Film Suggestions to Celebrate Black History
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media. -
FILM REVIEW Moonlight, Directed by Barry Jenkins, USA, Altitude Films
INTERNATIONAL JOURNAL OF JUNGIAN STUDIES, 2018 VOL. 10, NO. 1, 83–89 FILM REVIEW Moonlight, directed by Barry Jenkins, USA, Altitude Films, 2016, 1 hour 55 minutes Spring is often synonymous with Oscar season, but it is some considered reflection on the 2017 Best Picture that is necessary one year on. If it is news to you that Moonlight won the Oscar last year, then you are not alone. It is certainly among the least-marketed Oscar winners in recent decades. If you do know about the film, it is likely that it is in the context of its two-way fight for the prize with another more popular film, or perhaps from news coverage of a dramatic mishap on Oscars’ night. The film was the modern musical La La Land and the mix-up was the result of the wrong envelope being given and that the film’s name being read out instead of the winner Moonlight. A male employee from PricewaterhouseCooper’s – who administer the envelopes – is thought to have mistakenly given a duplicate Best Actress envelope (already won by Emma Stone for La La Land) to Warren Beatty. In a familiar commentary on the expectations social media places on creative industries personnel, it is possible the employee, Brian Cullinan, could have been distracted by his Tweeted picture of Stone moments before handing over the envelope. The event overshadowed much mainstream serious discussion of the film and did little to tempt staunch supporters of La La Land to see it. There are films that are designed to win Oscars and appeal to the middle-range, but it is difficult to suggest Moonlight is one of them, even with some of its missed opportunities to push the envelope of homosexual encoun- ters than those previously seen on mainstream US silver screens. -
The Forgiving Blue
THE FORGIVING BLUE Lynn Fong nterspersed in the gentle lapping of ocean waves, a few tense notes of a violin crescendo as Chiron, the protagonist of Barry Jenkins’s film Moonlight , learns to swim. The water is a soft turquoise. The camera bobs along with it, pulled up and down Iand sometimes partially obscured by the waves. We, the audience, are right there with little Chiron as he experiences the waters of Miami for the first time. Juan, Chiron’s newfound, unlikely mentor, is hold - ing up Chiron’s small head while he teaches him to float. “You’re in the middle of the world,” Juan tells Chiron. The two are framed only by the turquoise water and a light blue sky. Juan demonstrates arm movements: “Go like this,” he instructs, “more athletic.” Chiron mimics him as he learns to paddle. Finally, Juan releases Chiron so he can swim on his own. “Go,” Juan says, and Chiron begins paddling by himself. Then, Chiron is alone. The music slows and fades away. He is indeed in the middle of the world as he swims, unaccompanied, unafraid, and free. Moonlight , which won the Academy Award for Best Picture in 2017, is a coming-of-age story. More specifically, it documents three stages in the life of Chiron, a young, gay black man growing up in an impoverished area of Miami. Even more specifically, the film offers an empathetic lens into the most intimate, defining moments of Chiron’s life: learning how to swim, putting a blanket on his drugged- out mother, reuniting with someone he’s loved after years of estrange - ment. -
Great Literature Collection
Great Literature Collection Aldrich Ames: Traitor Within CIA operative Aldrich Ames has, like his father, always been a company man. Although not always competent, he is chief of the Counter Intelligence Soviet Branch and has few friends within the Agency. On the verge of financial ruin due to, among other things, his wife Rosario's heavy spending, the hard-drinking and desperate Ames decides to sell secrets to the Russians. His first "job" has fatal consequences for ten Russians who worked for the CIA. Ames' boss, the Chief of Operations, who is friendly toward Ames, discovers that someone within the CIA is divulging high-level information. He appoints Jeanne Vertefeuille to head up the investigation. Jeanne recruits her own older staff, derisively dubbed the "over the hill gang". Poring through an abundance of