University of Groningen the Other Neng Kuiken, Cornelis
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Research on Li Bai and His Poetry Works from the Perspective of Tourism Jihong Xu Ma'anshan Teacher's College, Anhui, Ma'anshan, 243041, China Abstract
Advances in Social Science, Education and Humanities Research (ASSEHR), volume 300 2018 International Workshop on Education Reform and Social Sciences (ERSS 2018) Research on Li Bai and His Poetry Works from the Perspective of Tourism Jihong Xu Ma'anshan Teacher's College, Anhui, Ma'anshan, 243041, China Abstract. Li Bai is a great poet and traveler in China. He leaves China precious tourism resources. His tourism poetry works enrich China tourism culture, Li Bai is an outstanding tourism aesthetics master. His poetry aesthetic artistic conception is far-reaching. Li Bai and his poetry works are comprehensively arranged and deeply studied from the perspective of tourism, thereby providing an important basis for developing tourism resources and enriching cultural connotation of tourism products in various regions, and further promoting inheritance and development of China tourism culture. Keywords: Li Bai; tourism resources; tourism culture; tourism aesthetics. 1. Introduction Li Bai is a great romantic poet of China, who 'traveled many famous mountains for his life'. He 'studied immortals in his fifteenth year and never stopped immortal trips'. He 'went to far places with sword' at the age of 25. Li Bai stayed in Dangtu of Anhui at the age of 60 till his death. Li Bai traveled all year round since 15 years old. His steps were radiated to the whole China. Li Bai was repeatedly frustrated in his political career and failed to realize his political ambition especially from 44 to 55 years old. Therefore, he mainly focused on travelling during the period. Such a long and extensive travel is rare among ancient Chinese literati, which also enabled him to transcend his status as a poet. -
Rediscovering the Idea of Cultural Heritage and the Relationship with Nature: Four Schools of Essential Thought of the Ancient Han Chinese
heritage Article Rediscovering the Idea of Cultural Heritage and the Relationship with Nature: Four Schools of Essential Thought of the Ancient Han Chinese Otto Chen * and Dawei Han Department of Civil Engineering, University of Bristol, Bristol BS8 1TR, UK * Correspondence: [email protected]; Tel.: +44-117-903-5428 Received: 12 June 2019; Accepted: 28 June 2019; Published: 3 July 2019 Abstract: After a long-standing debate of pluralism in heritage conservation, the global practice has just started to broaden its view from material to people and even to nature, leading to the potential of a more comprehensive understanding and harmony between these spheres. Notwithstanding that the shift from material to people and then to nature seemingly looks like the only path in the modern heritage conservation movement to achieve the foregoing goals, in fact, there exist some regional cultures that originally featured particular views on human–nature harmony. This paper hence highlights the regional difference in heritage with a focus on China of ancient times, which unfolds the particular perspective emphasising the unity of human and nature. With a case study of Huaqing Palace of the Tang Dynasty (618–907 CE), the research is expected to be the first attempt to rediscover that the four schools of thought, Buddhism, Taoism, Confucianism and I Ching, had jointly formed a “wisdom” system of the ancient Han Chinese in shaping the idea of cultural heritage, as well as the idea of heritage conservation, which were inherited by modern Chinese without knowing and recognising it. The paper, therefore, argues that without understanding and acknowledging the significance of the ancient Han Chinese’s particular view on nature and the universe formed by the four schools of thought behind the material, it is not likely to protect and promote comprehensively their heritage value, such that the importance of cultural diversity will be just rhetoric. -
NEW YORK EDITED PAPER-Dhriti
