DOCSLIB.ORG

Film Suggestions to Celebrate Black History

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Film Suggestions to Celebrate Black History Aurora Film Circuit I do apologize that I do not have any Canadian Films listed but also wanted to provide a list of films selected by the National Film Board that portray the multi-layered lives of Canada’s diverse Black communities. Explore the NFB’s collection of films by distinguished Black filmmakers, creators, and allies. (Link below) Black Communities in Canada: A Rich History - NFB Film Info – data gathered from TIFF or IMBd AFC Input – Personal review of the film (Nelia Pacheco Chair/Programmer, AFC) Synopsis – this info was gathered from different sources such as; TIFF, IMBd, Film Reviews etc. FILM TITEL and INFO AFC Input SYNOPSIS FILM SUGGESTIONS TO CELEBRATE BLACK HISTORY MONTH SMALL AXE I am very biased towards the Director Small Axe is based on the real-life experiences of London's West Director: Steve McQueen Steve McQueen, his films are very Indian community and is set between 1969 and 1982 UK, 2020 personal and gorgeous to watch. I 1st – MANGROVE 2hr 7min: English cannot recommend this series Mangrove tells this true story of The Mangrove Nine, who 5 Part Series: ENOUGH, it was fantastic and the clashed with London police in 1970. The trial that followed was stories are a must see. After listening to the first judicial acknowledgment of behaviour motivated by Principal Cast: Gary Beadle, John Boyega, interviews/discussions with Steve racial hatred within the Metropolitan Police Sheyi Cole Kenyah Sandy, Amarah-Jae St. McQueen about this project you see his 2nd – LOVERS ROCK 1hr 10 min: Aubyn and many more.., A single evening at a house party in 1980s West London sets the passion and what this production meant to him, it is a series of “love letters” to his scene, developing intertwined relationships against a Category: TV Mini background of violence, romance and music. Series/Biography/Drama/Feature Film heritage and to the West Indian Communities who immigrated to the UK 3rd – RED, WHITE and BLUE 1hr 20min: Spotlights the true story of Leroy Logan, who at a young age Available: AMAZON PRIME during this time period. saw his father assaulted by two policemen, motivating him to – Based on true events, this 5 part series join the Metropolitan Police and change their racist attitudes Small Axe - Season 1 - IMDb is in their own right a feature film, but from within. the positive is you do not have to 4th - ALEX WHEATLE 1hr 6min: FILM TITEL and INFO AFC Input SYNOPSIS watch all 5 consecutively they are not Alex Wheatle follows the true story of award-winning writer, linked to each other. Five completely Alex Wheatle (Sheyi Cole), from a young boy through his early different films and stories. adult years. Having spent his childhood in a mostly white institutional care home with no love or family, he finally finds not only a sense of community for the first time in Brixton, but his identity and ability to grow his passion for music and DJing. When he is thrown in prison during the Brixton Uprising of 1981, he confronts his past and sees a path to healing. 5th –EDUCATION 1hr: Education is the coming of age story of 12-year-old Kingsley (Kenyah Sandy), who has a fascination for astronauts and rockets. When Kingsley is pulled to the headmaster's office for being disruptive in class, he discovers he's being sent to a school for those with "special needs." Distracted by working two jobs, his parents (Sharlene Whyte, Daniel Francis) are unaware of the unofficial segregation policy at play, preventing many Black children from receiving the education they deserve, until a group of West Indian women take matters into their own hands. MALCOLM X This is really an incredible piece of work! Biographical epic of Malcolm X, the legendary African American Director: Spike Lee In addition the back story on how Spike leader. Born Malcolm Little, his father (a Garveyite Baptist USA, 1992 Lee fought to have a Black Director, and minister) was killed by the Ku Klux Klan. Malcolm became a English how he managed to get the additional gangster, and while in jail discovered the Nation of Islam 3H 22 minutes financing (as the budget was way off writings of Elijah Muhammad. He preaches the teachings when track) to complete it is admiral in itself. let out of jail, but later on goes on a pilgrimage to the city of Principal Cast: Denzel Mecca, there he converts to the original Islamic religion and Washington, Angela Bassett, Delroy Great film to provide education and becomes a Sunni Muslim and changes his name to El-Hajj Malik Lindo awareness of the Civil Rights Movement. Al-Shabazz. He is assassinated on February 21, 1965 and dies a Muslim martyr. Category: Biography/Drama/Feature Film Available: CRAVE/HBO