records, case files and information proves to be an awesome task and their search goes on for eight years. After a year-long stint in Rome and now with Bush in the White House, Ames continues turning over information to the Russians for millions of dollars, re-routing deposits to Swiss banks and his wife's family in Colombia. Still an alcoholic, he buys a Jaguar and moves his family to an expensive home in a plush suburb. Ames soon realizes, however, that the investigation is closing in and gets very nervous when a Russian politico who could disclose Ames' duplicity defects to America. Ames gets lucky, his treason is not yet uncovered. Ames' own actions, however, begin to draw suspicion towards him, especially when he tries to conduct his own investigation to uncover the spy within the CIA. -
Address Terms Used in Barry Jenkins' the Moonlight Movie
ADDRESS TERMS USED IN BARRY JENKINS’ THE MOONLIGHT MOVIE; A SOCIOLINGUISTIC ANALYSIS A THESIS BY: ANDRE ADHYTAMA REG. NO. 140705035 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA ADDRESS TERMS USED IN BARRY JENKINS’ THE MOONLIGHT MOVIE; A SOCIOLINGUISTIC ANALYSIS A THESIS BY ANDRE ADHYTAMA REG. NO. 140705035 SUPERVISOR CO-SUPERVISOR Dr. Deliana, M.Hum. Dr. Masdiana Lubis M.Hum. NIP. 1951117 198303 2 002 NIP. 19570626 198303 2 001 Submitted to Faculty of Cultural Studies University of Sumatera Utara Medan in partial fulfillment of the requirements for the degree of Sarjana Sastra from Department of English DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA Approved by the Department of English, Faculty of Cultural Studies University of Sumatera Utara (USU) Medan as thesis for the Sarjana Sastra examination. Head, Secretary, Prof. T. Silvana Sinar, M.A., Ph.D Rahmadsyah Rangkuti, M.A., Ph.D NIP. 19540916 198003 2 003 NIP. 19750209 200812 1 002 UNIVERSITAS SUMATERA UTARA Accepted by the Board of Examiners in partial fulfillment of requirements for the degree of Sarjana Sastra from the Department of English, Faculty of Cultural Studies University of Sumatera Utara, Medan. The examination is held in Department of English Faculty of Cultural Studies University of Sumatera Utara on 30th January 2019. Dean of Faculty of Cultural Studies University of Sumatera Utara Dr. Budi Agustono, MS NIP. 19600805 198703 1 001 Board of Examiners Rahmadsyah Rangkuti, M.A Ph.D ____________________ Dr. Muhizar Muchtar, M.S ____________________ Dr. -
2017 Highlights
EIGHTH ANNUAL EDITION November 9-16, 2017 “DOC NYC has quickly become one of the city’s grandest film events.” Spans downtown Hailed as Manhattan from “ambitious” IFC Center to 250+ SVA Theatre and films & events “selective but Cinepolis Chelsea eclectic” ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Thom Powers programs for the Toronto Raphaela Neihausen & Powers run the weekly International Film Festival and hosts the series Stranger Than Fiction at IFC Center and podcast Pure Nonfiction. host WNYC’s “Documentary of the Week.” DOC NYC has welcomed over 50 sponsors through the years, most of which have returned for 3+ years. ACSIL Discovery Image Nation Abu Dhabi Participant Media Technicolor-Postworks NY Brooklyn Roasting Co. Docurama Impact Partners Peru Ministry of Tribeca Grand Hotel Tourism & Culture Chicago Media Project Essentia Water IndieWire VH1 & Logo Documentary Posteritati Films Chicken & Egg Pictures Goose Island JustFilms/Ford Foundation RADiUS Vulcan Cowan DeBaets Half Pops Abrahams & Sheppard Kickstarter The Screening Room Wheelhouse Creative Heineken CNN Films MTV Stoli The World Channel International City of New York Documentary Association NBCUniversal Archives SundanceNow The Yard Mayor’s Office for Doc Club Media & Entertainment Illy New York Magazine ZICO SVA Owl’s Brew DOCNYC.NET DOCNYCFEST Voted by Movie Maker Magazine as one of the top 5 coolest documentary film festivals in the world! DOC NYC 2016 FEATURED: 12k 200+ likes on Facebook 60k special guests visits DOCNYC.net 125k 92 reached by e-mail Largest premieres Documentary -
Race and Social Justice in America