Fifth Century Common Era Reorienting Chinese Buddhist Monastic Tradition Redefining India-China Buddhist Monastic Relations - A Critical Study Introduction: The following paper shares the findings of an ongoing study. The study is still not complete and therefore does not yet propose a final conclusion. An abstract pattern in relation to the evolution of Buddhist monasticism along a certain trajectory, through centuries of Chinese Buddhist evolutionary history, which the study has been able to identify, has been presented here. This paper makes the proposition that fifth century CE was a distinctive period in the history of Buddhist monasticism in China, that it was a period in Chinese Buddhist history, which, owing to certain complex processes related to the gradual infiltration, permeation, adaptation, and assimilation of Buddhism into the foreign socio-cultural-political milieu of China, as against reactions over its interactions with the state and indigenous Chinese schools of thought, effected a re-orientation of the Chinese Buddhist monastic tradition and eventually redefined India-China Buddhist monastic relations. The study proposes that fifth century Buddhist monastic culture in China was influenced by certain emerging issues of the time, namely popularization of the relic veneration cult, growing interactions between the imperial house and the Buddhist clergy, permeation of Buddhist teachings into immigrant Chinese gentry circles in the south, wide circulation of apologetic and propagandistic literature, rise of messianic figures influenced by Buddhist and Daoist eschatological ideas and most importantly the institutionalization of Buddhist monastic disciplinary codes (vinaya), some of which perhaps paved the trajectory along which monasticism in China evolved through the centuries that followed. -
Fazang the Court Politician
CHAPTER TEN FAZANG THE COURT POLITICIAN As a court priest for over three decades (ca. 680-712), Fazang was actively involved in politics during a crucial period in history. This chapter has two purposes. On the one hand, through various facts about Fazang I throw some light on significant historical events and illustrate how these were shaped in part by Fazang’s political shrewdness and religious vision. On the other, I will explore the intellectual and histori- cal contexts for Fazang’s importance as a court chaplain. These touch on specific events on the eve of Empress Wu’s epochal dynasty-founding of 690 and those concerning the political transitions around 705 and 710. Understanding Fazang’s political role requires a view of approxi- mately fifty years of Empress Wu’s own political life. Although Fazang lived under six sovereigns of the Great Tang and Zhou,1 it is helpful to consider that Empress Wu began to manipulate imperial power long before she became the supreme ruler both in fact and in name, and that in a sense she was a focus of Fazang’s life and career. Given the ex- traordinary influence that she had over Fazang’s monastic and political life, I will devote three of the four sections of this chapter to Fazang’s relationship with Empress Wu, leaving his political role under the reigns of Empress Wu’s two successors (Zhongzong and Ruizong) to the last section. 1. FAZANG AND EMPRESS WU: 670-690 This section will treat two developments: the circumstances under which Fazang came into Empress Wu’s power circle, and a major poli- tico-religious event on the eve of Empress Wu’s Zhou dynasty. -
225 Fathering Your Father: E Zen of Fabrication in Tang Buddhism
Book Reviews / T’oung Pao 97 (2011) 202-262 225 Fathering your Father: e Zen of Fabrication in Tang Buddhism. By Alan Cole. Berkeley: University of California Press, 2009. xix + 340 pp. It is rare to review a book that successfully overturns many of the assumptions held in an area of study. is book achieves this revolution for Chan studies and deserves to be read closely by all researchers in the fi eld. is study of Chan genealogical “histories” of the sixth and seventh centuries, while excluding some texts, inscriptions, and other evidence (p. xv), concludes that early “Chan” was no more than a forgery of lineages of transmission from Bodhidharma and ulti- mately the Buddha in order to gain Tang court approval as the only true Bud- dhism in China, and for the latest patriarch of each text to be recognized as the owner of “the totality of tradition.” Cole suggests that these “histories” were fab- ricated during political crises or “hot-spots” for dynasties which needed symbolic religious legitimization, and that each successive fabrication was made in the light of previous histories to overcome their antecedents. is was a skilful organization of the “triangle of Buddhism, the State, and the populace” (p. 310) to claim that the latest master in the lineage had state sanction to be the sole owner of true Buddhism and that he was available to make universal buddhahood, admittedly of a second order, accessible to his followers. ese texts were thus not products of religious experience, but falsifi cations of history to gain infl uence at court and in religious circles. -