CANADA Malcolm X (1992) - IMDb FILM TITEL and INFO AFC Input SYNOPSIS WHAT HAPPENED, MISS SIMONE? Nina Simone is one of my favourite artists On stage Nina Simone was known for expression, which Director: Lisa Garbus and what I love about her and her music enthralled audiences and attracted life-long fans. But amid the USA, 2013 is that she demands your attention to her violent, haunting, and senseless day-to-day of the civil rights era English craft and her music. You just can’t have in 1960s America, Simone struggled to reconcile her artistic 1H 42 minutes her playing is the background – as identity and ambition with her devotion to a movement. Culled mentioned above her power demands from hours of autobiographical tapes, this new film unveils the Stars: Nina Simone, Lisa Simone your complete attention. unmitigated ego of a brilliant artist and the absurdities of her Kelly, Roger Nupie time. At the height of her fame Simone walked away from her Her story is heart breaking, and again the family, country, career and fans, to move to Liberia and give up Category: courage that it took for her to fight and performing. The story of her life leading up to that event poses Documentary/Biography/Music speak her truth while also dealing with the question, 'how does royalty stomp around in the mud and the consequences (black listed for her still walk with grace her utterly free, uninhibited musical Available: NETFLIX support of the Black Panthers) during the Civil Rights Movement is honourable What Happened, Miss Simone? (2015) - IMDb CLEMENCY I screened this film at TIFF back in the Fall Under the skilled guidance of writer-director Chinonye Chukwu, Director: Chinonye Chukwu of 2019 – the acting is fantastic but the Alfre Woodard (Mississippi Grind, 12 Years a Slave) provides a USA, 2019 subject matter is heavy and the pace of layered, nuanced portrait of a beleaguered prison warden — a English the film was slow at many points. performance that was a key part of why the film won a Grand 113 minutes Jury Prize at the 2019 Sundance Film Festival. Warden Principal Cast: Alfre Woodard, Richard That said, I certainly feel the subject Bernadine Williams (Woodard) is a professional. She arrives at Schiff, matter is relevant and worth the time to work every day to watch over death-row prisoners until they Aldis Hodge, Wendell Pierce, Richard view. face execution or receive a rare, last-minute clemency. She Gunn, takes her job seriously, doing her best to offer dignity to the Danielle Brooks men left isolated in her prison to contemplate what they did — or didn’t do. Even when a lethal injection procedure goes wrong Category: Feature Film and throws the inmate’s family into grief-stricken chaos, Bernadinenever loses her cool. But when she goes home at Available: CRAVE /HBO Canada night, she feels it. Her husband Jonathan, played by Wendell Pierce (television’s The Wire, Treme), is a School teacher still Clemency (2019) - IMDb deeply in love with a wife who is growing harder and more distant. Anthony Woods (Aldis Hodge) is the next prisoner in line, and a complex man to reach. As his lawyer (Richard Schiff ) FILM TITEL and INFO AFC Input SYNOPSIS fights to prove Woods’ innocence before time runs out, Bernadine struggles to maintain the neutral calm that defines her job but threatens to destroy her marriage. LAST BLACK MAN IN SAN I have not screened this film as yet but Director Joe Talbot’s debut feature is an ode to the city of San FRANCISCO the reviews are very positive. Francisco, rooted in the real-life experiences of his childhood Director: Joe Talbot best friend, Jimmie Fails. Though Fails is a non-actor, no one USA, 2019 else could give a more genuine and heart-felt performance than English he could — so Talbot cast him in the lead role. The Last Black 120 minutes Man in San Francisco tells a story of the city through the eyes of Principal Cast: Jimmie Fails, Jonathan a fictionalized version of Jimmie, who is obsessed by the idea of Majors, Rob Morgan, Tichina Arnold, reclaiming the Victorian house in Fillmore that his grandfather Danny Glover built. This house is where he grew up, and was the last real home he had before his family broke apart. Jimmie spends most Category: Feature Film of his time hanging out with his best friend, aspiring playwright Montgomery (Jonathan Majors, Out of Blue, White Boy Rick), Available: CRAVE /HBO Canada haunting the neighbour-hoods they knew as children and watching old black-and-white movies at the small house they The Last Black Man in San Francisco share with Montgomery’s nearly-blind grandfather (Danny (2019) - IMDb Glover, The Old Man and the Gun, The Color Purple).Jimmie also visits and fixes up the house his grandfather built to keep it from falling into disrepair, much to the annoyance of its current owners.