Race and Social Justice in America This list of titles available at Pasadena Public Library is compiled from suggestions from The New York Times and other publications, other public libraries, and Pasadena Public Library staff recommendations. BOOKS FOR ADULTS The New Jim Crow: Mass Incarceration in the Age of Colorblindness Michelle Alexander ©2011 Despite the triumphant dismantling of the Jim Crow Laws, the system that once forced African Americans into a segregated second-class citizenship still haunts America, the US criminal justice system still unfairly targets black men and an entire segment of the population is deprived of their basic rights. Outside of prisons, a web of laws and regulations discriminates against these wrongly convicted ex-offenders in voting, housing, employment and education. Alexander here offers an urgent call for justice. 364.973 ALE I Know Why the Caged Bird Sings Maya Angelou © 1969 [T]his memoir traces Maya Angelou's childhood in a small, rural community during the 1930s. Filled with images and recollections that point to the dignity and courage of black men and women, Angelou paints a sometimes disquieting, but always affecting picture of the people-and the times-that touched her life. 92 ANGELOU,M The Fire Next Time James Baldwin ©1963 The Fire Next Time contains two essays by James Baldwin. Both essays address racial tensions in America, the role of religion as both an oppressive force and an instrument for inspiring rage, and the necessity of embracing change and evolving past our limited ways of thinking about race. 305.896 BAL I Am Not Your Negro [Documentary DVD] Written by James Baldwin ©2017 Using James Baldwin's unfinished final manuscript, Remember This House, this documentary follows the lives and successive assassinations of three of the author's friends, Medgar Evers, Malcolm X and Martin Luther King Jr., delving into the legacy of these iconic figures and narrating historic events using Baldwin's original words and a flood of rich archival material. -
'Once Upon a Time... in Hollywood'
20 Established 1961 Tuesday, January 14, 2020 Lifestyle Awards (From left) John Davis, Eddie Murphy, Craig Brewer, Keegan-Michael Key, Da’Vine Joy Randolph, Ruth E Carter, and Ava DuVernay and fellow cast and crew of ‘When They See Us’ accept the Best Limited Series award for ‘When Sebastian Maniscalco accept the Best Comedy award for ‘Dolemite Is My Name’.— AFP photos They See Us’. ‘Once Upon a Time... in Hollywood’ reigns at Critics’ Choice Awards Quentin Tarantino accepts the award for Best Picture for ‘Once Upon a Time in Hollywood’ onstage at the 25th Annual Critics’ Choice Awards at Barker Hangar on Sunday in Santa Jharrel Jerome accepts the Best Actor in a Movie/Limited Series award for ‘When They Monica, California. See Us’. uentin Tarantino’s “Once Upon a Time... in took home editing and cinematography awards, while said, after the crime epic - an early Oscars frontrunner - Hollywood” backed up its Oscars frontrunner sta- Bong’s black comedy “Parasite” was named best foreign- was shut out at the Globes and missed out on several Qtus by scooping best picture at the Critics’ Choice language film. “Today I was just enjoying the vegan burg- anticipated acting nominations elsewhere. Awards on Sunday. The high-profile awards in Santa er and trying to enjoy the ceremony,” joked Bong as he “Fleabag” topped the television awards, collecting Monica - which also honor the best of television - are seen collected his prize. The awards had emulated last week’s three gongs including best comedy to continue its impres- as a barometer for the all-important Oscars, for which Globes by serving a plant-based menu, to boost environ- sive award season run. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
MOONLIGHT Il Film Di BARRY JENKINS
in associazione con presenta MOONLIGHT il film di BARRY JENKINS VINCITORE DI TRE PREMI OSCAR 2017 PER MIGLIOR FILM MIGLIORE ATTORE NON PROTAGONISTA MIGLIOR SCENEGGIATURA NON ORIGINALE *** GOLDEN GLOBE 2017 PER IL MIGLIOR FILM DRAMMATICO *** MIGLIOR FILM, MIGLIOR REGIA, MIGLIOR SCENEGGIATURA, MIGLIOR FOTOGRAFIA, MIGLIOR MONTAGGIO E PREMIO ROBERT ALTAM AGLI INDIPENDENT SPIRIT AWARD 2017 USCITA 16 febbraio 2017 Tutti i materiali stampa sono disponibili nell’area press del sito www.luckyred.it/press UFFICIO STAMPA Alessandra Tieri (+39 335.8480787 [email protected]) Georgette Ranucci (+39 335.5943393 [email protected]) Olga Brucciani (+39 388.4486258 [email protected]) CAST ARTISTICO Alex Hibbert Chiron da piccolo Ashton Sanders