Index to Volume 26 January to December 2016 Compiled by Patricia Coward
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THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background with comments interview with Miguel 41, 95; 4:111; 6:38; 8:10; viewing long films 4:5 Aaglund, Michael 8:17 Ahmed, Riz 10:13 from Andrea Arnold 10:18-22 Gomes 5:30-3 9:25, 104-5(b); 11:104 younger viewers’ preference Aardman Animation 1:6; 7:7 Aimée, Anouk 3:112; 11:99 American Pastoral 12:64(r) Arachnophobia 9:7 Jean-Marie Straub and Danièle for commercial films 1:26; Abacus: Small Enough to Jail 11:16 Aina, Shirikiana 1:60, 61 American Psycho 8:8 Arbor, The 4:48 Huillet 2:52; 8:104-5(b) how to encourage more Abel, Dominique 5:23 Airport, The (installation) 4:58 American Sniper 2:15; 11:41 Arbuckle, Roscoe ‘Fatty’ 9:98 Sunset Song 1:32-5, 72(r) adventurous habits 2:111 Abell, Tom 9:15 AK 6:95 American Zoetrope 12:29, 30 archives El sur 10:36-8 Audrie & Daisy 3:5 Abigail’s Party 4:42 Akdogan, Ilayda 6:28 Amis, Martin 10:30 Anthology Film Archives 10:50 Kidlat Tahimik 4:54-5 August, Bille 5:9 About Elly 1:49, 50 Akenfield Amistad 11:29 Austrian Film Museum Andrei Tarkovsky 3:11; 4:7, Augustine 4:11 Abraham, Marc 4:22, 23 appraisal, DVD release 9:97 Amit, Rea 2:98 4:99; 8:100; 11:53 30; 5:57; 10:5, 52, 12:111 Aurora (2010) 6:42 Abraham Lincoln: Vampire Akerman, Chantal 1:46, 48; 7:51 AMM 9:59 BFI National Archive 2:102; 3:59; Taviani brothers 9:94-5 Aurthur, Robert Alan 5:45 Hunter 3:16 No Home Movie 2:53 Among the Believers 5:69(r) 6:55, 103; 7:12; 10:7, 53; 12:6-7 A Touch of Zen 4:96-7 Austerlitz 11:14, 15; 12:55 Abrahamson, Lenny obituary 3:23 Amponsah, George Cinémathèque Française, Underground 5:112 Australian cinema Room 2:85(r), 3:17, background, Akerman, Natalia 1:48 The Hard Stop 8:80(r), Paris 4:57 Victoria 4:38-40, 92(r); 6:13 Dingo 8:103 making and comments Akiko Ashizawa 12:37 development 8:16-7 Cineteca Nazionale, Rome 9:10 Viridiana 12:112 Evolution 11:52 from him 2:34-7 Akins, Claude 2:22 AMY! 6:53 Czech Film Archive 10:97 Arthur, Jean 1:94; 3:7; 7:9 Austrian cinema Abrams, J.J. 3:32, 34 Akira (1987) 5:53 Amy (2015) 1:46, 48, 50, 53, 57, East Anglian Film Archive Arthuys, Philippe Peter Tscherkassky 1:64 Abrantes, Alcina 3:57 Akira (2016) 11:66(r) 58; 2:15; 8:45; 10:17; 12:15 (EAFA) 6:55 Paris nous appartient 4:56-7 Austrian Film Museum Abrantes, Gabriel Akira Kobayashi 2:97 Anand, Chetan 7:55 film technology 8:105(b) Artist, The (2011) 3:59; 7:53 4:99; 8:100; 11:53 survey of his films 3:56-7 Akkad, Moustapha Al 10:43 Anarchistes, Les 1:74(r) Harvard Film Archive 2:54 artists and film Auteuil, Daniel 5:22 Absent One, The 5:68(r) Akomfrah, John 6:111 Anarchy! The McLaren Images Film Archive 12:29 