Load more

Recommended publications
  • Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
    Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media.
    [Show full text]
  • FILM REVIEW Moonlight, Directed by Barry Jenkins, USA, Altitude Films
    INTERNATIONAL JOURNAL OF JUNGIAN STUDIES, 2018 VOL. 10, NO. 1, 83–89 FILM REVIEW Moonlight, directed by Barry Jenkins, USA, Altitude Films, 2016, 1 hour 55 minutes Spring is often synonymous with Oscar season, but it is some considered reflection on the 2017 Best Picture that is necessary one year on. If it is news to you that Moonlight won the Oscar last year, then you are not alone. It is certainly among the least-marketed Oscar winners in recent decades. If you do know about the film, it is likely that it is in the context of its two-way fight for the prize with another more popular film, or perhaps from news coverage of a dramatic mishap on Oscars’ night. The film was the modern musical La La Land and the mix-up was the result of the wrong envelope being given and that the film’s name being read out instead of the winner Moonlight. A male employee from PricewaterhouseCooper’s – who administer the envelopes – is thought to have mistakenly given a duplicate Best Actress envelope (already won by Emma Stone for La La Land) to Warren Beatty. In a familiar commentary on the expectations social media places on creative industries personnel, it is possible the employee, Brian Cullinan, could have been distracted by his Tweeted picture of Stone moments before handing over the envelope. The event overshadowed much mainstream serious discussion of the film and did little to tempt staunch supporters of La La Land to see it. There are films that are designed to win Oscars and appeal to the middle-range, but it is difficult to suggest Moonlight is one of them, even with some of its missed opportunities to push the envelope of homosexual encoun- ters than those previously seen on mainstream US silver screens.
    [Show full text]
  • The Forgiving Blue
    THE FORGIVING BLUE Lynn Fong nterspersed in the gentle lapping of ocean waves, a few tense notes of a violin crescendo as Chiron, the protagonist of Barry Jenkins’s film Moonlight , learns to swim. The water is a soft turquoise. The camera bobs along with it, pulled up and down Iand sometimes partially obscured by the waves. We, the audience, are right there with little Chiron as he experiences the waters of Miami for the first time. Juan, Chiron’s newfound, unlikely mentor, is hold - ing up Chiron’s small head while he teaches him to float. “You’re in the middle of the world,” Juan tells Chiron. The two are framed only by the turquoise water and a light blue sky. Juan demonstrates arm movements: “Go like this,” he instructs, “more athletic.” Chiron mimics him as he learns to paddle. Finally, Juan releases Chiron so he can swim on his own. “Go,” Juan says, and Chiron begins paddling by himself. Then, Chiron is alone. The music slows and fades away. He is indeed in the middle of the world as he swims, unaccompanied, unafraid, and free. Moonlight , which won the Academy Award for Best Picture in 2017, is a coming-of-age story. More specifically, it documents three stages in the life of Chiron, a young, gay black man growing up in an impoverished area of Miami. Even more specifically, the film offers an empathetic lens into the most intimate, defining moments of Chiron’s life: learning how to swim, putting a blanket on his drugged- out mother, reuniting with someone he’s loved after years of estrange - ment.
    [Show full text]
  • Great Literature Collection
    Great Literature Collection Aldrich Ames: Traitor Within CIA operative Aldrich Ames has, like his father, always been a company man. Although not always competent, he is chief of the Counter Intelligence Soviet Branch and has few friends within the Agency. On the verge of financial ruin due to, among other things, his wife Rosario's heavy spending, the hard-drinking and desperate Ames decides to sell secrets to the Russians. His first "job" has fatal consequences for ten Russians who worked for the CIA. Ames' boss, the Chief of Operations, who is friendly toward Ames, discovers that someone within the CIA is divulging high-level information. He appoints Jeanne Vertefeuille to head up the investigation. Jeanne recruits her own older staff, derisively dubbed the "over the hill gang". Poring through an abundance of records, case files and information proves to be an awesome task and their search goes on for eight years. After a year-long stint in Rome and now with Bush in the White House, Ames continues turning over information to the Russians for millions of dollars, re-routing deposits to Swiss banks and his wife's family in Colombia. Still an alcoholic, he buys a Jaguar and moves his family to an expensive home in a plush suburb. Ames soon realizes, however, that the investigation is closing in and gets very nervous when a Russian politico who could disclose Ames' duplicity defects to America. Ames gets lucky, his treason is not yet uncovered. Ames' own actions, however, begin to draw suspicion towards him, especially when he tries to conduct his own investigation to uncover the spy within the CIA.
