(Revised0507)JAPAN BOOTH 2013 Cannes FIX
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Issue of Entertainment Today
THE CHANGING FACE OF ECHO PARK Richard Glatzer and Wash Westmoreland were the first Caucasians on their block. Five years later, they’ve made the film Quinceañera dramatizing the gentrification of a Latino neighborhood, exploring both gay and ethnic issues in the process. Page 16 PLUS : Talladega Nights, The Night Listener, Changing Times, THE DESCENT concert reviews on CSYN and Redd Kross, the Mel Gibson mess, and more! Page 12 || ENTERTAINMENT TODAY FRIDAY, AUGUST 4, 2006 ENTERTAINMENT TODAY PUBLISHER KRIS CHIN MANAGING EDITOR CECILIA TSAI GUEST EDITOR ERIC BYLER ART PRODUCTION DAVID TAGARDA TECHNICAL SUPERVISOR KATSUYUKI UENO COPY EDITOR JULIAN CAMILLIERI WRITERS ADAM BARNICK FRANK BARRON JULIAN CAMILLIERI WARREN CURRY BROOKE DAMMKOEHLER CLAYSON DEBURGER 8 CONCERT REVIEWS 15 CHANGING TIMES SHIRLEY FIRESTONE JANOS GEREBEN MICHAEL GUILLÉN INDEX JONATHAN W. HICKMAN TRAVIS MICHAEL HOLDER TINA KIM KAT KRAMER M. Y. LEE MICHAEL LEVINE ERIC LURIO MARY MALLORY SCOTT MANTZ TONY MEDLEY ENTERTAINMENT DAWN MILLER VOL. 38|NO. 43|FRIDAY, AUGUST 4, 2006 KYLE MOORE TODAY STEVEN SNYDER PETER SOBCZYNSKI 16 THE CHANGING FACE OF ECHO PARK SEAN REYNOLDS GAIL ROBERTS Writer/directors Richard Glatzer and Wash Westmoreland talk about how their film Quinceañera dramatizes the ANNIE ROLLINS gradual gentrification of a Latino neighborhood, exploring both gay and ethnic issues in the process SUSIE ROTEMAN BRAD SCHREIBER BETH TEMKIN MOVIES MUSIC KIM VOYNAR MARCI WEINER 11 IDENTITY INTRIGUE IN “LISTENER” 8 A SUMMER OF CONCERTS RUSTY WHITE Kim Voynar reviews The -
Kinotayo-2010
PROGRAMME - PROGRAMME - PROGRAMME - PROGRAMME - 20 Nov 11 Déc 2010 5eme FESTIVAL DU FILM JAPONAIS CONTEMPORAIN Mascotte de Kinotayo 2010 140 projectionsAvec la participation d'Écrans - d'asie 25 villes Kinotayo2010 Yoshi OIDA, l’Acteur flottant, président du Festival Kinotayo 2010 Pour le festival Kinotayo, c’est un immense honneur que d’avoir pour président ce comédien, acteur, metteur en scène et écrivain insaisissable, animé par l’omniprésente énergie de la vie, sur scène et en dehors. Yoshi Oida est un acteur hors du commun. Né à Kobe en 1933, il a dédié sa vie aux théâtres du monde entier, en ayant pour seule ligne de conduite de renoncer à la facilité. Son apprentissage commence au Japon : il est initié au théâtre Nô par les plus grands maîtres de l’école Okura. De cette expérience, il retirera l’importance de l’harmonie entre tous les éléments qui constituent l’outil principal du comédien : son corps. Puis en 1968 Yoshi Oida est invité à Paris par Jean-Louis Barrault pour travailler avec Peter Brook. Il fonde avec ce dernier le Centre International de Recherche Théâtrale (CIRT). Au contact du « magicien du théâtre européen », il apprend que le comédien doit être « un vent léger, qui devenant de plus en plus fort, doit allumer une flamme et la faire grandir ». Aux côtés du maître, il apprend également la mise en scène, métier qui l’occupe énormément aujourd’hui. Il sillonne alors le monde à la recherche de la maîtrise théâtrale la plus complète, apprenant les jeux Africains, Indien, Persan. Il s’interroge sur la frontière entre la scène et la vie de tous les jours : « Qu’ai-je appris sur la scène qui pourrait m’aider à vivre ma vie d’homme ordinaire ? ». -
Main Screen: 1100 Seats (To Run Only 35Mm Film Prints)