Chiron adolescente Trevante Rhodes Chiron adulto Mahershala Ali Juan Naomie Harris Paula Janelle Monáe Teresa André Holland Kevin Jharrel Jerome Kevin adolescente CAST TECNICO Regia e sceneggiatura Barry Jenkins Da una storia di Tarell Alvin McCraney Fotografia James Laxton Montaggio Nat Sanders, Joi McMillion Musiche Nicholas Britell Scenografia Hannah Beachler Costumi Caroline Eselin-Schaefer Casting Jesi Ramirez *** Una produzione A24 e PLAN B ENTERTAINMENT Prodotto da Adele Romanski Dedec Gardner Jeremy Kleiner Produttori esecutivi Brad Pitt Sarah Esberg Produttore esecutivo Tarell Aqlvin McCraney coproduttori Andrew Hevia Veronica Nickel Produttore associato John Montague *** Durata 111 MIN. | USA MOONLIGHT E’ IL FILM DI APERTURA DELLA SINOSSI Vincitore del Golden Globe per il Miglior film drammatico, applaudito dalla critica di tutto il mondo, Moonlight racconta l’infanzia, l’adolescenza e l’età adulta di Chiron, un ragazzo di colore cresciuto nei sobborghi difficili di Miami, che cerca faticosamente di trovare il suo posto nel mondo. -
I Am Not Your Negro
Magnolia Pictures and Amazon Studios Velvet Film, Inc., Velvet Film, Artémis Productions, Close Up Films In coproduction with ARTE France, Independent Television Service (ITVS) with funding provided by Corporation for Public Broadcasting (CPB), RTS Radio Télévision Suisse, RTBF (Télévision belge), Shelter Prod With the support of Centre National du Cinéma et de l’Image Animée, MEDIA Programme of the European Union, Sundance Institute Documentary Film Program, National Black Programming Consortium (NBPC), Cinereach, PROCIREP – Société des Producteurs, ANGOA, Taxshelter.be, ING, Tax Shelter Incentive of the Federal Government of Belgium, Cinéforom, Loterie Romande Presents I AM NOT YOUR NEGRO A film by Raoul Peck From the writings of James Baldwin Cast: Samuel L. Jackson 93 minutes Winner Best Documentary – Los Angeles Film Critics Association Winner Best Writing - IDA Creative Recognition Award Four Festival Audience Awards – Toronto, Hamptons, Philadelphia, Chicago Two IDA Documentary Awards Nominations – Including Best Feature Five Cinema Eye Honors Award Nominations – Including Outstanding Achievement in Nonfiction Feature Filmmaking and Direction Best Documentary Nomination – Film Independent Spirit Awards Best Documentary Nomination – Gotham Awards Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: Arianne Ayers Ryan Werner Rene Ridinger George Nicholis Emilie Spiegel Shelby Kimlick Magnolia Pictures Cinetic Media MPRM Communications (212) 924-6701 phone [email protected] [email protected] [email protected] [email protected] [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. -
Production Notes
PRODUCTION NOTES A Note from the Director The seed of Small Axe was sown 11 years ago, soon after my first film, Hunger. Initially, I had conceived of it as a TV series, but as it developed, I realized these stories had to stand alone as original films yet at the same time be part of a collective. After all, Small Axe refers to an African proverb that means together we are strong. The anthology, anchored in the West Indian experience in London, is a celebration of all that that community has succeeded in achieving against the odds. To me, it is a love letter to Black resilience, triumph, hope, music, joy and love as well as to friendship and family. Oh, and let’s not forget about food too! I recall each of these stories being told to me either by my parents, my aunt, and by experiencing racial discrimination myself growing up in the 70s and 80s. These are all our stories. I feel personally touched by each and every one of them. My five senses were awoken writing with Courttia Newland and Alastair Siddons. Images, smells, textures and old customs came flooding back. All five films take place between the late 60s and mid 80s. They are just as much a comment on the present moment as they were then. Although they are about the past, they are very much concerned with the present. A commentary on where we were, where we are and where we want to go. When the Cannes Film Festival selected Mangrove and Lovers Rock earlier this year, I dedicated both to George Floyd and all the other Black people that have been murdered, seen or unseen, because of who they are in the US, UK and elsewhere.