    [Show full text]
  • Address Terms Used in Barry Jenkins' the Moonlight Movie
    ADDRESS TERMS USED IN BARRY JENKINS’ THE MOONLIGHT MOVIE; A SOCIOLINGUISTIC ANALYSIS A THESIS BY: ANDRE ADHYTAMA REG. NO. 140705035 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA ADDRESS TERMS USED IN BARRY JENKINS’ THE MOONLIGHT MOVIE; A SOCIOLINGUISTIC ANALYSIS A THESIS BY ANDRE ADHYTAMA REG. NO. 140705035 SUPERVISOR CO-SUPERVISOR Dr. Deliana, M.Hum. Dr. Masdiana Lubis M.Hum. NIP. 1951117 198303 2 002 NIP. 19570626 198303 2 001 Submitted to Faculty of Cultural Studies University of Sumatera Utara Medan in partial fulfillment of the requirements for the degree of Sarjana Sastra from Department of English DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA Approved by the Department of English, Faculty of Cultural Studies University of Sumatera Utara (USU) Medan as thesis for the Sarjana Sastra examination. Head, Secretary, Prof. T. Silvana Sinar, M.A., Ph.D Rahmadsyah Rangkuti, M.A., Ph.D NIP. 19540916 198003 2 003 NIP. 19750209 200812 1 002 UNIVERSITAS SUMATERA UTARA Accepted by the Board of Examiners in partial fulfillment of requirements for the degree of Sarjana Sastra from the Department of English, Faculty of Cultural Studies University of Sumatera Utara, Medan. The examination is held in Department of English Faculty of Cultural Studies University of Sumatera Utara on 30th January 2019. Dean of Faculty of Cultural Studies University of Sumatera Utara Dr. Budi Agustono, MS NIP. 19600805 198703 1 001 Board of Examiners Rahmadsyah Rangkuti, M.A Ph.D ____________________ Dr. Muhizar Muchtar, M.S ____________________ Dr.
    [Show full text]
  • 2017 Highlights
    EIGHTH ANNUAL EDITION November 9-16, 2017 “DOC NYC has quickly become one of the city’s grandest film events.” Spans downtown Hailed as Manhattan from “ambitious” IFC Center to 250+ SVA Theatre and films & events “selective but Cinepolis Chelsea eclectic” ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Thom Powers programs for the Toronto Raphaela Neihausen & Powers run the weekly International Film Festival and hosts the series Stranger Than Fiction at IFC Center and podcast Pure Nonfiction. host WNYC’s “Documentary of the Week.” DOC NYC has welcomed over 50 sponsors through the years, most of which have returned for 3+ years. ACSIL Discovery Image Nation Abu Dhabi Participant Media Technicolor-Postworks NY Brooklyn Roasting Co. Docurama Impact Partners Peru Ministry of Tribeca Grand Hotel Tourism & Culture Chicago Media Project Essentia Water IndieWire VH1 & Logo Documentary Posteritati Films Chicken & Egg Pictures Goose Island JustFilms/Ford Foundation RADiUS Vulcan Cowan DeBaets Half Pops Abrahams & Sheppard Kickstarter The Screening Room Wheelhouse Creative Heineken CNN Films MTV Stoli The World Channel International City of New York Documentary Association NBCUniversal Archives SundanceNow The Yard Mayor’s Office for Doc Club Media & Entertainment Illy New York Magazine ZICO SVA Owl’s Brew DOCNYC.NET DOCNYCFEST Voted by Movie Maker Magazine as one of the top 5 coolest documentary film festivals in the world! DOC NYC 2016 FEATURED: 12k 200+ likes on Facebook 60k special guests visits DOCNYC.net 125k 92 reached by e-mail Largest premieres Documentary
    [Show full text]
  • Race and Social Justice in America
    Race and Social Justice in America This list of titles available at Pasadena Public Library is compiled from suggestions from The New York Times and other publications, other public libraries, and Pasadena Public Library staff recommendations. BOOKS FOR ADULTS The New Jim Crow: Mass Incarceration in the Age of Colorblindness Michelle Alexander ©2011 Despite the triumphant dismantling of the Jim Crow Laws, the system that once forced African Americans into a segregated second-class citizenship still haunts America, the US criminal justice system still unfairly targets black men and an entire segment of the population is deprived of their basic rights. Outside of prisons, a web of laws and regulations discriminates against these wrongly convicted ex-offenders in voting, housing, employment and education. Alexander here offers an urgent call for justice. 