Location: Chandan Cinema, Juhu Main Screen: 1100 Seats (to run only 35mm film prints) Show Time 1st Show 2nd Show 3rd Show 4th Show 5th Show Date/Day 10.00 am 12.30 Noon 3.30 pm 5.30 pm 8.00 pm 21-10-.2010 No shows No shows No shows At: 7.00 p.m. Opening Function followed by the Inaugural Film Thursday THE SOCIAL NETWORK Dir.: David Fincher (USA / 2010 /35mm / Col. / 120’) 22-10-2010 10:30 am Inauguration of To start show by 1:30 p.m. POETRY ON THE PATH (NA PUTU) UNITED RED ARMY Friday Japanese Cinema followed by SUBMARINO Dir.: Lee Chang-dong Dir.: Jasmila Zbanic (Bosnia and Dir.: Kôji Wakamatsu ABOUT HER BROTHER (OTÔTO) Dir.: Thomas Vinterberg (South Korea / 2010 / 35mm / Col. / 139’) Herzegovina-Austria-Germany- (Japan / 2007 / 35mm / Col. / 190') Dir.: Yôji Yamada (Denmark-Sweden / 2010 / 35mm / Col. / Croatia / 2010 / 100’) (Japan / 2010 / 35mm / 35mm / 105') 126’) WC WC WC CJC CJC 23-10-2010 HOLD ME TIGHT (HOLD OM UNDERTOW (CONTRACORRIENTE) HONEY (BAL) R SANDCASTLE Saturday MIG) Dir.: Javier Fuentes-León Dir.: Semih Kaplanoglu Dir.: Michael Noer & Tobias Lindholm Dir.: Boo Junfeng Dir.: Kaspar Munk (Peru-Colombia/ 2009 / 35mm / Col. / (Turkey-Germany / 2010 / 35mm / Col. / 103') (Denmark / 2010 / 35mm / Col. / 90’) (Singapore / 2010 / 35mm / Col. / 92') (Denmark / 2010 / 35mm / Col. / 80') 100’) ATC WC WC IC-Presentation IC-Presentation 24-10-2010 ON TOUR (TOURNÉE) BUNRAKU MUNDANE HISTORY OUTRAGE CATERPILLAR Sunday Dir.: Mathieu Amalric Dir.: Guy Moshe Dir.: Anocha Suwichakornpong Dir.: Takeshi Kitano Dir.: Kôji Wakamatsu (France / 2010 / 35mm / Col. -
Regard Sur Le Cinéma Japonais : La Jalousie Féminine… Au Féminin]
Document generated on 09/29/2021 7:02 p.m. Séquences La revue de cinéma Regard sur le cinéma japonais La jalousie féminine… au féminin Pascal Grenier Number 222, November–December 2002 URI: https://id.erudit.org/iderudit/48430ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Grenier, P. (2002). Review of [Regard sur le cinéma japonais : la jalousie féminine… au féminin]. Séquences, (222), 22–23. Tous droits réservés © La revue Séquences Inc., 2002 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ a dernière édition du Festival des films du monde rendait quittera femme et fille pour la retrouver. Non seulement veut-elle hommage au cinéma japonais avec la section Regard sur le passer beaucoup de temps avec lui mais aspire à leur union. L cinéma japonais. Il s'agissait de la troisième fois depuis les Lorsque que Hijiri s'immisce dans sa vie, elle se rend compte de la débuts du festival que le Japon était à l'honneur. Dès l'annonce de jalousie injustifiée éprouvée et renonce à sa relation avec Kouhei cette nouvelle, mon enthousiasme était sans borne compte tenu car ce dernier ne quittera jamais sa femme. -
Feff Press Kit
PRESS RELEASES, FILM STILLS & FESTIVAL PICS AND VIDEOS TO DOWNLOAD FROM WWW.FAREASTFILM.COM PRESS AREA Press Office/Far East Film Festival 19 Gianmatteo Pellizzari & Ippolita Nigris Cosattini +39/0432/299545 - +39/347/0950890 [email protected] - [email protected] Video Press Office Matteo Buriani +39/345/1821517 – [email protected] 21/29 April 2017 – Udine – Teatro Nuovo and Visionario FAR EAST FILM FESTIVAL 19: THE POWER OF ASIA! The irresistible road movie Survival Family opens the #FEFF19 on Friday the 21 st of April: a packed programme which testifies to the incredible vitality (both productive and creative) of Asian cinema. 