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Kinotayo-2010
PROGRAMME - PROGRAMME - PROGRAMME - PROGRAMME - 20 Nov 11 Déc 2010 5eme FESTIVAL DU FILM JAPONAIS CONTEMPORAIN Mascotte de Kinotayo 2010 140 projectionsAvec la participation d'Écrans - d'asie 25 villes Kinotayo2010 Yoshi OIDA, l’Acteur flottant, président du Festival Kinotayo 2010 Pour le festival Kinotayo, c’est un immense honneur que d’avoir pour président ce comédien, acteur, metteur en scène et écrivain insaisissable, animé par l’omniprésente énergie de la vie, sur scène et en dehors. Yoshi Oida est un acteur hors du commun. Né à Kobe en 1933, il a dédié sa vie aux théâtres du monde entier, en ayant pour seule ligne de conduite de renoncer à la facilité. Son apprentissage commence au Japon : il est initié au théâtre Nô par les plus grands maîtres de l’école Okura. De cette expérience, il retirera l’importance de l’harmonie entre tous les éléments qui constituent l’outil principal du comédien : son corps. Puis en 1968 Yoshi Oida est invité à Paris par Jean-Louis Barrault pour travailler avec Peter Brook. Il fonde avec ce dernier le Centre International de Recherche Théâtrale (CIRT). Au contact du « magicien du théâtre européen », il apprend que le comédien doit être « un vent léger, qui devenant de plus en plus fort, doit allumer une flamme et la faire grandir ». Aux côtés du maître, il apprend également la mise en scène, métier qui l’occupe énormément aujourd’hui. Il sillonne alors le monde à la recherche de la maîtrise théâtrale la plus complète, apprenant les jeux Africains, Indien, Persan. Il s’interroge sur la frontière entre la scène et la vie de tous les jours : « Qu’ai-je appris sur la scène qui pourrait m’aider à vivre ma vie d’homme ordinaire ? ». -
Regard Sur Le Cinéma Japonais : La Jalousie Féminine… Au Féminin]
Document generated on 09/29/2021 7:02 p.m. Séquences La revue de cinéma Regard sur le cinéma japonais La jalousie féminine… au féminin Pascal Grenier Number 222, November–December 2002 URI: https://id.erudit.org/iderudit/48430ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Grenier, P. (2002). Review of [Regard sur le cinéma japonais : la jalousie féminine… au féminin]. Séquences, (222), 22–23. Tous droits réservés © La revue Séquences Inc., 2002 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ a dernière édition du Festival des films du monde rendait quittera femme et fille pour la retrouver. Non seulement veut-elle hommage au cinéma japonais avec la section Regard sur le passer beaucoup de temps avec lui mais aspire à leur union. L cinéma japonais. Il s'agissait de la troisième fois depuis les Lorsque que Hijiri s'immisce dans sa vie, elle se rend compte de la débuts du festival que le Japon était à l'honneur. Dès l'annonce de jalousie injustifiée éprouvée et renonce à sa relation avec Kouhei cette nouvelle, mon enthousiasme était sans borne compte tenu car ce dernier ne quittera jamais sa femme. -
Movie Tv Sho Audio Radio
70 FILM REVIEWS MOVIES 71 NEW MOVIES ONBOARD 72 MOVIES TV SHOWS 74 TV SHOWS AUDIO Entertainment 76 AUDIO/RADIO RADIO © 2018 20TH CENTURY FOX. ALL RIGHTS RESERVED. BAD TIMES AT THE EL ROYALE FILM REVIEWS WANT HELP WITH WHAT TO WATCH THIS MONTH? FILMMAKER AND DIRECTOR KAM RASLAN MAKES THE CASE FOR THESE THREE MOVIES. THE INCREDIBLES Is The Incredibles the best animated movie ever? Yes. Yes, it is. It’s hilariously funny, exciting, moving and visually beautiful. A family of superheroes have to live in witness protection as normal people because superheroes have been deemed a menace to society. Naturally, Mr Incredible hates his boring life as an insurance salesman and his goingplacesmagazine.com children have to hide their superhero skills. But when an opportunity for a return to the old life comes knocking, Mr Incredible puts his entire family at risk, which sounds like a job LOGAN for Elastigirl. Is Logan the best superhero movie ever? EDGE OF TOMORROW Probably. A