20 6:00 | FOX 2/18 8:45 | LH3 (75 mins.) | Sponsored by LAIKA 2/11 12:45 C21 2/19 2:15 | WH 2/13 6:15 | LH2 2/12 2:45 | FOX Sponsored by LAIKA 2/18 3:15 | LH2 Sponsored by LAIKA and the Lamb-Baldwin Foundation Sponsored by LAIKA and TV5Monde

FILMS FOR FAMILIES

Half Ticket Heidi My Life as a Zucchini The World of Us SAMIT KAKKAD | INDIA ALAIN GSPONER | GERMANY/ CLAUDE BARRAS | GA-EUN YOON | SOUTH KOREA Half Ticket is a story of the “Have Nots” SWITZERLAND/SOUTH AFRICA SWITZERLAND/FRANCE At an age when perhaps friends mean struggling to survive in a world of “Haves.” Johanna Spyri’s classic children’s novels Barras’s funny and brightly colored more than moms, 10-year-old Sun is Fascinated by the arrival of a pizza parlor return to the screen for a new generation. stop-motion film tells the story of an outcast at school. During summer in their slum neighborhood in Mumbai, Our heroine Heidi is sent to live with her nine-year-old Icare, known to his friends vacation, she meets Jia, who is new two mischievous young boys have one cantankerous grandfather in the mountains as Courgette (Zucchini). When he loses to town. As Sun shows Jia around the goal in mind: to taste this new delicacy. of Switzerland after the death of her his mother due to tragic circumstances, neighborhood and they play at each The pizza is wildly beyond their means, parents, only to have her world turn upside young Zucchini is left all alone. Friendly other’s houses and share secrets, they but they are determined to find a way. As down once more, when she is dispatched police officer Raymond brings him to a become best friends. However, when the we watch them navigate the hardship and to Frankfurt by her aunt. As he tells the home for children who have lost their new semester starts, Jia notices a strange poverty of their world, how they go about story of Heidi, Gsponer allows us to see parents. Although initially intimidated vibe between Sun and the other kids. the challenge and what fate has in store the hardships of nineteenth-century life, by the unusual, sometimes harsh place, Jia tries to get into the cool kids’ group will charm all ages. “The scenario is while celebrating the fresh air and magical Zucchini gradually opens up and finds and starts to distance herself from Sun. reminiscent of Italian and Iranian neo-realist landscape of the Swiss mountains. This is there a new family and true love. Winner Inside the complex and delicate world of fables like Bicycle Thieves and The White a timeless story of knowing who you are of the Best Feature and Audience prizes children, the two girls end up hurting and Balloon, but the energy and vibrancy is and remaining true to yourself, no matter at the Annecy Animation Film Festival. getting hurt by each other. (95 mins.) unmistakably Indian—there’s a dash of where you might be. In German with This year’s Swiss submission for the Best | in here, for sure.” English subtitles. Best Children’s Film, Foreign Language Film Oscar. (66 mins.) 2/19 12:30 FOX —Variety. In Marathi with English subtitles. German Film Awards. (105 mins.) 2/20 1:00 | FOX (100 mins.) 2/12 12:30 | C21 Sponsored by the Lamb-Baldwin Foundation 2/11 12:00 | LH 2/13 6:00 | OMSI 2/12 12:00 | FOX 2/20 12:45 | WH 2/18 12:30 | LH2 Sponsored by the Lamb-Baldwin Foundation, Sponsored by the Lamb-Baldwin Foundation LAIKA, TV5Monde, and the French American Sponsored by the Lamb-Baldwin Foundation International School and World Foods Portland PIFF AFTER DARK 17

Our late night series at the Bagdad Theater offers special treats for adventurous ­devotees of genre, and genre-bending films that ­pro­vocatively push boundaries. The late- The Autopsy of Jane Doe A Dark Song Daguerrotype night thrills for those ANDRÉ ØVREDAL | UK/US LIAM GAVIN | IRELAND/UK KIYOSHI KUROSAWA | FRANCE/BELGIUM/JAPAN who think they’ve see A father (Brian Cox) and son (Emile Hirsch) A grieving mother hires a man well versed it all start at 10:30 pm coroner team delve into the mystery of in the occult to help bring her son back to Horror master Kurosawa’s elegantly a body discovered at a site of multiple life. The genius of Gavin’s film is how it rendered ghost story set in modern-day and may keep you up murders. Unlike the other casualties of paints its character’s attempts to break France. Jean () is hired as the even later. the crime, the corpse delivered to them is on through to the other side as humorous, assistant to Stéphane, a former fashion untouched by the multiple traumas visited highly questionable, and above all, time photographer who wallows in grief for his upon the other victims. The deeper the consuming. Favoring the notion that the late wife while stubbornly clinging to the two dig into this fleshy puzzle, the more journey is just as important as the antiquated, long-exposure process of disturbing secrets, residing tantalizingly destination, A Dark Song upends daguerreotype photography. As Jean below the surface, are revealed. (86 mins.) audience expectations of how horror films learns the ropes, he begins to fall for Short: Limbo, Will Blank, US. Stranded about people trying to resurrect their Stéphane’s daughter Marie who endures, in the desert, a man is given a chance to loved ones ought to operate. (100 mins.) as her mother did in the past, the painful wish for anything he wants. (8 mins.) Short: The Man from Death, Stephen and physically demanding role of Reedy, US. A manic homage to spaghetti modeling for her father’s images. 2/25 10:30 | BAG Westerns, video game iconography, and (131 mins.) Short: Overtime, Craig D. ADHD. (13 mins.) Foster, Australia. Workplace stresses conspire to bring out the inner beast | 2/12 10:30 BAG when mandatory overtime comes into Sponsored by Shudder play. (9 mins.)