Dharmakāya Pratītyasamutpāda ( (法界縁起説, Hokkai Engi Setsu
Mapping the Ascent to Enlightenment Ronald Y. Nakasone Trying to get a fix on the Huayan mind in the vast landscape of Buddhist thought interweaves memory with imagination. My inquiry reaches to the earliest recollections of Siddhārtha Gautama’s Enlightenment, to passages in the Avatam saka Sūtra and learned commentaries, and to my imaging of its significance. In the process a few questions emerged: What happened during the spiritual ascent that led to the Enlightenment? What is the nature of mind? What did Siddhārtha Gautama become Enlightened to? These questions, especially determining the content of the Buddha’s Enlightenment, pose major academic and intellectual questions. This essay will focus on the first and second questions; I dealt with the last question in “Spiritual Cartography: Mapping the Huayen Mind.”1 The early documents depict Gautama’s ascent to Enlightenment in heroic and mythical proportions. Written several centuries after the fact, much of the narrative is no doubt hagiography, embellished by the creative imagination and the hindsight of doctrinal rationalizations. Nonetheless, in sum, the documents chronicle an intensely personal pilgrimage that incorporates and supersedes competing spiritual landscapes. The narrative assumes the primacy of mind and efficacy of mental concentration. The narrative opens with Māra, the personification of darkness, alarmed at Prince Siddhārtha’s resolve to attain Enlightenment, launches successive waves of attack to dissuade him. He first sends his daughters who offer the pleasures of youth and worldly success. Unable to seduce the Prince, Māra attempts to frighten the Prince by dispatching an army of the most appalling demons; still unsuccessful, he unleashes the awesome powers of the wind and rain at his command. -
The University of Chicago Practices of Scriptural Economy: Compiling and Copying a Seventh-Century Chinese Buddhist Anthology A
THE UNIVERSITY OF CHICAGO PRACTICES OF SCRIPTURAL ECONOMY: COMPILING AND COPYING A SEVENTH-CENTURY CHINESE BUDDHIST ANTHOLOGY A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVINITY SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY ALEXANDER ONG HSU CHICAGO, ILLINOIS AUGUST 2018 © Copyright by Alexander Ong Hsu, 2018. All rights reserved. Dissertation Abstract: Practices of Scriptural Economy: Compiling and Copying a Seventh-Century Chinese Buddhist Anthology By Alexander Ong Hsu This dissertation reads a seventh-century Chinese Buddhist anthology to examine how medieval Chinese Buddhists practiced reducing and reorganizing their voluminous scriptural tra- dition into more useful formats. The anthology, A Grove of Pearls from the Garden of Dharma (Fayuan zhulin ), was compiled by a scholar-monk named Daoshi (?–683) from hundreds of Buddhist scriptures and other religious writings, listing thousands of quotations un- der a system of one-hundred category-chapters. This dissertation shows how A Grove of Pearls was designed by and for scriptural economy: it facilitated and was facilitated by traditions of categorizing, excerpting, and collecting units of scripture. Anthologies like A Grove of Pearls selectively copied the forms and contents of earlier Buddhist anthologies, catalogs, and other compilations; and, in turn, later Buddhists would selectively copy from it in order to spread the Buddhist dharma. I read anthologies not merely to describe their contents but to show what their compilers and copyists thought they were doing when they made and used them. A Grove of Pearls from the Garden of Dharma has often been read as an example of a Buddhist leishu , or “Chinese encyclopedia.” But the work’s precursors from the sixth cen- tury do not all fit neatly into this genre because they do not all use lei or categories consist- ently, nor do they all have encyclopedic breadth like A Grove of Pearls. -