364.973 ALE I Know Why the Caged Bird Sings Maya Angelou © 1969 [T]his memoir traces Maya Angelou's childhood in a small, rural community during the 1930s. Filled with images and recollections that point to the dignity and courage of black men and women, Angelou paints a sometimes disquieting, but always affecting picture of the people-and the times-that touched her life. 92 ANGELOU,M The Fire Next Time James Baldwin ©1963 The Fire Next Time contains two essays by James Baldwin. Both essays address racial tensions in America, the role of religion as both an oppressive force and an instrument for inspiring rage, and the necessity of embracing change and evolving past our limited ways of thinking about race. 305.896 BAL I Am Not Your Negro [Documentary DVD] Written by James Baldwin ©2017 Using James Baldwin's unfinished final manuscript, Remember This House, this documentary follows the lives and successive assassinations of three of the author's friends, Medgar Evers, Malcolm X and Martin Luther King Jr., delving into the legacy of these iconic figures and narrating historic events using Baldwin's original words and a flood of rich archival material.
    [Show full text]
  • 'Once Upon a Time... in Hollywood'
    20 Established 1961 Tuesday, January 14, 2020 Lifestyle Awards (From left) John Davis, Eddie Murphy, Craig Brewer, Keegan-Michael Key, Da’Vine Joy Randolph, Ruth E Carter, and Ava DuVernay and fellow cast and crew of ‘When They See Us’ accept the Best Limited Series award for ‘When Sebastian Maniscalco accept the Best Comedy award for ‘Dolemite Is My Name’.— AFP photos They See Us’. ‘Once Upon a Time... in Hollywood’ reigns at Critics’ Choice Awards Quentin Tarantino accepts the award for Best Picture for ‘Once Upon a Time in Hollywood’ onstage at the 25th Annual Critics’ Choice Awards at Barker Hangar on Sunday in Santa Jharrel Jerome accepts the Best Actor in a Movie/Limited Series award for ‘When They Monica, California. See Us’. uentin Tarantino’s “Once Upon a Time... in took home editing and cinematography awards, while said, after the crime epic - an early Oscars frontrunner - Hollywood” backed up its Oscars frontrunner sta- Bong’s black comedy “Parasite” was named best foreign- was shut out at the Globes and missed out on several Qtus by scooping best picture at the Critics’ Choice language film. “Today I was just enjoying the vegan burg- anticipated acting nominations elsewhere. Awards on Sunday. The high-profile awards in Santa er and trying to enjoy the ceremony,” joked Bong as he “Fleabag” topped the television awards, collecting Monica - which also honor the best of television - are seen collected his prize. The awards had emulated last week’s three gongs including best comedy to continue its impres- as a barometer for the all-important Oscars, for which Globes by serving a plant-based menu, to boost environ- sive award season run.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • MOONLIGHT Il Film Di BARRY JENKINS
    in associazione con presenta MOONLIGHT il film di BARRY JENKINS VINCITORE DI TRE PREMI OSCAR 2017 PER MIGLIOR FILM MIGLIORE ATTORE NON PROTAGONISTA MIGLIOR SCENEGGIATURA NON ORIGINALE *** GOLDEN GLOBE 2017 PER IL MIGLIOR FILM DRAMMATICO *** MIGLIOR FILM, MIGLIOR REGIA, MIGLIOR SCENEGGIATURA, MIGLIOR FOTOGRAFIA, MIGLIOR MONTAGGIO E PREMIO ROBERT ALTAM AGLI INDIPENDENT SPIRIT AWARD 2017 USCITA 16 febbraio 2017 Tutti i materiali stampa sono disponibili nell’area press del sito www.luckyred.it/press UFFICIO STAMPA Alessandra Tieri (+39 335.8480787 [email protected]) Georgette Ranucci (+39 335.5943393 [email protected]) Olga Brucciani (+39 388.4486258 [email protected]) CAST ARTISTICO Alex Hibbert Chiron da piccolo Ashton Sanders Chiron adolescente Trevante Rhodes Chiron adulto Mahershala Ali Juan Naomie Harris Paula Janelle Monáe Teresa André Holland Kevin Jharrel Jerome Kevin adolescente CAST TECNICO Regia e sceneggiatura Barry Jenkins Da una storia di Tarell Alvin McCraney Fotografia James Laxton Montaggio