2/18 10:30 | BAG 2/23 5:45 | VC Sponsored by TV5Monde

The Eyes of My Mother The Invisible Guest We Are the Flesh Without Name NICOLAS PESCE | US ORIOL PAULO | SPAIN EMILIANO ROCHA MINTER | LORCAN FINNEGAN | IRELAND A young girl named Francisca witnesses As a suspect is prepped for court MEXICO Eric, a surveyor, is hired to assess a a terrible act of violence perpetrated by testimony, the story of the crime, a murder The most transgressive film in this year’s large plot of ancient forest. Superstitious a stranger upon her mother. Years later, in a hotel room where only two people— program, Minter’s trance-inducing feature warnings from the locals about the area, the child has grown into a solitary woman the accused and the victim—were present, concerns a brother and sister drawn into a handwritten book with half-mad ravings whose life on the same farm where those deepens as new details emerge with an underground sanctuary inhabited by about ominous trees, and a shadowy events occurred has devolved into a cycle each retelling. Paulo’s (The Body) film is a lone stranger. In return for shelter, the figure have Eric on edge. Finnegan’s of caring for her family’s livestock and a Rashomonic in structure, but keeping the man demands they push themselves into eco-horror tale not only offers up the mysterious figure sequestered away in action centered entirely on one person’s a series of shocking ritualistic actions. most vivid dose of paranoia tied to the barn. “If Ingmar Bergman had helmed shifting account of the abominable act. “His thoroughly arresting vision could location since Polanski’s The Tenant, The Texas Chain Saw Massacre, it might An exquisitely intelligent and tense thriller squat quite comfortably alongside it also throws down the gauntlet for the look something like this exquisite crafted for adult audiences. In Spanish Hieronymus Bosch’s depiction of hell.” creepiest trees captured on film this nightmare.”—The A.V. Club. (76 mins.) with English subtitles. (106 mins.) —Variety. (79 mins.) Adult Audiences. decade. (93 mins.) Short: Strangers Short: The Dog, Hallvard Holmen, Short: Manoman, Simon Cartwright, UK. In Spanish with English subtitles. in the Night, Conor McMahon, Ireland. Aleksander Nordaas, Norway. A child A man undergoing primal scream therapy Short: Judy, Ariel Gardner, Alex Kavutskiy, While protecting his grandmother from watches as a squabble between releases his own Mr. Hyde, and then hits US. “A film about male entitlement and a banshee, Damien is overcome by neighbors unfolds. (10 mins.) the town with him. (11 mins.) the role of women in society—a smart and unexpected feelings for the creature. funny movie that says a whole lot in ten (12 mins.) | | 2/17 10:30 BAG 2/10 10:30 BAG minutes.”—Birth. Movies. Death. | 2/16 8:30 | LH (11 mins.) 2/24 10:30 BAG

2/11 10:30 | BAG Sponsored by Shudder WAYS OF SEEING 18

Bold, original, and ­aesthetically inventive new works pushing against the borders of cinematic expression, which in the process challenge our assumptions about All the Cities of the North Dead Slow Ahead The Dreamed Ones the possibilities of DANE KOMLJEN | SERBIA/BOSNIA MAURO HERCE | SPAIN/FRANCE RUTH BECKERMANN | & HERZEGOVINA/MONTENEGRO GERMANY/AUSTRIA image and sound, form Despite new technology, the transport and narrative. Built around origin myths and mysteries of physical goods continues to rely on In 1948, Paul Celan, a concentration from a not-so-distant past, Komljen’s age-old means. Herce’s film is a hypnotic camp survivor and esteemed post-war debut is set in an abandoned, hotel and warmly austere trip aboard an cargo poet, met Ingeborg Bachmann, a writer complex near the Montenegro/Albania ship, the Fair Lady, endlessly traversing whose father was a Nazi. They met again border. Two men squat there in a oceans with no apparent destination. on just one more occasion, nonetheless singularly idyllic arrangement: wordless, The ship groans under pressure, engines generating almost 20 years of long-­ contemplative, tender, yet soon interrupted clatter, waves crash, lightning strikes, and distance correspondence before Celan’s by a unobtrusive interloper. Woven the workers sing karaoke between bouts suicide in 1971. Inspired by fact and between these scenes are the documented of cleaning cavernous and unending fiction, where document and literature histories of State-style planning, utopian holds while the world waits for its next intersect in the letters, Beckerman’s film in their idiosyncratic ways, texts from delivery. In Tagalog with English subtitles. is a cross between observational Simone Weil, Jean-Luc Godard, and (74 mins.) Short: Night Without documentary and essay film. She kept classical Serbian poetry which complicate Distance, Lois Patiño, Portugal/Spain. the camera rolling between takes of and reconfigure. “Anything is possible, On the Portugal/Galicia border, smugglers two reading the letters, capturing and somehow, it all softly collides into wait as night becomes palpable through palpable on-screen chemistry and evoking one solid consummation that drifts deeply technological means. (23 mins.) a contemporary romance from the under the skin.”—Brooklyn Magazine. historical source material. (89 mins.) | In Serbian with English subtitles. 2/10 6:00 OMSI (100 mins.) 2/15 8:30 | OMSI 2/13 8:45 | LH3 2/22 8:30 | FOX 2/14 8:30 | FOX 2/20 8:45 | LH3