Action Space’s inflatable art 9:59 auteurism Absolutely Fabulous The survey of his work, in Westwood Gang aka The Imperial War Museum, John Akomrah 4:58 Alan Clarke 8:96-7 Movie 9:68(r) particular Auto Da Fé 4:58 Last Revolution 11:67(r) London 7:12 Stephen Connolly 11:57 Alfred Hitchcock 3:36-41, 78(r) Abstronic 1:98 tribute to Abbas Kiarostami 9:52 Anastasia (1956) 9:28 International Federation of Tony Conrad 12:52-3 Penelope Houston’s Abysses, Les 11:99 Alan Clarke: Out of His Anatomy of a Murder 4:7 Film Archives (FIAF) 9:57 Dada movement 11:54-5 involvement in 1:18-9 Academy Awards Own Light 8:96 Anderson, Gillian 2:42, 44, 45 Keepers of the Frame (book) 1:19 digital technology, use of 7:50-1 new female visibility in 2015 1:55 failure to nominate Albatros 4:57 Anderson, Judith 5:41 Vivien Leigh 8:6-7 Stan Douglas 4:59 Author: The JT LeRoy Story 8:71(r) black talent 11:30 Albertson, Frank 12:102 Anderson, Lindsay 1:18, Munich Filmmuseum 3:59 Omer Fast 7:11 Auto Da Fé (installation) 2016 Best Picture nominees Alcaine, José Luis 10:38 19; 3:39; 4:111 Royal Film Archive of Paolo Gioli 7:54 assessment 4:58 at US/UK box office 3:17 Aldrich, Robert 2:18, 27; Anderson, Paul Thomas Belgium 7:98 impact of cinema on Autry, Gene 10:99 Academy Cinema, 4:57; 9:7, 36, 102; 10:28 2:24; 7:48; 9:102; 11:6 Arden, Jane 1:111 avant-garde artists, Paris, Autumn Leaves (1956) 2:27 London 1:19; 2:57 achievements in 1970s 11:38-41 on Jack Fisk 3:50 Argento, Dario 3:43; 4:9; 10:52 1900-1923 9:5, 105(b) Avalon (2000) 5:7 According to My Glass Eye 7:54 Alekan, Henri 11:48 Anderson, Sini 8:30 Argo 2:15 Deimantas Narkevicius 5:57 Avalon, Frankie 8:57 Accountant, The (2016) 12:64(r) Aleksandrov, Grigori V. 3:61 Anderson, Wes 3:7; 5:22, Argyle, John F. 1:63 Anne Charlotte Robertson 2:52, 54 avant-garde Ace in the Hole (1951) 2:9; 10:28 Alexander, Karen 11:28 23; 6:8; 8:45 Aria on Gazes, An 9:58 Peter Tscherkassky 1:64 ‘Americanism’ of communists in Ackee & Saltfish series 1:11 Al Franken: God Spoke 8:54 Anderson, Will 1:7 Arkin, Alan 7:48 arts 1920s & early 1930s 8:106(b) Acres, Birt 9:10 Alfred Hitchcock Hour, The series 2:95 Anderson Tapes, The 4:56 Arletty 11:47 virtual reality, possible impact 5:5 American, 1920-1970, Across the Pacific 11:8 Alfred Hitchcock Presents... series Andersson, Bibi 10:24 Armstrong, Michael 8:56 Arts Against Cuts 8:60 appraisal, DVD release 1:98 acting appraisal, DVD release 2:94-5 Andersson, Roy 2:13; 9:111 Armstrong, Sergio 4:30 Arts and Humanities Research J.G. Ballard’s influences Ingrid Bergman 9:28-32 Algiers 11:46 Andrew, Geoff 9:48 Army Life, or, How Soldiers Council (AHRC) 1:63; 10:53 and legacy 4:24-6 Walter Brennan 2:105(b) Ali, Muhammad Andrews, Benedict 10:13 are Made series 