Nat Sanders, Joi McMillion Musiche Nicholas Britell Scenografia Hannah Beachler Costumi Caroline Eselin-Schaefer Casting Jesi Ramirez *** Una produzione A24 e PLAN B ENTERTAINMENT Prodotto da Adele Romanski Dedec Gardner Jeremy Kleiner Produttori esecutivi Brad Pitt Sarah Esberg Produttore esecutivo Tarell Aqlvin McCraney coproduttori Andrew Hevia Veronica Nickel Produttore associato John Montague *** Durata 111 MIN. | USA MOONLIGHT E’ IL FILM DI APERTURA DELLA SINOSSI Vincitore del Golden Globe per il Miglior film drammatico, applaudito dalla critica di tutto il mondo, Moonlight racconta l’infanzia, l’adolescenza e l’età adulta di Chiron, un ragazzo di colore cresciuto nei sobborghi difficili di Miami, che cerca faticosamente di trovare il suo posto nel mondo.
    [Show full text]
  • I Am Not Your Negro
    Magnolia Pictures and Amazon Studios Velvet Film, Inc., Velvet Film, Artémis Productions, Close Up Films In coproduction with ARTE France, Independent Television Service (ITVS) with funding provided by Corporation for Public Broadcasting (CPB), RTS Radio Télévision Suisse, RTBF (Télévision belge), Shelter Prod With the support of Centre National du Cinéma et de l’Image Animée, MEDIA Programme of the European Union, Sundance Institute Documentary Film Program, National Black Programming Consortium (NBPC), Cinereach, PROCIREP – Société des Producteurs, ANGOA, Taxshelter.be, ING, Tax Shelter Incentive of the Federal Government of Belgium, Cinéforom, Loterie Romande Presents I AM NOT YOUR NEGRO A film by Raoul Peck From the writings of James Baldwin Cast: Samuel L. Jackson 93 minutes Winner Best Documentary – Los Angeles Film Critics Association Winner Best Writing - IDA Creative Recognition Award Four Festival Audience Awards – Toronto, Hamptons, Philadelphia, Chicago Two IDA Documentary Awards Nominations – Including Best Feature Five Cinema Eye Honors Award Nominations – Including Outstanding Achievement in Nonfiction Feature Filmmaking and Direction Best Documentary Nomination – Film Independent Spirit Awards Best Documentary Nomination – Gotham Awards Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: Arianne Ayers Ryan Werner Rene Ridinger George Nicholis Emilie Spiegel Shelby Kimlick Magnolia Pictures Cinetic Media MPRM Communications (212) 924-6701 phone [email protected] [email protected] [email protected] [email protected] [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House.
    [Show full text]
  • Production Notes
    PRODUCTION NOTES A Note from the Director The seed of Small Axe was sown 11 years ago, soon after my first film, Hunger. Initially, I had conceived of it as a TV series, but as it developed, I realized these stories had to stand alone as original films yet at the same time be part of a collective. After all, Small Axe refers to an African proverb that means together we are strong. The anthology, anchored in the West Indian experience in London, is a celebration of all that that community has succeeded in achieving against the odds. To me, it is a love letter to Black resilience, triumph, hope, music, joy and love as well as to friendship and family. Oh, and let’s not forget about food too! I recall each of these stories being told to me either by my parents, my aunt, and by experiencing racial discrimination myself growing up in the 70s and 80s. These are all our stories. I feel personally touched by each and every one of them. My five senses were awoken writing with Courttia Newland and Alastair Siddons. Images, smells, textures and old customs came flooding back. All five films take place between the late 60s and mid 80s. They are just as much a comment on the present moment as they were then. Although they are about the past, they are very much concerned with the present. A commentary on where we were, where we are and where we want to go. When the Cannes Film Festival selected Mangrove and Lovers Rock earlier this year, I dedicated both to George Floyd and all the other Black people that have been murdered, seen or unseen, because of who they are in the US, UK and elsewhere.
    [Show full text]