The Dreamed Path Eldorado XXI The Human Surge Kékszakállu ANGELA SCHANELEC | GERMANY SALOMÉ LAMAS | EDUARDO WILLIAMS | GASTÓN SOLNICKI | ARGENTINA Influenced by the ethos of legendary PORTUGAL/FRANCE ARGENTINA/BRAZIL/PORTUGAL Loosely based on Béla Bartók’s 1918 French director Robert Bresson, The Set at 18,000 feet in the Peruvian Andes Work and leisure—particularly in the opera “Bluebeard’s Castle” and largely Dreamed Path is a riddle of a film and and focused on a community of exploited “developing” world—has inexorably constructed out of improvised scenes one of the year’s most exacting and miners in the small village of La Rinconda, shifted to a quasi-industrial, quasi-service featuring non-actors, Solnicki’s film precise works. In mid-80s Greece, Lamas’s probing and uniquely-structured hellscape where everything is commodi- follows a group of young women two young lovers, Theres and Kenneth, film questions both the means and the fied and interpersonal relations have embarking on life away from their parents’ sing on street corners to finance their ends of material extraction—from both the taken on many new forms. Williams’s watchful eye, and into an oscillation travel while a revolution sputters in the earth and from the people who do the shape-shifting network narrative (or is it between a perplexing existence in a background. Thirty years on in Berlin, work. In the aural collage of the film’s first documentary?)—jumping from Buenos Uruguayan resort town and drab days in a successful couple, Ariane and David, half, troubling personal testimony Aires to Mozambique to the Philippines Buenos Aires. Shot with a formalist rigor negotiate a painful split; David begins intermingles with the “official word,” in three linked parts all revolving around (you may not see a more outwardly seeing Kenneth—now homeless—outside creating a subtle cacophony of conflict. listless youth—deeply understands beautiful film this year) and edited toward his apartment window. Meanwhile, Later, scenes of intense natural beauty in these dynamics and presents us with a the symbolic and elliptical, Solnicki’s Theres has also made her way to Berlin. the highest human settlement in the world mysterious, languid yet wholly invigorating exactingly stunning film is “a challenging, “A glorious existential sucker punch.”—4:3. are complicated by the presence of brutal vision of precarious employment in the invigorating vision of cinema’s continued In German and English with English manual labor, but in the end Lamas’s age of automation. Winner of the Golden vitality.”—Sight & Sound. In Spanish with subtitles. (86 mins.) searching work has a profound empathy Leopard for new filmmakers at the English subtitles. (72 mins.) written all over it. (125 mins.) Locarno Film Festival. In Spanish and | | 2/11 6:00 LH2 Portuguese with English subtitles. 2/19 3:00 LH3 2/17 6:00 | LH2 2/13 8:30 | WH (100 mins.) 2/25 8:45 | FOX 2/16 5:45 | LH3 2/17 6:00 | FOX 2/22 6:00 | FOX SHORT CUTS 1: On Art & Artists 19

2/11 12:30 | WH Hold On Mining Poems Total running time: 84 mins. CHARLOTTE SCOTT-WILSON | CALLUM RICE | SCOTLAND/UK NETHERLANDS Robert, an ex-shipyard welder from A young cellist has to overcome her Scotland, reflects on his newfound fears in order to keep her position in an compulsion to write. His retrospective orchestra. (22 mins.) poetry reveals a man who is trying to achieve a state of contentment through words and philosophy. (11 mins., Let’s Dance: documentary) HOLD ON Bowie Down Under RUBIKA SHAH | AUSTRALIA/UK Brillo Box 3¢ Off LISANNE SKYLER | US The remarkable, forgotten story behind “Let’s Dance,” David Bowie’s biggest Four decades ago, Skyler’s family paid hit record. (11 mins.) $1,000 for a bright yellow Andy Warhol Brillo Box; now they bring millions at auction. As Skyler recounts her personal tale of the family’s Brillo Box she offers a fascinating perspective on the course of MINING POEMS the art world over the last half century. (40 mins., documentary)

BRILLO BOX 3¢ OFF

SHORT CUTS 2: Family Ties

2/12 11:30 | WH A Done Deal Five Boys and a Wheel Total running time: 93 mins. SIMON LAMARRE-LEDOUX, SAID ZAGHA | PALESTINE/JORDAN | PIERRE DROUIN CANADA In this Arabic-language adaptation of Remy, a hitman for a small-time Raymond Carver’s “Bicycles, Muscles, mobster, has to kill Fernand, an old Cigarettes,” a schoolteacher in Aqaba, Glove associate who talks too much. The plan Jordan, has to gain his young son’s confidence and admiration through an ALEXA LIM HAAS, is simple: invite him for coffee, offer him a ride, and shoot him in the alley. Easy! act of violence. (19 mins.) BERNADO BRITTO | US A done deal . . . (10 mins.) GLOVE The true story of a glove that’s been floating in space since 1968. (5 mins., Thanks for Dancing animation) How Was Your Day? HENRIK MARTIN DAHLSBAKKEN | DAMIEN O’DONNELL | IRELAND NORWAY It Was Yesterday A woman is excited about the approaching A sweet and deeply moving testament birth of her first child. (14 mins.) to lifelong love, told through the story of VALENTINA PEDICINI | ITALY two elderly men. (18 mins.) Giò, 13, is the head of a boys’ gang and is secretly in love with Paola. To win her Edmond heart, Giò is ready to compete with her NINA GANTZ | UK HOW WAS YOUR DAY? male opponents. Then, in the last day of summer, innocence ends. (15 mins.) A man with questionable eating habits reflects on his life, and searches for the origin of his perverse desires. (10 mins., animation)

EDMOND SHORT CUTS 3: Viewpoints 20

2/20 6:00 | WH The Procedure Irregulars Total running time: 85 mins. CALVIN REEDER | US FABIO PALMIERI | ITALY A man is captured and forced to endure Against the backdrop of a mannequin a strange experiment. (4 mins.) factory, one refugee tells his harrowing story. (9 mins., documentary) Deer Flower The Goodbye KANGIN KIM | SOUTH KOREA/US DEER FLOWER CLARA ROQUET | SPAIN A boy and his family visit a deer farm, where the boy has some peculiar A Bolivian maid attempts to honor her experiences. (8 mins., animation) late mistress’s last wishes. (14 mins.) The Chop 9 Days: From My LEWIS ROSE | UK Window in Aleppo In this “kosher comedy,” a skilled and FLOOR VAN DER MEULEN, charming Jewish butcher must expand his THOMAS VROEGE | SYRIA horizons after he loses his job. (17 mins.) IRREGULARS Syrian photographer Issa Touma spent nine days holed up in his apart- Home ment, recording what was happening outside his window. The result? DANIEL MULLOY | /UK An unprecedented glimpse into a war A young, happy family seems to be going that has been raging for three years now. on holiday but is instead on a journey (13 mins., documentary) similar to millions of others. (20 mins.)