Bibliographie
Bibliographie Sammlungen von Quellentexten, Lexika und Periodica AM (2): Asia Major, New Series. AM (3): Asia Major, Third Series. Baibu congshu jicheng 百部叢書集成. Taibei: Yiwen, 1965–1968. BSOAS: Bulletin of the School of Oriental and African Studies. Congshu jicheng chubian 叢書集成初編. Shanghai: Shangwu, 1936. Daojia wenhua yanjiu 道家文化研究, hg. von Chen Guying 陳鼓應. Beijing: Sanlian [Seit 1992 erscheinende Zeitschrift zur Daoismusforschung]. Daoshu jijiao shizhong 道書輯校十种, hg von Meng Wentong 蒙文通 (1894– 1968). Meng Wentong wenji 孟文通文集; 6. Chengdu: Ba Shu shushe, 2001. Daozang 道藏. Siehe: Zhengtong daozang. DDB: A Digital Dictionary of Buddhism, hg. von Charles A. Muller. Resources for East Asian Language and Thought. Online: http://www.acmuller.net/ bzw. http://buddhism-dict.net/ddb/index.html. Dunhuang daozang 敦煌道藏, hg. von Li Defan 李德范. 5 Bde. Beijing: Zhonghua quanguo tushuguan wenxian suhui fuzhi zhongxin, 1999. Dunhuang baozang 敦煌寶藏, hg. von Huang Yongwu 黃永武 [u. a.]. Taibei: Xin Wenfeng, 1981–1986. [Reprint Seoul: Eulyoo Publishers, 1986]. DZ: Daozang 道藏. Siehe: Zhengtong daozang. Ershi’er zi 二十二子. Shanghai: Shanghai guji, 1986 [mit zusätzlicher Paginierung versehender Reprint von Hangzhou: Zhejiang shuju, 1875– 1877]. Ershiwu shi 二十五史. 12 Bde. Shanghai: Shanghai guji, 1986. Foxue da cidian 佛學大辭典, hg. von Ding Fubao 丁福保 (1874–1952). Beijing: Wenwu, 1984 [Originalausgabe Shanghai: Yixue, 1921]. HJAS: Harvard Journal of Asiatic Studies. JAOS: Journal of the American Oriental Society. JAS: The Journal of Asian Studies. Jingzi congzhu 經子叢著, hg. von Yan Lingfeng 嚴靈峰 (1904–1999). Zhonghua congshu 中華叢書 Taibei: Guoli bianyi guan, 1983. K: Tripitaka Koreana. Siehe: Koryå taejanggyång. Koryå taejanggyång 高麗大藏經. Såul: Tongguk Taehakkyo, 1957–1976 [Faksimile-Ausgabe des Tripitaka Koreana von 1237–1251. -
Zen) Buddhism
THE SPREAD OF CHAN (ZEN) BUDDHISM T. Grif\ th Foulk (Sarah Lawrence College, New York) 1. Introduction This chapter deals with the development and spread of the so-called Chan School of Buddhism in China, Japan, and the West. In its East Asian setting, at least, the spread of Chan must be viewed rather dif- ferently than the spread of Buddhism as a whole, for by all accounts (both traditional and modern) Chan was a movement that initially ] ourished within, or (as some would have it) in reaction against, a Buddhist monastic order that had already been active in China for a number of centuries. By the same token, at the times when the Chan movement spread to Korea and Japan, it did not appear as the har- binger of Buddhism itself, which was already well established in those countries, but rather as the most recent in a series of importations of Buddhism from China. The situation in the West, of course, is much different. Here, Chan—usually referred to (using the Japanese pronun- ciation) as Zen—has indeed been at the vanguard of the spread of Buddhism as a whole. I begin this chapter by re] ecting on what we (modern scholars) mean when we speak of the spread of Buddhism, contrasting that with a few of the traditional ways in which Asian Buddhists themselves, from an insider’s or normative point of view, have conceived the transmission of the Buddha’s teachings (Skt. buddhadharma, Chin. fofa 佛法). I then turn to the main topic: the spread of Chan. -
Beyond Buddhist Apology the Political Use of Buddhism by Emperor Wu of the Liang Dynasty
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography Beyond Buddhist Apology The Political Use of Buddhism by Emperor Wu of the Liang Dynasty (r.502-549) Tom De Rauw ii To my daughter Pauline, the most wonderful distraction one could ever wish for and to my grandfather, a cakravartin who ruled his own private universe iii ACKNOWLEDGEMENTS Although the writing of a doctoral dissertation is an individual endeavour in nature, it certainly does not come about from the efforts of one individual alone. The present dissertation owes much of its existence to the help of the many people who have guided my research over the years. My heartfelt thanks, first of all, go to Dr. Ann Heirman, who supervised this thesis. Her patient guidance has been of invaluable help. Thanks also to Dr. Bart Dessein and Dr. Christophe Vielle for their help in