83 titles selected from almost a thousand seen, and 4 world premiers, including Herman Yau's high-octane thriller Shock Wave , which will close the nineteenth edition. Press release of the 13 th of April 2017 For immediate release UDINE - Who turned out the lights? Nobody did, and the fuses haven't blown. And no, it's not even a power cut. Electricity has just suddenly ceased to exist, so the Suzuki family must now very quickly learn the art of survival: and facing a global blackout is not exactly a walk in the park! It's with the world screeching to a halt of the irresistible Japanese road movie Survival Family that the highly anticipated Far East Film Festival 19 opens: not just because Yaguchi Shinobu' s wonderful comedy is the festival's starting pistol on Friday the 21 st of April, but also for a question of symmetry: just like the blackout in Survival Family , the FEFF is an interruption . -
11Eyes Achannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air
11eyes AChannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air Master Amaenaideyo Angel Beats Angelic Layer Another Ao No Exorcist Appleseed XIII Aquarion Arakawa Under The Bridge Argento Soma Asobi no Iku yo Astarotte no Omocha Asu no Yoichi Asura Cryin' B Gata H Kei Baka to Test Bakemonogatari (and sequels) Baki the Grappler Bakugan Bamboo Blade Banner of Stars Basquash BASToF Syndrome Battle Girls: Time Paradox Beelzebub BenTo Betterman Big O Binbougami ga Black Blood Brothers Black Cat Black Lagoon Blassreiter Blood Lad Blood+ Bludgeoning Angel Dokurochan Blue Drop Bobobo Boku wa Tomodachi Sukunai Brave 10 Btooom Burst Angel Busou Renkin Busou Shinki C3 Campione Cardfight Vanguard Casshern Sins Cat Girl Nuku Nuku Chaos;Head Chobits Chrome Shelled Regios Chuunibyou demo Koi ga Shitai Clannad Claymore Code Geass Cowboy Bebop Coyote Ragtime Show Cuticle Tantei Inaba DFrag Dakara Boku wa, H ga Dekinai Dan Doh Dance in the Vampire Bund Danganronpa Danshi Koukousei no Nichijou Daphne in the Brilliant Blue Darker Than Black Date A Live Deadman Wonderland DearS Death Note Dennou Coil Denpa Onna to Seishun Otoko Densetsu no Yuusha no Densetsu Desert Punk Detroit Metal City Devil May Cry Devil Survivor 2 Diabolik Lovers Disgaea Dna2 Dokkoida Dog Days Dororon EnmaKun Meeramera Ebiten Eden of the East Elemental Gelade Elfen Lied Eureka 7 Eureka 7 AO Excel Saga Eyeshield 21 Fight Ippatsu! JuudenChan Fooly Cooly Fruits Basket Full Metal Alchemist Full Metal Panic Futari Milky Holmes GaRei Zero Gatchaman Crowds Genshiken Getbackers Ghost -
A Blue Cat on the Galactic Railroad: Anime and Cosmic Subjectivity
PAUL ROQUET A Blue Cat on the Galactic Railroad: Anime and Cosmic Subjectivity L OOKING UP AT THE STARS does not demand much in the way of movement: the muscles in the back of the neck contract, the head lifts. But in this simple turn from the interpersonal realm of the Earth’s surface to the expansive spread of the night sky, subjectivity undergoes a quietly radical transformation. Social identity falls away as the human body gazes into the light and darkness of its own distant past. To turn to the stars is to locate the material substrate of the self within the vast expanse of the cosmos. In the 1985 adaptation of Miyazawa Kenji’s classic Japanese children’s tale Night on the Galactic Railroad by anime studio Group TAC, this turn to look up at the Milky Way comes to serve as an alternate horizon of self- discovery for a young boy who feels ostracized at school and has difficulty making friends. The film experiments with the emergent anime aesthetics of limited animation, sound, and character design, reworking these styles for a larger cultural turn away from social identities toward what I will call cosmic subjectivity, a form of self-understanding drawn not through social frames, but by reflecting the self against the backdrop of the larger galaxy. The film’s primary audience consisted of school-age children born in the 1970s, the first generation to come of age in Japan’s post-1960s con- sumer society. Many would have first encountered Miyazawa’s Night on the Galactic Railroad (Ginga tetsudo¯ no yoru; also known by the Esperanto title Neokto de la Galaksia Fervojo) as assigned reading in elementary school. -