THE GOODBYE

SHORT CUTS 4: Distant Tales

2/25 1:00 | WH The Boy by the Sea Morium Total running time: 80 mins. VASILY CHUPRINA | MARK OLEXA, FRANCESCA SCALISI LATVIA/NETHERLANDS | BANGLADESH/SWITZERLAND The story of an unlikely friendship A beautiful but strange young woman between a young boy and an old says her parents must be punished for Borrowed Time lighthouse keeper. (7 mins.) holding her prisoner and torturing her. ANDREW COATS | US They have a different story. (12 mins., documentary) A weathered sheriff returns to the remains The Last Journey of BORROWED TIME of an accident he has spent a lifetime trying to forget. With each step forward, the Enigmatic Paul W.R Gods Acre the memories come flooding back. ROMAIN QUIROT | FRANCE (7 mins., animation) KELTON STEPANOWICH | CANADA Mankind’s only hope of salvation rests Frank lives alone on his family’s ancestral upon the shoulders of the enigmatic Cree lands, but water levels are rising The Trader Paul WR, the most talented astronaut of due to climate change, and evacuation his generation. Mysteriously, a few hours MANUEL ALVAREZ DIESTRO, seems more necessary every day. before the mission launch, Paul has (15 mins.) SERGIO BELINCHON | SPAIN disappeared. (13 mins.) A busy executive has a very unlikely MORIUM commute to work. (12 mins.) Eden Hostel GONZAGA MANSO | SPAIN Hanging on the wall in a humble hostel room has been a life-fulfilling experience for a statue of the Virgin Mary. A sly, black comedy from a unique perspective. (14 mins.)

FILM TITLE SHORT CUTS 5: Made in Oregon 21

2/18 2:30 | WH Ascendant Kuwepo Total running time: 94 mins. LEAH BROWN | PORTLAND JAN HAAKEN | PORTLAND Seven mysterious women sit around Women’s health providers in Kenya must a table quietly dining until one woman negotiate access, class, and religion in a disrupts the silence. (4 mins.) nation striving to overcome its problems. Individual (23 mins.) NATHAN SONENFELD | PORTLAND These Flowers An animated meaning-of-self in a new The Child and the Dead THESE FLOWERS NOAH LAMBIE | LINCOLN CITY world. (1 min.) KARINA & MARC RIPPER | Flipbook and time-lapse animation interpret a poem of the same title by PORTLAND Your Move Hungarian poet Sandor Petofi. (3 mins.) In this quiet thriller, a father and his son ROLLYN STAFFORD | PORTLAND and girlfriend are left stranded on a forest road after a car accident with a stranger. Chess is the international game of Carnal Orient (14 mins.) strategy and tactic, but can it also be MILA ZUO | CORVALLIS a beacon for love? (9 mins.) A dark and strangely surreal snapshot of Incendio sexual desire aimed at the exotic. (9 mins.) The Cutting Shadow SLATER DIXON | PORTLAND CARNAL ORIENT VU PHAM | PORTLAND Mexican food can be spicy, and some- Bare the Sun times, with a powerful punch, it can Two Vietnamese brothers pay a visit to inflame passions we did not know existed. JESSE WIDENER | KLAMATH FALLS their drug-dealing cousin, discovering (6 mins.) chaos, temptation, and a sinister other A man wanders through a scorching lurking behind the wall. (15 mins.) desert with only the precious water in Sponsored by Oregon Film, his canteen, and a bandanna full of seeds World Foods Portland, and OMPA he plants along the way. (10 mins.)

THE CHILD AND THE DEAD

SHORT CUTS 6: Animated Worlds

LAIKA’s Mark Shapiro One, Two, Tree Analysis Paralysis Paniek! attends animation YULIA ARONOVA | ANETE MELECE | SWITZERLAND JOOST LIEUWMA, DAAN VELSINK | SWITZERLAND/FRANCE NETHERLANDS ­festivals from Annecy Anton is lost in his own head until one A tree takes the opportunity to borrow day a yellow boot brings him to an exit. Marja’s imaginary mistakes grow to to Zagreb and has hand­ the boots of a hiker sleeping under its (9 mins.) absurd proportions. (6 mins.) picked this collection boughs and embarks on an adventurous of diverse works that excursion. (7 mins.) Accidents, Blunders showcase sparkling A Head Disappears | CANADA and Calamities international talents. Vaysha is not like other little girls. Her left | JAMES CUNNINGHAM | FRANCK DION CANADA/FRANCE eye only sees the past and her right, only NEW ZEALAND 2/19 12:00 | WH Jacqueline has lost her head, but who the future. But she can’t see the present. Total running time: 80 mins. cares! For her trip to the seaside, she’s (8 mins.) A father possum reads a bedtime story decided to take the train alone, like a to his kids—an alphabet of the most big girl. (8 mins.) dangerous animal of all—humans! Sous Tes Doigts (5 mins.)