thunderous Hugh Jackman Because it was made all the way back in Is Edge of Tomorrow the best science fiction | 70 is Wolverine one last time as he plays a 2004, the animation for The Incredibles may movie ever? Maybe not, but it’s definitely | January 2019 January | reluctant father figure to the stunningly not seem quite as plush as, say, Zootopia, the best science fiction movie starring Tom intense young actress Dafne Keen. On a but director Brad Bird (who made his name Cruise, and when it comes to big-budget desperate journey from Mexico to the far with The Simpsons) created such a complete action Hollywood movies, nobody delivers north, the pair are perfectly matched as universe that you instantly forget. -
Print 2021.1.5 Updated
BIOGRAPHY Ryo Kase Ryo Kase was born on November 9, 1974 in Kanagawa, Japan. Shortly after birth his family moved to Washington, United States, where he spent most of his childhood. Kase began his acting career in 2000 and gained his first starring role in Kazuyoshi Kumakiri’s Antenna (2004). He then went on to work with several internationally renowned Japanese film directors, including Takashi Kitano, Hirokazu Koreeda and Kiyoshi Kurosawa. His first appearance in an International film was Clint Eastwood’s Letters from Iwo Jima (2006). He continued to appear in several high-profile international films including Gus Van Sant’s Restless (2011), Abbas Kiarostami’s Like Someone in Love (2012), Hong Sang-soo’s Hill of Freedom (2014), Martin Scorsese’s Silence (2017) and Bel canto (2018). He is a recipient of multiple awards, including a nomination for Japan Academy Award, Blue Ribbon Award, Hochi Film Award and Asian Film Award. 5.January.2021 FILMOGRAPHY <MOVIE> 2020 MINAMATA Andrew Levitas The Works and Days C.W. Winter, Anders Edström (of Tayoko Shiojiri in the Shiotani Basin) 2019 TO THE ENDS OF THE EARTH Kiyoshi Kurosawa 2018 Bel Canto Dir. Paul Weitz LYING TO MOM (aka The Suzuki Family’s Lie.) Dir. Katsumi Nojiri Mori, The Artist’s Habitat Dir. Shuichi Okita 2017 Moonlight Shimo Ochiai Dir. Tasuku Emoto March comes in like a lion Dir. Keishi Otomo SILENCE Dir. Martin Scorsese 2016 Azumi Haruko wa Yukue Fumei Dir. Daigo Matsui 2015 FOUJITA Dir. Kohei Oguri Our Little Sister Dir. Hirokazu Koreeda 2014 Hill of Freedom Dir. Hong Sang-Soo My Hawaiian Discovery Dir. -
(Revised0507)JAPAN BOOTH 2013 Cannes FIX
CONTENTS INTRODUCTION Contents Introduction 1 Introduction Japan Booth is organized by JETRO/UNIJAPAN with the support from Agency for Cultural Affairs (Government of Japan). 2 Geneon Universal Entertainment Japan, LLC 3 Gold View Co., Ltd. 4 Happening Star Project JETRO, or the Japan External Trade Organization, is UNIJAPAN is a non-profit organization established 5 MODE FILMS INC. a government-related organization that works to pro- in 1957 by the Japanese film industry under the mote mutual trade and investment between Japan and auspice of the Government of Japan for the purpose 6 Nikkatsu Co. the rest of the world. of promoting Japanese cinema abroad. Initially named 7 Office Walker Inc. Originally established in 1958 to promote Japanese ex- ‘Association for the Diffusion of Japanese Film Abroad’ 8 Omgact Entertainment LLC ports abroad, JETRO’s core focus in the 21st century (UniJapan Film), in 2005 it joined hands with the has shifted toward promoting foreign direct investment organizer of Tokyo International Film Festival (TIFF), to 9 Open Sesame Co., Ltd. into Japan and helping small to medium-sized Japa- form a combined, new organization. 10 Production I.G nese firms maximize their global business potential. 11 SDP Inc. 12 Sedic International Inc. 13 Showgate Inc. 14 Tsuburaya Productions Co., Ltd. Category Action Drama Comedy Horror / Suspense Documentary Animation Screening schedule Day Starting Time Length of the Film Title Place 1 Geneon Universal Entertainment Japan, LLC Gold View Co., Ltd. The Chasing World: The Origin Belladonna Of Sadness AD 3000. 1 in 20 has the family name "SATO" in Japan. The A story about a young and beautiful woman, who has lived a life 150th king implements a horrific policy to reduce the number of of hardships. -
JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations A Dissertation Presented by I-Te Rita Sung to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2016 Stony Brook University The Graduate School I-Te Rita Sung We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, Dissertation Co-Advisor Cultural Analysis & Theory Krin Gabbard, Professor Emeritus, Dissertation Co-Advisor Cultural Analysis & Theory Jeffrey Santa Ana, Associate Professor, Chairperson of Defense Cultural Analysis & Theory and English Department Leo T.S. Ching, Outside Member, Duke University, Department of Asian and Middle Eastern Studies Aaron A. Gerow, Outside Member, Yale University, Department of East Asian Languages and Literatures This dissertation is accepted by the Graduate School Nancy Goroff Interim Dean of the Graduate School ii Abstract of the Dissertation Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations by I-Te Rita Sung Doctor of Philosophy in Comparative Literature Stony Brook University 2016 Since the beginning of the 21st century, the jun’ai (pure-love) genre has flourished in Japan, both in works of popular literature and in film. This phenomenon coincides with a time when the country is seen by the media as being characterized by soshitsukan (sense of loss). -
Can Buzzfeed Revolutionize Japan's News Diet?
The magazine of The Foreign Correspondents’ Club of Japan August 2016, Volume 48 No. 8, ¥400 Can Buzzfeed revolutionize Japan’s news diet? Profile Military Justice The election Photographer A controversial Feeling a Martin Hladik killing & trial in 1957 little better? Vol. 48, Number 8 August 2016 contact the editors [email protected] Publisher FCCJ Editor Gregory Starr Art Director Andrew Pothecary www.forbiddencolour.com Editorial Assistants Naomichi Iwamura, Tyler Rothmar Photo Coordinator Akiko Miyake Publications committee members Gavin Blair, Freelance (Chair); Geoffrey Tudor, Orient Aviation; Monzurul Huq, Prothom Alo; Julian Ryall, Daily Telegraph; John R. Harris, Automobile Magazine FCCJ BOARD OF DIRECTORS President Peter Langan, Freelance 1st Vice President Khaldon Azhari, PanOrient News 2nd Vice President Todd Crowell, Freelance Secretary David Satterwhite, Associate Member Treasurer Robert Whiting, Author, Freelance Directors-at-Large Milton Isa, Associate Member p12 Said Karlsson, TT News Agency Yuichi Otsuka, Associate Member Investigating Ex-officio Suvendrini Kakuchi, University World News a U.S. military Kanji William Sposato, Freelance killing in the ’50s Associate Kanji Makoto Honjo, Associate Member FCCJ COMMITTEE CHAIRS In this issue Associate Members Liaison Milton Isa Compliance Kunio Hamada DeRoy Memorial Scholarship Masaaki Fukunaga The Front Page Entertainment Sandra Mori, Suvendrini Kakuchi From the President by Peter Langan 4 Exhibition Bruce Osborn Film Karen Severns Collections: 71 years after Hiroshima -
What's Past Is Prologue: Filming Fascism and the Family in Japan
What’s Past is Prologue: Filming Fascism and the Family in Japan and West Germany in the 1970s Jillian Helena Vasko A Thesis in The Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Film Studies) at Concordia University, Montreal, Quebec, Canada August 2017 © Jillian Vasko, 2017 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Jillian Vasko Entitled: What’s Past is Prologue: Filming Fascism and the Family in Japan and West Germany in the 1970s and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Film Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: Marc Steinberg Chair Chair’s name Kay Dickinson Examiner Examiner’s name Yuriko Furuhata Examiner Examiner’s name Joshua Neves Supervisor Supervisor’s name Approved by Marc Steinberg Chair of Department or Graduate Program Director