9:10 Arts Council 6:48 Dada’s use of film 11:54-5 Kirk Douglas 2:20; 7:40, screen appearances 8:9 Andrews, Dana 10:99 Arnheim, Rudolf 10:53 arts on television Paolo Gioli 7:54 111; 10:26-30 Alibi (1942) 11:26 Andrews, Julie 3:111 Arnold, Andrea 6:7; 7:5, Ken Russell’s films 5:96-7 impact of cinema on artists, Hara Setsuko obituary 3:18 Alibi Ike 7:36 Andrews, Nigel 5:111 18; 10:13; 11:14, 28 Art Theatre Guild (ATG), Japan 2:98 Paris 1900-1923 9:5, 105(b) Isabelle Huppert 2:50; 4:16; 7:20, Alice Doesn’t Live Here Androids Dream 5:50-1 American Honey 6:7; 7:5, 18; 10:13, Asano Tadanobu 12:38 Malcolm Le Grice 6:48-9; 11:57 22; 9:18-23, 25,; 10:112; 11:5 Anymore 10:24 And Soon the Darkness (1970) 11:111 23-4; 11:66(r), background with Asante, Amma 11:28 Anne Charlotte Robertson 2:52, 54 Vivien Leigh 7:36; 8:6-7 Alice in the Cities 8:12, 13 And When I Die, I Won’t comments from her 10:18-22 A United Kingdom 10:12; 11:18, Peter Tscherkassy 1:64 Meryl Streep 6:107(b) Alice or the Last Escapade Stay Dead 1:65 Arnold, John 12:53 20, 21; 12:89(r), interview on Avant Pétalos Grillados 5:51 Channing Tatum 6:11 appraisal 1:103; 2:111 Angela (1995) 8:10 Arnolfini Centre for and her relationship with Avengers, The (2012) 10:15 action films Alice Through the Looking Angela’s Ashes 1:15 Contemporary Arts, Bristol 4:58 David Oyelowo 11:22 Avengers, The series 1:13; The Assassin 1:51; 2:28-32, 68(r) Glass (2016) 7:66(r) Angel Heart (1987) 5:8; 11:112; 12:45 Arnstam, Lev 7:55 Asbaek, Pilou 2:11 2:9; 8:57; 11:111 Ghostbusters 7:16-7; 9:76(r) Alidoosti, Taraneh 7:22 Angelopoulos, Theo 4:58 Arnsztyn, Marek 2:102 Ashbery, John 1:30 Avengers: Age of Ultron 1:51; The Nice Guys with reference Aligarh 1:54 Anger, Kenneth 1:98; Arora, Gabo 5:26, 27-8, 29 Ashby, Hal 11:41 2:15; 3:35; 10:15; 11:29 to other buddy movies All About Eve 7:8 8:27; 9:54; 11:13 Arp, Hans 11:54 Ashes & Embers 1:60 Avengers Assemble 4:20 7:46-9, 86(r); 8:111 All About My Mother 9:41, 42 Angry Birds 7:67(r) Arquette, Rosanna 6:21 Asian films AV Festival 2016, Newcastle 5:55 Ran 4:7; 6:94-5; 9:111 All About Them 1:74(r) Anguish (2015) 5:70(r) Arrested Development series 3:35 Tokyo FILMeX 2015 2:55 Aviator, The (2004) 2:13 review of 2015 1:51 Allardice, James 2:95 Animal House 6:25 Arrietty 7:32, 34 see also Chinese, Filipino, Hong avventura, L’ 10:52 A Touch of Zen 4:96-7 Allegiant 5:68(r) animals and film Arrival (2016) 11:14, 16; 12:58(r) Kong, Indian, Japanese, Awful Truth, The (1937) 9:9 Action Space Allégret, Yves 11:44, 45, 48 attacks by 9:7 Arrival of a Train at Ciotat, Taiwanese, Thai cinemas Axelrod, George 3:102 account of their aims and Allen, Joan 2:36 dogs 9:9 The 5:26; 9:57 Asphalte (2015) 9:18 Ayer, David 10:17 activities with inflatable