Life Is Hard (Under Your Fingers) Sponsored by LAIKA MARIE-CHRISTINE COURTÈS | SIMON SCHNELLMANN | MOROCCO GERMANY/SWITZERLAND When her grandmother dies, dance and Life is not fair. In brief episodes, a few traditional rituals in honor of the deceased strokes are all it takes to get to the heart allow young Emilie to retrace and relive of various absurd moments. (3 mins.) the story of the women in her family. (13 mins.) An Ordinary Blue Monday NAOMI VAN NIEKERK | Au revoir Balthazar SOUTH AFRICA RAFAEL SOMMERHALDER | One Monday morning, a girl gets ready SWITZERLAND for school, but in the ghetto neighbor- Freed from its fixed existence by a storm, hood where she lives, violence is part of a scarecrow leaves its unlived life behind everyday life. (4 mins.) and follows its desires. (10 mins.) SHORT CUTS 7: Return to Landscape 22

2/16 8:30 | WH An Aviation Field Irradiant Field Total running time: 87 mins. JOANA PIMENTA | PORTUGAL/US LAURA KRANING | US “An aviation field in an unknown suburb. “A visual and sonic portrait at the Part of Ways of Seeing. The lake underneath the city burns the intersection of nature and machine— Please see page 18 for section details. streets. The mountains throw rocks into a desert mirage of light, wind, water, the gardens. In the crater of a volcano in and metallic reflection.”—LK. (10 mins.) Fogo, a model Brazilian city is lifted and dissolves.”—JP. (14 mins.) 350 MYA AN AVIATION FIELD Burning Mountains TERRA LONG | CANADA That Spew Flame “Traces of unrelenting wind and the edges of harsh light create tangible and SAMUEL M. DELGADO, illusory shapes within space in the Tafilalt HELENA GIRÓN | SPAIN region of the Sahara Desert, which used to be the bottom of a prehistoric ocean.” A mysterious voyage into the depths of —TL. (5 mins.) one of the longest volcanic tunnels in Europe to excavate an idiosyncratic history of resistance. (14 mins.) Engram of Returning BURNING MOUNTAINS DAÏCHI SAÏTO | JAPAN As Without So Within “An epic 35mm CinemaScope meta­ MANUELA DE LABORDE | physical travelogue that reveals a supernal world which pulses and flickers MEXICO/US/UK with formal patterns and deep hues.” “Mapped as a contemplative film, it —DS. (19 mins.) is the result of conceptual concerns and examinations on the act of going to the cinema, as well as the experiences offered, in particular, by author filmmaking.” —MDL. (25 mins.) ENGRAM OF RETURNING

SHORT CUTS 8: In Pursuit

2/21 8:45 | WH Cilaos Old Hat Total running time: 91 mins. CAMILO RESTREPO | FRANCE ZACH IANNAZZI | US “To keep a promise made to her dying Flying forward one minute, lying down Part of Ways of Seeing. mother, a young woman goes off in the next—the past confronts the present. Please see page 18 for section details. search of her father, a womanizer she has “Whatever the difficulty of finding a way never met . . . explores the deep and forward, film does nothing but.”—Max murky ties that bind the dead and the Goldberg. (8 mins.) living.”—CR. (13 mins.) 025 Sunset Red CILAOS Answer Print LAIDA LERTXUNDI | SPAIN Indefinite Pitch MÓNICA SAVIRÓN | US “A kind of quasi-autobiographical JAMES N. KIENITZ WILKINS | US reckoning. An indiscernibility of then “The fading that devastates color films and now. Recollection and immediacy. “A pathetic movie pitch set in Berlin slips occurs in the dark. It is accelerated by Delicacy and virility. The elusive and the into the murkiness of memory and into high temperatures and, to a lesser extent, haptic. The Basque Country and histories best forgotten or purposely relative humidity. Dye fading is irrevers- California.”—LL. (14 mins.) ignored.”—JNKW. (25 mins.) ible. Once the dye images have faded, the information lost cannot be recov- ered”—Image Permanence Institute. Ha Terra! Luna E Santur (5 mins.) INDEFINITE PITCH ANA VAZ | BRAZIL JOSHUA GEN SOLONDZ | US “An encounter, a hunt, a diachronic tale “Hooded figures, violent passion, and of looking and becoming. As in a game, stroboscopic tenderness brought on as in a chase, the film errs between by a paranormal encounter I had in the character and land, land and character, summer of 2015.”—JGS. (11 mins.) predator and prey.”—AV. (13 mins.)

OLD HAT PIFF XL SPONSORS 23

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NWFILM.ORG PIFF XL FILM INDEX 26