steering this thesis in the right direction. I also thank Dr. Chen Jinhua, Dr. Andreas Janousch and Dr. Thomas Jansen for providing me with some of their research and for sharing their insights with me. My fellow students Dr. Mathieu Torck, Leslie De Vries, Mieke Matthyssen, Silke Geffcken, Evelien Vandenhaute, Esther Guggenmos, Gudrun Pinte and all my good friends who have lent me their listening ears, and have given steady support and encouragement. To my wife, who has had to endure an often absent-minded husband during these first years of marriage, I acknowledge a huge debt of gratitude. She was my mentor in all but the academic aspects of this thesis. -
Empty Cloud, the Autobiography of the Chinese Zen Master Xu
EMPTY CLOUD The Autobiography of the Chinese Zen Master XU YUN TRANSLATED BY CHARLES LUK Revised and Edited by Richard Hunn The Timeless Mind . Undated picture of Xu-yun. Empty Cloud 2 CONTENTS Contents .......................................................................................... 3 Acknowledgements ......................................................................... 4 Introduction .................................................................................... 5 CHAPTER ONE: Early Years ............................................................ 20 CHAPTER TWO: Pilgrimage to Mount Wu-Tai .............................. 35 CHAPTER THREE: The Journey West ............................................. 51 CHAPTER FOUR: Enlightenment and Atonement ......................... 63 CHAPTER FIVE: Interrupted Seclusion .......................................... 75 CHAPTER SIX: Taking the Tripitaka to Ji Zu Shan .......................... 94 CHAPTER SEVEN: Family News ................................................... 113 CHAPTER EIGHT: The Peacemaker .............................................. 122 CHAPTER NINE: The Jade Buddha ............................................... 130 CHAPTER TEN: Abbot At Yun-Xi and Gu-Shan............................. 146 CHAPTER ELEVEN: Nan-Hua Monastery ..................................... 161 CHAPTER TWELVE: Yun-Men Monastery .................................... 180 CHAPTER THIRTEEN: Two Discourses ......................................... 197 CHAPTER FOURTEEN: At the Yo Fo & Zhen Ru Monasteries -
Values in Heritage Management
Values in Heritage Management Values in Heritage Management Emerging Approaches and Research Directions Edited by Erica Avrami, Susan Macdonald, Randall Mason, and David Myers THE GETTY CONSERVATION INSTITUTE, LOS ANGELES The Getty Conservation Institute Timothy P. Whalen, John E. and Louise Bryson Director Jeanne Marie Teutonico, Associate Director, Programs The Getty Conservation Institute (GCI) works internationally to advance conservation practice in the visual arts—broadly interpreted to include objects, collections, architecture, and sites. The Institute serves the conservation community through scientific research, education and training, field projects, and the dissemination of information. In all its endeavors, the GCI creates and delivers knowledge that contributes to the conservation of the world’s cultural heritage. © 2019 J. Paul Getty Trust Library of Congress Cataloging-in-Publication Data Names: Values in heritage management (2017 : Getty Conservation Institute), author. | Avrami, Erica C., editor. | Getty Conservation Institute, The text of this work is licensed under a Creative issuing body, host institution, organizer. Commons Attribution-NonCommercial- Title: Values in heritage management : emerging NoDerivatives 4.0 International License. To view a approaches and research directions / edited by copy of this license, visit https://creativecommons Erica Avrami, Susan Macdonald, Randall .org/licenses/by-nc-nd/4.0/. All images are Mason, and David Myers. reproduced with the permission of the rights Description: Los Angeles, California : The Getty holders acknowledged in captions and are Conservation Institute, [2019] | Includes expressly excluded from the CC BY-NC-ND license bibliographical references. covering the rest of this publication. These images Identifiers: LCCN 2019011992 (print) | LCCN may not be reproduced, copied, transmitted, or 2019013650 (ebook) | ISBN 9781606066201 manipulated without consent from the owners, (epub) | ISBN 9781606066188 (pbk.) who reserve all rights.