Anime Weekend at BFI Southbank with Preview of from up on Poppy Hill
PRESS RELEASE May 2012 12/32 Anime Weekend at BFI Southbank with preview of From Up on Poppy Hill From June 8 – 10 BFI Southbank will once again hold its biennial weekend showcasing the best in recent anime. Anime is comparatively new to Western audiences – although Japanese animation has existed since the turn of the 20th Century. It was only when films such as Akira (Katsuhiro Otomo, 1988) were released in the late 1980s that the western world sat up and took notice. The Anime weekend at BFI Southbank will be packed with hotly anticipated previews, high-profile Q&As and an eclectic mix of different genres and styles. The weekend will open with a preview of the much anticipated From Up on Poppy Hill (2011), the latest offering from Studio Ghibli. Directed by Goro Miyazaki (son of studio founder and preeminent director Hayao), From Up on Poppy Hill is a timely tale set in rural Yokohama just before the 1964 Tokyo Olympics. A frequent misconception of anime is that it is invariably violent, or only for adults, but titles such as A Letter to Momo (2011) and Oblivion Island (2009) will appeal to audiences of all ages. Also screening will be UK premieres of Full Metal Alchemist 2 (2011) (featuring a Q&A with special guests director Kazuya Murata and producer Masahiko Minami) and The Princess and the Pilot (2011). Also screening will be Gintama: the Movie (2010) and Makoto Shinkai’s (The Place Promised in Our Early Days, 2004) latest film Children Who Chase Lost Voices from Deep Below (2011), which firmly moves him from ranking as an up and coming animator to an established director. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
Belladonna of Sadness : Grivoiserie Artistique]
Document generated on 09/28/2021 3:56 p.m. Séquences : la revue de cinéma Belladonna of Sadness Grivoiserie artistique Jean-Marie Lanlo André Forcier. Embrasse-moi comme tu m’aimes Number 304, October 2016 URI: https://id.erudit.org/iderudit/83855ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Lanlo, J.-M. (2016). Review of [Belladonna of Sadness : grivoiserie artistique]. Séquences : la revue de cinéma, (304), 16–17. Tous droits réservés © La revue Séquences Inc., 2016 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 16 | LES FILMS – GROS PLAN Belladonna of Sadness Grivoiserie artistique En 1973, Eiichi Yamamoto réalisait Belladonna of Sadness, troisième et dernier « animerama » d’un cycle érotique mis en chantier par Mushi Production. Après Les mille et une nuits et Cléopâtre, les producteurs nous proposaient alors une adaptation très personnelle et très 70 de La sorcière de Jules Michelet. Belladonna of Sadness était depuis peu accessible, mais nous avons maintenant la possibilité de revoir ce film visuellement splendide dans une belle copie restaurée. Si tout n’y est pas parfait, ses qualités visuelles en font malgré tout une œuvre incontournable ! JEAN-MARIE LANLO ès les années 60, et surtout dans les années 70, le sexe tour à tour Alfons Mucha, Aubrey Beardsley, Gustav Klimt, voire est très présent au cinéma, que ce soit aux États-Unis, en Egon Schiele. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history.