FINLAND ISRAEL SINGAPORE Feature Films The Happiest Day in the Life of Olli Mäki Forever Pure Maya Zinshtein ...... 13 Apprentice Jenfeng Boo...... 6 Juho Kuosmanen...... 7 One Week and a Day Asaph Polonsky . . . . . 8 SLOVAKIA ARGENTINA The Women’s Balcony Emil Ben Shimon. . . . 9 FRANCE The Teacher Jan Hrˇebejk...... 6 The Distinguished Citizen Apprentice Jenfeng Boo...... 6 ITALY Gastón Duprat, Mariano Cohn...... 10 Clash Mohamed Diab ...... 7 Gianfranco Rosi ...... 13 SOUTH AFRICA The Human Surge Eduardo Williams...... 18 Fire at Sea Daguerrotype Kiyoshi Kurosawa...... 17 Edoardo De Angelis...... 7 Heidi Alain Gsponer...... 16 Kékszakállu Gastón Solnicki ...... 18 Indivisible Dead Slow Ahead Mauro Herce...... 18 Paolo Virzì...... 10 Parting Navid Mahmoudi...... 8 Like Crazy The Death of Louis XIV Albert Serra . . . . . 4 SOUTH KOREA Rara Pepa San Martín...... 8 Death in Sarajevo Danis Tanovic´ ...... 9 JAPAN The Age of Shadows Jee-woon Kim...... 9 Truman Cesc Gay ...... 11 El Acompañante Pavel Giroud ...... 9 After the Storm Hirokazu Kore-eda...... 4 The Invisible Guest Oriol Paulo...... 17 AUSTRIA Eldorado XXI Salomé Lamas ...... 18 Daguerrotype Kiyoshi Kurosawa...... 17 The World of Us Ga-eun Yoon...... 16 Fire at Sea Gianfranco Rosi ...... 13 Miwa Nishikawa...... 10 Yourself and Yours Hong Sangsoo ...... 6 The Dreamed Ones Ruth Beckermann...... 18 The Long Excuse Frantz François Ozon...... 4 Nagasaki: Memories of My Son ...... SPAIN BELGIUM Graduation Cristian Mungiu...... 4 Yoji Yamada 5 Mohamed Ben Attia...... 7 Dead Slow Ahead Mauro Herce...... 18 After Love Joachim Lafosse...... 9 Hedi KENYA . . . . . Raoul Peck ...... 13 The Death of Louis XIV Albert Serra 4 Burden Timothy Marrinan, Richard Dewey. . . . 12 I Am Not Your Negro Xavier Dolan. .10 Kati Kati Mbithi Masya...... 7 The Distinguished Citizen Daguerrotype Kiyoshi Kurosawa...... 17 It’s Only the End of the World Gastón Duprat, Mariano Cohn...... 10 Paolo Virzì...... 10 Graduation Cristian Mungiu...... 4 Like Crazy MEXICO The Olive Tree Icíar Bollaín ...... 5 Dominique Abel, Fiona Gordon. . 10 I Am Not Your Negro Raoul Peck ...... 13 Lost in Paris Panamerican Machinery Joaquín Del Paso. . 8 Truman Cesc Gay ...... 11 The Land of the Enlightened Louise by the Shore Jean-François Laguionie. .16 We Are the Flesh Emiliano Rocha Minter . . . .17 Pieter-Jan De Pue...... 13 My Life as a Zucchini Claude Barras. . . . . 16 SWEDEN Lost in Paris Dominique Abel, Fiona Gordon. . 10 Nocturama Bertrand Bonello ...... 11 MONTENEGRO Alive & Kicking Susan Glatzer ...... 12 A Quiet Passion Terence Davies...... 5 The Ornithologist João Pedro Rodrigues. . . .11 All the Cities of the North Dane Komljen. . . 18 Burden Timothy Marrinan, Richard Dewey. . . . 12 The Son of Joseph Eugène Green...... 8 Personal Shopper Olivier Assayas...... 5 The Commune Thomas Vinterberg...... 4 Sieranevada Cristi Puiu ...... 6 NETHERLANDS The Happiest Day in the Life of Olli Mäki BOSNIA & HERZEGOVINA The Son of Joseph Eugène Green...... 8 The Commune Thomas Vinterberg...... 4 Juho Kuosmanen...... 7 All the Cities of the North Dane Komljen. . . 18 Staying Vertical Alain Guiraudie ...... 6 The Land of the Enlightened Death in Sarajevo Danis Tanovic´ ...... 9 The Stopover Delphine Coulin, Muriel Coulin. . 8 Pieter-Jan De Pue...... 13 SWITZERLAND Sieranevada Cristi Puiu ...... 6 Wùlu Daouda Coulibaly ...... 9 Tonio Paula van der Oest ...... 11 Aloys Tobias Nölle...... 6

Heidi Alain Gsponer...... 16 BRAZIL GERMANY NORWAY I Am Not Your Negro Raoul Peck ...... 13 The Human Surge Eduardo Williams...... 18 Apprentice Jenfeng Boo...... 6 Forever Pure Maya Zinshtein ...... 13 My Life as a Zucchini Claude Barras. . . . . 16 The Ornithologist João Pedro Rodrigues. . . .11 Austerlitz Sergei Loznitsa ...... 12 The King’s Choice Erik Poppe ...... 10 The Dreamed Ones Ruth Beckermann...... 18 TUNISIA BULGARIA The Dreamed Path Angela Schanelec. . . . . 18 PANAMA Hedi Mohamed Ben Attia...... 7 Glory Kristina Grozeva, Petar Valchanov. . . . . 10 The Happiest Day in the Life of Olli Mäki El Acompañante Pavel Giroud ...... 9 Juho Kuosmanen...... 7 TURKEY CANADA Hedi Mohamed Ben Attia...... 7 PHILIPPINES Kedi Ceyda Torun ...... 13 It’s Only the End of the World Xavier Dolan. .10 Heidi Alain Gsponer...... 16 Ma’Rosa Brillante Mendoza...... 5 Maliglutit Zacharias Kunuk...... 10 Kati Kati Mbithi Masya...... 7 UNITED ARAB EMIRATES Old Stone Johnny Ma...... 8 Land of Mine Martin Zandvliet...... 5 POLAND Hedi Mohamed Ben Attia...... 7 Window Horses Ann Marie Fleming...... 16 The Olive Tree Icíar Bollaín ...... 5 Afterimage Andrzej Wajda...... 4 Paradise Andrei Konchalovsky ...... 5 All These Sleepless Nights Michał Marczak. .12 CHILE Personal Shopper Olivier Assayas...... 5 Panamerican Machinery Joaquín Del Paso. . 8 The Autopsy of Jane Doe André Øvredal. . . 17 Rara Pepa San Martín...... 8 Suntan Argyris Papadimitropoulos...... 9 Burden Timothy Marrinan, Richard Dewey. . . . 12