August 30th 2017 Rebecca Taylor Duclos Dean of Faculty Abstract: This thesis theorizes the correlation between national historical trauma in Japan and West Germany, and the excessive, gendered and often sexualized violence inflicted upon and by women protagonists in films emerging from these nations in the 1970s. The thesis provides a comparative analysis of two films which investigate the origins of ‘fascism’ in their nation through the allegory of the female protagonist and her relationship to the institution of the family: Toshiya Fujita’s 1973 Lady Snowblood (Shurayukihime) and Rainer Werner Fassbinder’s 1974 film Martha. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
Wolf Children
PRESENTS WOLF CHILDREN A MAMORU HOSODA FILM Running time: 117 minutes Certificate: TBC Opens at UK cinemas on 25th October Press Contacts Elle McAtamney – [email protected] For hi-res images/production notes and more, go to – www.fetch.fm To the children, a movie like a delightful, fun fairy tale… To the youth, to make raising children, which they have yet to experience, seem full of surprises and wonder… And to the parents, to let them reminisce about their children’s growth… I am striving to make an invigorating movie that satisfies the principles of entertainment. Mamoru Hosoda Director, screenwriter, author of original story INTRODUCTION The long-awaited new film by Director Mamoru Hosoda! Yet another movie that enthralls people of all generations!! In “The Girl Who Leapt Through Time” (2006), he depicted the radiance of youth in flashing moments of life. In “SUMMER WARS” (2009), he told a story about a miracle, of how the bond between people saved Earth’s crisis, and the film swept awards domestic and abroad. Mamoru Hosoda has become the most noted animation director in the world. Why do his works appeal to people of all generations? His stories are not about the extraordinary, and they are not about superheroes. Set in towns that could really exist, the main characters are surrounded by ordinary people and are troubled by slightly unique circumstances, which they struggle to overcome. Based on well-thought-out scenarios, these real-to-life stories are made into dynamic animation. That’s why the main characters seem so familiar to us and draw our sympathy, and we get excited watching how they fare. -
A TAKESHI KITANO FILM a BANDAI VISUAL, TV TOKYO, OMNIBUS JAPAN and OFFICE KITANO Production
A TAKESHI KITANO FILM A BANDAI VISUAL, TV TOKYO, OMNIBUS JAPAN and OFFICE KITANO Production IN COMPETITION JAPAN - 2010 -109 min - Color - Cinemascope - Dolby Digital WORLD SALES CELLULOID DREAMS CELLULOID DREAMS 2 rue Turgot IN CANNES INTERNATIONAL PRESS 75009 Paris Le Grand Hotel RICHARD LORMAND world cinema publicity T: + 33 1 4970 0370 entrance “The Cormoran” www.filmpressplus.com F: + 33 1 4970 0371 7th Floor - 45 La Croisette [email protected] [email protected] T: + 33 4 93 68 32 98 Tel : +33-9-7044-9865 / +33-6-2424-1654 www.celluloid-dreams.com F: + 33 4 93 68 36 49 Several subsidiary bosses gather at a lavish lunch with “Mr. Chairman,” the head of the ruling Sanno-kai crime organization which controls the Greater Tokyo area. Sanno- kai underboss Kato warns Ikemoto about his overt dealings with family outsider Murase, an old-timer with whom he recently made a pact in prison. In an effort to ease Mr. Chairman’s suspicions, Ikemoto asks fellow boss Otomo to do his dirty work for him by making a minor but obvious move against Murase. Otomo’s actions are the start of a ruthless series of conflicts and betrayals. Before long, several yakuza clans are out for blood in their constant battle for power and money. The rival bosses fight to rise through the ranks by scheming and making short-lived allegiances. In this corrupt world where there are no heroes, it’s Bad Guy vs. Bad Guy in a spiralling outrage of gang warfare… THE STORY ON YAKUZA FLICKS For a long time, I was often questioned why I made yakuza flicks.