PORTUGAL A Dark Song Liam Gavin...... 17 CHINA GHANA The Death of Louis XIV Albert Serra . . . . . 4 Forever Pure Maya Zinshtein ...... 13 Behemoth Zhao Liang...... 12 Nakom T.W. Pittman, Kelly Daniela Norris. . . . . 8 Eldorado XXI Salomé Lamas ...... 18 A Quiet Passion Terence Davies...... 5 I Am Not Madame Bovary Feng Xiaogang. . . 4 The Human Surge Eduardo Williams...... 18 The Sense of an Ending Ritesh Batra...... 11 Life After Life Zhang Hanyi...... 7 GREECE The Ornithologist João Pedro Rodrigues. . . .11 Old Stone Johnny Ma...... 8 Glory Kristina Grozeva, Petar Valchanov. . . . . 10 UNITED STATES Soul on a String Zhang Yang...... 11 The Stopover Delphine Coulin, Muriel Coulin. . 8 QATAR Abacus: Small Enough to Jail Steve James. .12 Suntan Argyris Papadimitropoulos...... 9 Hedi Mohamed Ben Attia...... 7 ...... COLOMBIA Alive & Kicking Susan Glatzer 12 All These Sleepless Nights Michał Marczak. .12 El Acompañante Pavel Giroud ...... 9 HONG KONG ROMANIA The Autopsy of Jane Doe André Øvredal. . . 17 Jenfeng Boo...... 6 Apprentice Cristian Mungiu...... Graduation 4 Burden Timothy Marrinan, Richard Dewey. . . . 12 CROATIA Ng Ka-leung, Jevons Au, Chow Kwun- Ten Years Cristi Puiu ...... Sieranevada 6 Buzz One Four Matt McCormick...... 12 Train Driver’s Diary Milos Radovic´...... 11 Wai, Fei-Pang Wong, Kwok Zune...... 9 The Eyes of My Mother Nicolas Pesce. . . . 17 RUSSIA CUBA HUNGARY I Am Not Your Negro Raoul Peck ...... 13 Forever Pure Maya Zinshtein ...... 13 Kedi Ceyda Torun ...... 13 El Acompañante Pavel Giroud ...... 9 Kills on Wheels Attila Till...... 7 Paradise Andrei Konchalovsky ...... 5 My Entire High School Sinking CZECH REPUBLIC INDIA The Student Kirill Serebrennikov...... 11 Into the Sea Dash Shaw...... 16 Nakom T.W. Pittman, Kelly Daniela Norris. . . . . 8 The Teacher Jan Hrˇebejk ...... 6 Half Ticket Samit Kakkad...... 16 SAUDI ARABIA Obit Vanessa Gould...... 13 Barakah Meets Barakah Mahmoud Sabbagh. . 6 DENMARK IRAN Raising Bertie Margaret Byrne...... 13 Revengeance Bill Plympton, Jim Lujan...... 16 The Commune Thomas Vinterberg...... 4 Life+1Day Saeed Malekan...... 7 SENEGAL Land of Mine Martin Zandvliet...... 5 Parting Navid Mahmoudi...... 8 Wùlu Daouda Coulibaly ...... 9 Starless Dreams Mehrdad Oskouei...... 13 EGYPT SERBIA Clash Mohamed Diab ...... 7 IRELAND All the Cities of the North Dane Komljen. . . 18 A Dark Song Liam Gavin...... 17 Train Driver’s Diary Milos Radovic´...... 11 The Land of the Enlightened Pieter-Jan De Pue...... 13

Without Name Lorcan Finnegan...... 17 PIFF XL FILM INDEX 27

PALESTINE PIFF THEATER STAFF Scott Braucht, Zoe Cohen, Meg Five Boys and a Wheel Said Zagha ...... 19 Short Cuts Film Center Cook, Nikki Cormaci, Khai East, Oktay Ege Kozak, Jaden Fooks, Ryan Fox, AUSTRALIA PORTUGAL Staff & Faculty Rachel Haigh, Robert Ham, Wilhelmina An Aviation Field Joana Pimenta ...... 22 Let’s Dance: Bowie Down Under Hayward, Brandon Horne, Alesha Rubika Shah...... 19 NORTHWEST FILM CENTER DIRECTOR SCOTLAND Bill Foster Judd, Jennifer Knop, Dustin Krcatovich, BANGLADESH Mining Poems Callum Rice ...... 19 Danielle Lathrop, Jesse Liams-Hauser, EDUCATION DIRECTOR Claire Lindsay, Mick Mangold, Emily Morium Mark Olexa, Francesca Scalisi . . . . . 20 Ellen Thomas SOUTH AFRICA Mercer, Claudia Meza, Adam Neve, BRAZIL An Ordinary Blue Monday FILMMAKER SERVICES MANAGER Jason Longwell, Joshua Rossman, Naomi van Niekerk...... 21 Ben Popp Ha Terra! Ana Vaz...... 22 Chase Spross, Megan Hattie Stahl, EXHIBITION PROGRAM MANAGER Miriam Talus, Abigail Thompson, CANADA SOUTH KOREA & PROGRAMMER Christine Valentine, Ian Westmorland, Deer Flower Kangin Kim...... 20 Morgen Ruff 350 MYA Terra Long...... 22 Christof Whiteman, Injoong Yoon, PR & MARKETING MANAGER Iris Young, Amanda Zogby Blind Vaysha Theodore Ushev...... 21 SPAIN A Done Deal Simon Lamarre-Ledoux, Benna Gottfried FACULTY 025 Sunset Red Laida Lertxundi...... 22 Pierre Drouin ...... 19 PUBLICITY & PROMOTIONS MANAGER Dan Ackerman, Kyle Aldrich, Steve Burning Mountains That Spew Flame A Head Disappears Franck Dion ...... 21 Nick Bruno Amen, Bushra Azzouz, Scott Ballard, Samuel M. Delgado, Helena Girón...... 22 Gods Acre Kelton Stepanowich ...... 20 Patricia Baum, Andy Blubaugh, Steve Eden Hostel Gonzaga Manso...... 20 EDUCATION PROGRAMS MANAGER Mia Ferm Doughton, Mark Eifert, Beth Federici, FRANCE The Goodbye Clara Roquet...... 20 The Trader Manuel Alvarez Diestro, DEVELOPMENT MANAGER Sean Grasso, Brenda Grell, Paul Cilaos Camilo Restrepo...... 22 Sergio Belinchon ...... 20 Rachel Record Harrod, Courtney Herman, Randall A Head Disappears Franck Dion ...... 21 Jahnson, Emile-Rose Kalin, Alain EQUIPMENT MANAGER The Last Journey of the Enigmatic SWITZERLAND Letourneau, Brian Lindstrom, Maddie Paul W.R Romain Quirot...... 20 Edward Davee Analysis Paralysis Anete Melece ...... 21 Loftesness, Pamela Minty, Gary Nolton, One, Two, Tree Yulia Aronova...... 21 MEMBERSHIP & DEVELOPMENT Au revoir Balthazar Rafael Sommerhalder . . .21 Amy O’Brien, Mark Orton, Dan ­ASSOCIATE One, Two, Tree Yulia Aronova...... 21 Schaefer, Dave Slay, Jean Margaret GERMANY Bailey Cain Thomas, Melissa Tvetan, Will Vinton, Life Is Hard Simon Schnellmann...... 21 SYRIA THEATER MANAGER Wayne Woods Micah Vanderhoof IRELAND 9 Days: From My Window in Aleppo OFFICE INTERNS & VOLUNTEERS Floor Van Der Meulen, Thomas­ Vroege . . . . .20 HEAD PROJECTIONIST How Was Your Day? Damien O’Donnell. . . . 19 Austin Fontenot, Abigail Thompson, Arika Oglesbee SWITZERLAND Omar Rivera, Paul Hansen, Vincent ITALY ADMINISTRATIVE COORDINATOR Warne, John Heun, Tuesday Blue, Life Is Hard Simon Schnellmann...... 21 Irregulars Fabio Palmieri...... 20 Sergei Khlopoff Kellen Rear, Levy Wang, Conner Vanloo, Morium Mark Olexa, Francesca Scalisi . . . . . 20 It Was Yesterday Valentina Pedicini...... 19 EDUCATION SERVICES COORDINATORS Danielle Lathrop, Geoff Vrijmoet, UNITED KINGDOM Stephanie Hough, Andrew Price, Lucas Ospina, Nathan Sonenfeld, JAPAN Miles Sprietsma Ian Westmorland As Without So Within Manuela De Laborde . .22 Engram of Returning Daïchi Saïto...... 22 The Chop Lewis Rose...... 20 ENCORE FELLOW PORTLAND ART MUSEUM BOARD OF TRUSTEES Edmond Nina Gantz...... 19 Jennifer Newman JORDAN Janet Geary, Chair; Richard Louis Home Daniel Mulloy...... 20 PIFF VOLUNTEER COORDINATOR Five Boys and a Wheel Said Zagha ...... 19 Brown, Vice Chair; Laura Meier, Mining Poems Callum Rice ...... 19 Felisha Ledesma Secretary; H. Pat Ritz, Treasurer KOSOVO PRINT TRAFFIC COORDINATORS UNITED STATES NORTHWEST FILM CENTER COMMITTEE Home Daniel Mulloy...... 20 Jeffrey Sundin, Erik McClanahan An Aviation Field Joana Pimenta ...... 22 Linda Andrews, Alix Meier, Yale PRODUCTION DESIGN Answer Print Mónica Savirón...... 22 Popowich, Bob Warren, Don Van Wort LATVIA Tricia Chin, Michael Smith, As Without So Within Manuela De Laborde . .22 PORTLAND ART MUSEUM MARILYN H. & The Boy by the Sea Vasily Chuprina...... 20 Denise Brem Ascendant Leah Brown...... 21 DR. ROBERT B. PAMPLIN JR. DIRECTOR WEB DESIGN MEXICO Bare the Sun Jesse Widener ...... 21 Brian Ferriso Sam Miller Borrowed Time Andrew Coats...... 20 As Without So Within Manuela De Laborde . .22 Brillo Box 3¢ Off Lisanne Skyler...... 19 EDUCATION PROGRAM ASSISTANTS MOROCCO Carnal Orient Mila Zuo...... 21 Injoong Yoong, Scott Braucht, Rose Holdorf, Iris Young, Natalie Carroll, facebook.com/nwfilmcenter Sous Tes Doigts (Under Your Fingers) The Child and the Dead Karina & Marc Ripper...... Marie-Christine Courtès...... 21 21 Jordan Ros, Zuszsanna Mangu, @nwfilmcenter The Cutting Shadow Vu Pham...... 21 Molly Preston, George Gibson NETHERLANDS Deer Flower Kangin Kim...... 20 NWFC THEATER STAFF @nwfilmcenter The Boy by the Sea Vasily Chuprina...... 20 Glove Alexa Lim Haas, Bernado Britto...... 19 Katie Burkart, Mitchell Glidden, Hold On Charlotte Scott-Wilson...... 19 Incendio Slater Dixon...... 21 Rose Holdorf, Stephanie Hough, Paniek! Joost Lieuwma, Daan Velsink...... 21 Indefinite Pitch James N. Kienitz Wilkins . . . .22 Erik McClanahan, Shannon Neale, Individual Nathan Sonenfeld...... 21 Tony Olsen-Cardello, Ilana Sol, Identification Statement NEW ZEALAND Irradiant Field Laura Kraning...... 22 Lisa Tran, Veronica Vichit-Vadakan, Publication Title: Accidents, Blunders and Calamities Kuwepo Jan Haaken ...... 21 Larisa Zimmerman Northwest Film Center James Cunningham...... 21 Luna E Santur Joshua Gen Solondz ...... 22 Portland International Film Festival Old Hat Zach Iannazzi...... 22 Issue Date: February, 2017 NORWAY The Procedure Calvin Reeder...... 20 Statement of Frequency: Published six times per year Thanks for Dancing These Flowers Noah Lambie...... 21 Henrik Martin Dahlsbakken...... 19 Authorized Organization Name and Address: Your Move Rollyn Stafford...... 21 Portland Art Museum, Northwest Film Center 1219 SW Park Ave., Portland, Oregon 97205 Issue Number: Volume 45, Issue 2 NON-PROFIT ORG U.S POSTAGE PAID PORTLAND, OR PERMIT NO. 664

1219 SW Park Avenue Portland, OR 97205